Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY

“ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator

Theatre skills help support critical thinking, decision-making, teamwork and improvisation . It can bridge the gap from imagination to reality . We inspire students to feel that anything is possible . LAST SEASON WE REACHED

OVER 11,000 STUDENTS

IN 80 SCHOOLS

ACROSS 8 AZ COUNTIES

For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE

January 2015

Title Page ...... 6

Cast List...... 8

About the Play...... 12

About Arizona Theatre Company...... 14

ATC Leadership...... 20

The Cast...... 28

Board of Trustees ...... 34

The Creative Team...... 35

Theatre Information...... 47

Corporate and Foundation Donors...... 49

Individual Donors ...... 50

Staff...... 59 ATC’S MISSION

THE UPDATED MISSION OF ARIZONA THEATRE COMPANY At the core of every non-profit organization is a “mission statement” – a clear assertion of the central cause around which the entire organization unites . Recently, Arizona Theatre Company’s Board of Trustees updated ours:

• The mission of Arizona Theatre Company is to Inspire, Engage and Entertain – One Moment, One Production & One Audience David Ira Goldstein Matt Lehrman at a Time.

We love the simplicity of this statement and the way that it casts our purpose as radiating outward .

ONE MOMENT – The very heart of ATC’s mission recognizes that we exist to create “moments ”. We’re talking about those absolutely perfect moments of theatre when, as audience members, we lose ourselves in the story; where the experience is greater than the sum of its parts; when all distractions fade away and we find ourselves fully immersed IN the experience . Creating such moments is the ultimate accomplishment of ATC’s mission!

ONE PRODUCTION – Such “moments” are the result of the carefully planned and intricately choreographed work of a large team of theatre professionals – involving playwrights, production designers, lighting and sound design, wigs, wardrobe, stage management, casting, directors, actors and many more people than you ever imagined it takes to bring professional theatre to the stage . Arizona Theatre Company was the very first fully professional theatre company in the state and ATC’s updated mission reminds us of our continuing commitment to set Arizona’s highest standard for professional theatre production .

ONE AUDIENCE – Beyond our productions, our mission statement directs us to focus on the expe- rience of our audiences as well as on the Arizona community that we serve . We appreciate our role to provide an entertainment, but also appreciate the responsibility to employ the unique qualities of theatre to share perspectives, engage diverse populations and promote community spirit .

With thanks to the Board of Trustees and our staff, we couldn’t be more proud of the work of Arizona Theatre Company – and excited for the responsibility and privilege to advance its mission .

David Ira Goldstein Matt Lehrman Artistic Director Interim Managing Director

PHOTO CREDITS FOR PAGE 5: Top Left: Paige Lindsey White in Other Desert Cities. Top Right: Anneliese van der Pol & Loren Dunn in The Importance of Being Earnest. Middle Right: Kyle Sorrell, Mark Anders, Jon Gentry & Bob Sorenson in Around the World in 80 Days. Bottom Left: James T . Alfred in The Mountaintop. Bottom Right: Jessica Skerritt & Company in Xanadu. Photos by Tim Fuller .

4 48 YEARS OF AWARD-WINNING T H EATRE

ARIZONA’S NATIONALLY-RENOWNED PROFESSIONAL THEATRE

Special Thanks to I. Michael and Beth Kasser Season Sponsors David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus

Presents a co-production with Milwaukee Repertory Theater Mark Clements Chad Bauman Artistic Director Managing Director

FIVE PRESIDENTS

by Rick Cleveland

Mark Clements...... Director Todd Edward Ivins...... Scenic Designer Mary Folino...... Costume Designer Jesse Klug...... Lighting Designer Brian Jerome Peterson...... Sound Designer Lauren Wilde...... Makeup Designer Jill Walmsley Zager ...... Dialect Coach Elissa Myers Casting, Paul Fouquet, CSA ...... Casting Glenn Bruner ...... Production Stage Manager Timothy Toothman...... Assistant Stage Manager

On this original Arizona Theatre Company and Milwaukee Repertory Theater co-production, the ATC and MRT Production Staffs are responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting and special effects.

Five Presidents was originally commissioned by Milwaukee Repertory Theater, Mark Clements, Artistic Director; Dawn Helsing Wolters, Managing Director .

COVER ART BY: Esser Design 2014-2015 SEASON SPONSORS: I. MICHAEL AND BETH KASSER PRODUCTION SPONSOR: SHIRLEY ESTES

6 Printer’s Ad CAST

John Bolger ...... GERALD R . FORD Martin L’Herault ...... JIMMY CARTER Steve Sheridan ...... RONALD REAGAN Mark Jacoby...... GEORGE H W. . BUSH Brit Whittle...... BILL CLINTON Reese Madigan...... SPECIAL AGENT MICHAEL KIRBY

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TIME: April 27, 1994 . PLACE: The Nixon Library in Yorba Linda, California .

Five Presidents is performed without an intermission.

ADDITIONAL STAFF

Ashley Simon...... Assistant to the Stage Manager

Additional casting by ATC Artistic Staff .

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE .

To learn more about Five Presidents, please visit the Education page on our website at arizonatheatre .org for a comprehensive free Play Guide . The play guide contains timelines of historical information, biographies of all the presidents, and more . Play Guides are also available in The Temple Lounge for a nominal charge to cover printing .

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance.

8 Printer’s Ad Printer’s Ad Printer’s Ad ABOUT THE PLAY

AN INTERVIEW WITH THE PLAYWRIGHT

On the eve of rehearsals for our world premiere production of Five Presidents, Playwright Rick Cleveland answered some questions from ATC Literary Associate Katherine Monberg about the play, the politics, and the process .

KM: What sparked the idea to write a play about the meeting of the five living U.S. Presidents at Richard Nixon’s funeral?

RC: I first got this idea during the first season ofThe West Wing. Someone showed me the iconic photo of those five presi- dents, four exes and one current, together at Nixon’s funeral, and it struck a chord . Because of Watergate, Nixon’s presi- dency changed the office for everyone that came after . I started wondering what these guys might have talked about when they were together on that memorable day, behind closed doors .

KM: The U.S. presidents are some of the most iconic figures in the collective American consciousness. What are the chal- Rick Cleveland . lenges or opportunities that come with writing about such well-known figures?

RC: Oddly enough, Five Presidents is my fourth play about presidents . When I was writing my first, My Buddy Bill, I realized that I needed to allow myself enough poetic license to be able to treat these real-life men as characters, while at the same time keeping the words I put in their mouths completely and utterly credible .

KM: One of the many brilliant facets of Five Presidents is the subtlety that weaves decades of American political history into the immediate, natural conversation of the men together in the room. How much research went into crafting the political side of their conversation?

RC: In short, a ton . I probably did as much research on these five presidents as I would have if I were writing a biography about them . I was especially keen on finding descriptions and quotes from private, off-the-cuff moments in their lives .

KM: You have an impressive resume as a screenwriter as well as a playwright – The West Wing, Six Feet Under, Mad Men, Nurse Jackie, and House of Cards. What is different about writing for the screen and writing for the stage?

RC: Writing for a television series requires you to be fast . Especially if you’re writing a script for an episode while the show is in production . From a first draft to a finished episode might happen in three months or less . Writing a play is a luxury . I’ve written four or five drafts of Five Presidents over the course of two years, and we haven’t even started rehearsals yet .

12 ABOUT THE PLAY

KM: The past few years seem to have inspired a wave of interest in the political drama as a genre – I’m thinking of television’s The West Wing, House of Cards and Scandal, and recent stage plays like Mario Correa’s Commander and, of course, Five Presidents. What about the genre do you think has suddenly captured the interest of American audiences, and why now?

RC: I think people have always been interested in politics . Look at Shakespeare’s plays: at least half of them are political . These days, politics seem to be America’s bloodiest sport . A few years ago, I was working with Robert Redford on a script for the sequel to The Candidate. And then Barack Obama won the Democratic nomination, and we stopped working on it . That moment was exactly the wrong time to be working on a political satire . Now though, people are feeling pretty cynical about politics again, and I think that’s one of the reasons why House of Cards is such a hit . It’s the anti-West Wing.

KM: Is there anything else about the play or the writing process that you’d like to share with us?

RC: I hope folks thoroughly enjoy the play . I hope they feel like a fly on the wall while watching it . I hope they find it immensely entertaining, and entirely credible . As for the process of writing a play? It’s oh, so very lonely .

Five presidents and their first ladies attend the funeral of Richard Nixon . From left, President and Mrs . Clinton, President and Mrs . George H W. . Bush, President and Mrs . Reagan, President and Mrs . Carter, President and Mrs . Ford . Photo courtesy of White House Photo Office .

13 ABOUT ARIZONA THEATRE COMPANY

The set of Arizona Theatre Company’s production of Wait Until Dark, designed by Vicki Smith . Photo by Ken Huth .

Now celebrating 48 years, Arizona Theatre Company (ATC) boasts the largest subscriber base of any performing arts organization in Arizona with more than 130,000 people each year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix . Each season of carefully selected productions reflects the rich variety of world drama – from classic to contemporary plays, from musicals to new works, as audiences enjoy a rich emotional experience that can only be captured through live theatre .

