Exploring the Electromagnetic Spectrum with Superheroes
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Extreme Ultraviolet Source Based on Microwave Discharge Produced Plasma Using Cavity Resonator
D2-PMo-1 APPC12 The 12th Asia Pacific Physics Conference Extreme Ultraviolet Source based on microwave discharge produced plasma using cavity resonator S. Tashima, M. Ohnishi, H. Osawa, W. Hugrass a Department of Electrical and Electronic Engineering, Faculty of Engineering Science, Kansai University, 3-3-35 Yamate-cho, Suita, Osaka 564-8680, Japan aSchool of Computing and Information Systems, University of Tasmania, Locked Bag 1359, Launceston, Tasmania 7250, Australia [email protected] Extreme ultra violet (EUV) lithography is a leading technology for the production of the next-generation chips with small features. The 13.5-nm EUV radiation can be obtained using either discharge-produced plasma (DPP) or laser-produced plasma (LPP) sources. Because the EUV radiation is strongly absorbed by all known materials, the entire EUV scanner system must be in a vacuum environment. The debris and the tin vapor generated in some EUV sources may cause contamination of the EUV mirrors and the silicon wafers. The microwave discharge produced plasma (MDPP) source invented at Kansai University does not produce debris because it is electrode-less and the working gas is Xe.. Figure 1 shows the photo of MDPP. The microwave frequency is 2.45 GHz, the maximum power (Prf ) is 6 kW and the cavity mode is TM110. The Xe gas is fed in a glass tube with inner diameter 3 mm. The EUV radiation is measured using a calorie meter and EUV spectroscopy. The preliminary experiments show that the Figure 1 The system of microwave discharge produced plasma system MDPP produces pulsed EUV radiation of 10 W/4π str. -
Extreme-Ultraviolet Frequency Combs for Precision Metrology and Attosecond Science
REVIEW ARTICLE https://doi.org/10.1038/s41566-020-00741-3 Extreme-ultraviolet frequency combs for precision metrology and attosecond science Ioachim Pupeza 1,2 ✉ , Chuankun Zhang3,4, Maximilian Högner 1 and Jun Ye 3,4 ✉ Femtosecond mode-locked lasers producing visible/infrared frequency combs have steadily advanced our understanding of fundamental processes in nature. For example, optical clocks employ frequency-comb techniques for the most precise measure- ments of time, permitting the search for minuscule drifts of natural constants. Furthermore, the generation of extreme-ultraviolet attosecond bursts synchronized to the electric field of visible/infrared femtosecond pulses affords real-time measurements of electron dynamics in matter. Cavity-enhanced high-order harmonic generation sources uniquely combine broadband vacuum- and extreme-ultraviolet spectral coverage with multimegahertz pulse repetition rates and coherence properties akin to those of frequency combs. Here we review the coming of age of this technology and its recent applications and prospects, including precision frequency-comb spectroscopy of electronic and potentially nuclear transitions, and low-space-charge attosecond-temporal-resolution photoelectron spectroscopy with nearly 100% temporal detection duty cycle. he control over broadband visible/near-infrared (VIS/NIR) ωN = ω0 +Nωr. Here ωr = 2π/Tr and ω0 are two frequencies in the electromagnetic waves, such as uniquely enabled by laser radiofrequency domain, corresponding to the inverse round-trip Tarchitectures employing mode-locked oscillators, lies at the time Tr of the optical pulse inside the mode-locked oscillator and heart of most advanced optical metrologies. The temporal inter- to an overall comb-offset frequency, respectively, and N is an play between gain, loss, dispersion and nonlinear propagation in integer. -
Neutrons and Fundamental Symmetries Experimental II: Edms Chen-Yu Liu Indiana University [email protected]
