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The Art of Thinking Clearly
For Sabine The Art of Thinking Clearly Rolf Dobelli www.sceptrebooks.co.uk First published in Great Britain in 2013 by Sceptre An imprint of Hodder & Stoughton An Hachette UK company 1 Copyright © Rolf Dobelli 2013 The right of Rolf Dobelli to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. A CIP catalogue record for this title is available from the British Library. eBook ISBN 978 1 444 75955 6 Hardback ISBN 978 1 444 75954 9 Hodder & Stoughton Ltd 338 Euston Road London NW1 3BH www.sceptrebooks.co.uk CONTENTS Introduction 1 WHY YOU SHOULD VISIT CEMETERIES: Survivorship Bias 2 DOES HARVARD MAKE YOU SMARTER?: Swimmer’s Body Illusion 3 WHY YOU SEE SHAPES IN THE CLOUDS: Clustering Illusion 4 IF 50 MILLION PEOPLE SAY SOMETHING FOOLISH, IT IS STILL FOOLISH: Social Proof 5 WHY YOU SHOULD FORGET THE PAST: Sunk Cost Fallacy 6 DON’T ACCEPT FREE DRINKS: Reciprocity 7 BEWARE THE ‘SPECIAL CASE’: Confirmation Bias (Part 1) 8 MURDER YOUR DARLINGS: Confirmation Bias (Part 2) 9 DON’T BOW TO AUTHORITY: Authority Bias 10 LEAVE YOUR SUPERMODEL FRIENDS AT HOME: Contrast Effect 11 WHY WE PREFER A WRONG MAP TO NO -
Brotherton Library Nineteenth-Century Playbills Handlist of Playbills of the Nineteenth Century Given to the Library by Mrs Blan
Brotherton Library Nineteenth-Century Playbills Handlist of playbills of the nineteenth century given to the Library by Mrs Blanche Legat Leigh (died 194 5) and Professor P.H. Sawyer. The collection is shelved in Special Collections: Theatre: Playbills Contents Pages 1-7: 1-65: Given by Mrs Leigh Pages 8-9: 66-75: Given by Professor Sawyer Pages 10-2 9: Index of Authors, Titles and actors 1 -65: Playbills given by Mrs Leigh 1. 7th Feb. 1806. Theatre Royal, Drury Lane. The Travellers; or, Music's Fascination, by Andrew Cherry (17 62 -1812). Three Weeks after Marriage, by Arthur Murphy (1727-1805), 2. 14th Feb. 1807. Theatre Royal, Drury Lane. The Jealous Wife, by George Colman the elder (1732-94); Tekeli; or, The Siege of Montgatz, by Theodore Edward Hook (17 88-1841). 3. 10th Nov. 1808. Theatre Royal, Drury Lane. The Siege of St. Quintin; or, Spanish Heroism, by T . E. Hook; : The Spoil'd Child, by Isaac Bickerstaffe (173 5-1812), 4. 24th July, 1810. Lyceum Theatre, English Opera. The Duenna, by Richard Brinsley Sheridan (1751- 1816); Twenty Years Ago! by Isaac Pocock (17 82 -183 5). 5. 1st April, 1811. King's Theatre, Haymarket. The Earl of Warwick. .6. 10th Oct. 1812. Theatre Royal, Drury Lane. Hamlet, Prince, of Denmark, by William Shakespeare (1564 -1616); The Devil to Pay; or, The Wives Metamorphosed, by Charles Coffey (d.1745) and John Mottley (1692-1750). 7. 25th May, 1813. Theatre Royal, Covent Garden. The Gameste; by Mrs Susannah Centlivre (1667-1723); The Devil to Pay, by C. Coffey and J. -
Wheel of Fortune® Draw 4, 12.7.2017
WHEEL OF FORTUNE® DRAW 4, 12.7.2017 WEBSITE WINNERS LIST Prize Tier First Name Last Name City State MERCHANDISE PRIZE GIFT AHMAD ABDELWAHHAB SAN ANTONIO TX MERCHANDISE PRIZE GIFT ROBERT ABELL FORT WORTH TX MERCHANDISE PRIZE GIFT JAMAL ABOUSAADA MANOR TX MERCHANDISE PRIZE GIFT ELLIS ABRAHAM COLLEGE STATION TX MERCHANDISE PRIZE GIFT BIJOMON ABRAHAM STAFFORD TX MERCHANDISE PRIZE GIFT JOSE ACOSTA AUSTIN TX MERCHANDISE PRIZE GIFT ELIDA ACOSTA CRANE TX MERCHANDISE PRIZE GIFT ABEL ACOSTA DALLAS TX MERCHANDISE PRIZE GIFT PATRICK ADAMS HOUSTON TX MERCHANDISE PRIZE GIFT MARK ADDINGTON FORT WORTH TX MERCHANDISE PRIZE GIFT AMIN ADMANI IRVING TX MERCHANDISE PRIZE GIFT DEBRA ADRIAN MCALLEN TX MERCHANDISE PRIZE GIFT JOHN AGUIAR AUSTIN TX MERCHANDISE PRIZE GIFT TERI AGUILAR LUBBOCK TX MERCHANDISE PRIZE GIFT SARA AGUILLON FREER TX MERCHANDISE PRIZE GIFT PATSY AIKENS WATAUGA TX MERCHANDISE PRIZE GIFT CARRIE ALAFA ANDERSON TX MERCHANDISE PRIZE GIFT WES ALBANESE TEMPLE TX MERCHANDISE PRIZE GIFT FRANCES ALEXANDER HUMBLE TX MERCHANDISE PRIZE GIFT TIM ALEXANDER ROANOKE TX MERCHANDISE PRIZE GIFT MANSOOR ALI SAN ANTONIO TX MERCHANDISE PRIZE GIFT SUMERA ALI SPRING TX MERCHANDISE PRIZE GIFT TORREY ALLEN COLUMBUS TX MERCHANDISE PRIZE GIFT WILLIAM ALLEN CONVERSE TX MERCHANDISE PRIZE GIFT ROGER ALLEN EL PASO TX MERCHANDISE PRIZE GIFT VICTOR ALLEN EL PASO TX MERCHANDISE PRIZE GIFT CASSANDRA ALLEN FORT WORTH TX MERCHANDISE PRIZE GIFT SHIELA FREEMAN ALLEN GRAND PRAIRIE TX MERCHANDISE PRIZE GIFT JAMES ALLEN MAGNOLIA TX MERCHANDISE PRIZE GIFT DOUG ALLEN ODESSA TX MERCHANDISE -