Touching lives through the power of theatre, ATC is the preeminent professional theatre in the state of Arizona . Under the direction of Artistic Director David Ira Goldstein, Interim Managing Director Matt Lehrman and Managing Director Emeritus Jessica L . Andrews, ATC operates in two cities – unlike any other League of Resident Theatres (LORT) company in the country .

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives and community events . Through the schools and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used onstage, and opens their minds to the creative power of dramatic literature . With approximately 450 Learning & Education activities annually, ATC reaches far beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences .

THE MISSION OF ARIZONA THEATRE COMPANY is to inspire, engage and entertain – one moment, one production and one audience at a time .

14 GET CONNECTED WITH ATC!

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JOIN OUR EMAIL LIST email.arizonatheatre.org Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad ATC LEADERSHIP

David Ira Goldstein celebrates his 23rd season as Artistic Director of Arizona Theatre Company . In over two decades, he has produced over 190 mainstage plays, workshops and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath . He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona .

This season he directed Wait Until Dark for ATC . He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Wait Until Dark, Xanadu, Next To Normal, The Sunshine Boys, Hair, Much Ado about Nothing, My Fair Lady, Valley Song, The Illusion, The Pajama Game, Side Man, [title of show], How I Learned to Drive, The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M. S. Pinafore, Willi, Dreams from A Summer House, Other People’s Money, The Heidi Chronicles, Noises Off and A Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America), Inventing van Gogh, Rocket Man, Private Eyes, Over the Moon and Dracula by Steven Dietz, and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher .

Mr . Goldstein has been a guest director at theatres all across the country including Arizona Opera, The Pasadena Playhouse, Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St . Louis, Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre, Illusion Theatre . His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the U .S ,. winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Critics Awards and the Los Angeles Drama Critics Award for Best Production .

Before coming to Arizona, Mr . Goldstein was Associate Artistic Director of ACT Theatre in Seattle . His many productions there included Glengarry Glen Ross, Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St . Paul from 1983-86 . Mr . Goldstein holds an MFA from the University of Minnesota . He has been a visiting instructor and director at ASU, University of Washington, University of Minnesota and University of Northern Iowa . He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions . Mr . Goldstein is a proud member of Stage Directors and Choreographers Society, and Actors’ Equity Association . He is married to KJZZ radio announcer Michele Robins . They share their home with their dogs and cats: Rio, Rocky, Cary, Reggie, and Dexter .

20 ATC LEADERSHIP

Matt Lehrman experienced his first Arizona Theatre Company pro- duction, A Walk in the Woods, as an audience member in 1989, shortly after moving to Arizona . He’s delighted to join ATC as Interim Managing Director as of September 2014 .

Mr . Lehrman is best known in Arizona as the founder (in 2003) and CEO of Alliance for Audience and ShowUp .com, a pioneering initiative within Arizona’s arts and cultural community to stimulate public engagement with theatre, music, dance, art and cultural attractions statewide .

He was recognized by the Arizona Republic as “Best Cheerleader for the Arts,” and has received accolades from the ariZoni Theatre Awards, the Arizona Office of Tourism and the Arts and Business Council of Greater Phoenix . He has served as Faculty Associate at Arizona State University, teaching upper level seminars on Arts Entrepreneurship and Arts and Public Policy .

As the Principal of Audience Avenue, LLC, Mr . Lehrman is a popular speaker and consultant to arts and cultural organizations nationally, excited to explore the options and opportunities of not-for-profits when viewed from the audience-side of their mission statement .

Beginning in 1995, Mr . Lehrman served as the Scottsdale Cultural Council’s Vice President of Marketing & Communications, the not-for-profit agency that manages the Scottsdale Center for the Performing Arts and the Scottsdale Museum of Contemporary Art . Mr . Lehrman began his career as a lobbyist on banking and mortgage finance issues in Washington, D .C ., in the mid 1980s .

He is a graduate of Oberlin College .

21 ATC LEADERSHIP

Jessica L. Andrews became Managing Director Emeritus in September, 2014 . She returned last year as Managing Director having retired from ATC in July 2009 after eleven seasons as Managing Director and three as Executive Director . From September 2010 – September 2011, she returned to ATC as Interim Managing Director . Following her tenure at ATC, she founded jandrews consulting and is currently consulting with Invisible Theatre and The Mini-Time Machine Museum . Previous consultancies include Borderlands Theater, The Loft Cinema, Pan Left Productions, the University of Arizona Poetry Center through the Tucson Pima Arts Council, Metro Theater Company, The Vineyard Playhouse, Emerge! Center Against Domestic Abuse, and Break-Away Tours .

Ms . Andrews is the recipient of the 2008 Governor’s Arts Award for an Individual, the 2013 Lumie for Lifetime Achievement from the Tucson Pima Arts Council, the 2007 Distinguished Achievement in Theatre Management Award from the United States Institute of Theatre Technology, and a 2002 Woman on the Move Award from the Tucson YWCA .

During her career, she served on the Executive Committee of the League of Resident Theatres, and on the Board of Directors of Theatre Communications Group . Since her arrival in Arizona, she has served on the Theatre Panel of the Arizona Commission on the Arts, was the president of Arizona Theatre Alliance, on the Board of the Maricopa Partnership for Arts and Culture and Arizona Citizens for the Arts, and is a member of Women at the Top; Nonprofit Executives Together; Nature, Arts, Culture and Heritage Organizations; and the Advisory Board of Arizona Woman Magazine. She also chaired a task force for the Pima Cultural Plan and served on the Livable Communities Mobilization Council of the Tucson Regional Economic Organization Blueprint .

From 1990-94, Ms . Andrews served as Managing Director of The Shakespeare Theatre (Washington, D .C ),. and was the Director of the Theater Program for the National Endowment for the Arts from 1987-1990 . From 1985-87, she was Managing Director of Indiana Repertory Theatre and from 1980-85 was Director of the Theatre Division of the national service organization, FEDAPT . Previously, Ms . Andrews was Managing Director of Geva Theatre Center in Rochester, NY, and Hartford Stage Company .

In 2010, Ms . Andrews taught a class on Theatre Management and Organization at Arizona State University . She has guest lectured at University of Arizona, Arizona State University and The Yale School of Drama, and has been a reader for the Fund for New American Plays at the Kennedy Center . She served as co-chair of the Arts Committee for the 1997 UK/AZ Festival, and during the summer of 1995, taught a class in theatre management at the Centro Nacional de los Artes in Mexico City . She has served on grants panels for nine state arts agencies and on the Theatre Grants Panel for the U .S ./Mexico Fund for Culture . She has served on the NEA Theater Program’s Professional Companies, Challenge Review, Creation and Presentation, and Education and Access panels, and was an NEA site reporter for the Theater and Musical Theater Program .

22 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THE CAST

John Bolger (Gerald R . Ford) has previously appeared in Outside Mullingar; Good People; 12 Angry Men; and Lips Together, Teeth Apart (George Street Playhouse) . National Tours include South Pacific and Dirty Dancing, and he has understudied for That Face and Losing Louie (Manhattan Theatre Club) . Mr . Bolger has also appeared in a staged concert of Mendelssohn’s A Midsummer Night’s Dream with the Baltimore Symphony Orchestra; Richard III (Hartford Stage); The Real Thing and Anthony and Cleopatra (The Old Globe); Light Up the Sky (Roundabout Theatre Company); Lady From Maxim’s (Huntington Theatre Company); Safe Sex (La MaMa); A Midsummer Night’s Dream, Macbeth, Twelfth Night, As You Like It, The Sea Plays and Ages of Man (Willow Cabin Theatre Company) . Television credits include The Black Donnellys, Sex and the City, Law and Order, NYPD Blue, General Hospital, One Life to Live and Another World. Film credits include Just Looking, Parting Glances and Black and White.

Mark Jacoby (George H W. . Bush) happily makes his ATC debut with Five Presidents. His Broadway roles include Walter Hobbs in Elf, Judge Turpin in Sweeney Todd, Padre Perez in Man of La Mancha, Father in Ragtime, Gaylord Ravenal in Show Boat (Tony, Outer Critics and Joseph Jefferson Award nominations), Baron von Gaigern in Grand Hotel and Vittorio Vidal in Sweet Charity (Theatre World Award) . Also in New York: Critical Darling (The New Group), Sitting Pretty (The Hypothetical Theatre), and Enter the Guardsman (The Vineyard Theatre, Drama Desk nomination) . Regionally, Mr . Jacoby has appeared in The Play’s the Thing (Shakespeare Theatre Company), Life x 3 (The Repertory Theatre of St . Louis), Sleuth (Maltz- Jupiter Theatre), Fiddler on The Roof (Walnut Street Theatre, Barrymore Award) and Nine (Joseph Jefferson Award) . On television, he can be seen numerous times on all three Law & Orders and in this season’s Members Only.

