Illinois State University ISU ReD: Research and eData

School of Music Programs Music

2-27-2020

Illinois Valley Central High School Wind Ensemble and Symphonic Band, February 27, 2020

Matthew J. Chapman conductor

Marykatheryne E. Kuhne conductor

Marisa A. Miko guest conductor

Follow this and additional works at: https://ir.library.illinoisstate.edu/somp

Part of the Music Performance Commons

Recommended Citation Chapman, Matthew J. conductor; Kuhne, Marykatheryne E. conductor; and Miko, Marisa A. guest conductor, "Illinois Valley Central High School Wind Ensemble and Symphonic Band, February 27, 2020" (2020). School of Music Programs. 4346. https://ir.library.illinoisstate.edu/somp/4346

This Performance Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University Wonsook Kim College of Fine Arts School of Music

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Illinois Valley Central High School Wind Ensemble Matthew J. Chapman, conductor

Symphonic Band Marykatheryne E. Kuhne, conductor Marisa A. Miko, guest conductor

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Center for the Performing Arts February 27, 2020 Thursday Evening 8:00 pm This is the one hundred and first program of the 2019-2020 season. Program

Please silence all electronic devices for the duration of the concert. Thank you.

Illinois Valley Central High School Wind Ensemble

Satiric Dances (1975) Norman Dello Joio (1913-2008)

Blessed Are They (1970) Johannes Brahms (1833-1897)

Continuum (2001) Robert Buckley (born 1946)

The Washington Post March (1889) John P. Sousa ed. Fennell (1854-1932)

Symphonic Band

Kirkpatrick Fanfare (1999) Andrew Boysen, Jr. (born 1968)

Serenade for Band (1961) Vincent Persichetti (1915-1987) I. Pastoral II. Humoreske III. Nocturne IV. Intermezzo V. Capriccio

Joy Revisited (2005) Frank Ticheli (born 1958) Marisa Miko, guest conductor

December Lullaby (2017) Roger Zare (born 1985) Dr. Roger Zare, guest composer

Terpsichorean Dances (2006) Jodie Blackshaw (born 1971)

ASSISTED LISTENING DEVICES Thank you for joining us for today’s performance of the Illinois State University Symphonic Band. We hope that you will enjoy our concert, and that you join us again for future performances here at the ISU School of Music. Please visit http://www.bands.illinoisstate.edu for more information. Thank you for your support!

The Center for the Performing Arts is equipped with an infrared audio amplification system for assisted listening. Headsets and receiver packs are available, free of charge, at the Box Office or by checking with the House Manager. An ID is needed to check out the device and must be returned to the House Manager at the end of the performance. Symphonic Band Program Notes

Andrew Boysen, Jr. is presently a full professor in the music department at the University of New Hampshire, where he conducts the wind symphony and teaches conducting, composition and orchestration. Previously, Boysen served as an assistant professor and Acting Associate Director of Bands at Indiana State University, where he directed the Marching Sycamores, conducted the symphonic band and taught in the music education department. Prior to that appointment, he was the Director of Bands at Cary-Grove (IL) High School and was the music director and conductor of the Deerfield Community Concert Band. He remains active as a guest conductor and clinician, appearing with high school, university and festival ensembles across the United States and Great Britain.

Boysen earned his Doctor of Musical Arts degree in wind conducting at the Eastman School of Music, where he served as conductor of the Eastman Wind Orchestra and assistant conductor of the Eastman Wind Ensemble. He received his Master of Music degree in wind conducting from Northwestern University in 1993 and his Bachelor of Music degree in music education and music composition from the University of Iowa in 1991.

He maintains an active schedule as a composer, receiving commissions from the Herbert Hoover Presidential Library, the Cedar Rapids Metropolitan Orchestra Festival, the Iowa All-State Band, the Rhode Island All-State Band, the Nebraska State Bandmasters Association, and many university and high school concert bands across the United States. Boysen won the International Horn Society Composition Contest in 2000, the University of Iowa Honors Composition Prize in 1991 and has twice won the Claude T. Smith Memorial Band Composition Contest, in 1991 for I Am and in 1994 for Ovations. Boysen has several published works with the Neil A. Kjos Music Company, Wingert-Jones Music and Ludwig Music, including pieces for band, orchestra, clarinet and piano, and brass choir.

