Everything Now by Arcade Fire
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Indie Mixtape
Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
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Untorsity Mcrofilnis ]Hteniatioiial
UnTOrsity Mcrofilnis ]hteniatioiial 1.0 I f B II* ■s. mil 2.2 Ü: 1^ 2.0 l.l 1.8 1.25 1.4 1.6 MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS STANDARD REFERENCE MATERIAL 1010a (ANSI and ISO TEST CHART No. 2) University Microfilms Inc. 300 N. Zeeb Road, Ann Arbor, MI 48106 INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec tioning the original, beginning at the upper left hand comer and continu ing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or in black and white paper format.* 4. Most photographs reproduce acceptably on positive microfilm or micro fiche but lack clarify on xerographic copies made from the microfilm. -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
A Word from Régine Chassagne at Montreal’S MTELUS*
Our Philosphy KANPE is a We give the poorest communities in the Central Plateau a voice so that they can express their own needs, priorities, and foundation that goals. Our role is to help these communities to be supported by Haitian organizations who bring the complementary skills, brings support to knowledge, tools, and training necessary to provide guidance some of the most on the path to autonomy. Our Approach vulnerable families Haiti is flled with people who have talents and skills in many areas. We work to fnd the best local Haitian organizations in Haiti to help them and talents who can support these communities in attaining their goals in health, nutrition, education, agriculture, entre- achieve fnancial preneurship, and leadership. As a foundation, we ensure that funds are properly distributed autonomy, so that and that projects are carried out with respect for the goals of the community and according to strict norms of good they can “stand up”. governance and transparency. 2 Where KANPE works Baille Tourible Port-au-Prince 3 Since 2011, using an integrated approach on a focused geographical area, KANPE and its partners in Haiti are able to obtain tangible, sustainable results. Health & Nutrition Agriculture • A medical clinic serving over 11,000 • Distribution of bean seeds to 250 residents. We recorded more than farmers. 43,800 visits since opening in 2011. • Distribution of nearly 3,300 farm • More than 1,700 cases of cholera animals. treated since 2011. • Production of 12,000 fruit and • More than 1,000 Malaria tests are forest seedlings (Reforestation performed each year. -
MUSIC MADNESS BRACKETS NAME: Projected Winner
OnRecords' MARCH MUSIC MADNESS BRACKETS NAME: Projected Winner: S ROUND 1 ROUND 2 SWEET SIXTEEN ELITE EIGHT FINAL FOUR FINALIST CHAMPION FINALIST FINAL FOUR ELITE EIGHT SWEET SIXTEEN ROUND 2 ROUND 1 S 1 Kid A – Radiohead Dark Side of the Moon – Pink Floyd 1 16 Hot Fuss – Killers The Joshua Tree – U2 16 8 Is This It? - Strokes It Takes a Nation – Public Enemy 8 9 Rush of Blood - Coldplay Rhythm Nation – Janet Jackson 9 5 In Rainbows – Radiohead IV – Led Zeppelin 5 SINCE 2000 ConFerence 1970's-80's ConFerence 12 College Dropout – Kanye Wish You Were Here – Pink Floyd 12 4 Blueprint – Jay Z Rumours – Fleetwood Mac 4 13 Channel Orange – Frank Ocean Blue – Joni Mitchell 13 6 MBDTF – Kanye West London Calling – The Clash 6 11 White Blood Cells – White Stripes Who's Next – The Who 11 3 Funeral – Arcade Fire Doolittle – The Pixies 3 14 Mama's Gun – Erykah Badu Songs in the Key of Life 14 7 Elephant – The White Stripes What's Going On – Marvin Gaye 7 10 Fade to Black – Amy Winehouse Graceland – Paul Simon 10 2 21 - Adele Thriller – MJ 2 15 Royalty – Childish Gambino Purple Rain – Prince 15 1 Kind of Blue – Miles Davis OK Computer – Radiohead 1 16 Otis Blue – Otis Redding Blue Album – Weezer 16 8 Elvis Presley – Elvis Presley Achtung Baby – U2 8 9 I Never Loved a Man... - Aretha Miseducation of Lauryn Hill 9 5 A Love Supreme – John Coltrane Illmatic – Nas 5 12 Astral Weeks – Van Morrison The Score – Fugees 12 4 Revolver – Beatles Jagged Little Pill – Alanis 4 13 Time Out – Dave Brubeck Christina Aguilera's Self-Titled 13 6 Velvet Underground and Nico What's the Story.. -
“Prospect 3: Notes for Now,” Or P.3, The
Bright Prospects Linda Yablonsky October 31, 2014 Artforum International THERE’S ALWAYS A GOOD REASON to be in New Orleans. Last weekend, the draw was “Prospect 3: Notes for Now,” or P.3, the resonant third edition of the international biennial that Dan Cameron created in 2007, two years after Hurricane Katrina doused city and spirit. Under artistic director Franklin Sirmans, P.3 opened with work by fi fty-eight artists from the Americas, Asia, Europe, and the Middle East planted in eighteen venues around town. On Thursday, October 23, a few visiting dealers and collectors joined a veritable congress of American museum curators to track them down. During a press conference at the Ashé Cultural Arts Center, where Sirmans and P.3 executive director Brooke Davis Ander- son introduced the biennial, the fi rst people I saw were the Mu- seum of Modern Art’s Stuart Comer and Thomas Lax. Spread across the room were the Whitney’s Christopher Lew, Andy Warhol Museum director Eric Shiner, Bronx Museum director Holly Block, and Carnegie Museum curator Dan Byers. The Artist Tavares Strachan Speed Museum curator Miranda Lash, ICA Philadelphia exhibi- tion director Ingrid Schaff ner, and Jewish Museum deputy director Jens Hoff mann would soon appear, along with both Rita Gonzalez and Christine Y. Kim of the Los Angeles County Museum of Art, where Sirmans heads the department of contemporary art. All gave the same reason for being there: “Franklin.” Despite the support, Sirmans seemed nervous when he spoke of the anchors for his citywide show: Walker Percy’s 1961 New Orleans novel of displacement, The Moviegoer; a Gaugin-in-Tahiti painting; and the cultural cannibalism of the early twentieth-century, Brazilian Antropofágico movement. -