Martin L’Herault (Jimmy Carter) is making his Arizona Theatre Company debut! Previous New York credits include Jimmy Bulkeley in Bonus Army and New York Comedy Repertory Ensemble (Founding Member) . Regional credits include Jacob Smith in Sleep in Safety: The Death of Octavia Hatcher (Jenny Wiley Theatre); Lee in True West and George in Of Mice and Men (The Gard Theatre); Bob Ewell in To Kill a Mockingbird (Children’s Theatre of Madison); Pseudolus in A Funny Thing Happened on the Way to the Forum (Dobama West); and Launcelot Gobbo in The Merchant of Venice (Wisconsin Shakespeare Festival) . Television credits include Judge Chillingworth on A Crime to Remember and the Father on I’d Kill for You.

28 THE CAST

Reese Madigan (Special Agent Michael Kirby) is thrilled to be back with ATC, having previously appeared as Michael in Elaine May’s comedy, George is Dead. Broadway credits include Holiday (Circle in the Square Theatre); and Abe Lincoln in Illinois (Lincoln Center Theater) . Off- Broadway credits include Richard III, Richard II, Henry IV parts 1&2 (The Public Theater); Night and Her Stars (Manhattan Theatre Club); Adult Entertainment (Variety Arts Theatre); The Appearance of Impropriety (Judith Anderson Theatre); and A Life in the Theater (Bay Street Theatre) . First National Tour: Six Degrees of Separation. Regional credits include Milwaukee Repertory Theater (Associate Artist), Virgina Stage Company, Actors Theatre of Louisville, Cincinnati Playhouse in the Park, Centerstage, Arena Stage, Shakespeare Theater Company, San Jose Repertory Theatre, Contemporary American Theatre Festival, Shakespeare on the Sound, Door Shakespeare, Next Act, Renaissance Theaterworks and Indiana Repertory Theatre . Television and film credits includeElementary, Black Box, Prison Break and American Shaolin.

Steve Sheridan (Ronald Reagan) is an alumnus of Chicago’s famed theatre, The Second City, where he wrote and performed in a number of hit shows . His stage work in Los Angeles garnered him awards from LA Weekly and Drama-Logue for both acting and playwriting . Film credits include Nothing in Common and Vice Versa. His television work includes appearances on Curb Your Enthusiasm, The Drew Carey Show and Malcolm in the Middle.

Brit Whittle (Bill Clinton) has previously appeared in New York in Wonderful World (The Attic Theater Company at Theatre Row); JB (78th Street Theatre Lab); and the world premieres of The Mnemonist of Dutchess County (The Attic Theater Company at Theatre Row), Lifeline (Abingdon Theatre Company), and Lyric is Waiting (kef productions) . Regional credits include North of the Boulevard and One Night (Contemporary American Theater Festival); June Moon, Dulcy and Theophilus North (Dorset Theatre Festival); Grapes of Wrath and The Laramie Project (Alliance Theatre); Art and God of Carnage (Gulfshore Playhouse); Cobb (Riverside Theatre), Laughing Stock, Enchanted April and To Kill a Mockingbird (Asolo Repertory Theatre); Vincent in Brixton and Glass Menagerie (Banyan Theater Company) . Television credits include Younger, The Blacklist, Believe, The Carrie Diaries, Law & Order: SVU, Blue Bloods, Mercy, 30 Rock, All My Children, One Life to Live, Guiding Light and As the World Turns. Film credits include The Adjustment Bureau, Say Yes Quickly, Odessa, December Thaw, and House of Lords.

29 BY WILLIAM SHAKESPEARE DIRECTED BY KIRSTEN BRANDT “BOLD, AMBITIOUS, AND STIRRING... BRANDT HAS BECOME A DISCIPLINED AND INVENTIVE THEATRICAL STORYTELLER.” – SAN DIEGO UNION-TRIBUNE FEBRUARY 28 – MARCH 21, 2015

PERFORMING AT THE TEMPLE OF MUSIC AND ART

ARIZONATHEATRE.ORG | 520-622-2823 | SEASON SPONSORS: I. MICHAEL AND BETH KASSER 4/4/15 tHROUGH 4/26/15

ARIZONA PREMIERE BY HERBERT SIGUENZA Based on the writings of Directed By Pablo picasso Todd salovey

PERFORMING AT THE TEMPLE OF MUSIC AND ART

ARIZONATHEATRE.ORG | 520-622-2823 | SEASON SPONSORS: I. MICHAEL AND BETH KASSER Printer’s Ad Printer’s Ad 2014-2015 BOARD OF TRUSTEES

Cameron Artigue Jessica L. Andrews Chair Managing Director Emeritus Attorney, Gammage & Burnham Arizona Theatre Company Robert Glaser Robert Begam Immediate Past Chair Attorney, Begam & Marks Principal, PICOR Commercial Real Estate Services Joanie Flatt President, Flatt & Associates Lynne Wood Dusenberry President Kevin Gebert Community Volunteer Investment Analyst, Holualoa Companies Susan Segal Jay Glaser Vice President (Phoenix) Retired Computer Professional and Attorney, Gust Rosenfeld PLC Community Volunteer Peter Akmajian David Ira Goldstein Treasurer Artistic Director, Arizona Theatre Company Attorney, Udall Law Firm LLP Daniel Hagerty Marc Erpenbeck Senior Consultant, Arts Manager LLP Assistant Treasurer President and Chief Legal Officer, George Brazil I. Michael Kasser President, Holualoa Companies Robert Taylor Secretary Matt Lehrman Senior Director of Regulator Policy and Public Interim Managing Director Involvement, Salt River Project Arizona Theatre Company Jeff Gold Jennifer Lohse Assistant Secretary Program Director, Tucson Foundations Retired Entrepreneur and Community Volunteer

EMERITI TRUSTEES HONORARY TRUSTEES Shirley Estes, Donald Nickerson, Betsy Bolding, Joan Kaye Cauthorn, Norma George Rosenberg, F . William Sheppard Feldman, Catherine “Rusty” Foley, Joe Gootter, Sandy Hatfield, Jessica Lazarus, Sandra C . Maxfield, Emily Rosenberg Pollock, Nina Trasoff, Arlene Webster, Ruth A . Zales

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings .

34 THE CREATIVE TEAM

Rick Cleveland (playwright) is an Emmy-winning writer/producer whose television credits include The West Wing, Six Feet Under, Mad Men, Nurse Jackie, and House of Cards. Mr . Cleveland’s stage play Jerry and Tom was adapted into a feature film and was an official selection at both the Sundance and Toronto Film Festivals, and he co-wrote the screenplay for the motion picture adaptation of John Grisham’s Runaway Jury, which starred John Cusack, Rachel Weisz, Gene Hackman and Dustin Hoffman . Mr . Cleveland performed his one man show My Buddy Bill at the Berkshire Theatre Festival, Goodman Theatre in Chicago, Victory Gardens Theater in Chicago, Geffen Playhouse in Los Angeles, and won the Best Solo Performance Award at the HBO Comedy Arts Festival in Aspen in 2006 . He also performed the piece at the 92nd Street Y in New York City for a one-hour Comedy Central special in 2007 . As a playwright, Mr . Cleveland has earned play- writing grants and fellowships from the National Endowment for the Arts, the Rockefeller Foundation and the Kennedy Center’s Fund for New American Plays . He was invited to the National Playwrights’ Conference at the Eugene O’Neill Theater Center twice, in 1991 and 1993, and is a Founding Member of American Blues Theatre, Chicago’s second oldest ensemble-based theatre company, as well as a Founding Member of the Ojai Playwrights Conference . He received his MFA from the University of Iowa’s Playwrights’ Workshop in 1995 . Several of his plays have been published by Samuel French and Dramatists Play Service, and have been produced around the country, as well as in the U K. ,. Germany, Scotland, Moscow, Mexico City and Istanbul . Mr . Cleveland has been a freelance commentator for NPR’s All Things Considered as well as a con- tributor to Huffingtonpost com,. and as a freelance journalist his writing has appeared in the Chicago Tribune, the Los Angeles Times and Outside Magazine .

Mark Clements (Director) returns to ATC where he directed Clybourne Park. Mr . Clements is the Artistic Director of Milwaukee Repertory Theater, having begun his tenure there with the 2010/11 Season . He is an award-winning international theatre director whose work has appeared in over 100 major theatres throughout Europe and the United States . Recent productions include: The Color Purple, The History of Invulnerability, End of the Rainbow, Ragtime, Clybourne Park, Assassins, Othello, Next to Normal, Death of a Salesman, Bombshells and Cabaret at Milwaukee Repertory Theater; Oliver!, Born Yesterday, Great Expectations, Les Misérables (2008 Barrymore Award – Best Production of a Musical) and Of Mice and Men (2007 Barrymore Award – Best Director and Best Production of a Play), all for Walnut Street Theatre, Philadelphia; The Milliner (Off-Broadway, World Premiere), Classic Stage Company, New York;My Fair Lady, Copenhagen; The Browning Version (Barclays/TMA Regional Theatre Award) at Derby Playhouse and Blunt Speaking (World Premiere), Chichester Festival Theatre U .K . and Lucille Lortel Theatre, New York . Other productions include: Speaking in Tongues (U .S . Premiere), Roundabout Theatre Company; Speaking in Tongues (European Premiere; Barclays/TMA Best Director Nomination), Hampstead Theatre, London; Creator/Director – Soul Train, West End and three U K. . national tours; and the U .K . national tours of The Glass Menagerie, The Gingerbread Lady and Love & Marriage, all for Bath Theatre Royal productions . Mr . Clements served as an Associate Artistic Director for Moving Theatre Company, the production company founded by Vanessa and Corin Redgrave . He has also been Associate Director for New End Theatre and New Players Theatre, both in London, Royal Theatre in Northampton and Torch Theatre in Wales . Additionally, Mr . Clements served as Artistic Director of the award-winning Derby Playhouse in the U K. . from 1992 to 2002 . He serves on the National Advisory Board for the Lunt-Fontanne Fellowship Program at Ten Chimneys .