The School for Scandal
*^**f*M»**rtiM«*'M»«' CORNELL UNIVERSITY LIBRARY Cornell University Library PR 3682.S3 1891 The school for scandal, 3 1924 013 198 134 Date Due OECJJ 1955 H 8 VL MM-fr^m^Ww^ r £0 8 1965 E & —MAR 5 mj i i§ W i 1 1 950 K p IwWW^^ IJ»JJ H 1 Mii^^fcga ir i »1 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013198134 THE School for Scandal A COMEDY IN FIVE ACTS RICHARD BRINSLEY SHERIDAN REMODELLED AND ARRANGED BY AUGUSTIN DALY First Produced at the Fifth Avenue Theatre, September 12th, 1874 Reproduced at Daly's Theatre, January 20, 1891 AND here Printed from the Prompter's Copy PRINTED FOR MR. DALY 5. ^ u i I III III A.5?3oi.? Entered, according to Act of Congress, in the year 1874, by Mr. AUGUSTIN DALY at the Office of the Librarian of Congress, at Washington, D. C. A FEW REMARKS ON The School for Scandal. WILLIAM WINTER. Although genius is elemental, and therefore is not created by circum- stances, it is certain that circumstances exert an important influence upon its drift, and upon the channels and methods of its expression. Sheridan —whose father was an actor and whose mother was a dramatist, and who was born at Dublin in 1751, and trained at Harrow School from 1762 till 1769, when he went to reside with his father at Bath—came upon the scene at a period when English fine society was in an exceedingly artifi- cial condition; and this prevalent artificiality of manners, as experience subsequently proved, was destined to increase and to prevail during the whole of his career [he died in 18 16], and not to decline until after the death of George the Fourth, in 1830. -
PDF Download the School for Scandal and Other Plays 1St Edition
THE SCHOOL FOR SCANDAL AND OTHER PLAYS 1ST EDITION PDF, EPUB, EBOOK Richard Brinsley Sheridan | 9780199540099 | | | | | The School for Scandal and Other Plays 1st edition PDF Book The Erotic Poems. More information about this seller Contact this seller 9. More information about this seller Contact this seller 3. The play itself is an amusing comment on society and it's obsession with surfaces, to the extent in which two characters are known as the Surface brothers. Francis Bacon. Joseph now reveals Lady Sneerwell. Richard Brinsley Sheridan. Lampooning Sir Fretful Plagiary's absurdly bombastic historical drama during its confused stages of production, its satire never fails to delight. American Enchantment Michelle Sizemore. Rowley, the former steward of the Surfaces' late father, arrives, and Sir Peter gives him an earful on the subject. The film is presumed to be lost. Retrieved 17 March Thanks for telling us about the problem. Please try again later. Luigi Pirandello. Please contact us for details on condition of available copies of the book. It professes a faith in the natural goodness as well as habitual depravity of human nature. Samuel Barber composed his first full orchestral work as an overture programmed for the play. England Social life and customs 18th century Drama. Error rating book. The Beach of Falesa. The Portable Chaucer. Search Within These Results:. Miraculous Plagues Cristobal Silva. Premium" that very evening. HarperCollins Publishers. United Kingdom. The "Screen Scene" is the key moment. Scene I : Charles goes on to sell all of the family portraits to "Premium", using the rolled-up family tree as a gavel. -
HEADLINE NEWS • 8/13/07 • PAGE 2 of 8