Program note provided by the composer:

Kirkpatrick Fanfare was commissioned by Central Missouri State University for the dedication of the James C. Kirkpatrick Library in March 1999. This work has a definite Irish flavor, including a strain of Danny Boy. The "fanfare" features driving rhythms and exciting brass figures, making this dramatic work sure to please both performers and audiences alike.

Vincent Persichetti began his musical life at a young age, first studying the piano, then the organ, double bass, tuba, theory, and composition. By the age of 11 he was paying for his own musical education and helping by performing professionally as an accompanist, radio staff pianist, church organist, and orchestra performer. At the age of 16 he was appointed choir director for the Arch Street Presbyterian Church in Philadelphia, a post he would hold for the next 20 years. During all of this, Persichetti was a student in the Philadelphia public schools and received a thorough musical education at the Combs College of Music, where he earned a degree in 1935 under Russel King Miller, his principal composition teacher.

Starting at the age of 20, he was simultaneously head of the theory and composition departments at the Combs College, a conducting major with Fritz Reiner at the Curtis Institute, and a piano major with Olga Samaroff at the Philadelphia Conservatory. He received a diploma in conducting from the Curtis Institute and graduate degrees from the Philadelphia Conservatory. In 1947 he joined the faculty of the Juilliard School of Music and became the chairman of the Composition Department in 1963.

Persichetti composed for nearly every musical medium, with more than 120 published works. Although he never specifically composed "educational" music, many of his smaller pieces are suitable for teaching purposes. His piano music, a complete body of literature in itself, consists of six sonatinas, three volumes of poems, a concerto and a concertino for piano and orchestra, serenades, a four-hand concerto, a two- piano sonata, twelve solo piano sonatas, and various shorter works. His works for winds ranks as some of the most original and well-crafted compositions in the medium, and his Symphony No. 6 is rightly considered one of the "cornerstones" of the genre.

Program Note from Mark CD "Wind Journey”:

In September 1960, Frank Battisti and the Ithaca High School Band commissioned Persichetti (1915-87) to write a new work for their ensemble. The resulting Serenade for Band was one of 15 serenades Persichetti composed for a variety of instruments (other serenades for winds include #1 for ten wind instruments, #10 for flute and harp, #12 for solo tuba, #13 for two clarinets, and #14 for solo oboe). The serenades are multi-movement, short in length, and feature descriptive titles (the movements of the Serenade No. 11 are entitled Pastoral, Humoreske, Nocturne, Intermezzo, and Capriccio). Other Persichetti works for band include Symphony No. 6, Divertimento, Pageant, Three Chorale Preludes, and Celebrations for Chorus and Wind Ensemble.

Frank Ticheli is an American composer and conductor. His music has been described as being "optimistic and thoughtful" (Los Angeles Times), "lean and muscular" (New York Times), "brilliantly effective" (Miami Herald) and "powerful, deeply felt crafted with impressive flair and an ear for striking instrumental colors" (South Florida Sun-Sentinel). Ticheli joined the faculty of the University of Southern California's Thornton School of Music in 1991, where he is Professor of Composition. From 1991 to 1998, Ticheli was Composer in Residence of the Pacific Symphony, and he still enjoys a close working relationship with that orchestra and their music director, Carl St. Clair.

Ticheli is well known for his works for concert band, many of which have become standards in the repertoire. In addition to composing, he has appeared as guest conductor of his music at Carnegie Hall, at many American universities and music festivals, and in cities throughout the world, including Schladming, Austria, at the Mid-Europe Music Festival; London and Manchester, England, with the Meadows Wind Ensemble; Singapore, with the Singapore Armed Forces Central Band; and numerous cities in Japan, with the Bands of America National Honor Band.

Dr. Ticheli received his doctoral and master’s degrees in composition from The University of Michigan. His works are published by Manhattan Beach, Southern, Hinshaw, and Encore Music, and are recorded on the labels of Albany, Chandos, Clarion, Klavier, Koch International, and Mark Records.

The composer provides the following note:

Joy, and its companion piece, Joy Revisited, are the results of an experiment I have been wanting to try for many years: the creation of two works using the same general melodic, harmonic, and expressive content. In other words, I endeavored to compose un-identical twins, two sides of the same coin -- but with one major distinction: Joy was created with young players in mind, while Joy Revisited was aimed at more advanced players. Thus, Joy is more straightforward than its companion piece. Where Joy sounds a dominant chord (as in the upbeat to measure 10), Joy Revisited elaborates upon that chord with a flourish of 16th notes. While Joy Revisited moves faster, develops ideas further, and makes use of a wider register, Joy is more concise.

