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2016 3Rd Quarterly Report
Muscogee (CREEK) Oration Executive Office July 26, 2016 Speaker Lucian Tiger and Members ofthe Muscogee (Creek) National Council: We are pleased to present the Muscogee (Creek) Nation Executive Branch FY 2016 Third Quarterly Report. The report includes information from the previous quarters and our goal is to continue this format to allow our citizens to see areas where improvement has been made, and measure our improvements this year. We appreciate our staff and the Nation departments for their hard work in compiling this report. It is a great honor to serve the people of this great Nation. We welcome further input from the staff and from the National Council to prepare future reports that reflects an even better job of providing information. I believe it is our responsibility to keep the traditional values and our ancestors' sacrifices alive for generations to come. "It's about the People" Mvto! James R. Floyd Principal Chief P. O. Box 580 Okmulgee, OK 74447-0580 1-800-482-1979 FY 2016 THIRD QUARTERLY REPORT April 1, 2016 - June 30, 2016 Table of Contents DEPARTMENT OF THE TREASURY Ruby Booker, Acting Controller Page 1 DEPARTMENT OF JUSTICE Kevin Dellinger, Attorney General Page 2 DEPARTMENT OF THE ADMINISTRATION Judy Haumpy, Tribal Administrator Page 3 DEPARTMENT OF HEALTH Shoneen Alexander-Ross, Acting Secretary of Health Page 7 DEPARTMENT OF COMMUNITY & HUMAN SERVICES Neenah Tiger, Secretary of Community & Human Services Page 12 DEPARTMENT OF EDUCATION, EMPLOYMENT AND TRAINING Gregory Anderson, Secretary of Education, Employment -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
A Letter from the Publisher
Vol. 2, Issue 54 August 19, 2015 A Letter from the Publisher Shekóli. The creative arts sometimes look glamorous from For Mekko, Harjo used real locations and a mix of actors afar, but the reality can be quite different. Writers write, and street people. His eclectic inspirations include a pho- actors act, and artists paint, draw or sculpt—even if there to series done in the 1950s of homeless Natives in Tulsa is no audience or paycheck at the end of the production. called “Street Chiefs,” and Stroszek, a cinéma vérité entry When creative people are blessed with talent and drive, by Werner Herzog. Most important, Harjo is bent on they pursue their interests regardless of the cold hard showcasing his independently produced work to appre- costs. For filmmakers, the effort is sometimes too great: ciative audiences and continues to prove himself as one Gathering people and resources to engage in such an in- of the most resourceful artists working in moving pictures volved, collaborative venture as a movie takes more than today. “As far as the future, I don’t know, man,” he says. “I vision and experience. Persistence and confidence play a think I’ll end up just trying ride the wave of making films hand as well. for theaters until they lock me up in an insane asylum or something.” One might say the deck is stacked even more for Native filmmakers. However, year in and year out our brilliant While the manner in which Natives are portrayed in directors manage to produce some of the finest works in modern movies and TV can be maddening, Harjo is any- the country, even as Hollywood turns a blind or jaun- thing but crazy. -
Challenge Bowl 2020
Notice: study guide will be updated after the December general election. Sponsored by the Muscogee (Creek) Nation Challenge Bowl 2020 High School Study Guide Sponsored by the Challenge Bowl 2020 Muscogee (Creek) Nation Table of Contents A Struggle To Survive ................................................................................................................................ 3-4 1. Muscogee History ......................................................................................................... 5-30 2. Muscogee Forced Removal ........................................................................................... 31-50 3. Muscogee Customs & Traditions .................................................................................. 51-62 4. Branches of Government .............................................................................................. 63-76 5. Muscogee Royalty ........................................................................................................ 77-79 6. Muscogee (Creek) Nation Seal ...................................................................................... 80-81 7. Belvin Hill Scholarship .................................................................................................. 82-83 8. Wilbur Chebon Gouge Honors Team ............................................................................. 84-85 9. Chronicles of Oklahoma ............................................................................................... 86-97 10. Legends & Stories ...................................................................................................... -
