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Title Director Screening Section Premiere Status
Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S. -
Title Director Film Category Screening Section Premiere
2017 ARCHIVE TITLE DIRECTOR FILM CATEGORY SCREENING SECTION PREMIERE STATUS Alien Ridley Scott Narrative Feature Special Events Cartoon Network NEW NEW Cartoon Network Narrative Feature Special Events U.S. Premiere NEW NEW Screening Earth (with live score Alexander Dovzhenko Narrative Feature Special Events by DakhaBrakha) Ghost in the Shell Mamoru Oshii Narrative Feature Special Events Helvetica: 10th Gary Hustwit Documentary Feature Special Events Anniversary Screening Hype!: 20th Anniversary Doug Pray Documentary Feature Special Events Screening Le Ride Phil Keoghan Documentary Feature Special Events Atomic Blonde David Leitch Narrative Feature Headliners World Premiere Baby Driver Edgar Wright Narrative Feature Headliners World Premiere FREE FIRE Ben Wheatley Narrative Feature Headliners U.S. Premiere Life Daniel Espinosa Narrative Feature Headliners World Premiere On The Road Michael Winterbottom Narrative Feature Headliners North American Premiere Song to Song Terrence Malick Narrative Feature Headliners World Premiere T2 Trainspotting Danny Boyle Narrative Feature Headliners U.S. Premiere The Disaster Artist James Franco Narrative Feature Headliners (Work-In-Progress) Daphne Peter Mackie Burns Narrative Feature Narrative Spotlight North American Premiere Easy Living Adam Keleman Narrative Feature Narrative Spotlight World Premiere Gemini Aaron Katz Narrative Feature Narrative Spotlight World Premiere Going to Brazil Patrick Mille Narrative Feature Narrative Spotlight International Premiere Hot Summer Nights Elijah Bynum Narrative Feature Narrative Spotlight World Premiere Hounds of Love Ben Young Narrative Feature Narrative Spotlight North American Premiere Lane 1974 SJ Chiro Narrative Feature Narrative Spotlight World Premiere Madre Aaron Burns Narrative Feature Narrative Spotlight North American Premiere Mr. Roosevelt Noël Wells Narrative Feature Narrative Spotlight World Premiere TITLE DIRECTOR FILM CATEGORY SCREENING SECTION PREMIERE STATUS Paris Can Wait Eleanor Coppola Narrative Feature Narrative Spotlight U.S. -
Melanie Lynskey. Height 178 Cm
Actor Biography Melanie Lynskey. Height 178 cm Awards. 2001 New Zealand Film Awards - Nomination - Best Actress - Snakeskin 1994 New Zealand Film Awards - Winner - Best Actress - Heavenly Creatures Film. 2017 1 Mile to you Coach Rowan Dir. Leif Tilden (Lead) Prd. Scott William Alvarez, Tom Butterfield, Peter Holden, F. X. Vitolo Feature Film. 2017 The Changeover Kate Chant Changeover Films Limited Dir. Miranda Harcourt and Stuart McKenzie Prd. Emma Slade 2017 Sadie Rae Dir. Megan Griffiths (Lead) Prd. Megan Griffiths 2017 And Then I Go Janice Dir. Vince Grashaw Prd. Vince Grashaw 2017 I Don 't Feel At Home In This World Ruth Netflix Anymore Dir. Macon Blair Prd. Mette-Marie Kongsved, Neil Kopp, Vincent Savino, Anish Savjani 2016 The Intervention Annie Burn Later Productions Dir. Clea DuVall 2016 The Great & The Small Margaret Cervidae Films Dir. Dusty Bias PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Melanie Lynskey. Page 2 Feature continued... 2016 Folk Hero & Funny Guy Becky Spitfire Studios Dir. Jeff Grace 2016 Little Boxes Gina Kid Noir Productions Dir. Rob Meyer 2016 Rainbow Time Lindsay Duplass Brothers Productions Dir. Linas Phillips 2015 Digging for Fire Squiggy Garrett Motion Pictures Dir. Joe Swanberg 2014 We'll Never Have Paris Devon Bifrost Pictures Dir. Simon Helberg, Jocelyn Towne 2014 Goodbye to All That Annie Wall Epoch Films Dir. Angus MacLachlan Prd. Anne Carey, Mindy Goldberg 2014 Happy Christmas Kelly Lucky Coffee Productions Dir. Joe Swanberg 2014 Chu and Blossom Miss Shoemaker Baked Industries Dir. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
Implementing Screens Within Screens to Create Telepresence in Reality TV