Salute the Sarge Takes Best Pal ...p. 4 HEADLINE For information about TDN, call 732-747-8060. NEWS www.thoroughbreddailynews.com MONDAY, AUGUST 13, 2007 MERV GRIFFIN DEAD SAOIRSE SHOCKER Entertainment icon and prominent horse owner Merv Jim Bolger has already made headlines this year with Griffin died Sunday morning of prostate cancer. He was a daughter of Mr. Greeley in Finsceal Beo (Ire) and he 82. Griffin had successfully battled the disease for the unleashed another burgeoning starlet by Gainesway’s better part of 11 years, resident in Saoirse Abu in yesterday’s G1 Independent but was admitted to Ce- Waterford Wedgwood Phoenix S. at The Curragh. Sent dars Sinai Hospital in Los off at 25-1 in first-time blinkers, the chestnut toughed Angeles last month and it out up front and drew on extra reserves to forge a took a turn for the worse length victory from likely defeat as Henrythenavigator a few days ago. Among (Kingmambo) swooped. “She is a different type of Mr. the horses campaigned Greeley,” her trainer commented when asked for a by the creator of the hit comparison with Finsceal Beo. “This is a soft-ground game shows Jeopardy! one, although she doesn’t have to have it soft and she and Wheel of Fortune is brave.” Video, courtesy attheraces.com Cont. p3 was Stevie Wonderboy, the son of Stephen Got THE MAIN MAN Even who was awarded Few horses who stamp their class on the best an Eclipse Award after middle-distance contests can do the same at the top capturing the 2005 re- level over a mile, but Manduro (Ger) (Monsun {Ger}) Merv Griffin 1926 - 2007 newal of the GI Breeders’ achieved the formidable feat in style yesterday when Horsephotos Cup Juvenile (click here collecting Deauville’s G1 Prix du Haras de Fresnay-le- for video of race and in- Buffard-Jacques le Marois. -
Portland Daily Press: January 20, 1876
PORTLAND DAILY PRESS. ESTABLISHED JUNE 23, 1S62.-V0L. THURSDAY 13._PORTLAND MORNING, JANUARY 20, 1876. T^RMS $8.00 PER ANNUM, IN ADVANCE THE PORTLAND DAILY PRESS, BUSINESS CARDS. STOVES. The World sums the the Demo- scheme in JNtlSCELLiiNEOUS. up good empirical place of it. The pay- cylinder roll being adjusted over it, and then Published the THE PEESS. cratic in the House ment is to he but fresh every day (Sundays excepted) by majority have done. postponed, promises submitted to the pressure, the roll being The is to pay are to be issued. It is in this PORTLAND PUBLISHING CO., showing presumably the best that can spirit moved backward and forward until it has re- Richardson & Boynton’s that the Democrats hope to tide over their be and it is no ceived an of the At 109 Exchange St., Portland. dTwTfessendeiy, THURSDAY MORNING, JAN. 20, 1870 made, by means brilliant, present troubles. Will the public be satisfied impression original plate. The PUBLIC REPORT is it roll again hardened and made to as Terms : Dollars a Tear in advanco. To nere is: First, the Democrats elected with that ? We only know that it oiujht not repeat Eight — — mail a Tear it in ad- at OF A to times as desired the subscribers Seven Dollars paid Attorney Law, their best man the be. The Republicans would lead them to many original engraving vance. We do not read auouyiuooa letters and communi- speaker; second, speaker iron hard and solid Democrats to means of a IN a list of excellent ground—the by simply transfer-press. -
Fire Agencies Issue Burn Ban Firefighters Continue to Face Chal- HILARY DORSEY Lenges with the Pace of Current Fire [email protected] Season