Despite these and many more differences between the two works, both come from the same essential cut of cloth. Both were composed more or less simultaneously, and both were born out of the same source of inspiration. In short, Joy and Joy Revisited serve as two expressions of the feelings experienced by one expectant father (who happens also to be a composer) on one wonderfully anxious and exciting day.

Roger Zare has been praised for his “enviable grasp of orchestration” (New York Times) and for writing music with “formal clarity and an alluringly mercurial surface.” He was born in Sarasota, FL, and has written for a wide variety of ensembles, from solo instruments to full orchestra. Often inspired by science, mathematics, literature, and mythology, his colorfully descriptive and energetic works have been performed in five continents by such ensembles as the American Composers Orchestra, the Minnesota Orchestra, the Sarasota Orchestra, the Australian-based Trio Anima Mundi, the Donald Sinta Quartet, and the New York Youth Symphony.

An award winning composer, Zare has received the ASCAP Nissim Prize, three BMI Student Composer Awards, an ASCAP Morton Gould award, a New York Youth Symphony First Music Commission, the 2008 American Composers Orchestra Underwood Commission, a 2010 Charles Ives Scholarship from the American Academy of Arts and Letters, a Copland House Residency Award, Grand Prize in the inaugural China-US Emerging Composers Competition, and many other honors. An active pianist, Zare performed his chamber work, Geometries, with Cho-Liang Lin, Jian Wang, and Burt Hara at the 2014 Hong Kong International Chamber Music Festival. He has been composer in residence at the Chesapeake Chamber Music Festival, the Salt Bay Chamber Music Festival, the Chamber Music Festival of Lexington and currently the SONAR new music ensemble. Zare holds a DMA ('12) from the University of Michigan, where he studied with , Paul Schoenfield, Bright Sheng, and Kristin Kuster. He holds degrees from the Peabody Conservatory (MM '09) and the University of Southern California (BM '07), and his previous teachers include Christopher Theofanidis, , David Smooke, Donald Crockett, Tamar Diesendruck, Fredrick Lesemann, and . Zare currently serves as instructional assistant professor of composition and theory at Illinois StateUniversity.

The composer provides the following program note:

I grew up in Florida and never experienced the harshness or the beauty of winter until I was in my 20s. Now that I have lived farther north for over a decade, I still look forward to seeing the first snowfall each year. It rapidly transforms a bleak autumn landscape into a peaceful and delicate one, covering ragged leafless branches with a rounded cloak of snow. As you listen to this piece, imagine watching the first snow of the season while wrapped in a blanket, sipping hot chocolate next to a crackling fireplace. Throughout December Lullaby, there is an alternation between intimate chamber-like settings and lush full-ensemble textures. Opening with only a solo flute and piano, numerous woodwind and brass solos follow, repeating the flowing melody as more and more instruments join the texture. The middle section is more agitated and grander, with colorful and expansive harmonies. Eventually, the return of the first melody is combined with elements from the middle section, but calmness persists through to the end.

Have you ever played a ‘Blackshaw’ with your wind ensemble? If you have, then you know that a work by this Australian composer-educator is different from the norm. You will also know that it takes you, the Director, on an alternate educational pathway that for some, is a little uncomfortable at first. That said you would also know that it is a surprise package, an audience favourite and presents you the director with interesting conducting challenges. Such is the work of Jodie Blackshaw.

Jodie Blackshaw grew up in the Riverina, NSW, Australia and after completing high school, studied a Bachelor of Music (Composition) with Professor Larry Sitsky at the Australian National University School of Music. Since then, she has worked in a range of schools teaching classroom/instrumental music and conducting ensembles.

Through her teaching, conducting and composing, Blackshaw has passionately searched for a compositional approach to band that offers Directors a product that centres on musical elements other than melody and harmony. In 2006 Jodie won the inaugural Frank Ticheli Composition Contest with her work ‘Whirlwind’ and since then has traveled throughout Australia, the United States, Canada and the UAE as a guest composer and creative music teaching clinician. Highlights of these travels include twice presenting at the prestigious Midwest Clinic in Chicago, the première of her emotionally compelling work, Soulström with the UNT Symphonic Wind Band under the baton of Professor Dennis Fisher and her residency as the Joy Anthony Douglass Visiting Master Teacher at the Crane School of Music, State University of New York (Potsdam).