Implementing screens within screens to create telepresence in reality TV Daniel Klug ∗ 1, Axel Schmidt ∗y 2 1 Institute for Media Studies, University of Basel – Suisse 2 Institute for the German Language – Allemagne Following Gumbrecht’s (2004) draft of a theory of presence the notion of presence aims at spatial relations: Something is present if it is tangible or ‘in actual range’ (Sch´’utz/Luckmann 1979). Concerning the social world, Goffman (1971) understands co-presence in a similar way, as the chance to get in direct contact with each other. For this, the possibility of mutually perceiving each other is a precondition and is in turn made possible by a shared location. Goffman’s concept of co-presence is bound to a shared here and now and thus is based on a notion of situation with place as its central dimension. Interaction as a basic mode of human exchange builds on situations and the possibility of mutual perception allowing so called perceived perceptions in particular (Hausendorf 2003) as the main mechanism of focused encounters. Media studies, however, proved that both the notion of situation as place and interaction as co-presence need to be extended as mediated contact creates new forms of situations and interactions. Especially Meyrowitz (1990) shows that the notion of situation has to be detached from the dimension of place and instead be redefined in terms of mediated contact. Therefore, the question ”who can hear me, who can see me?” is the basis for individual orientation and should guide the analysis of (inter)action. Although media enlarges the scope of perception in this way, it is not just a simple extension, but a trans- formation process in which the mediation itself plays a crucial role. -
The Speed of the VCR
Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS in SPOTLIGHT, PARK CITY at MIDNIGHT, NEXT <=> and NEW FRONTIER
FOR IMMEDIATE RELEASE Media Contacts: December 1, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT, NEXT <=> AND NEW FRONTIER Park City, UT — Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, NEXT <=> and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Trevor Groth, Director of Programming for the Sundance Film Festival, said, “In many ways, the extremes of the Festival’s program are most readily apparent in our out-of-competition sections, which showcase the wildest comedies, the most terrifying horror films and uncompromised visions from singular voices springing up from around the country and the world. We hope audiences experiment with their film selections to an equal degree as these filmmakers have experimented with their storytelling.” SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Corpo Celeste / Italy (Director and screenwriter: Alice Rohrwacher) — After moving back to southern Italy with her mother and older sister, 13-year-old Marta struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church. Cast: Yle Vianello, Salvatore Cantalupo, Anita Caprioli, Renato Carpentiere. Declaration Of War / France (Director: Valérie Donzelli, Screenwriters: Jérémie Elkaïm, Valérie Donzelli) — A young couple embark upon a painful, enlightening journey when they discover that their newborn child is very ill. -
Somebody up There Likes Me
TRIBECA FILM in partnership with AMERICAN EXPRESS presents a FALIRO HOUSE and M-13 PICTURES presentation a BOB BYINGTON film SOMEBODY UP THERE LIKES ME Run Time: 75 Minutes Rating: Not Rated Available On Demand: March 12, 2013 Select Theatrical release March 8 Chicago Music Box March 15 Los Angeles Cinefamily March 22 San Francisco Roxie Theater March 29 Denver Denver Film March 29 Brooklyn BAM April 5 Austin Violet Crown Distributor: Tribeca Film 375 Greenwich Street New York, NY 10011 Jennifer Holiner ID-PR 212-941-2038 [email protected] [email protected] [email protected] Starring Keith Poulson as Max Nick Offerman as Sal Jess Weixler as Lyla Stephanie Hunt as Clarissa Marshall Bell as Lyla's Dad Jonathan Togo as Adult Lyle Kate Lyn Sheil as Ex-Wife Ted Beck as Steakhouse Patron and Homeless Man Anna Margaret Hollyman as Paula