School mask Work in mandate progress opposition Page A2 Page A3 Wednesday, .50 August 18, 2021 $1 thechronicleonline.com Serving Columbia County since 1881 Fire agencies issue burn ban Firefighters continue to face chal- HILARY DORSEY lenges with the pace of current fire [email protected] season. “We can’t control the weather JEREMY C. RUARK or fire starts from lightning,” Hirsch [email protected] said, “We can and we must prevent how many human-caused fires we Columbia County has moved add to the landscape.” to Extreme Fire Danger, and all ODF’s Chief of Fire Protection outdoor burning is now closed, Doug Grafe said the mix of heat, according to the Columbia County lightning and low humidity contin- Fire District Board, which issued ues to heighten the danger. the burn ban Aug. 12. “We have, along with the chal- All open burning is prohibited, lenging temperatures, likelihood even in Columbia County parks, of lightning,” Grafe said. “That’s a including recreational campfires, difficult forecast for us with lower portable propane/patio fireplaces, humidity on top of the ongoing and charcoal BBQ’s. drought.” “Anytime we go to an extreme Fire agency officials said the fire danger, it is definitely serious,” days ahead mean everyone must be Columbia River Fire & Rescue wildfire aware. District’s Rainier Station Battalion “We as the general public are Chief Jerry Cole said. “We know probably the number one helper in this inconveniences people with rec- this,” Oregon Fire Marshal Mariana reational fires, but it is for the best.” Ruiz-Temple said. “We have a role.” According to Cole, everyone Oregon Office of Emergency needs to be vigilant during such Management Director Andrew extreme fire danger. -
Revision of the Atcherley Modus Operandi System August Vollmer
Journal of Criminal Law and Criminology Volume 10 | Issue 2 Article 13 1919 Revision of the Atcherley Modus Operandi System August Vollmer Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation August Vollmer, Revision of the Atcherley Modus Operandi System, 10 J. Am. Inst. Crim. L. & Criminology 229 (May 1919 to February 1920) This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. REVISION OF TBiUE ATCHERLEY MOD-US OPERANDI SYSTEM AUGUST VOLLMER' An old officer in the police service once said, "There is a clew to every crime. Finding the clew proves that you are working, and not playing in your chosen profession." There is a clew to every crime. The most important and easiest to get, though more often over- looked than found. That clew is the method employed by the criminal in securing his ill-gotten loot. Experienced investigators are alive to the fact that professional criminals are specialists and seldom deviate from their individual methods of attack. Accordingly, they narrow the scope of their investigation, and consider only the criminals likely to commit the kind of offense which has been assigned them for in- vestigation, and some investigators are often able to fix responsibility for the crime in a comparatively short time, due to their knowledge of individual methods of criminal operations. -
An Exhibition Curated by History of Art MA Students 4 May to Autumn 2018
An exhibition curated by History of Art MA students 4 May to Autumn 2018 In Character: Laurence Olivier and Vivien Leigh, 1937 - 1973 Introduction Laurence Olivier and Vivien Leigh were amongst the biggest names in British theatre and film in the twentieth century. After meeting in 1937, the couple began a passionate love affair which resulted in a marriage that spanned two decades. During and after marriage they continued to have successful careers on stage and screen collaborating together on many productions, including A Streetcar Named Desire (1949), The School for Scandal (1949) and Macbeth (1955). While their acting made the duo’s roles iconic, the costumes designed for them to wear on stage further consolidated their illustrious theatrical stature. The University of Bristol Theatre Collection holds a fascinating array of objects related to Olivier and Leigh, which reveal the relationship between actor, character, and costume, as well as the close relationships they shared with costume designers. Through a display of photographs, illustrations, and costume pieces, we see the inventiveness and skill behind the illuminating designs which bridge the gap between actor and character. With the help of designers such as Oliver Messel, Cecil Beaton, Doris Zinkeisen and Julia Trevelyan Oman, Olivier and Leigh completed their transformations to become ‘in character’. 2 Biographies Laurence Olivier (1907 - 1989) is perhaps the best-known stage actor of the twentieth century. He began his West End acting career in the 1930s and by the end of the decade he had established himself as a star of both stage and screen. He had tremendous range and was celebrated for his portrayals of classic roles such as Hamlet and Richard III, and for his less conventional roles, such as sleazy vaudeville comedian, Archie Rice, in The Entertainer (1957). -
