Cassette Store Day: More Than Just Nostalgia!
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
Daf Leaether Strip Project Pitchfork
edition October - December 2015 free of charge, not for sale 19 quarterly published music magazine DAF LEAETHER STRIP PROJECT PITCHFORK BETTINA KÖSTER + POSIMONOVA DECODED FEEDBACK + KINEX KINEX THE ARCH + NO MORE + ONMENS - 1 - WOOL-E TOP 10 WOOL-E TAPES Wool-E Tapes is a spin-off of Wool-E Best Selling Releases Shop to release everything its owner (July/Aug/Sept 2015) likes, on tape INTERNATIONAL CASSETTE 1. SHE PAST AWAY STORE DAY (October 17th) Narin Yalnizlik (LP/CD) For the 3d instalment of International Cassette Store Day we will be 2. PURE GROUND releasing 4 tapes (see below). Sound Standard Of Living (LP/CD) & Vision and Charnier will promote 3. VOLKOVA their tape by means of a short gig Sangre (CD) in the shop. Check the website or 4. QUAL facebook for the exact timing. Sable (LP/CD) Upcoming: 5. DADA POGROM WET020 Unidentified Man - Dissociative Identity C50 Kolophonium (CD) WET021 Klankdal - Nachtkarkassen C85 6. VARIOUS WET022 Sound & Vision – Golden Years C26 Another Cold World (LP/CD) WET023 BARST (released on 1st 7. KVB November) Mirror Being (LP/CD) WET024 Charnier C25 8. MONNIK / ONRUST Still hot: Split Tape (MC) WET016 - MAYZ – The Void C67 WET017 - Howling Larsons - Midnight 9. L’AVENIR Folk C49 Etoiles (LP) WET018 - Kinex Kinex - Polytheistic 10. BLEIB MODERN Christmas C31 All Is Fair In Love And War(LP/CD) http://wool-e-tapes.bandcamp.com The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 - [email protected] - 32(0)476.81.87.64 www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews -
Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream
POP MUSIC, CULTURE AND IDENTITY Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Edited by Tamas Tofalvy · Emília Barna Pop Music, Culture and Identity Series Editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK Pop music lasts. A form all too often assumed to be transient, commer- cial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global market- ing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies. More information about this series at http://www.palgrave.com/gp/series/14537 Tamas Tofalvy · Emília Barna Editors Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Editors Tamas Tofalvy Emília Barna Department of Sociology and Department of Sociology and Communication Communication Budapest University of Technology Budapest University of Technology and Economics and Economics Budapest, Hungary Budapest, Hungary Pop Music, Culture and Identity ISBN 978-3-030-44658-1 ISBN 978-3-030-44659-8 (eBook) https://doi.org/10.1007/978-3-030-44659-8 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright. -
NEW RELEASE for the Week of Feb. 5, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of Feb. 5, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! FLOCK OF DIMES "Head Of Roses" (SUB POP) SP1405 CD/ LP FLOCK OF DIMES "Head Of Roses (LOSER (SUB POP) SP1405LOSER LP edition-coloured vinyl)" April 2 street date. On her second full-length record, "Head of Roses", Jenn Wasner (Wye Oak) follows a winding thread of intuition into the unknown and into healing, led by gut feelings and the near-spiritual experience of visceral songwriting. The result is a combination of Wasner's ability to embrace new levels of vulnerability, honesty and openness, with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. Simply put, "Head of Roses" is a record about heartbreak, but from a dualistic perspective. It's about the experience of having one's heart broken and breaking someone else's heart at the same time. But beyond that, it's about having to reconcile the experience of one's own pain with the understanding that it's impossible to go through life without being the source of great pain for someone else. Carefully curated and culled from the depths of Wasner's heartbreak and healing, it's deeply, intensely personal. KING GIZZARD & THE "Teenage Gizzard (pink (ORG MUSIC) ORGM2210 LP LIZARD WIZA splater on yellow transparent" April 2 street date. "Teenage Gizzard" is a compilation album featuring early recordings of King Gizzard & The Lizard Wizard, recorded between 2010 and 2011 in Victoria, Australia. Org Music is participating in the band's official "bootlegger" series to release the album on vinyl. -
Adobe Photoshop
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 23134-0054-2 BRADLEY, CHARLES Black Velvet Redeye / DaptoneSoul / Fun 823134005426 CD$ 12.10 9-Nov-18 DAPT054 BRADLEY, CHARLES Black Velvet Redeye / DaptoneSoul / Fun 823134005419 LP$ 18.58 9-Nov-18 DAPT054LE BRADLEY, CHARLES Black Velvet (Limited edition LRedeye / DaptoneSoul / Fun 823134805415 LPx2+$ 46.51 9-Nov-18 98787-1260-2 FLEET FOXES First Collection 2006-2009 Sub Pop Rock-Pop 098787126020 CDx4 $23.00 9-Nov-18 SP1260 FLEET FOXES First Collection 2006-2009 Sub Pop Rock-Pop 098787126013 LP+3x$ 63.50 9-Nov-18 98787-1270-2 MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127027 CD$ 12.80 9-Nov-18 SP1270 MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127010 LP$ 18.00 9-Nov-18 SP1270LOSERMASCIS, J Elastic Days (LOSER edition oSub Pop Rock-Pop 098787127065 LP$ 18.00 9-Nov-18 SP1270CS MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127041 CS 7.60$ 9-Nov-18 82388-1160-2 VNV NATION Noire Metropolis Electronic 782388116022 CD$ 11.00 9-Nov-18 MET1160 VNV NATION Noire Metropolis Electronic 782388116015 LPx2$ 28.00 9-Nov-18 82388-1152-2 ASH CODE Perspektive Metropolis Punk 782388115223 CD$ 11.00 9-Nov-18 MET1152 ASH CODE Perspektive Metropolis Punk 182388115216 LP$ 21.00 9-Nov-18 82388-1145-2 EISBRECHER Ewiges Eis Metropolis Rock-Pop 782388114523 CDx2$ 13.25 9-Nov-18 82388-1154-2 MOVING UNITS This Is Six Metropolis Rock-Pop 782388115421 -
