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LEGAL NOTICES WETLIKE KENNISGEWINGS 2 No
. March Vol. 657 Pretoria, 27 M t 2020 aar No. 43149 ( PART1 OF 2 ) LEGAL NOTICES WETLIKE KENNISGEWINGS 2 No. 43149 GOVERNMENT GAZETTE, 27 MARCH 2020 STAATSKOERANT, 27 MAART 2020 No. 43149 3 Table of Contents LEGAL NOTICES BUSINESS NOTICES • BESIGHEIDSKENNISGEWINGS Gauteng ....................................................................................................................................... 15 Eastern Cape / Oos-Kaap ................................................................................................................. 15 KwaZulu-Natal ................................................................................................................................ 16 Western Cape / Wes-Kaap ................................................................................................................ 16 COMPANY NOTICES • MAATSKAPPYKENNISGEWINGS Gauteng ....................................................................................................................................... 17 Western Cape / Wes-Kaap ................................................................................................................ 17 LIQUIDATOR’S AND OTHER APPOINTEES’ NOTICES LIKWIDATEURS EN ANDER AANGESTELDES SE KENNISGEWINGS Gauteng ....................................................................................................................................... 20 Limpopo ....................................................................................................................................... 20 Western -
Register of Sports Contacts with South Africa, 1 April - 31 December 1981
Register of Sports Contacts with South Africa, 1 April - 31 December 1981 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1982_07 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Sports Contacts with South Africa, 1 April - 31 December 1981 Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 7/82 Author/Creator United Nations Centre against Apartheid; United Nations Special Committee Against Apartheid Publisher United Nations, New York Date 1982-02-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1981 Source Northwestern University Libraries Description The Special Committee published this report on 1 March 1982, which contains the second register of sports contacts with South Africa, covering the period from 1 April to 31 December 1981. -
On Target Media Group 6464 W
On Target Media Group 6464 W. Sunset Boulevard, Suite 829 Hollywood, CA 90028 (323) 461-4230 phone (323) 461-4229 fax Artist: Various Artists Title: Jamie Oldaker’s Mad Dogs & Okies Label: Concord Records Musical Styles: Americana, Roots-Rock, Country, and Rock ‘N’ Roll Featured Artists: Eric Clapton, Willie Nelson, Vince Gill, Peter Frampton, J.J. Cale, Taj Mahal TREMENDOUS CAST OF A-LIST MUSICIANS TEAM UP TO PERFORM SONGS WITH AN OKLAHOMA TONE ON "MAD DOGS & OKIES" “MAD DOGS & OKIES,” IN STORES AUGUST 30; FEATURES RAY BENSON, BONNIE BRAMLETT, J.J. CALE, ERIC CLAPTON, JOE & ELLEN, PETER FRAMPTON, VINCE GILL, WILEY HUNT, TAJ MAHAL, WILLIE NELSON, STEVE PRYOR, WILLIS ALAN RAMSEY, TONY JOE WHITE AND ZADIG & MARCELLA On Target Media Group Spearheading Internet Campaign; Seeking Reviews, Feature Stories, Web Links, and Contests/Giveaways. Los Angeles, CA: The state of Oklahoma has a rich songwriting and performing tradition, and nowhere is that more apparent than on the down-home, roots-rocking Mad Dogs & Okies. This superb 15-song CD, in stores August 30, features a host of A-list artists, some of whom have their roots in Oklahoma, others who found inspiration in the great Mid-west state, nearly all of whom perform songs written by native “Okies.” Take Eric Clapton, for example, who has worked and recorded extensively with Oklahoma musicians throughout his career, including Delaney and Bonnie, Leon Russell, and J.J. Cale (who wrote “After Midnight” and “Cocaine”). Vince Gill was born and raised in Norman, while Wylie Hunt grew up in Tulsa, OK. And, Taj Mahal’s first band, The Rising Sons, was made up almost entirely of Oklahoma musicians. -
Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side. -
43472 26-06 Legala
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA June Vol. 660 Pretoria, 26 2020 Junie No. 43472 LEGAL NOTICES A WETLIKE KENNISGEWINGS ISSN 1682-5843 N.B. The Government Printing Works will 43472 not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes 9 771682 584003 AIDS HELPLINE: 0800-0123-22 Prevention is the cure 2 No. 43472 GOVERNMENT GAZETTE, 26 JUNE 2020 IMPORTANT NOTICE OF OFFICE RELOCATION Private Bag X85, PRETORIA, 0001 149 Bosman Street, PRETORIA Tel: 012 748 6197, Website: www.gpwonline.co.za URGENT NOTICE TO OUR VALUED CUSTOMERS: PUBLICATIONS OFFICE’S RELOCATION HAS BEEN TEMPORARILY SUSPENDED. Please be advised that the GPW Publications office will no longer move to 88 Visagie Street as indicated in the previous notices. The move has been suspended due to the fact that the new building in 88 Visagie Street is not ready for occupation yet. We will later on issue another notice informing you of the new date of relocation. We are doing everything possible to ensure that our service to you is not disrupted. As things stand, we will continue providing you with our normal service from the current location at 196 Paul Kruger Street, Masada building. Customers who seek further information and or have any questions or concerns are free to contact us through telephone 012 748 6066 or email Ms Maureen Toka at [email protected] or cell phone at 082 859 4910. Please note that you will still be able to download gazettes free of charge from our website www.gpwonline.co.za. -
