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Nuremberg Chronicle Recycles a Pre-Christian Idea Paul Gross*
ERROR TOWARDS JUDGEMENT. HOW THE NUREMBERG CHRONICLE RECYCLES A PRE-CHRISTIAN IDEA PAUL GROSS* Resumo: Ainda que firmemente baseada numa doutrina cristã, aCrónica de Nuremberga de 1493 abre com uma enumeração de ideias opostas relativamente à origem do mundo e do Homem. Esta primeira passagem é, porém, desde logo rotulada como sendo um erro. Contudo, enquanto o narrador estabelece uma verdade universal, outro erro surge proeminentemente como parte da dimensão factual da crónica. Através da análise intermedial dos textos e de xilogravuras, o presente texto pretende investigar então a forma como este incu- nábulo expõe uma variedade de inverdades com o eventual intuito de integrar uma destas na sua ideologia. Palavras-chave: Crónica do mundo; Incunábulo; Intermedialidade; Early New High German. Abstract: Although firmly grounded in Christian doctrine, the 1493Nuremberg Chronicle opens with an enu- meration of conflicting ideas regarding the origin of the world and of mankind. This initial passage is quickly and effectively done away with by being labelled erroneous. However, while the narrator continues to estab- lish a universal truth, one of the errors reappears, prominently, as part of the chronicle’s facticity. Through the intermedial analysis of texts and woodcuts the paper investigates how the incunable exposes a multitude of falsehoods to eventually integrate one of them into its ideology. Keywords: World chronicle; Incunable; Intermediality; Early New High German. Although firmly grounded in Christian doctrine, the 1493 Nuremberg Chronicle opens with an enumeration of conflicting ideas regarding the origin of the world and of man- kind. This initial passage is quickly and effectively done away with by being labelled erro- neous. -
Albrecht Dürer - Engl
Leseprobe Albrecht Dürer - engl. Bestellen Sie mit einem Klick für 49,00 € Seiten: 488 Erscheinungstermin: 23. September 2019 Mehr Informationen zum Buch gibt es auf www.penguinrandomhouse.de Duerer_englisch_1_67 13.08.19 15:28 Seite 1 DÜRERAlbrecht Duerer_englisch_1_67 13.08.19 15:28 Seite 4 Lenders to the Exhibition We thank all our lenders, who entrusted their invaluable works of art to us for the period of the exhibition: Staatliche Museen zu Berlin, Gemäldegalerie Staatliche Museen zu Berlin, Kupferstichkabinett Kunsthalle Bremen Gallerie degli Uffizi, Florence Städel Museum, Frankfurt am Main Hamburger Kunsthalle, Kupferstichkabinett Wallraf-Richartz-Museum & Fondation Corboud, Cologne Museu Nacional de Arte Antiga, Lisbon The British Museum, London The National Gallery, London Museo Nacional del Prado, Madrid Museo Nacional Thyssen-Bornemisza, Madrid Veneranda Biblioteca Ambrosiana, Milan Bayerische Staatsgemäldesammlungen, Munich Germanisches Nationalmuseum, Nuremberg, Sammlung Bernhard Hausmann Kunstsammlungen der Stadt Nürnberg, Nuremberg Bibliothèque nationale de France, Paris Fondation Custodia—Collection Frits Lugt, Paris Musée du Louvre, Paris, Département des Arts graphiques National Gallery of Art, Washington Klassik Stiftung Weimar, Graphische Sammlungen Akademie der bildenden Künste, Vienna Kunsthistorisches Museum, Vienna, Gemäldegalerie Duerer_englisch_1_67 19.08.19 14:44 Seite 5 klaus albrecht schröder 8 Foreword julia zaunbauer 12 Albrecht Dürer: A Biography christof metzger 36 Dürer, the Draftsman christof metzger -
A Cidade Real E Ideal: a Paisagem De Nuremberg Na Crônica De Hartmann Schedel E a Sua Concepção De Espaço Urbano
A CIDADE REAL E IDEAL: A PAISAGEM DE NUREMBERG NA CRÔNICA DE HARTMANN SCHEDEL E A SUA CONCEPÇÃO DE ESPAÇO URBANO LA CIUDAD REAL E IDEAL: EL PAISAJE DE NUREMBERG EN LA CRÓNICA DE HARTMANN SCHEDEL Y SU CONCEPCIÓN DE ESPACIO URBANO THE REAL AND IDEAL CITY: THE NUREMBERG LANDSCAPE IN HARTMANN SCHEDEL’S CHRONICLE AND ITS CONCEPTION OF URBAN SPACE Vinícius de Freitas Morais Universidade Federal Fluminense [email protected] Fecha de recepción: 11/10/2016 Fecha de aprobación: 01/06/2017 Resumo A partir de uma concepção de espaço confeccionada pela elite local de Nuremberg, buscava-se, através de um projeto tipográfico promover uma imagem ideal para esta cidade. Hartmann Schedel, um importante humanista local em conjunto com o impressor Anton Koberger e os gravadores Micheal Wolgemut