35 THE CREATIVE TEAM

Todd Edward Ivins (Scenic Designer) loves telling stories through design for each production . Previous ATC credits include Clybourne Park. Some theatrical favorites: Mirror Mirror (Milwaukee Ballet); Illusionists 1903 (Brisbane QPAC, Australia); Ragtime, Assassins and Othello (Milwaukee Repertory Theater, where Mr . Ivins is an Associate Artist); Les Miserables, Godspell and Of Mice & Men (Walnut Street Theatre); Into the Woods (5th Avenue Theatre); Bright Lights, Big City (Prince Music Theater); Rent (Engeman Theater); The Happy Time (Signature Theatre) . Off-Broadway favorites: The Milliner, The Whaleship Essex, Fathers and Sons, Our God’s Brother, The Jeweler’s Shop, Linnea, House of Desires, Salvage Shop, The Last Starfighter: the Musical, A Majority of One, Squatters, Deathclaw 7. Mr . Ivins designs scenery, projections, and costumes . His work spans dance, opera, plays, musicals, corporate events and newsrooms, ranging from intimate events to arenas . www .ivinsart .com .

Mary Folino (Costume Designer) is designing for ATC for the first time, on one of many collabora- tions with director Mark Clements . She has just returned to Philadelphia to become the Costume Shop Manager of Walnut Street Theatre, but was very recently the Costume Director of the Milwaukee Repertory Theater where she designed the costumes for Ain’t Misbehavin’ and the world premiere of after all the terrible things I do. Previously, she spent many years at Walnut Street Theatre and designed extensively in the Philadelphia area . Favorite designs include; Hair (Prince Music Theater), The Mousetrap (Walnut Street Theatre), Around the World in 80 Days (Walnut Street Theatre), and Romeo and Juliet (Lantern Theater Company) .

Jesse Klug (Lighting Designer) has previously designed Other Desert Cities and Clybourne Park at ATC . Off-Broadway credits:The Elaborate Entrance of Chad Deity (Lortel and Hewes Design nominations), The Screwtape Letters (Off-Broadway and National Tour), Romulus, and The Hour Glass. Regional: Goodman Theatre, Drury Lane Theatre, Broadway in Chicago, Chicago Shakespeare Theater, Marriott Theatre, Victory Gardens Theater, Lookingglass Theatre, Steppenwolf Theatre Company, Court Theatre, Writers Theatre, The Old Globe, Milwaukee Repertory Theater, Geffen Playhouse, Fulton Theatre, Portland Center Stage, Indiana Repertory Theatre, American Theater Company, Shakespeare Theatre Company, Asolo Repertory Theatre, Northlight Theatre, First Stage Milwaukee, Timeline Theatre Company . Mr . Klug is a Jeff and After Dark Award recipient . www .jessekluglightingdesign .com .

Brian Jerome Peterson (Sound Designer) celebrates his 29th season at ATC, where he has designed 77 productions, including Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, God of Carnage, Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/Nobody, Enchanted April, Touch the Names, I Am My Own Wife, Twelfth Night, Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, A Streetcar Named Desire, Oh Coward!, Copenhagen, Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including Geva Theatre Center, Berkeley Repertory Theatre, Seattle Repertory Theatre, Cleveland Play House, Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre .

36 Printer’s Ad Printer’s Ad Printer’s Ad THE CREATIVE TEAM

Lauren Wilde (Makeup Designer) has been Prosthetics Designer for Shrek (First Stage Milwaukee); and Wig and Makeup Designer for Die Fledermaus, The Ring Cycle and Hansel and Gretel (Opera Louisiane) . Recent feature film work includesStrange Nature (2014), Sympathy Said the Shark (2014), Scout (2013), Susie’s Hope (2013) and Bloody Homecoming (2012) . Ms . Wilde has also been a makeup and wig artist for College Humor Originals in Los Angeles and is the creator of “Wilde Animals,” realistic animal head sculptures to raise awareness and education for endangered animals .

Jill Walmsley Zager (Dialect Coach) is the resident Voice and Dialect coach at Milwaukee Repertory Theater . She has coached productions at regional theatres across the country and served as Co-Head of Voice and Dialects and the Company Coach at the American Conservatory Theater in San Francisco . Regionally, she has worked at Chicago Shakespeare Theater, Steppenwolf Theatre Company, Lyric Opera of Chicago, Marriott Theatre in Lincolnshire, Drury Lane Water Tower, Apple Tree Theatre, Drury Lane Oakbrook Terrace, Utah Shakespeare Festival and Milwaukee Chamber Theatre . She earned her Master’s Degrees in Voice and Dialects from the Royal Central School of Speech and Drama (London) and Northwestern University .

Elissa Myers Casting, Paul Fouquet, CSA (Casting) has cast dozens of shows at ATC over the last 25 years . Broadway casting credits include seven shows, including the Tony Award-nominated Having Our Say and 25 Off-Broadway shows . Regional casting includes Denver Center Theatre Company, Cleveland Play House, Alabama Shakespeare Festival and Magic Theatre . Film and tele- vision credits include the PBS movie Souls on Fire (2013); three “Movies of the Week” (with Tyne Daly, Claire Danes, Christopher Reeve, Ed Asner and Daniel J . Travanti); five pilots and two PBS specials by Wendy Wasserstein and Terrance McNally (with Bernadette Peters, Nathan Lane, Blythe Danner, Spike Lee and Paul Sorvino); the Peabody Award-winning mini-series Liberty, as well as the Emmy Award-winning mini-series Benjamin Franklin and John & Abigail Adams; and the mini-series God in America, The People v. Leo Frank, Dolley Madison and Louisa May Alcott. The office has so far received 15 nominations and has won three Artios Awards for Outstanding Achievement in Casting .

Glenn Bruner (Production Stage Manager) is in his 18th season as Production Stage Manager at ATC where he has stage managed over 60 productions, including Vanya and Sonia and Masha and Spike, Venus in Fur, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’s Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr . Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, The Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company . He was the Assistant Stage Manager for the world premiere of On the Waterfront at Cleveland Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’sSeason’s Greetings. He has also been the voice for many radio and television commercials and worked for Texas Public Radio in his hometown of San Antonio . Mr . Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association . He has been a member of AEA since 1981 .

40 THE CREATIVE TEAM

Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC . He most recently stage managed ATC’s productions of Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs and God of Carnage, among others . Mr . Toothman spent five seasons as the Production Stage Manager for Geva Theatre Center in Rochester, NY and was the Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors . He has also managed producing and presenting theatres in Indiana and Maryland . Prior to moving to Arizona, Mr . Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts . Mr . Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard .

Ashley Simon (Assistant to the Stage Manager) was Assistant to the Stage Manager for Arizona Theatre Company’s Wait Until Dark, Venus in Fur, Other Desert Cities, The Mountaintop, The Sunshine Boys, Jane Austen’s Emma, Next to Normal, Red, The 39 Steps, Daddy Long Legs, Sherlock Holmes and the Adventure of The Suicide Club, Lost in Yonkers, Woody Guthrie’s American Song, Backwards in High Heels, The Glass Menagerie, Ain’t Misbehavin’, The Kite Runner, A Raisin in the Sun, Hair and The Lady with All the Answers. She was also the Production Stage Manager for ATC’s Summer on Stage 2010, 2011, 2012, 2013 and 2014 . Other credits include stage managing The Real Inspector Hound, The Decameron, The Four of Us, Othello and Immortal Longings with The Rogue Theatre and The Mousetrap, Same Time Next Year and Forever Plaid at The Theater Barn in the Berkshires . At Florida Stage, she was Assistant to the Stage Manager for the world premiere of Deborah Zoe Laufer’s End Days.

Milwaukee Repertory Theater (Co-Producer) is a nationally-recognized company that presents compelling dramas, powerful classics, award-winning contemporary works, full-scale musicals, housed in its three unique performance venues – the Quadracci Powerhouse, Stiemke Studio and Stackner Cabaret . The Rep also produces an annual production of A Christmas Carol at the historic Pabst Theater . Under the leadership of Artistic Director Mark Clements and Managing Director Chad Bauman, The Rep is committed to creating plays that are meaningful and relevant to the society we live in – plays that are challenging, visceral and engage the community through the issues they explore, demonstrating how a theatre deeply rooted in its locality can also enjoy a richly influential and resonant national voice . Five Presidents will perform at Milwaukee Repertory Theater from March 10 to April 5, 2015 .