May Newsletter
NASNTI NEWS Seminole State College NASNTI May 2019 August 2019! NASA Commander, Dr. John Herrington to speak at Seminole State College! Seminole State welcomes Commander, Dr. John Herrington as a guest speaker during SSC welcome week festivities, Thursday, August 15th in the Jeff Johnston Auditorium! (Time to be announced soon). Born September 14, 1958, in Wetumka, Oklahoma, Commander John Herrington grew up in Colorado Springs, Colorado; Riverton, Wyoming and Plano, Texas. He graduated from Plano Senior High School, Plano, Texas, in 1976; received a Bachelors of Science Degree in Applied Mathematics from the University of Colorado at Colorado Springs in 1983, and a Masters of Science Degree in Aeronautical Engineering from the U.S. Naval Postgraduate School in 1995. He received a PhD. in Education from the University of Idaho in 2014. Commander, Dr. John Herrington’s many Selected by NASA in April 1996, Herrington reported to the Johnson awards include, Wiley Post Spirit award, Space Center in August 1996. He completed two years of training and Oklahoma Aviation and Space Hall of evaluation and was qualified for flight assignment as a mission Fame Inductee, Chickasaw Hall of Fame Inductee, Lifetime Achievement Award, - specialist. Initially, Herrington was assigned to both the Shuttle and Dreamcatcher Charitable Foundation, International Space State Branches in support of Guidance National Native American Hall of Fame Navigation and Control systems. Inductee and the Inaugural Drum award for Health and Science. Herrington was also assigned to the Flight Support Branch of the Astronaut Office where he served as a member of the Astronaut Support Personnel team responsible for Shuttle launch preparations and post -landing operations. -
Visions of Death in Contemporary Native American Cinema
Ghost Dance: Visions of Death in Contemporary Native American Cinema Jennifer L. McMahon East Central University This essay examines the preoccupation with mortality in five feature films written and directed by Native Americans, namely, Four Sheets to the Wind (2007), Smoke Signals (1998), Skins (2002), Barking Water (2009), and Goodnight Irene (2005). In particular, it demonstrates that these recent films have a thematic preoccupation with mortality, one that may be occasioned by the fact the Native Americans currently exper- ience disproportionately high mortality, disease, and poverty rates relative to their Caucasian counterparts. In his major work Being and Time (1927), existential philosopher Martin Heidegger (1889-1976) asserts that while they don’t always exhibit it openly, humans are characterized by concern for being, particularly their own (40). Moreover, he argues that what concerns people most about their being is mortality (216). Indeed, Heidegger goes so far as to claim that all specific empirical fears and existential anxiety generally, are anchored in our awareness of death, an awareness that is initially visceral (174). Anxiety is, in fact, no more than visceral cognizance of the perilous and impermanent nature of our being. This visceral awareness catalyzes the development of a conceptual awareness of death (or formal death-related thought), which ironically heightens anxiety. As Heidegger explains, the unpalatable effect of formal thought about death, coupled with the inescapability of anxiety, drives most people to live their lives in a state of denial of death, or what he describes as “inauthenticity” (40). Interestingly, contemporary social psychology has confirmed many of Heidegger’s assertions regarding death anxiety and its management. -
Forecast 1954