Cassette Tape: the B Side of Repurposing Culture and the Anti- Capitalist Local Art Movement in Gainesville, Florida
CASSETTE TAPE: THE B SIDE OF REPURPOSING CULTURE AND THE ANTI- CAPITALIST LOCAL ART MOVEMENT IN GAINESVILLE, FLORIDA By RICHARD TYNER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2019 © 2019 Richard Tyner ACKNOWLEDGMENTS I thank the chair and members of my supervisory committee for their mentoring, the staff and members at the UF Libraries for their keen research assistance, the participants in my fieldwork for their honest and open participation. I thank my family for their loving encouragement, which motivated me to complete my study. 3 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................3 LIST OF FIGURES .........................................................................................................................5 ABSTRACT .....................................................................................................................................6 CHAPTER 1 INTRODUCTION ....................................................................................................................7 Methodology ...........................................................................................................................10 Literature Review ...................................................................................................................12 2 A BRIEF HISTORY OF THE CASSETTE ...........................................................................16 -
Cassette Culture 2.0: on How the Cassette Prevails in the Digital Age
Cassette Culture 2.0: On how the Cassette prevails in the Digital Age Author Duster, Benjamin D Published 2021-06-14 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/4230 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/405209 Griffith Research Online https://research-repository.griffith.edu.au Cassette Culture 2.0: On how the Cassette prevails in the Digital Age Benjamin Daniel Düster B. A. (Honours), Heinrich Heine University Düsseldorf, 2014 M. A., Humboldt University of Berlin, 2017 School of Humanities, Languages and Social Sciences Faculty of Arts, Education and Law Griffith University Queensland, Australia Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2021 Thesis Abstract From the early to mid 2000s, music cassettes appeared to be on the brink of extinction in industrialised nations. Nonetheless, in genres such as Punk, Noise and Hip Hop the format remained in use throughout this time. Growing sales over the past decade have led mass media outlets to declare a general revival of the cassette yet, the reasons for this resurgence remain to be investigated. This investigation is drawing on qualitative ethnographic fieldwork conducted in Japan, Australia and the USA entailing participant observation at various events, concerts and record shops and in-depth expert interviews with a total of 85 individuals involved in DIY cassette cultures. I argue that the cassette’s contemporary function, though in some cases enabling decelerated consumption and face-to-face interaction, is to provide an additional physical artefact of music that is primarily distributed digitally on the internet. -
Hi-Fi Choice
Mini test All rounders Four-way headphone The Elipson Planet speakers amp/DAC face off that are out of this world PASSION FOR S Issue No. OUND No. 383877 AuAugustgust 22014 A HARD DAY’S NIGHT 50th anniversary soundtrack Solid tribute Silver Monitor Audio’s S8 speakers deliver sterling performance Primare NP30 StylishStylish netwnetworkork musmusicic player and DAC makes streaming simple Arcam, Eltax, Korg, Linn, Morel 38PRODUCTSODUCTS OONN TEST:TEESTS : & Origin Live PRINTED IN THE UK US$10.99 US$10.99 UK THE IN PRINTED AUGUST 2014 £4.50 2014 AUGUST GROUP TEST System upgrade Pocket rocket SixS cable looms IntroducingIntro the ultimate get blind tested 24/192 portable player MF-100 SUPERIOR PERFORMANCE HEAD PHONES When music matters most VERY HIGH QUALITY • MUSICAL FIDELITY DESIGNED NEODYMIUM DRIVE UNITS www.musicalfidelity.com +44 (0)20 8900 2866 INTRODUCTION PASSION FOR SOUND Welcome www.hifichoice.co.uk Issue No. 387 August 2014 Are you happy with your hi-fi system’s sound, or could it sing a little better? If you think that you have the right blend of components but feel it’s not quite giving its very best then this month’s cable looms 42 Group Test is just for you. Let’s face Origin Live it most of us probably have a Astute mishmash of interconnects from different brands hooking up the ins and outs of our hi-fi components, partnered with a set of speaker cables that more than likely come from another manufacturer altogether. In terms of getting a system to perform at 116 its very best we all seem to understand the importance Guide to.. -