The Actors and Stage The Director is a member The Scenic, Costume, Managers employed in these of the Stage Directors and Lighting and Sound productions are members of Choreographers Society, Designers in LORT Actors’ Equity Association, an independent national Theatres are represented the Union of Professional labor union . by Union Scenic Artists Actors and Stage Managers Local USA-829, IATSE . in the United States .

41 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THEATRE INFORMATION

THE TEMPLE OF MUSIC AND ART The Temple of Music and Art is a beautifully refurbished 1927 theatre, built in the Spanish Colonial style that flavors so much of our city . ATC has identified the following services and policies to ensure your comfort and enhance your experience at the theatre:

THEATRE POLICIES Latecomers will be seated only at an appropriate and predetermined break in action . In order not to disturb patrons who are already enjoying the performance, latecomers may be seated in alter- nate locations until intermission . As a courtesy to our patrons and the actors, the use of cameras, and recording devices is not permitted within the theatre . Please restrict cellular phone use to the courtyard, only . Children under five are not permitted in the theatre during performances .

Emergency calls may also be made to the House Manager’s direct line: 520-884-4868 .

Smoking is not permitted anywhere within the building . Designated smoking areas are located in the front of the theatre, only . In the event of smoking onstage, a sign will be posted in the lobby .

ACCESSIBILITY SERVICES The theatre is equipped with an in-house infrared transmission system for use by patrons with partial hearing loss or limited range of hearing . Complimentary assisted listening headsets are available before every performance at the Box Office . Please be prepared to leave a driver’s license or other form of identification while using your headset . Every production is available in American Sign Language . For information on the dates of our ASL performances, please contact the Box Office . An in-house FM broadcast system is used to provide a running audio description of the movement and activities onstage for patrons with limited vision . Pre-show tactile tours of the backstage area and a pre-show narration about our building, the performers, and interpretive information about the play itself are all available upon request . Contact the Box Office to make your reservation for the audio described performances . Coordinated with the action onstage, those in open-captioned seating will be able to read the play’s dialogue displayed in large green letters on an LED screen . For open-captioned performance dates, contact the Box Office . Large print and Braille playbills are available for all performances in the House Manager’s office in the lobby of the theatre . Accessible seating is available via the Box Office for all performances . If you would like seating assistance at the theatre, please contact the House Manager at 520-884-4868 .

The balcony of the Temple of Music and Art is not accessible by elevator .

ATC CONTACT INFORMATION

Administrative Offices Theatre and Box Office 343 South Scott Avenue, Tucson, AZ 85701 330 South Scott Avenue, Tucson, AZ 85701 Phone 520-884-8210 Fax 520-628-9129 Phone 520-622-2823 Fax 520-884-1496

arizonatheatre .org info@arizonatheatre .org

47 GET CONNECTED TO ATC

BECOME AN ATC CIRCLES MEMBER AND EXPERIENCE THE POWER OF THEATRE

WHEN YOU’RE A CIRCLES MEMBER: You go behind the scenes . You enjoy the highest level of customer service . You interact with theatre patrons such as yourself . Through your generous support, you’ll help ATC produce thrilling and engaging work and continue our Learning & Education programs .

ANGELS $25,000 AND ABOVE

PLAYWRIGHT’S GUILD $10,000 – $24,999

PRODUCER’S CIRCLE $5,500 – $9,999

DESIGNER’S CIRCLE $3,500 – $5,499

DIRECTOR’S CIRCLE $1,750 – $3,499

For more information visit our website arizonatheatre.org or contact: Leslie Freed, Director of Development | Tucson | 520-884-8210 x7301 | lfreed@arizonatheatre .org Geri Wright, Senior Director of Development | Phoenix | 602-810-0918 | gwright@arizonatheatre .org CORPORATE AND FOUNDATION DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2013 through December 1, 2014 .

$25,000 AND UP $5,500 – $9,999 $1,000 – $1,749 American Express Boeing Co . Actors’ Equity Foundation, Inc . APS City of Tempe Margaret Mellon Hitchcock Cities West Publishing Frances Chapin Foundation Foundation City of Phoenix Gammage & Burnham Nextrio, LLC Community Finance Lewis Roca Rothgerber, LLP . Phoenix New Times Corporation Scottsdale League for the Arts Phoenix Suns Charities Holualoa Arizona, Inc The David C . and Lura M . PICOR Charitable Foundation Jewish Community Lovell Foundation Resolution Copper Foundation of Southern The Maurice and Meta Gross The Charro Foundation Arizona Foundation The Donald Pitt Family Jim Click Automotive Team Tucson Electric Power Foundation Phoenix Magazine The Molly and Joseph Herman Phoenix Office of Arts $3,500 – $5,499 Foundation and Culture The Phoebe R . and John D . The Diamond Foundation Anonymous Lewis Foundation The Margaret E . Mooney AGM Container Controls, Inc The Torosian Foundation Foundation Break-Away Tours Tim Fuller Studio The Shubert Foundation Community Foundation for Southern Arizona The Stonewall Foundation $500 – $999 Zazu Pannee Park Regent Cox Charities Cox Communications Russ and Carolyn Russo Foundation $10,000 – $24,999 Flagstaff Community Foundation The Harold and Jean Anonymous Kinder Morgan Foundation Grossman Family Arizona Commission Kohl Family Foundation Foundation on the Arts Providence Service The Learning Curve/ Arizona Community Corporation Susan and Barclay Dick Foundation Shapiro Family Philanthropic BMO Harris Bank Foundation $250 – $499 Downtown Kitchen + Cocktails Kaizen Education Foundation Frances Chapin Foundation $1,750 – $3,499 Gordon and Betty Moore Holsclaw Advisory Foundation Endowment Fund Bank of America Desert Diamond Casino Palomar Group Clinic, Inc . PICOR Commercial Real Roth Family Foundation Estate Services Enterprise Holdings Salt River Project Foundation The Stocker Foundation GeoFund Tucson Pima Arts Council Joseph and May Winston Foundation Raytheon Systems Company Scottsdale Cultural Council Target Corporation The Evo and Ora DeConcini and Thu Family Foundation Zuckerman Family Foundation

49 INDIVIDUAL DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2013 through December 1, 2014 .

ANGELS Janie Shapiro Mr . A . Frederick Banfield and Jeffrey, Susan, Sara, and Ms . Eileen M . Fitzmaurice $25,000 AND UP James Rein Betsy Bolding held at the Paul and Alice Baker Drs . Helen and John Schaefer Community Foundation Jim and Vicki Click / The Jim James Wezelman of Southern Arizona Click Automotive Team Michael Willoughby Dr . Jose M . and Donald and Joan Diamond Linda Wurzelbacher Mrs . Frances A . Burruel Shirley Estes Robert and Nancy Clark Ginny Clements Mr . and Mrs . I . Michael Kasser DESIGNER’S CIRCLE Jim and Dolly Moran Jacklyn Connoy and William Maguire Marilyn Papp $3,500 – $5,499 Len and Doris Coris/ Frank and Barbara Bennett Watermill Financial PLAYWRIGHT’S Bruce and Jane Cole Bob and Vanne Cowie GUILD Dino and Elizabeth Mark and Julie Deatherage Murfee DeConcini $10,000 – $24,999 Don and Jonae DeLong Bruce L . and Lynne Michael and Geri DeMuro Wood Dusenberry Anonymous Martha Durkin Ms . Deanna Evenchik Mary and Cameron Artigue Marc and Margaret Erpenbeck Norma and Stanley G . Feldman Darryl and Mary Ann Dobras Fractured Earth Tile & Stone/ Bruce and Katie Dusenberry/ Catherine “Rusty” Foley Elizabeth Miller Horizon Moving Systems Kate Garner Leslie Freed Joanie Flatt Michael and Lauren Gordon Ellis F . Friedman and Roger G . Ford Daniel Hagerty and Irene Stern Friedman Bruce and Edythe Gissing Michael Cook Ted and Barb Frohling Rob and Laurie Glaser Donald Henke Gail and Patric Giclas Scott Kendall Haun Bob and JoAnne Hungate Ellyn and Jeff Gold Helen Dyar King Fund Rebecca and Sid Johnson Dr . Robert W . Gore Peggy and Emerson Knowles Randy Kendrick Jeff Guldner Mr . and Mrs . Richard Lehmann Drs . Steven and Marta Ketchel Leslie Hall and Ted Jarvi Dr . and Mrs . Robert G . Maxfield Tandy and Gary Kippur Hazel Hare Enid and Michael Seiden Kevin and Jill Madden William and Theresa Hawgood Janos and Rebecca Wilder Allan and Alfie Norville Elliott and Sandra Heiman Matthew and Mary Palenica Dan Hennessee Jennifer A . Roberts PRODUCER’S CIRCLE Jeanne and Gary Herberger Herschel and Jill Rosenzweig Joseph Huang and Karen Rigby $5,500 – $9,999 Susan P . Segal Kay Juhan F . William Sheppard and Martha and George Kellner Anonymous Range P . Shaw Don Klomp Jessica L . Andrews and Richard P . Stahl Timothy W . Toothman George and Maria Knecht Mrs . Robert K . Swanson Bill and Donna Dehn Ruth and Ronald Kolker Robert and Shoshana Tancer / Dr . Mary Jo Ghory Tancer Law Firm, P .L .C . Drs . Paul and Mary Koss Babs and Jay Glaser Gary Wolff and Sandy Gibson Toby and Matt Lehrman Davina Glaser Tracy and Michael Levy David Ira Goldstein and Stacy and Susan Litvak Michele Robins Goldstein DIRECTOR’S CIRCLE Lori Mackstaller, M .D . Paulette and Joe Gootter $1,750 – $3,499 Nora and Phil Mazur Judith Hardes Richard and Yvonne Morris Anonymous Bill Lewis and Deborah Moss and Stephen Rick Underwood Roberta Aidem Collins Humberto and Czarina Lopez Affinity Eye Care/ Helen and John Murphey Dr . Robert Mulgrew David Mackstaller and Linda and Fred A . Nachman Mary and Todd Anderson Lyn Papanikolas Don and Peg Nickerson Alan and Char Augenstein Elyce and Mark Metzner Dr . and Mrs . Charles W . Otto Christine and John R . Augustine Jack and Becky Moseley Mr . Sydney Pearl and Slobodan Popovic and Dr . Judy Balan Pearl