The Kanpe Foundation's Manifesto
THE KANPE FOUNDATION’S MANIFESTO - ON THE EVE OF THE 10TH ANNIVERSARY OF THE EARTHQUAKE IN HAITI. January 8th, 2020 (MONTREAL): Every January 12th, for the past 9 years, critiques of the mismanagement of funds allocated to earthquake relief reappear in the news cycle. The Haitian government, NGOs and international actors have been singled out for their inability to efficiently collaborate in crisis management, relocation of displaced citizens or reconstruction of devastated areas. As an organization aiming to help the less fortunate, KANPE has chosen - since its inception - to look beyond specific failures or crises and focus instead on potential successes, by supporting rural communities and accompanying them on their journey towards autonomy. While we recognize the numerous challenges that Haitians still face, we also bear witness to many success stories that go unreported in the media. These significant results are often submerged in unfairly critical coverage of Haiti, as the international community can have a tendency to ignore the country’s rich culture and history. We have made it our priority to share these achievements. And, to celebrate Haiti’s culture while also highlighting the country’s strengths and wealth. The last decade reminded us of the will, courage and determination of Haitians. At KANPE, we work with Haitian communities, partners and experts along with Canadian and American collaborators and donors who, like us, do not give up on seeking out and implementing solutions, despite the crises and injustices affecting the country. Ann vanse! Signatories Dominique Anglade and Régine Chassagne, co-founders of KANPE along with current and former members of its Board of Trustees with friends and collaborators from Canada, the United States and Haiti. -
Annual-Report-2016-2.Pdf
KANPE enables the Our Philosophy most vulnerable The Haitian population, identifying and expressing their own needs, is at the heart of our work. In our Haitian communities role as change agents serving this population, our to achieve financial role is to work with local partners and put in place autonomy so that plans to support their initiatives. they can “stand up”. Our Approach We work with Haitian partner organizations with complementary expertise, each of which brings knowledge, tools, and training necessary to help guide these communities on the path towards autonomy. These organizations have extensive track records and hold a very high level of credibility in their respective fields. Jean-Étienne Pierre and Isaac Pierre, two young members of the marching band, learning their lessons. 2 Since 2010, with the support of local partners, KANPE’s work has yielded significant results in the following fields: Health Education • Support for a medical clinic serving over • Financial support to 13 schools 11,000 residents. of Baille Tourible. • More than 1,500 cases of cholera treated. • Construction of 2 permanent shelters to accommodate 2 small schools. • More than 1,120 malaria tests performed. • Teacher training. Housing Leadership • 550 family homes received materials to conduct renovations and construct latrines. • Creation of a marching band for 45 young students from Baille Tourible. • Distribution of a basic water purification system to each family participating in the • Summer camp for 70 teenagers which Integrated Program. included 10 days of workshops and discussions on subjects like deforestation, Agriculture illiteracy, teenage pregnancy, and youth flight from rural areas. • Distribution of 7,500 pounds of bean seeds to 250 farmers. -
College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
2019 年 12 7 放送分 1. Getting Ready for Christmas Day / Paul Simon
2019 年 12 ⽉ 7 ⽇ 放送分 1. Getting Ready for Christmas Day / Paul Simon // So Beautiful Or So What 2. #9 Dream / John Lennon // Power To The People: The Hits 3. Playing Along / Norah Jones & Tarriona Tank Ball 4. Kay Granpa / Lakou Mizik feat. Tank and The Bangas // HaitiaNola 5. Loumandja / Lakou Mizik feat. Jon Cleary // HaitiaNola 6. Iko Kreyòl / Lakou Mizik feat. 79rs Gang & Regine Chassagne & Win Butler & Preservation Hall Jazz Band // HaitiaNola 7. Let's Stay Together / Tina Turner 8. A Change Is Gonna Come / B.E.F. feat. Tina Turner // Music Of Quality And Distinction Volume 2 9. A Song For You / B.E.F. feat. Mavis Staples // Music Of Quality And Distinction Volume 2 10. Money Don't Grow On Trees / Prince // 1999 (Super Deluxe Edition) 11. How Come U Don't Call Me Anymore? (Take 2) / Prince // 1999 (Super Deluxe Edition） 12. Purple Music / Prince // 1999 (Super Deluxe Edition) 13. Wonderful Remark / Van Morrison // At The Movies 14. I Hear You Paint Houses / Robbie Robertson w. Van Morrison // Sinematic 15. Cavan Potholes / Sharon Shannon & Band // Live in Minneapolis 2019 年 12 ⽉ 14 ⽇ 放送分 1. Where The Streets Have No Name (live) / U2 // The Joshua Tree Singles - Remastered and Live 2. Questions / Echo In The Canyon Feat. Jakob Dylan & Eric Clapton // Echo In The Canyon: Original Motion Picture Soundtrack 3. I Just Wasn't Made For These Times / Echo In The Canyon Feat. Jakob Dylan & Neil Young // Echo In The Canyon: Original Motion Picture Soundtrack 4. Sweet Thing / Van Morrison // Astral Weeks 5. Truckin’ / Grateful Dead // American Beauty 6.