Legal Gazette A
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA January Vol. 667 Pretoria, 29 2021 Januarie No. 44109 PART 1 OF 2 LEGAL NOTICES A WETLIKE KENNISGEWINGS ISSN 1682-5843 N.B. The Government Printing Works will 44109 not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes 9 771682 584003 AIDS HELPLINE: 0800-0123-22 Prevention is the cure 2 No. 44109 GOVERNMENT GAZETTE, 29 JANUARY 2021 IMPORTANT NOTICE OF OFFICE RELOCATION Private Bag X85, PRETORIA, 0001 149 Bosman Street, PRETORIA Tel: 012 748 6197, Website: www.gpwonline.co.za URGENT NOTICE TO OUR VALUED CUSTOMERS: PUBLICATIONS OFFICE’S RELOCATION HAS BEEN TEMPORARILY SUSPENDED. Please be advised that the GPW Publications office will no longer move to 88 Visagie Street as indicated in the previous notices. The move has been suspended due to the fact that the new building in 88 Visagie Street is not ready for occupation yet. We will later on issue another notice informing you of the new date of relocation. We are doing everything possible to ensure that our service to you is not disrupted. As things stand, we will continue providing you with our normal service from the current location at 196 Paul Kruger Street, Masada building. Customers who seek further information and or have any questions or concerns are free to contact us through telephone 012 748 6066 or email Ms Maureen Toka at [email protected] or cell phone at 082 859 4910. Please note that you will still be able to download gazettes free of charge from our website www.gpwonline.co.za. -
The Long Shadow of the 1981 Springbok Tour of New Zealand and the United States of America
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stellenbosch University SUNScholar Repository “Barbed-Wire Boks”: The Long Shadow of the 1981 Springbok Tour of New Zealand and the United States of America by Sebastian Johann Shore Potgieter Thesis presented in fulfilment of the requirements for the degree of Master of Arts and Social Sciences in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Albert Grundlingh March 2017 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2017 Copyright © 2017 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za ABSTRACT In 1981, during the height of apartheid, the South African national rugby team, the Springboks, toured to New Zealand and the United States of America. In South Africa, the tour was expected to reopen the doors to international competition for the Springboks after an anti-apartheid sporting boycott had forced the sport into relative isolation during the 1970s. In the face of much international condemnation, the Springboks toured to New Zealand and the USA in 1981 where they encountered large and often violent demonstrations as those who opposed the tour attempted to scuttle it. -
February 1983
VOL. 7 NO. 2 Cover Photo by Rick Malkin FEATURES JEFF PORCARO After having been an in-demand studio drummer for sev- eral years, Jeff Porcaro recently cut back on his studio activities in order to devote more energy to his own band, Toto. Here, Jeff describes the realities of the studio scene and the motivation that led to Toto. by Robyn Flans 8 CLEM BURKE If a group is going to continue past the first couple of albums, it is imperative that each member grow and de- velop. In the case of Blondie, Clem Burke has lived up to the responsibility by exploring his music from a variety of directions, which he discusses in this recent conversation with MD. by Rick Mattingly 12 DRUMS AND EDUCATION Jazz Educators' Roundtable / Choosing a School — And Getting ln / Thoughts On College Auditions by Rick Mattingly and Donald Knaack 16 BILLY HIGGINS The Encyclopedia of Jazz calls Billy Higgins: "A subtle drummer of unflagging swing, as at home with [Ornette] Coleman as with Dexter Gordon." In this MD exclusive, Billy talks about his background, influences and philoso- phies. by Charles M. Bernstein 20 LARRY BLACKMON Soul Inspiration by Scott Fish 24 Photo by Gary Evans Leyton COLUMNS STRICTLY TECHNIQUE EDUCATION Open Roll Exercises PROFILES by Dr. Mike Stephens 76 UNDERSTANDING RHYTHM SHOP TALK Half-Note Triplets Paul Jamieson by Nick Forte 28 RUDIMENTAL SYMPOSIUM by Scott Fish . 36 A Prescription For Accentitus UP AND COMING CONCEPTS by Nancy Clayton 78 Anton Fig Visualizing For Successful Performance by Wayne McLeod 64 by Roy Burns 34 TEACHER'S FORUM Introducing The Drum Solo NEWS ROCK PERSPECTIVES by Harry Marvin 86 Same Old 16ths? UPDATE by John Xepoleas 48 by Robyn Flans 94 INDUSTRY 96 ROCK 'N' JAZZ CLINIC EQUIPMENT Developing Your Own Style by Mark Van Dyck 50 PRODUCT CLOSE-UP DEPARTMENTS Pearl Export 052-Pro Drumkit EDITOR'S OVERVIEW 2 ROCK CHARTS by Bob Saydlowski, Jr. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