50 Printer’s Ad Printer’s Ad Printer’s Ad INDIVIDUAL DONORS

DIRECTOR’S CIRCLE Stephen and Amanda Heitz Lee and Gay Ashton CONTINUED Peggy M . Hitchcock Bob and Judy Atwell Ed and Sandra Holland Mary Ellen and Emery Bartle $1,750 – $3,499 Nathan Joseph Richard and Ann Bates Ben and Sally Perks Robyn Kessler and Jeff Timan Mr . and Mrs . Edwin L . Biggers Linda “Mac” and Russ Perlich Carol and Foster Kivel Denice Blake and John Blackwell Toby and Michael Rozen Janice and Al Kivel Kay Bouma Ken and Judy Ryan Carole and Rich Kraemer Shirley and Roland Calhoun Dina Scalone-Romero Eileen and John Lamse Mrs . Susan Call Lewis and Suzanne Schorr Rob and Jenni Leinbach Tyna Callahan and Dimitri Steve and Shelly Silverman Helaine Levy and Steve Alley Voulgaropoulos Daniel J . and Evelyn G . Simon Phoebe and John Lewis Neal and Sally Cash Susan S . Small Sam and Judy Linhart Paul and Vicki Chandler Dawnelle and Ronald Spaulding Edith E . Luty Shirley J . Chann Rica and Harvey Spivack Anne and Ed Lyman Paul and Susan Charlton Phyllis and Richard Stern Phil and Carol Lyons Kris and Earl Cohen Robert and Shoshana Tancer/ Courtney Mc Eniry Steven Cohen and Tancer Law Firm, P .L .C . Ms . Elsa McTavish Michael Godnick Melissa and Robert Taylor Dorothy and Roy Mayeske David and Susan Cone Mr . and Mrs . Don Underwood Jeffrey and Barbara Minker Ms . Cheryl Convery David and Dawn Veldhuizen Rosanna Miller Mr . and Mrs . Duane Cote Dr . Richard and Dr . James E . Nation Harlan and Gayla Crossman Madeleine Wachter Jordan and Jean Nerenberg Alicia and Jon Crumpton Russell and Kay Weed Shelley Jo Pozez and Mr . and Mrs . William Cullen Richard and Nancy Weiss Bill Holmes Marjorie and George Nancy and Jeff Werner Mr . Bruce Raskin and Cunningham Mark and Taryn Westergaard Ms . Carol Fink Dr . and Mrs . William H . Dantzler Allan and Diana Winston Drs . Adib and Vivi Sabbagh William DiVito and Enid and Mel Zuckerman Samloff Family Fund Mary Jo Sheldon-DiVito Mary and Heliodoro Sanchez Gail E . Dunlap Marc and Deborah Sandroff Dennis Emond BACKERS John Usher Sands Annette Everlove and $1,000 – $1,749 Claire and Henry Sargent Michael Johnson Karen and Lionel Faitelson Anonymous (4) Cathy Shell Mary P . Sullivan Ronna Fickbohm and Jeff Willis Loren and Darla Acker Dr . and Mrs . John H . Finley Judy and Rory Albert Mr . and Mrs . Richard Tofel Mollie Trivers and Shelley Cohn Helen V . Fisher Ms . Kathy Alexander and John and Louise Francesconi Mr . Paul Lindsey D . Rae Turley Wendy Gamble and Carl Kuehn Becky and Doug Pruitt Mr . Richard K . Walker Family Fund Ronald and Diane Weintraub Ann and Arthur Goldberg Susan Berg Mary and Robert Wolk Jerome and Anita Gutkin Bill and Barbara Bickel Ruth Zales and Andy and Sara Gyorke Allan & Barbara Bowermaster Kenneth Greenfield Rita C . Hagel Ed and Arlene Cohen Ms . Athia Hardt Jan Copeland PATRONS Drs . John M . and Robin B . Harris Judie Cosentino Kathy Haun,The Haun $500 – $999 Family Trust Pamela Frame Michael and Phyllis Hawkins Todd Franks and Nancy Bodinet Anonymous (5) John L . Hay and Drs . Margot W . and J .D . Garcia Sandra L . Abbey Ruth M . Murphy Becky and Dave Gaspar Dwight and Amy Adams Les and Suzanne Hayt Mr . and Mrs . James J . Glasser Peter Akmajian and Tom and Sandy Hicks Colleen Cacy Laurie and Chuck Goldstein Sharon and Jesse Hise Susan and Larry Allen Jon and Erika Grasse David and Lori Iaconis Corbett and Pat Alley Ms . Pamela Grissom Abe J . Jacob Kate and Dabney Altaffer Jennifer H . Gross and Karen and Chuck Jonaitis Jerry LeFevre Arlene and Morton Scult Ms . Leianne Jones Jeff Guldner Philanthropic Fund Valerian and Mira Kaplan Sarajean Harwood Susan and Gregory Ash

54 INDIVIDUAL DONORS

PATRONS Dan and Jill Stevenson William DiVito and Mary Jo CONTINUED Doug and Jean Stuart Jan and Leo Dressel Morton and Nina Susman James Eichman $500 – $999 Mrs . Susan and Michael R . Elert and Gary and Lee Ana Kains Mr . Glyn Thickett Dr . Honora A . Norton Mr . and Mrs . Joseph Hugh and Allyn Thompson Lee and Spencer Elliott Kendhammer Stephen and Susan Thompson Tim and Susan Ernst Raymond Kemp and Bruce and Catherine Uhl Mario and Elaine Espericueta Rick Douglas David and Nancy Ulmer Kish Finnegan Mr . Robert Knopf Barbra Vogen Nancy and Richard Fintzy Bill and Linda Knox Barbara and John Walker Ms . Mary Jo Fitzgerald Jami Kozemczak Steve and Linda Wegener Ms . Tay Fitzgerald Mr . and Mrs . Donald Laidlaw Bernie and Libby Weiner Sarilyn and Sherman Fogel Linda Lambert Maggie White Cindy Foley Bob and Sherrie Lane Denise Andre Ford Anne Leary and Bill Hemelt FRIENDS Drs . David William and Marianne and Bill Leedy Virginia Ramos Foster Dr . Alan Levenson $250 – $499 M . Fowler Dr . and Mrs . Marc Levison Anonymous (7) David and Cathy Freedman Herb and Nancy Lienenbrugger Daniel and Audrey Abrams Carol and Paul Gerlach Elaine Litvack Vicki and Jerry Alpert Gary and Gini Gethmann Roy Loewenstein Lee and Gay Ashton Mrs . Linda G . Golburgh Jennifer Lohse and Eva and Martin Bacal Muriel and Marc Goldfeder Jason DiPizzo Carole and John Backstrom Dr . Gerald Golner Peter and Suzan Makaus Emery and Jackie Barker Stephen Gottlieb and Laura Gregory and Emma Melikian Mr . and Mrs . Robert Barnes Penny Richard and Kathryn Merkel Bret and Mary Batchelor Robert and Judi Gottschalk Mr . Thomas Merryweather Char and Gerry Bates Nancy and Thomas Green Darrel and Ann Merwin Trip Batten and Bill Henry Alan and Ann Grove Merrily and Bob Metzger Mathis and Barbara Becker Donita Gross Mr . Gary Molenda Dr . Cash and Susanne Beechler Diane Haller and Steve Betts Essie and George Nadler Tony Beram Michael Hamant, M .D ., and Lynnell Gardner, M .D . Pat and Wayne Needham Bill and Kathleen Bethel Kenneth and Marian Handy Mr . and Mrs . Michael Ore Elizabeth Beyrer and Fred Bill and Kathie Peterson D’Angelo Monica and Jim Hart Marilyn M . Prince Phylis and Gary Bolno Mr . and Mrs . Jerrold Hatcher Will Rapp and Kathy Kolbe David and Bonnie Bickford Alma Haywood Mr . Paul Rathjen Chuck and Sandy Bonstelle Susan B . Hazan and Michael T . Burns Lynda and Ed Rogoff Carla and Chuck Borkan Frederick C . Henning David and Sonja Saar John Bowers Dr . and Mrs . Arthur L . Herbst Michael and Enriqueta Salvo Diane and Donald Bristow Susan E . Hetherington Suzanne Samuels Ms . Martha Brumfield Sherry Heyman Vance, Louise, and Vivian Bruns Greg and Marcia Hilliard Camille Sanders Gene and Jeanne Bryan Ms . Michele Himovitz Dr . J .M . Santiago and Herb and Sylvia Burton Harriet and Robert Hirsch Ms . Janice Catt Ralph H . Byerly Marsha and Sid Hirsch Dr . Frances Schulter-Ellis Mr . and Mrs . John Carhart Marjorie Hoffman Paul and Jacqueline Schulz Ms . Joyce Cohen Dr . Arnold and Carol Hollander Dr . and Mrs . Fred Schwartz Beth A . Cooper Ms . Pamela Horner Mr . and Mrs . Marc Schwimmer Mr . and Mrs . James Coyle Ms . Nancy Howell Dr . and Mrs . J . F . Seeger Ronald & Vic Crowe Mr . Robert Huber Dr . William and Joanne Sibley William and Saucy Cutlip J . Hufford-Jensen and Drs . David Siegel and Susan Dale Linda Riordan G . Kroening Thomas Delgado Raj Sivananthan John Irby and Norizan Osman Mr . Philip G . Derkum Richard Snodgrass and Gary Israel Merrie Brucks Peter DeLuca Helen and Robert Jennette Lin and Bob Spangler Stephen and Ruth Dickstein Leonard and Marcelle Joffe Darryl and Helen Stern Mr . Tom Dinwiddie David Hoyt Johnson 55 INDIVIDUAL DONORS