Program note included in the score:

Michael Praetorius (1571-1621), German composer and archivist, was fanatical about recording the details of the many countries he visited, with a focus on the kind of music and musical instruments he encountered. The culmination of this fascination was his three-volume treatise, Syntagma Musicum, a compendium of information on German music, musical instruments, and performance practice.

But much more well-known today is Praetorius’ 1612 collection of 312 dances from the royal courts of France, known as Terpsichore, named for the Greek muse of dance. These dances were not composed by Praetorius; instead, he recorded and harmonized the melodies into three, four, five, and sometimes even six parts in order to avoid their imminent extinction.

In this setting for concert band, three dances from the collection are featured: Springtanz, (Leaping Dance); Der Lautenspieler, (the Lute Player); and Der Schutzenkönig, (the Archer King). To favor Praetorius’s infatuation with different musical instruments, this setting employs a variety of colors, and features the soloist and sections alike. Performers are invited to play in an animated nature to reinforce the strong sense of pulse required in all dance music. And though the lagerphone was unknown to Praetorius, it is equally a joyous jangle.

Conductor Biographies

Mr. Matthew Chapman is currently the director of bands at Illinois Valley Central High School in Chillicothe, Illinois. He has taught middle school and high school bands for twenty-seven years. The marching band has consistently received high ratings at the state level as well as performing throughout the country. The jazz bands continually receive high ratings at state and regional competitions. The wind ensemble band receive high ratings at contest and collaborate with various state universities. Yearly, several students participate in ILMEA at the district and state level and many pursue a career in music. In 1993, He received a bachelor’s in music education at Illinois State University studying under the late Dr. Edward Livingston and completed his master’s degree in conducting from the American Band College in Ashland, Oregon in 2008. Matthew is a current member of Phi Beta Mu National Fraternity of Band Directors, ILMEA and NAfME. He has been a member of the Prairie Wind Ensemble since 1995 and has soloed with the ensemble several times. Over the years, he has performed with the Jericho Brass Ensemble. He has also guest conducted at the ILMEA District II festival. He has also performed and taught with the Phantom Regiment Drum and Bugle Corps in Rockford, IL. He enjoys spending his free time with his two daughters, Mackenzie, who is a junior pursuing a business degree at ISU (vocal, flutist/bassist) and Michaela, who is a freshman at IVC (bass guitar, vocal, trumpet and French horn).

Marykatheryne E. Kuhne serves as the Assistant Director of Bands at Illinois State University. In addition to conducting and directing the Illinois State University Symphonic Band, her duties include instructing Marching Band, Pep Band, and Basic Conducting. Previous to her appointment, Marykate acquired a Master of Music Degree in Wind Band Conducting and Clarinet Performance from Illinois State University. Throughout her time at ISU, Marykate was a conductor and director of University Band, guest conductor of concert band ensembles, and Teaching Assistant for conducting courses, concert band ensembles, and athletic bands. As a clarinetist, she served as principal of the Wind Symphony, performed two graduate recitals, and participated in various chamber groups.

Marykate attended Indiana University of Pennsylvania, obtaining a Bachelor of Science Degree in Music Education. During her time at IUP, she served “The Legend” as a Drum Major for three consecutive seasons, performed with the Pittsburgh Symphony Orchestra, and played with top chamber groups and ensembles. Marykate is a member of Pi Kappa Lambda Music Honor Society and an honorary member of Tri-M Music Honor Society. Her professional memberships include Women Band Directors International and College Band Directors National Association.

Marisa A. Miko is a first-year graduate student at Illinois State University pursuing degrees in Wind Band Conducting with Dr. Anthony C. Marinello III and Oboe Performance with Mrs. Judith Dicker. Marisa is a teacher’s assistant for Symphonic Winds, University Band, Big Red Marching Machine and oboe section leader in the Wind Symphony. Marisa is an Alfe Moyer and Smith Hildreth scholar who earned a Bachelor of Arts degree in Music Education from North Central College in Naperville, IL. She studied oboe, piano, voice and composition, and was selected as the Outstanding Music Education Major and Outstanding Band Member her senior year. During her studies, Marisa was elected President of the National Association for Music Education collegiate chapter, President of Concert Winds, Librarian for Women’s Chorale, and was a guest conductor for a baccalaureate service. She traveled to Ireland with the Women’s Chorale and toured throughout the country.