e Wilhem Pleydenwurff produziram duas edições do imponente incunábulo comumente conhecido pela historiografia como A Crônica de Nuremberg. Este presente artigo tenta, a partir de uma comparação entre fonte escrita e imagética, elucidar esta apologia de Nuremberg como um importante polo econômico para a região da Baviera. Palavras-chave Cidade – Incunábulo - humanismo Resumen A partir de una concepción de espacio confeccionada por la élite local de Nuremberg, se buscaba, a través de un proyecto tipográfico promover una imagen ideal para esta ciudad. Hartmann Schedel, un importante humanista local, en conjunto con el impresor Anton Koberger y los grabadores Micheal Wolgemut y Wilhem Pleydenwurff, produjeron dos ediciones del imponente incunable comúnmente conocido por la historiografía como La Crónica de Nuremberg. Este presente artículo intenta, a partir de una comparación entre fuente escrita e imagética, elucidar esta apología de Nuremberg como un importante polo económico para la región de Baviera. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
1 a Place Is Carefully Constructed: Reading the Nuremberg Cityscape
A Place is Carefully Constructed: Reading the Nuremberg Cityscape in the Nuremberg Chronicle Kendra Grimmett A Sense of Place May 3, 2015 In 1493 a group of Nuremberg citizens published the Liber Chronicarum, a richly illustrated printed book that recounts the history of the world from Creation to what was then present day.1 The massive tome, which contains an impressive 1,809 woodcut prints from 645 different woodblocks, is also known as the Nuremberg Chronicle. This modern English title, which alludes to the book’s city of production, misleadingly suggests that the volume only records Nuremberg’s history. Even so, I imagine that the men responsible for the book would approve of this alternate title. After all, from folios 99 verso through 101 recto, the carefully constructed visual and textual descriptions of Nuremberg and its inhabitants already unabashedly favor the makers’ hometown. Truthfully, it was common in the final decades of the fifteenth century for citizens’ civic pride and local allegiance to take precedence over their regional or national identification.2 This sentiment is strongly stated in the city’s description, which directly follows the large Nuremberg print spanning folios 99 verso and 100 recto (fig. 1). The Chronicle specifies that although there was doubt whether Nuremberg was Franconian or Bavarian, “Nurembergers neither wished to be 1 Scholarship on the Nuremberg Chronicle is extensive. See, for instance: Stephanie Leitch, “Center the Self: Mapping the Nuremberg Chronicle and the Limits of the World,” in Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture (Basingstoke; New York: Palgrave Macmillan, 2010), 17-35; Jeffrey Chipps Smith, “Imaging and Imagining Nuremberg,” in Topographies of the Early Modern City, ed. -
Media Technology and the Dissemination of Hate
Fordham University DigitalResearch@Fordham Faculty Publications Jewish Studies 2020 Media Technology and the Dissemination of Hate Fordham University Follow this and additional works at: https://fordham.bepress.com/jewish_facultypubs Part of the History Commons, and the Jewish Studies Commons Recommended Citation Fordham University, "Media Technology and the Dissemination of Hate" (2020). Faculty Publications. 2. https://fordham.bepress.com/jewish_facultypubs/2 This Article is brought to you for free and open access by the Jewish Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Media Technology & The Dissemination of Hate November 15th, 2019-May 31st 2020 O’Hare Special Collections Fordham University & Center for Jewish Studies Media Technology and the Dissemination of Hate Highlights from the Fordham Collection November 15th, 2019-May 31st, 2020 Curated by Sally Brander FCRH ‘20 Clare McCabe FCRH ‘20 Magda Teter, The Shvidler Chair in Judaic Studies with contributions from Students from the class HIST 4308 Antisemitism in the Fall of 2018 and 2019 O’Hare Special Collections Walsh Family Library, Fordham University Table of Contents Preface i Media Technology and the Dissemination of Hate 1 Christian (Mis)Interpretation and (Mis)Representation of Judaism 5 The Printing Press and The Cautionary Tale of One Image 13 New Technology and New Opportunities 22 -