3Rd Annual Mojo Fest
3RD ANNUAL MOJO FEST HOSTED BY: JAMIE AND MARY OLDAKER AND THE CHURCH STUDIO MUSIC FOUNDATION OUR MISSION: To celebrate the marriage of Jamie and Mary Oldaker through live musical performances, community engagement, and charitable stewardship. PURPOSE: Annual celebration benefitting The Church Studio Foundation and the Tulsa Day Center for the Homeless. The Church Studio Music Foundation is a non-profit organization with a mission to the Tulsa and surrounding community through music programs, artist development and education.The Tulsa Day Center for the Homeless is a non-profit center providing clients with the need to overcome homelessness, providing a health clinic, case management and the ability to re- enter the community and provide housing on a daily basis. DATE: October 5, 2019 LOCATION: Studio Row - home of the historic Church Studio and Shelter Records. Owned by Leon Russell, the studio is currently under extensive renovation to honor the past music and musicians that played in this historic location. JAMIE OLDAKER: For over forty years, Jamie Oldaker has built a career in the music industry as one of the world’s most respected drummers. Jamie began his career with Leon Russell at the Church Studio as a session musician. He joined Bob Seger and recorded the original Turn the Page track. Bassist Carl Radle introduced Jamie’s playing to Eric Clapton and was then asked to come to Miami and be a part of Eric’s band in 1974 and recorded 461 Ocean Boulevard, which was the beginning of a long career and friendship with Clapton. Jamie will be joining Eric again this summer at the Crossroads Guitar Festival 2019. -
Government Gazette Staatskoerant REPUBLIC of SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA January Vol. 643 Pretoria, 25 2019 Januarie No. 42189 PART 1 OF 2 LEGAL NOTICES A WETLIKE KENNISGEWINGS ISSN 1682-5843 N.B. The Government Printing Works will 42189 not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes 9 771682 584003 AIDS HELPLINE: 0800-0123-22 Prevention is the cure 2 No. 42189 GOVERNMENT GAZETTE, 25 JANUARY 2019 IMPORTANT NOTICE: THE GOVERNMENT PRINTING WORKS WILL NOT BE HELD RESPONSIBLE FOR ANY ERRORS THAT MIGHT OCCUR DUE TO THE SUBMISSION OF INCOMPLETE / INCORRECT / ILLEGIBLE COPY. NO FUTURE QUERIES WILL BE HANDLED IN CONNECTION WITH THE ABOVE. Table of Contents LEGAL NOTICES BUSINESS NOTICES • BESIGHEIDSKENNISGEWINGS Gauteng ....................................................................................................................................... 12 Eastern Cape / Oos-Kaap ................................................................................................................. 13 KwaZulu-Natal ................................................................................................................................ 13 Mpumalanga .................................................................................................................................. 13 Northern Cape / Noord-Kaap ............................................................................................................. 13 Western Cape / Wes-Kaap ............................................................................................................... -
Tracing the Development of Professionalism in South African
CONTENTS CONTENTS.................................................................................................................................................. 1 SUMMARY................................................................................................................................................... 3 OPSOMMING.............................................................................................................................................. 4 ACKNOWLEDGEMENTS ......................................................................................................................... 5 DEDICATION.............................................................................................................................................. 6 CHAPTER 1: ................................................................................................................................................ 7 INTRODUCTION........................................................................................................................................... 7 1.1. Problem Statement......................................................................................................................... 7 1.2. Literature Review......................................................................................................................... 10 CHAPTER 2: .............................................................................................................................................. 16 THE BEGINNING OF THE PROFESSIONAL