FRIENDS Melvin E . Mounts Claire Steigerwald CONTINUED Shirley G . Muney Mr . and Mrs . David J . Sterle Mr . and Mrs . Chuck Munson Richard and Marie Stewart $250 – $499 Mrs . Connie Myren Ms . Dana Stout Kim Johnson Dana and Rick Naimark Teri and Don Sullivan Bob and Susan Johnstone Carl and Carolyn Nau Mr . Matthew Sweger Mr . Bill Jones Susan and James Navran Jay Sykes Marcia Jones Caren and Thomas Newman Philip and Mary Taylor Mr . and Mrs . Robert Jones Dr . Janko Nikolich-Zugich Robert and Beth Taylor Hy Kaplan and Sue Vardon Ms . Leslie O’Hara Dr . N . Thomas and Ruth R . Mr . and Mrs . Gerald Karches Marilyn V . Olander, Ph .D . Debevoise Ms . Julianna Kasper Paula and Carl Olson Anne and Steve Thomas Sandra B . Katz, MD, JD and Betty Olwin Neil and Marge Thornton D . Stephenson Mr . Jones Osborn, II Nina Trasoff and Rodney Jilg Pam and Charles Katzenberg John Parente Tony and Rita Vickers David and Lisa Keene Roger and Lori Peck Bob and Emily Vincent Darrell and Susan Kidd Martha and Terry Allen Perl Carol Vivona Ms . Susan Kidd Julia Pernet Linn and Karen Wallace Susan and Carlton King Jeanne Pickering and John and Connie Jay and Barbara Kittle Mike Andrew Nygaard Wareing Donald and Marsha Klein Ms . Linda Piele Susan Watchman and Susan Knowlton and Mr . Herbert C . Ploch Terry Corbett Don Bourque Jeanne Porter Mrs . Virginia A . Weise Karen and Sherwin Koopmans Robert and Sheila Press Richard and Stephanie Weiss Jessica and Steve Kozloff Robert Davis and Jan Wezelman Bobbie and Ted Kraver Lourdes Ramonet Mr . and Mrs . Preston Whitt Lynne Lagarde Sandra L . Rausch Ms . Karin Williams Nancy J . Lamphere John and Jennifer Reid Mr . and Mrs . Peter Woods Sally Lanyon Mr . and Mrs . Eugene R . Rice Pennie DeHoff and Larry Wurst Drs . Arlyn and Joyce Larson Mrs . Joan C . Roberts Lynne C . Larson Roger and Janet Robinson GIFTS IN Leslie Latham and Lou Kahn Bill and Eileen Roeske MEMORY OF Philip and Ellen Leavitt Jeanne and Tom Rogers Charles Artigue by Gammage Mr . and Mrs . Robert Lebby Mr . and Mrs . James Ronstadt & Burnham, Richard B . Mr . John Leonardo Herbert and Laura Roskind Burnham, Curtis and Paula Bertie Levkowitz and Kent and Barbara Rossman Ullman, Susan Watchman Thomas Herz Arnold and Carol Rudoff and Terry Corbett Mr . and Mrs . Matthew Madonna Mr . and Mrs . Richard Rundle Ms . Beryl Beville by Matthew Martin Mannlein and Jennifer and Charles Sands and Jo Ann Madonna Barbara Stern Mannlein Kirk Saunders Bob Cauthorn by John and Mr . and Mrs . Thom Mansur Bart and Marcella Schannep Laura Almquist, Jessica L . Mike Martin Andrews and Timothy W . Alfred and Doris Schiller Toothman, Barbara Atwood, Alice Mason Dr . and Mrs . Harry Schlosser Alice and Paul Baker, Patricia Rudy and Maria Mathews Jerusha and Marc Schmalzel Ballard, Deanna and Robert Mr . and Mrs . Stanley Matlick Mr . and Mrs . S .L . Schorr Bates, Jill Bishop, Betsy Alan S . and Judi E . Max Trisa and Andy Schorr Bolding, Neal and Sally Cash, Skip and Barbara McCarthy Lyle and Gail Schultz Shirley J . Chann, Len and Andy McKnight Susan and Ford Schumann Doris Coris, Edward Gentile and Deborah Rosenwald, Delos D . McKnight Edward and Robyn Schwager Lynda Menis Rob and Laurie Glaser, David John and Maria Schwarz Ira Goldstein and Michele Jean and Walt Merkel Olivia and Dev Sethi Robins Goldstein, Pamela Debra and Jeffrey Messing Jim and Hazel Shuttleworth Grissom, Naomi and Gene Fred and Joyanne Mills Marvin Siegel and Eileen Bloom Karp, Shirley and Jim Kiser, Joe and Michelle Millstone Steve and Anita Slaughter Trudy Kohl, Clyde W . Kunz Mr . and Mrs . George Mink John and Phyllis Smiley and Brian L . Arthur George Jacque L . Montrose Lois and Lowell Sorenson Loesch and Friends at Ms . Frances Moore Intersate General Media, Mark and Gloria Spies Jennifer Lohse, David Phyllis and Harold Morgan Linda Staubitz Mackstaller and Lyn