Blurring the Line: Manuscripts in the Age of Print August 6 to October 27, 2019 the J
Blurring the Line: Manuscripts in the Age of Print August 6 to October 27, 2019 The J. Paul Getty Museum at the Getty Center 6 6 1. Unknown 2. Circle of Stefan Lochner AGE_ PRINT Detached Leaf, about 845 German, died 1451 AGE_ from Fragmentary Leaf from a Bible PRINT Initial P: Saint Paul, Maccabees II, about 1450 Iron gall ink and tempera on parchment from Bible Leaf (cut into 1 cm. (3/8) in. strips): 46 × 31.1 cm (18 1/8 Gold leaf, tempera, and black ink on parchment × 12 1/4 in.) Leaf: 36.7 × 26 cm (14 7/16 × 10 1/4 in.) The J. Paul Getty Museum, Los Angeles The J. Paul Getty Museum, Los Angeles Ms. Ludwig I 1, leaf 2v (83.MA.50.2.verso) Ms. Ludwig I 13, fol. 326 (83.MA.62.326) 6 6 3. Unknown 4. Fra Vincentius a Fundis AGE_ PRINT Decorated Initial R, about 1528-30 Italian, active about 1560s AGE_ from Getty Epistles PRINT Crucifixion, 1567 Tempera colors and gold paint on parchment from Missal of Bishop Antonio Scarampi Leaf: 16.5 × 10.3 cm (Leaf: 6 1/2 × 4 1/16 in.) Tempera colors and gold leaf on parchment The J. Paul Getty Museum, Los Angeles Leaf: 41 × 27 cm (16 1/8 × 10 5/8 in.) Ms. Ludwig I 15, fol. 3v (83.MA.64.3v) The J. Paul Getty Museum, Los Angeles Ms. Ludwig V 7, fol. 11v (83.MG.82.11v) July 8, 2019 Page 1 of 5 Additional information about some of these works of art can be found by searching getty.edu at http://www.getty.edu/art/collection/ © 2019 J. -
Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century
Lowry, M. Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century pp. 1-13 Lowry, M., (1988) "Venetian Capital, German Technology and Renaissance Culture in the Later Fifteenth Century", Renaissance studies, 2, 1, pp.1-13 Staff and students of University of Warwick are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: • access and download a copy; • print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by University of Warwick. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author. -
For Melchior Schedel
Bayerische Staatsbibliothek. Ausstellungskataloge. 89 This book accompanies the exhibition »Welten des Wissens. Die Bibliothek und Weltchronik des Nürnberger Arztes Hartmann Schedel (1440–1514)« held from 19 November 2014 to 1 March 2015 in the Bayerische Staatsbibliothek Munich. For more information on the exhibition and the Bayerische Staatsbibliothek see www.bsb-muenchen.de Exhibition and catalogue: Bettina Wagner Translations: Diane Booton and Bettina Wagner, with editorial assistance by Anthony Davis, Mirjam Foot and Giles Mandelbrote Exhibition design: Christine Kühn Photographs: Bayerische Staatsbibliothek Munich, with exception of: Staatsbibliothek zu Berlin – Preußischer Kulturbesitz (pp. 21-22), Landesbibliothek Coburg (pp. 155), Germanisches Nationalmuseum Nuremberg (pp. 15). All vignettes without caption have been taken from Hartmann Schedel’s personal copy of the World Chronicle (Munich, BSB, Rar. 287) Produced with financial support from the Association Internationale de Bibliophilie (AIB). Worlds of Learning The Library and World Chronicle of the Nuremberg Physician Hartmann Schedel (1440–1514) Edited by the Bayerische Staatsbibliothek For more information on the publisher see www.allitera.de April 2015 Allitera Verlag An imprint of Buch&media GmbH, Munich © 2015 Buch&media GmbH, Munich Cover design: Christine Kühn, using the portrait of Hartmann Schedel in Clm 30 (cat. 4.1), the map of northern Italy from Rar. 124 (cat. 3.1) and the view of Padua and the illustration for the forth day of Creation from the World Chronicle from Rar. 287 (cat. 1.1) Printed in Germany ISBN 978-3-86906-757-5 Inhalt Preface by Rolf Griebel ............................................ 7 Introduction by Bettina Wagner ..................................... 9 The rise and decline of a Nuremberg family ................... -
Merisalo Ars Et Humanitas 8 2 2014.Pdf