Record Retailer Experiences of Current Cassette Tape Sales
Now Available on Cassette—Again: Record Retailer Experiences of Current Cassette Tape Sales Waleed Rashidi California State University, Fullerton This paper was presented at the 2019 International Summit of the Music & Entertainment Industry Educators Association March 21-23, 2019 https://doi.org/10.25101/19.42 Introduction For many who grew up with the cassette tape as a primary Abstract music source, the format could be viewed as anachronis- Cassette tape album sales have increased 23% in 2018 to tic playback technology. Some of its most important quali- 219,000 cassettes sold, according to a January 2019 Bill- ties—namely, its portability—were pivotal in making music board report citing Nielsen Music figures. This continued listening more personal and economical, while its use as a interest in the cassette has found retailers stocking their recordable format provided the opportunity of easy audio shelves with the format, some for the first time and others recording. For decades, cassettes were traded, mailed, sold, after a long absence. The study provides a more current un- and compiled (as mix tapes), but for many of its users from derstanding of music cassette tape sales from record retail- its heyday, such actions are largely memories of years’ past. ers’ perspectives. This qualitative study utilizes twenty-four The cassette has long fallen out of favor with the general in-depth, semi-structured interviews with retail employees public in the United States with the more recent popularity to better illustrate and comprehend reasons behind the up- of digital playback technologies via MP3 players, comput- ward trajectory in cassette sales. -
Max Blansjaar He’S Got Max Appeal! Inside: Summer Festivals Reviewed, Theo, Document One
AUTUMN 2019 FREE ISSUE 42 MAX BLANSJAAR HE’S GOT MAX APPEAL! INSIDE: SUMMER FESTIVALS REVIEWED, THEO, DOCUMENT ONE. ALBUMS: RIDE, PLASTIC MERMAIDS, CASSELS, MURDER CAPITAL. LOCAL: DEADBEAT APOSTLES, JUNK WHALE, MOTHER AND MORE OMS42 PORT OPEN MIC Chris Monger who documents the Oxford open mic circuit for his regular OMS column MUSIC NEWS has started his own night at the Port Mahon in St. Clements. It’s held in the downstairs bar, with a PA REEL LIFE The seventh annual Cassette Store Day and a good crowd of performers and spectators alike. THE FUTURE happens this year on October 12. Local tape label It’s on the fourth Tuesday of every month. Read our Beanie Tapes celebrate with a day of acts appearing super - helpful tips on appearing at open mic nights live at Truck Store. Jack Goldstein, Max Blansjaar and on P6 in this issue. Candy Says will be playing in the shop throughout the day alongside artists who feature on their Continuous BLACK HATS, BAD NEWS TELEPHONE EP BELONGS TO YOU Play 02 local music compilation which is released that Good news - our fave lads are Back with day. You can also pick up a copy of Max Blansjaar’s a Hi-Hat, with a brand-spanking crop of new EP Fantasy Living. CSD now has around 300 rock-tastic smashers. collectable releases for the day. A smattering of 80s pop gives a new edgy, dancy appeal and as always, catchy riffs ALL TAMARA’S PARTIES brings together a fine – - coupled wih erstwhile Oxford legend vocalist Nick looking all dayer upstairs at the Jericho Tavern Breakspear’s raw-some indie-rock voice - effortlessly on Walton Street on October 5. -
Cassette Tape 2.0 Media Plasticity in Underground Music Networks
Cassette Tape 2.0 Media Plasticity in Underground Music Networks A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2021 James R. Vail School of Arts, Languages and Cultures 2 Table of Contents List of Figures 5 List of Interviews 6 Location of Survey Responses 10 Abstract 11 Declaration 12 Copyright statement 13 Acknowledgements 14 Introduction The Cassette Tape: A Plastic Medium The Cassette Tape and Other New Media 17 Circulating Underground Music 22 Three Sites of Plasticity: Texts, Institutions, Publics 27 Out with the Old, Out with the New 31 The Power of Use 33 Research Methodology 37 Thesis Outline 40 Chapter 1 Beyond Old and New Media: Obsolescence, Temporality, and the Digital Age Introduction 44 Three Temporalities of Technological Change 47 Tape Time: The Symptom and the Cure 54 Digital Centres, Analogue Margins 59 After the Digital Age 64 Chapter 2 A Genealogy of Physical Media: Residual and Emergent Ways of Listening Introduction: Historicising Materiality 68 Copying and Transmission Networks 70 3 Deep Listening: Mixtapes, Playlists, Algorithms 80 Mobility, the Domestic Sphere, and the Event of Listening 93 Conclusion: Categorising Media 103 Chapter 3 Abundance and Curation: Residual and Emergent Intermediaries Introduction 105 The Dilemma of Democracy and the Fantasy of Abundance 107 The Ambivalent History of DIY 114 The DIY Avant-garde 121 Curation 128 Curation I: Distinctions 130 Curation II: Series 138 Curation III: Visibility 147 Conclusion 155 Chapter