The Book of Fortune Paris
BIBLIOTHEQUE INTERNATIONALE DE L'ART THE BOOK OF FORTUNE PARIS. — IMPRIiMERlE DE L'ART J. ROUAM, 1 MIMU M h;U K-lJblTEU R, 4I, R U t I) hJ LA VlCTOlRE EDITION AT 200 EXAMPLES Example 71° BIBLIOTHEQUE INTERNATIONALE DE L'ART THE BOOK OF FORTUNE TWO HUNDRED UNPUBLISHED DRAWINGS BY JEAN COUSIN Reproduced from the original manuscript in the Library of the Institute of France WITH INTRODUCTION AND NOTES BY LiUDoviG L .A- x-i .A- iisr 3sr e: TRANSLATED BY H. MAINM^ARING DUNSTAN LIBRAI RIE DE L'ART PARIS ET LONDON 33, AVENUE DE l'opERA, PARIS 134, NEW BOND STREET, LONDON J. ROUAM, IMPRIMEUR-EDITEUR REMINGTON AND Co, PUBLISHERS I 883 few years ago, while looking over various manu- Institute, scripts preserved in the Library of the it was palpable I chanced upon a book to which possibly that but little attention had been paid, attractive. because its exterior was certainly not calf and It was a quarto volume bound in brown For- in very bad condition. Its title, Emblemata allegorical works tumv, seemed to point to its being one of those tedious most celebrated of which so much in vogue in the sixteenth century, the In it I was agreeably surprised. is that by Alciat'. But on opening prepared to find, it con- addition to the Latin te.xt which I was quite to the French tained two hundred drawings belonging unmistakeably that they School, and a mere glance over them sufficed to show ready for the possessed a high artistic value. The MS. -
'Scandalous Satins': an Investigation of Lady Teazle's Dress from Herbert
‘Scandalous Satins’: An Investigation of Lady Teazle’s Dress from Herbert Beerbohm Tree’s 1909 and 1912 productions of The School for Scandal Lydia Edwards These graceful fashions of early Georgian days are far removed from the most elegantly draped dresses of the twentieth century … [therefore] it is ... almost impossible ... that any serious attempt can be made to revive dresses of the early Georgian period without at the same time returning to the leisured courtesies, the studied movements, and the spacious apartments of those bygone days. Westminster Gazette, 14 April 19121 Herbert Beerbohm Tree (1852-1917) was a pillar of the late Victorian and Edwardian stage, famous for both his flamboyant character acting and his management of Her/ His Majesty’s Theatre in London.2 Known for both conventional and experimental drama, Tree staged plays which featured many historical eras and wildly varying themes, from Shakespearean tragedy to modern comedies. To a large extent, the success of these plays depended upon the beauty of the stage tableaux, or the manner in which scenery was displayed to create a series of ‘living pictures’. Surviving stage photographs of these productions seem to show straightforward representations of a given historical period, but on closer inspection it becomes clear that they were heavily influenced by contemporary fashion — overwhelmingly so in the case of costume. While there is a wealth of information on Tree’s productions from the point of view of theatrical, performance and literary history, practically no scholarly work has been undertaken from the perspective of the fashion and art historian. The research in this article originated in a doctoral thesis focusing on Historical Realism and historical ‘accuracy’ in Tree’s stage costumes, and focuses on the importance of employing a ‘practice as research’ methodology.