56 INDIVIDUAL DONORS

GIFTS IN Michael Schroeder by Seth Kromholz and Gilat Raymond Kemp and Rick Ben-Dor by Davina Glaser MEMORY OF CONT. Douglas Bob Cauthorn by Clyde Kunz and Brian Arthur Richard Segal by Jessica L . by Jessica L . Andrews and Papanikolas, Robert Marshall, Andrews and Timothy W . Timothy W . Toothman Sandy and Robert Maxfield, Toothman, Betsey Bayless, Matt Lerhman by Paulette and Brent Pichler, Judith Rich, Laura and Terry Bercovitz, Jill and Herschel Rosenzweig, Joe Gootter Gina and Rick DeGraw, Helaine Levy by Len and Doris Robert Strauss, Lisa Ungar, Norma and Stanley G . Patricia H . Waterfall, Jan Coris, Deanna Evenchik, Feldman, Babs and Jay Norma and Stanley G . Wezelman and David Glaser, David Ira Goldstein Bartlett, Ruth Zales and Ken Feldman, Babs and Jay and Michele Robins Glaser, Judi Kessler, Richard Greenfield, Enid and Mel Goldstein, Ellen and Mark Zuckerman and Sally Lehmann, Francie Harrison, Luana and Doug Merryman, Anne and Lowell Dan Davis by F . William Manning, Patricia Martin and Sheppard and Range P . Shaw Rothschild, Anne and Tim Timothy Berg, Charles J . Schaffner, Cristie and Bill Adele Furman by Ina and Ian Muchmore and Karen Nyrop, Street, David and Kathryn Shivack Nancy and Bruce Oyen, Unger Allan Glaser by Jessica L . Michael Parrish and Susan Bill Lewis and Rick Underwood Andrews and Timothy W . Davis, Vicki and Scott Ruby, by F . William Sheppard and Toothman, Alice and Paul Michelle and Stan Sparrow, Range P . Shaw Baker, I . Michael and Beth Sheryl and Dale Wanek Kasser, Robyn Kessler and Ann Lovell and the Lovell Trudy Shapiro by Jessica L . Foundation by Judith Braun, Jeff Timan, Lynn and Mark Andrews and Timothy W . Thomas Clyde W . Kunz and Brian L . Toothman, Rob and Laurie Arthur Rose Gottlieb by James Glaser, Slobodan Popovic Erikson, Joanne Adams, Jean and Janie Shapiro Phil Lyon by Elyce and Mark Metzner and Marvin Glassberg, Larry Smith by Frank Davis, Shigeko and Ke Hsieh, Lisa F . William Sheppard and Kevin E . Moore by David Ira Humenik, Rebecca Hurd, Range P . Shaw Goldstein and Michele Robins Goldstein Linda and James Kastella, Nemesio Trevino by Jessica L . Phyllis and Theodore Katz, Andrews and Timothy W . Jean and Jordan Nerenberg by Hani and Nora Murad, Toothman, David Ira Elyce and Mark Metzner Kenneth and Phyllis Myslik, Goldstein and Michele Robins Linda “Mac” Perlich by Kathy Wanda and Angelo Goldstein and Chuck Munson Petropolis, Sonja Reinhardt, Alan Wall by Mr . and Mrs . Anne Raymond by Ann Nancy and Lu Rudolph, Gerald Vegodsky Bladwin Robert and Susan Shrager, Asha and Jason Ricci by Len Dave Solomon and Doris Coris Chris and Joel Hatfield by GIFTS IN Anne Rothschild by Norma and Norma and Stanley G . HONOR OF Stanley G . Feldman Feldman Jessica Andrews by Paulette Karen Scates by Betsy Bolding Karl Haytcher by Jessica L . and Joe Gootter John and Helen Schaefer by Andrews and Timothy W . Danielle Faitelson by Karen Len and Doris Coris, Norma Toothman, Claudia Vazquez and Lionel Faitelson and Stanley G . Feldman Bob Hegyi by Raymond Kemp Stanley Feldman by David Lew Schorr by Shirley J . Chann and Rick Douglas Mackstaller and Lyn Mike and Enid Seiden by Dr . Arnold I . Hollander by Carol Papanikolas Stephanie Garfinkle Hollander Jay Glaser by Linda Goldburgh Bill Sheppard and Range Shaw Mollie Hughes by Diane David Ira Goldstein by Karen by Raymond Kemp and Rick Tweedy and Lionel Faitelson, Paulette Douglas Anna Jolivet by Jessica L . and Joe Gootter Ralph and Ingeborg Andrews and Timothy W . Beth and Mike Kasser by Ruth Silberschlag by Marilyn Toothman and Henry Jacobson, Jill and Prince Renay F . Lehman by Carol Herschel Rosenzweig Geri Silvi by Slobodan Popovic Hollander Robyn Kessler by David and Janie Shapiro Elayne Miller by Jan Wezelman Mackstaller and Lyn Sara J . Wich by Anonymous and David Bartlett Papanikolas Ruthie Zales by Marsha Cohen, Mary Katherine Robinson by Randy Kincaid by F . William Judy and Jay Feldstein Jessica L . Andrews and Sheppard and Range P . Shaw Timothy W . Toothman Anne Kleindienst by F . William Sheppard and Range P . Shaw

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David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus

ARTISTIC ADMINISTRATION ASSOCIATE ARTISTIC DIRECTOR PLAYWRIGHT-IN-RESIDENCE ASST. TO THE MANAGING FACILITIES – TUCSON Stephen Wrentmore Elaine Romero DIRECTOR/BOARD LIAISON Mary Bertlshofer MAINTENANCE SUPERVISOR ARTISTIC ASSOCIATE DRAMATURGY INTERN Horace Ashley Timothy Toothman Kalan Benbow HUMAN RESOURCES Dina Scalone-Romero MAINTENANCE TECHNICIANS COMPANY MANAGER RESIDENT COSTUME DESIGNER David Fitch, Dean Morgan Robyn Lambert Kish Finnegan FRONT OFFICE MANAGER Sara Kavitch ASST. COMPANY MANAGER RESIDENT LIGHTING DESIGNER TICKET SALES & Nicole Smith T . Greg Squires FRONT OFFICE HOUSE MANAGEMENT Pat Boysen, Helen Daniels, Barb LITERARY ASSOCIATE RESIDENT SOUND DESIGNER TICKETS SERVICES MANAGER Katherine Monberg Brian Jerome Peterson Dominick-Price, Ellen Gurewitz, Geri Silvi Emily Lucas, Susan Tomlinson, ARTISTIC & PLAYWRITING INTERN Linda Vogel BOX OFFICE MANAGER – TUC Natasha Smith Becca Moore ACCESSIBILITY CUSTOMER SERVICE ACCESSIBILITY COORDINATOR REPRESENTATIVES – TUC EDUCATION Eileen Bagnall Carrie Luker, Michi Yamasaki CUSTOMER SERVICE DIRECTOR OF EDUCATION TEACHING ARTISTS CONT. DEVELOPMENT Stephen Wrentmore Christopher Gerling, Athena REPRESENTATIVES – PHX Hagen-Krause, Russell Long, SENIOR DIRECTOR OF Pam Beitman, EDUCATION MANAGER DEVELOPMENT Linda Scwartz April Jackson Katherine Monberg, Brian Jerome Peterson, Andrea Pratt, Geri Wright TICKET SERVICES EDUCATION ASSOCIATES Sarah Ross, Kat Seaton, Amy DIRECTOR OF ASSOCIATE – TUC Bryanna Patrick, Luke Young Shuttleworth, Ashley Simon, DEVELOPMENT Debbie Archuleta TEACHING ARTISTS Natasha Smith, Jared Strickland, Leslie Freed TICKET SERVICES Barbara Tanzillo, Amber Tibbitts Heidi Barker, Kevin Black, Emma DEVELOPMENT ASSOCIATE – PHX DeVore, Mathew DeVore, COORDINATOR – TUC Debra Field Carley Elizabeth Preston HOUSE MANAGERS – TUC Bill Bethel, Sonja Reinhardt PRODUCTION FINANCE AUDIENCE ENGAGEMENT STAFF PRODUCTION MANAGER COSTUMES & WARDROBE DIRECTOR OF FINANCE Freda Ganem Jennifer Smith & ADMINISTRATION COSTUME SHOP MANAGER Carrie Toth CONSULTANTS ASST. PRODUCTION MANAGER Barbara Tanzillo Christopher Gerling SENIOR ACCOUNTING AUDITORS COSTUME DESIGN MANAGER ASSOCIATE Beach, Fleischman & Co . PRODUCTION MANAGEMENT Kish Finnegan Yvette Miranda INTERN MARKETING & Courtney Stevens, DRAPER ACCOUNTING ASSISTANTS COMMUNICATIONS Jonathan Thompson Phyllis Davies Debbie Archuleta Crowley Communications Kalyn Scanlan WARDROBE SUPERVISOR GRAPHIC DESIGN Lisa A . Leonhardt STAGE MANAGEMENT THE TEMPLE LOUNGE Esser Design PRODUCTION STAGE MANAGER WIGMASTER IT SUPPORT Glenn Bruner Amanda Gran MANAGER Emily Lucas Team Logic IT STAGE MANAGER MILWAUKEE REPERTORY PUBLIC RELATIONS Timothy Toothman THEATER WIGMASTER ASST. MANAGER Sara Kavitch The Kur Carr Group, Inc . ASSTS. TO THE STAGE MANAGER Lara Dalbey CONCESSIONAIRES WEBSITE SUPPORT Emma DeVore, Ashley Simon Susana Diaz LIGHTING Angela Aldrin, Crisi Badke, SCENERY Dawn Copps, Alison Doran, Dani LIGHTING SUPERVISOR Gifford, Kim Grygutis, Cynthia TECHNICAL DIRECTOR T . Greg Squires Hough, Shannon Lempke, Mariah Matthew Saxton MASTER ELECTRICIAN McCammond, John McNiece, ASST. TECHNICAL DIRECTOR Timothy Smith Rebecca Smiley, Liz Weibler Philip Blackwood STAFF ELECTRICIAN STAFF CARPENTERS Kat Seaton MARKETING Scott Greenleaf, Jason LaFleur PATRON RELATIONSHIP LIGHT BOARD OPERATOR – PHX MANAGER OVERHIRE CARPENTERS Alexis Raetz Butch Foley, Matt Murray, Arthur Ron May Potts, Aaron Wheeler OVERHIRE ELECTRICIANS MARKETING & Connor Adams, Katelin Ashcraft, COMMUNICATIONS SCENIC CHARGE ARTIST Daniel Black, Rick Holya, Brigitte Bechtel COORDINATOR – TUC Blue Martin, Dale Nakagawa, Erin Treat SCENIC ARTISTS Arthur Potts Andrea Pratt, Liz Wiebler MARKETING ASST. SOUND Gary Edwards STAGE CARPENTER – TUC Russell Long SOUND SUPERVISOR Brian Jerome Peterson STAGE CARPENTER – PHX Robert Douglass ASST. TO THE SOUND DESIGNER Kenny Erickson PROPERTIES PRODUCTION SOUND ENGINEER PROPERTIES MASTER Mathew DeVore Paul Lucas SOUND BOARD OPERATOR – PHX PROPERTIES ARTISANS Billy Lopez Katelin Ashcraft, Matthew Floge SOUND INTERN Jason Campbell

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