Marisa’s professional experience began teaching woodwind lessons and junior high band. She played in pit orchestras for various musicals and operas, a featured oboist with the Chicago Youth Symphony Orchestra, and the Bensenville Tenuto Orchestra. Marisa was a guest conductor for the Plainfield East High School Wind Ensemble and oboist with the Naperville Municipal Band, who celebrated their 160th anniversary last summer.

Prior to Illinois State, Marisa taught PreK-8th grade general music and chorus. She was a guest soprano soloist and continues to sing for numerous churches in the Chicagoland area. Marisa performed with the Naperville Chorus at the National Memorial Day Parade, and Choral Festival in the John F. Kennedy Center for the Performing Arts in Washington D.C.

Illinois Valley Central High School Wind Ensemble Matthew J. Chapman, conductor

Flute Horn Rylee Murnan Sarah Yarbrough Lindsey Cline Isabella Kirgan Dylan Bixby Oboe Brandon West Gavin Neff Trumpet Bassoon Zach West Jacob Prayne Logan Wohlscheid John Horn Clarinet Elias Bergman Emily Bradley Dylan Streck Jaasiel Stauthammer Drew Harms Sara DeBacker Caleb Williamson Trombone Jaelynn Stauthammer Aidan Jones Lexis Schirmer Gunnar Placher Jonah Eckhoff Ajani Baker TJ Krause

Saxophone Euphonium Kirby Miller Aidan Morris Cassie Adcock

Logan Sanders Tuba Bronwyn Jetton Quinton Mills Andrew Webster

Cade Featherstone Percussion Bradyn Taylor Cheyanne Bristol Grace Walenta James Cline

Alli Vangunten Colin Hart Cassidy Earleywine Maculan Rusk

Illinois State University Symphonic Band Marykate Kuhne, conductor

Flute Trumpet Rachel Nulf* Christian McLaughlin* Madeleine Hubbard* Robert Bradish Isaac Rutledge CJ Lewis Hannah Kutchek Julia Ricker Sarah Lange Mike Zahour Bryn Fleming Kendall Eisenhauer Kaitlyn Heistand Karsten Jeppeson Sinclair Roechner Robert Ranz Kaitlyn Wiseman Austin Caraher Grace Zeithammer Lorelai Junkel Savannah Griffin Oboe Katerine Freimuth Maya Zinke Kyle Welling

Clarinet Trombone Danielle Cahue* Emily Rausch* Sarah Hlade Lucas Dahmm Madeleine Renken Eric Johnson Rebecca Starkey Andrew Slayter Grace Reuter Valeska Carillo Sophia Belczak Angel Garay Abbie Eveland Tori Puffer Stefania Puildo Cole Richey (bass) Anna Stewart Andrea Ruiz Euphonium Devon Custer (bass) Matthew Fink* Kahlar Drews Bassoon Nick Filano Tuba Katie Dobbeck* Saxophone Mikaila McCarthy Leslie Castro London Duszynski* Percussion Brianna Moring William Alexander Lauren Siemer Matt Boguslawski Samantha Simmons Laura Hanson Megan Stephens* Emma Kutz Kaci Stromberger Wyatt Onsen* Amidala Soria Horn Nate Wendt Cassidy Fairchild* Laura Reed Piano Katie Novak Rachel Hong Alicia Cruz Jasmine Flores *Denotes section leader

THANK YOU

Illinois State University Wonsook Kim College of Fine Arts

Jean Miller, dean Sara Semonis, associate dean of research and planning Janet Tulley, assistant dean of academic programs and student affairs Nick Benson, coordinator, Center for Performing Arts Steve Parsons, director, School of Music Ann Haugo, director, School of Theatre and Dance Michael Wille, director, Wonsook Kim School of Art Aaron Paolucci, director, Arts Technology Program Kendra Paitz, director and chief curator, University Galleries Stephanie Kohl Ringle, business communications associate Eric Yeager, director, CFAIT