This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Author(s): Merisalo, Outi Title: Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490 Year: 2014 Version: Please cite the original version: Merisalo, O. (2014). Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490. Ars et Humanitas, 8(2), 119-130. https://doi.org/10.4312/ars.8.2.119-130 All material supplied via JYX is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. OUTI MERISALO / SCRIPSI MANU MEA. HARTMANN SCHEDEL IN MUNICH Outi Merisalo Scripsi manu mea Hartmann Schedel in Munich, Bayerische Staatsbibliothek, clm 490 Keywords: German humanism, Hartmann Schedel, palaeography, codicology, book history DOI: 10.4312/ars.8.2.119-130 Th e Padua-trained1 medical doctor Hartmann Schedel (1440–15142) of Nuremberg is today perhaps best known for his Liber Chronicarum, printed in Latin and German (Weltchronik) in 1493 with an ambitious programme of xylographies.3 Th anks to his well-spent study years in Padua (1463–1466),4 he also played an important role in the dissemination of Italian humanism north of the Alps, as witnessed, for example, by his collection of inscriptions5 and transcription of part of the fi rst book of Poggio Bracciolini’s De varietate fortunae contained in the ms. -
Matthew Paris's Chronica Majora and Allegations Of
2018 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 3 - 6, 2018 PRINCE WAIKIKI HOTEL, HONOLULU, HAWAII MATTHEW PARIS’S CHRONICA MAJORA AND ALLEGATIONS OF JEWISH RITUAL MURDER MEIER, DAVID DEPARTMENT OF SOCIAL SCIENCES DICKINSON STATE UNIVERSITY DICKINSON, NORTH DAKOTA Dr. David Meier Department of Social Sciences Dickinson State University Dickinson, North Dakota Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder Synopsis: Robert Nisbet recognized Matthew Paris as “admittedly one of the greatest historians, if not the greatest in his day.” Matthew provided “the most detailed record of events unparalleled in English medieval history” from 1236-1259. Within the chronicle, allegations of Jewish ritual murder rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder David A. Meier, Dickinson State University Allegations of Jewish ritual murder in medieval European chronicles rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Hartmann Schedel’s Weltchronik 1493 (2001) depicted Simon of Trent’s alleged murder by the local Jewish community in 1475 in a manner that mirrored alleged Jewish ritual murders in England in 1144 and 1255.1 Between 1144 and 1493, allegations of Jewish ritual murder spread and flourished. Matthew Paris’s Chronica Majora emerged at historical crossroads where allegations of Jewish ritual murder spread beyond England and into continental Europe. Before the century finished in 1290, England had expelled its Jewish population inspiring many regions on the continent to follow suit in the coming years.2 In offering a written record, chroniclers bridged narrative history from ancient times (largely Biblical) with contemporary culture, history, society, politics and nascent legal systems, employed, in turn, by both church and state in the High Middle Ages. -
Noah's Ark and Burning Sodom: Woodcuts in the PSU Codex <I>Fasciculus Temporum</I>
Portland State University PDXScholar Malleus Maleficarum and asciculusF Fasciculus Temporum Temporum (1490) 2020 Noah’s Ark and Burning Sodom: Woodcuts in the PSU codex Fasciculus temporum Amber Gregory Follow this and additional works at: https://pdxscholar.library.pdx.edu/mmft_fasciculus Part of the Illustration Commons, Medieval History Commons, and the Medieval Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Gregory, Amber, "Noah’s Ark and Burning Sodom: Woodcuts in the PSU codex Fasciculus temporum" (2020). Fasciculus Temporum. 1. https://pdxscholar.library.pdx.edu/mmft_fasciculus/1 This Book is brought to you for free and open access. It has been accepted for inclusion in Fasciculus Temporum by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Amber Gregory Spring, 2020 Noah’s Ark and Burning Sodom: Woodcuts in the PSU codex Fasciculus temporum Introduction The Fasciculus temporum is a fifteenth-century chronicle written in the medieval tradition. It is a chronicle of world history, mixing secular and religious histories from the creation of the Earth by God down to the author’s present, ending, in our edition, in 1484. In these medieval chronicles, secular history was understood as an extension of biblical history, and there was little delineation between the two. For example, world chronicles of this period begin with Genesis, and the reader can see and read Old Testament stories, such as Noah’s Ark and the burning of Sodom. Old Testament stories were more common than New Testament stories at the time because historical books included the history of the Israelites.