Todd Williamson Choreographer & Dancer

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3WJ+boy 167 Moore Street, Howick Auckland, New Zealand, 2014 www.3wjplusboy.co.nz TODD WILLIAMSON CHOREOGRAPHER & DANCER HEIGHT: 173cm EYES: GREEN HAIR: BLONDE MUSIC VIDEO EXO ‘OBSESSION’ TODD WILLIAMSON STAN WALKER ‘CHOOSE’ TODD WILLIAMSON SOMI ‘OUTTA MY HEAD’ TODD WILLIAMSON AMANDA ‘HIDE AND SEEK’ TODD WILLIAMSON BEN HAZELWOOD ‘FIX THIS LOVE’ TODD WILLIAMSON JOLIN TSAI ‘WOMXNLY’ (DANCE VIDEO) KIEL TUTIN PARRI$ ‘NASTY’ PARRIS GOEBEL PARRI$ ‘FRIDAY’ PARRIS GOEBEL PARRI$ ‘LUH BASS’ PARRIS GOEBEL PARRI$ ‘FIYAH’ PARRIS GOEBEL JUSTIN BIEBER ‘WHAT DO YOU MEAN’ (DANCE VIDEO) PARRIS GOEBEL SAMMY J ‘HEY’ PARRIS GOEBEL LIVE PERFORMANCE NZX AIMS GAMES OPENING CEREMONY 2019 TODD WILLIAMSON BLANK KANVAS CHOREOGRAPHY SHOWCASE 2019 TODD WILLIAMSON NZXX BODY ROCK DANCE COMPETITION U.S.A. 2019 TODD WILLIAMSON TEMPO FESTIVAL ALL THAT - JAZZ SHOWCASE TODD WILLIAMSON NZX AIMS GAMES OPENING CEREMONY 2018 TODD WILLIAMSON FRINGE FESTIVAL SYNTHESIS - PRINCIPAL DANCER KAYLA PAIGE PLEASUREDOME NEW ZEALAND MUSICAL PRINCIPAL CAST MOMENTUM PROD. SKY CITY CHEER NZ BREAKERS & WARRIORS 2017 MOMENTUM PROD. A MILLION MOVES DANCE SHOWCASE 2017 KIEL TUTIN FRINGE FESTIVAL SYNTHESIS SHOWCASE TODD WILLIAMSON PARRI$ ‘THE PARRIS PROJECT’ - LAS VEGAS PARRIS GOEBEL PARRI$ ‘THE PARRIS PROJECT’ - AUCKLAND PARRIS GOEBEL THE ROYAL FAMILY SKULLS & CROWNS - EUROPEAN TOUR PARRIS GOEBEL THE ROYAL FAMILY WORLD OF DANCE GUEST SHOWCASE 2015 PARRIS GOEBEL FILM BORN TO DANCE NEW ZEALAND DANCE FEATURE FILM PARRIS GOEBEL COMPETITION REBELLIOUS CREW HOUSE OF CHAMPIONS AUSTRALIA 2018 HIP HOP INTERNATIONAL REGIONAL 2019 - 1ST PLACE HIP HOP INTERNATIONAL NATIONAL 2019 - 3RD PLACE PROJECT YOUTH DANCE COMP NZ 2019 - 1ST PLACE NZX DANCERS PARADISE MEXICO 2017 - 2ND PLACE THE ROYAL FAMILY HIP HOP INTERNATIONAL 2015 - 2ND PLACE KINGS NZ HHI NATIONALS - 2ND PLACE TELEVISION JOLIN TSAI HITO MUSIC AWARDS TAIPEI 2019 TOVARIS WILSON JOLIN TSAI MOUNT EMEI MUSIC FESTIVAL SICHUAN 2019 KIEL TUTIN JOLIN TSAI KKBOX 14TH MUSIC AWARDS TAIPEI 2019 KIEL TUTIN JOLIN TSAI JIANGSU TV NEW YEAR’S EVE CONCERT 2018 KIEL TUTIN JOLIN TSAI SUPERSTAR ART AWARDS TAIPEI 2019 KIEL TUTIN JOLIN TSAI MIGU MUSIC AWARDS SHANGHAI 2018 KIEL TUTIN JOLIN TSAI ASIA FASHION AWARDS TAIPEI 2018 KIEL TUTIN JOLIN TSAI WEIBO AWARDS CEREMONY BEIJING 2018 KIEL TUTIN JOLIN TSAI WE LOVE CONCERT CHENGDU 2019 KIEL TUTIN JOLIN TSAI JIANGSU TV NEW YEAR’S EVE CONCERT 2018 KIEL TUTIN JOLIN TSAI CHRISTMASLAND CONCERT TAIPEI 2018 KIEL TUTIN JOLIN TSAI MUSIC EXTRAVAGANZA SHANGHAI 2018 KIEL TUTIN JOLIN TSAI FANSTIME INTERNATIONAL GALA MACAU 2018 KIEL TUTIN JOLIN TSAI FUBON LIFE AAP AWARDS TAIPEI 2018 KIEL TUTIN JOLIN TSAI ZHEIJIANG NEW YEARS EVE SHENZHEN 2017 KIEL TUTIN JOLIN TSAI NO FEAR ELECTRIC PARTY GUANGZHOU 2017 KIEL TUTIN JOLIN TSAI MIGU MUSIC AWARDS 2017 KIEL TUTIN JOLIN TSAI HARPERS BAZAAR CHARITY NIGHT BEIJING 2017 KIEL TUTIN JOLIN TSAI IQIYI CONCERT SHENZHEN 2017 KIEL TUTIN JOLIN TSAI SUPER DIVA LOVE CONCERT 2017 KIEL TUTIN JOLIN TSAI MTV ASIA MUSIC AWARDS SHENZHEN 2017 KIEL TUTIN JOLIN TSAI 17TH XUYI LOBSTER FESTIVAL HUINAN 2017 KIEL TUTIN JOLIN TSAI OPPO R11 LAUNCH CONCERT KIEL TUTIN INTERNATIONAL WORKSHOPS AUSTRALIA (SYDNEY, CANBERRA, MELBOURNE, BRISBANE, PERTH) NEW ZEALAND, UNITED KINGDOM, TAIWAN, CHINA.

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Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others.
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Kei Li 绮丽 Lee Ming Hui Hi, I am Kei Li. I am an illustrator from Malaysia. My name is Lee Ming Hui and I’m currently taking a I have two cats and I love to have them involve in my arts. Diploma in Graphic Design in IACT College. Although I love painting on canvases or drawing I enjoy sketching with pencil as I like to see the strokes with my digital tablet, there’s just something special performing in the traditional way. about using my face as a canvas because it can be Most of the time black and white shows reminiscence and erased and painted on again and again, grieved, I hope you feel the warmth through anytime I want. my drawings where they are in monotone. Hope you like my arts! Instagram : @minghui.psd https://www.facebook.com/keili.arts Aeslinn Noel Siew Fung Lim Hello! My name is Aeslinn Noel, and I'm an artist and writer born I was born in 1995 and currently work as a 3D Compositor. and raised in Malaysia. I only just started doing embroidery since the beginning of I grew up in a small town, and was very close to my Indian 2018, but my mother had thought me how to cross stitch grandparents, which influenced many of my cultural values. My when I was a kid. I was inspired by Sheena Liam and I mostly art style varies between pen and ink and watercolour, but my doing portrait embroidery. My philosophy in embroidery is that favourites to create are collages and journal-style art.
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