Chris Doubek as Businessman Bob Schneider as Wedding Singer Alex Ross Perry as First Customer Gabriel Keller as Lyle Age 5 Ian Graffunder as Lyle Age 10 Jake Lewis as Lyle Age 15 with Kevin Corrigan as Memorial Man and Megan Mullally as Therapist SYNOPSIS Bob Byington’s smart, subversive comedy skips through 35 years in the life of Max Youngman (Keith Poulson), his best (and only) friend Sal (Nick Offerman, “Parks and Recreation”), and the woman they both adore (Jess Weixler, Teeth). As they stumble in and out of hilariously misguided relationships — strung together with animated vignettes by Bob Sabiston (A Scanner Darkly) and an original score by Vampire Weekend’s Chris Baio — Max never ages, holding on to a mysterious briefcase that may or may not contain the secret to life. -
Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine De La Baume Listen up Philip a Film by Alex Ross Perry
Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine de La Baume Listen Up Philip a film by Alex Ross Perry Following up his critically acclaimed THE COLOR WHEEL, Alex Ross Perry scripts a complex, intimate and highly idiosyncratic comedy filled withNew Yorkers living their lives somewhere between individuality and isolation. Jason Schwartzman leads an impressive cast including Elisabeth Moss, Krysten Ritter and Jonathan Pryce, balancing Perry’s quick-witted dialogue and their characters’ painful, personal truths. With narration by Eric Bogosian, we switch perspectives as seasons and attitudes change, offering a literary look into the lives of these individuals and the triumph of reality over the human spirit. Listen Up Philip was produced by Washington Square Films (the company’s follow-up film to the acclaimed All Is Lost) and Sailor Bear Productions, the team behind the 2013 Sundance hit Ain’t Them Bodies Saints. SYNOPSIS Anger rages in Philip (Jason Schwartzman) as he awaits the publication of his sure-to-succeed second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley (Elisabeth Moss), and his own indifference to promoting the novel. When Philip’s idol Ike Zimmerman (Jonathan Pryce) offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject – himself. Philip faces mistakes and miseries affecting those around him, including his girlfriend, her sister, his idol, his idol’s daughter, and all the ex-girlfriends and enemies that lie in wait on the open streets of New York. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here. -
Peter Larsen
Peter Larsen pasadenastarnews.com/2019/02/06/20-movies-to-see-at-the-red-bull-music-festival-la-film-series February 5, 2019 By Peter Larsen | [email protected] | Orange County Register PUBLISHED: February 6, 2019 at 2:05 pm | UPDATED: February 13, 2019 at 4:57 pm In the late 1970s, when punk rock still seemed dangerous – no, it’s true, kids, you can ask your mom and dad – the venerable old Ukrainian Culture Center in East Hollywood was one of the few places in Los Angeles willing to host shows for bands such as Black Flag and Bad Brains, the Minutemen and the Circle Jerks. These days it’s home to tamer events like the centennial of the late great Ukrainian-American actor Volodymyr Palahniuk – you may know him as Oscar- winning actor Jack Palance – or the annual Psyanka Festival celebrating Ukrainian-style Easter egg decorating. But music returns to the UCC for a few weeks this month when the Red Bull Music Festival holds its Center Channel film series there, screening movies that make use of genres from rock and jazz to instrumental and dance, including an opening day tribute to the punk bands that once rattled its gilded art deco rafters. From Friday, Feb. 8 through Wednesday, Feb. 20, some 20 films will screen, many of them with guests from the productions either on screen or behind the scenes. 1/17 2/17 Sound 3/17 4/17 5/17 6/17 7/17 8/17 9/17 10/17 11/17 12/17 13/17 1 of 16 New age composer Iasos will perform with special visuals during the Red Bull Music Festival LA’s Center Channel film series in Los Angeles in February 2019.