Illinois State University School of Music

A. Oforiwaa Aduonum, Ethnomusicology Marie Labonville, Musicology Allison Alcorn, Musicology Katherine J. Lewis, Viola Debra Austin, Voice Anne McNamara, Trumpet Mark Babbitt, Trombone Shawn McNamara, Music Education Emily Beinborn, Music Therapy Roy D. Magnuson, Theory and Composition Glenn Block, Orchestra and Conducting Anthony Marinello III, Director of Bands Karyl K. Carlson, Director of Choral Activities Thomas Marko, Director of Jazz Studies Renee Chernick, Group Piano Rose Marshack, Music Business and Arts Technology David Collier, Percussion and Associate Director Joseph Matson, Musicology Karen Collier, Violin Paul Nolen, Saxophone Andrea Crimmins, Music Therapy Lauren Palmer, Administrative Aide Peggy Dehaven, Office Support Specialist/Scheduling Stephen B. Parsons, Director Anne Dervin, Clarinet and General Education Adriana Ransom, Cello/String Project/CSA Gina Dew, Music Education Advisor Kim Risinger, Flute Judith Dicker, Oboe Cindy Ropp, Music Therapy Michael Dicker, Bassoon Andy Rummel, Euphonium/Tuba Geoffrey Duce, Piano Tim Schachtschneider, Facilities Manager Ellen Elrick, Music Education Carl Schimmel, Theory and Composition Tom Faux, Ethnomusicology Daniel Peter Schuetz, Voice Angelo Favis, Guitar and Graduate Coordinator Robert Sears, Trumpet Tim Fredstrom, Choral Music Education Lydia Sheehan, Bands Office Administrator Sarah Gentry, Violin Anne Shelley, Milner Librarian David Gresham, Clarinet Matthew Smith, Arts Technology Mark Grizzard, Theory and Choral Music David Snyder, Music Education Christine Hansen, Lead Academic Advisor Ben Stiers, Percussion/Director of Athletic Bands Kevin Hart, Jazz Piano and Theory Thomas Studebaker, Voice Phillip Hash, Music Education Erik Swanson, Jazz Guitar Megan Hildenbrandt, Music Therapy Elizabeth Thompson, Voice Rachel Hockenbery, Horn Tuyen Tonnu, Piano Travis Hoover, Jazz Studies Rick Valentin, Arts Technology Martha Horst, Theory and Composition Justin Vickers, Voice Mona Hubbard, Office Manager Michelle Vought, Voice Aaron Jacobs, Violin Roger Zare, Theory and Composition John Michael Koch, Vocal Arts Coordinator William Koehler, String Bass Band Graduate Assistants MaryKate Kuhne, Assistant Director of Bands Eric Eeg, Marisa Miko, AJ Nemsick, Jacob Okrzesik, Zachary Taylor

Upcoming Events

Friday, February 28 7:30pm Guys and Dolls CPAT

Saturday, February 29 11:00am The Story of Babar the Elephant U. Galleries 2:30pm Guys and Dolls CPAT 3:00pm NAfME sponsored Honor Band concert CPA

Sunday, March 1 2:30pm Guys and Dolls CPAT 5:00pm Afternoon of Brass CPA 7:00pm Guest Artist Recital: Illinois Arts Trio featuring Aaron Jacobs, violin, Amy Catron, cello, and Tatiana Shustova, piano Kemp

Tuesday, March 3 11:00am Alexander Techniques Convocation Hour CPA 7:30pm Guys and Dolls CPAT

Wednesday, March 4 7:30pm Guys and Dolls CPAT

Thursday, March 5 7:30pm Guys and Dolls CPAT

Friday, March 6 7:30pm Guys and Dolls CPAT

March 7 – 15 Spring Break

Friday, March 20 7:30pm Junior Recital: Jessica Bella, mezzo soprano Kemp 8:30pm Junior Recital: Steven Bomar, jazz percussion Kemp

Saturday, March 21 11:00am Bach for Babies U. Galleries 4:30pm Senior Recital: Sophie Remmert, voice Kemp 7:30pm Graduate Recital: Leo Wang, tenor Kemp

Sunday, March 22 3:00pm Concert Choir and Chamber Singers CPA

Monday, March 23 7:00pm Pi Kappa Lambda Induction Kemp

Tuesday, March 24 11:00am Performance Convocation Hour CPA