. UTRIGGER CAN0E CLUB JUNE FORECAST 1954 ‘'It’s Kamehameha Day—Come Buy a Lei" (This is a scene we hope will never disappear in Hawaii.) flairaii Visitors Bureau Pic SEE PAGE 5 — ENTERTAINMENT CALENDAR Fora longer smoother ride... Enjoy summer’s coolest drink. G I V I AND Quinac The quickest way to cool contentment in a glass . Gin-and-Quinac. Just put IV2 ounces of gin in a tall glass. Plenty of ice. Thin slice of P. S. Hnjoy Q u in a c as a delicious beverage. Serve lemon or lime. Fill with it by itself in a glass with Quinac . and you have an lots of ice and a slice of easy to take, deliciously dry, lemon or lime. delightfully different drink. CANADA DRY BOTTLING CO. (HAWAII) LTD. [2] OUTRIGGER CANOE CLUB V o l. 13 N o. « Founded 190S WAIKIKI BEACH HONOLULU, HAWAII OFFICERS SAMUEL M. FULLER...............................................President H. VINCENT DANFORD............................ Vice-President MARTIN ANDERSON............................................Secretary H. BRYAN RENWICK..........................................Treasurer OIECASI DIRECTORS Issued by the Martin Andersen Leslie A. Hicks LeRoy C. Bush Henry P. Judd BOARD OF DIRECTORS H. Vincent Danford Duke P. Kahanamoku William Ewing H. Bryan Renwlck E. W. STENBERG.....................Editor Samuel M. Fuller Fred Steere Bus. Phone S-7911 Res. Phone 99-7664 W illard D. Godbold Herbert M. Taylor W. FRED KANE, Advertising.............Phone 9*4806 W. FREDERICK KANE.......................... General Manager CHARLES HEEf Adm in. Ass't COMMITTEES FINANCE—Samuel Fuller, Chairman. Members: Les CASTLE SW IM -A. E. Minvlelle, Jr., Chairman. lie Hicks, Wilford Godbold, H. V. Danford, Her bert M. -
Film Front Weimar’ 30-10-2002 14:10 Pagina 1
* pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3 -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Debut of the Andrea Doria
9ieLOOKOUT HERE IS A VERY PLEASANT WAY to make a contribution to our funds while actually spending money for your own needs. The Institute has been invited The Lookout to share in the proceeds of Lewis & Conger's annual " Name-Your-Own-Charity VOL. XLIV February, 1953 NO. 2 Sale, " which lasts throughout the month of March. When you make purchases at their store, located at Sixth Avenue and 45th Street, please mention the Seamen's Church Institute of New York and we will receive from the store / ' 1 0"10 of the total amount you spent for your own needs. Please tell your .",; t,;. friends about it. ," -d 'O r --- !l-~ - <I " ,. / '" .. .. ;/1 )j # .. .fr ' ~ .- " 'i~ t~ ':", ...... - At ~ '-.. 1llllim! !. int' Ph M(} VOl. XLIV FEBRUARY. 1953 Th e Andrea Dorio decked out for her debut, Copyright 1953 by the Seamen's Church Instit.ute of /\' ew rork Debut of the Andrea Doria $ 1.00 per year Wc per copy Published Monthly Gifts of $5.00 per year and over include a year's subscription ROrDLY bearing the distinction of automatic depth ounding meler and an a transatl antic first: an "emerald electronic eye \ hich gives her a \' i!'i ibilily CLARENCE G. MlCHALlS THOMAS ROBERTS P President Secretary and Treasurer liled sw imming pool" for each passenge r of 40 miles under any co ndilions. Her REV. RAYMOND S. HALL, D.O. TOM BAAB cia s- a splendid blow Ior democracy two groups of turbi nes and twi n 18-lon Director Editor the S .5. Andrea Doria of the Ita li an Li ne propell ers cul a 50,000 h.p. -
Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research
Testo Reference Gilcrease Museum Tulsa, Oklahoma Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research. Gilcrease Museum Gilcrease Museum in Tulsa, Oklahoma specializes in the Thomas Gilcrease had a great affinity for the native American history of the American West with collections of Western culture he experienced as a child. His family moved to live on and Native American art. The museum has a collection of the Creek Nation’s tribal land, and in 1899, as a 9-year-old, he over 350,000 pieces including in excess of 12,000 paintings, was enrolled on the Creek Nation tribal rolls. Thomas Gilcrease drawings and prints plus more than 250,000 archeological gained a great wealth later in life when he discovered oil on his objects. Many art objects are made of organic materials: allotment. He never forgot his childhood and became an avid a Native Chief’s headdress, textiles or Western prints/ collector of Native American artifacts and cultural objects. drawings are very fragile and require a reliable system of His passion was extended to Western art and historical artifacts environmental monitoring to provide a continuous flow of related to the settlement of the West. Thomas Gilcrease started data for further analysis in a specialized software. Testo with storage buildings for his art collections at the present Saveris 2 WiFi temperature and humidity loggers are used museum site and in 1955 transferred his collections to the throughout the Museum and the Helmerich Center for City of Tulsa. Gilcrease Museum is managed by The University American Research to provide environmental records.