Neutrons and Fundamental Symmetries Experimental II: EDMs Chen-Yu Liu Indiana University [email protected] June 20, 2018 NNPSS 1 Topics I will cover: Lecture 1: beta-decay • A brief history of the electroweak theory---the precursor to the Standard Model. • Neutron decay to test the V-A theory & beyond the SM interactions • Current status with neutron experiments on gA & lifetime • Physics is Symmetries Lecture 2: EDM Q: Why does EDM violate T? • CP violation • Electric Dipole Moments: Highly sensitive low-energy probes of new Physics • muon- g-2 Lecture 3: other symmetry violation measurements/tests • Baryogenesis & symmetry violations • Nnbar oscillation: B violation • Hadronic weak interactions: P violation • NOPTREX: T violation • Neutron interferometry: Lorentz symmetry violation Chen-Yu Liu 2 Mirror (leftright) “Signatures of the Artist,” by S. Vigdor, Oxford University Press(2018) Challenge: Can you find the differences (in three places) between the final and the original picture? Mirror (up down) “Plane-filling motif with reptiles” by M.C. Escher P Blackwhite CP 3 CP T Since time symmetry requires that these time-reversed relative directions be equally probable, it requires that there be no average charge separation along the spin direction, so the EDM must vanish. or If an non-zero EDM is found, then the time reversal symmetry is violated, and through the CPT theorem, the CP is violated by the same amount. 4 Electric Dipole Moment of polar molecules NH3 molecule has two ground states. They are of the same energies (degenerate). Time Reversal J J d d d d J J Electric Dipole Moment of polar molecules NH3 molecule has two ground states. -
Superman-The Movie: Extended Cut the Music Mystery
SUPERMAN-THE MOVIE: EXTENDED CUT THE MUSIC MYSTERY An exclusive analysis for CapedWonder™.com by Jim Bowers and Bill Williams NOTE FROM JIM BOWERS, EDITOR, CAPEDWONDER™.COM: Hi Fans! Before you begin reading this article, please know that I am thrilled with this new release from the Warner Archive Collection. It is absolutely wonderful to finally be able to enjoy so many fun TV cut scenes in widescreen! I HIGHLY recommend adding this essential home video release to your personal collection; do it soon so the Warner Bros. folks will know that there is still a great deal of interest in vintage films. The release is only on Blu-ray format (for now at least), and only available for purchase on-line Yes! We DO Believe A Man Can Fly! Thanks! Jim It goes without saying that one of John Williams’ most epic and influential film scores of all time is his score for the first “Superman” film. To this day it remains as iconic as the film itself. From the Ruby- Spears animated series to “Seinfeld” to “Smallville” and its reappearance in “Superman Returns”, its status in popular culture continues to resonate. Danny Elfman has also said that it will appear in the forthcoming “Justice League” film. When word was released in September 2017 that Warner Home Video announced plans to release a new two-disc Blu-ray of “Superman” as part of the Warner Archive Collection, fans around the world rejoiced with excitement at the news that the 188-minute extended version of the film - a slightly shorter version of which was first broadcast on ABC-TV on February 7 & 8, 1982 - would be part of the release. -
PDF Download in Plain Sight
IN PLAIN SIGHT PDF, EPUB, EBOOK Fern Michaels | 368 pages | 30 Jun 2015 | Kensington Publishing | 9781420135923 | English | New York, United States In Plain Sight PDF Book Jinx and Brandy who is pregnant show up. While the term trafficking may conjure images of desperate illegal immigrants being forced into prostitution by human smugglers, over 80 percent of victims in confirmed sex trafficking cases in this country were American citizens. Retrieved March 20, Retrieved February 7, A counterfeiter witness Sherilyn Fenn is implicated in a murder. Take the quiz Forms of Government Quiz Name that government! After finding Elena Torres's apartment, Kara finds a piece of paper with a series of numbers written on it. Brandi tries to make amends after admitting to Peter Joshua Malina that she pretended to be Jinx. Contents [ show ]. Retrieved April 14, Brandi visits Mary and offers to adopt her child, then Brandi and Jinx repeat the offer plus additional support from Jinx. Sacrificial Lam Episode 7. She's allowed into WITSEC but she has to be told about her husband's other family and vice versa, and that's when things get messed up. Meanwhile, Mary's sister Brandi visits from New Jersey. You never needed me. Season 5. James and Kelly run into Simon Kirby at a local convenience store when he's caught shoplifting. Mary returns home to learn that Brandi's involvement with Chuck may cost her her career when Agent O'Connor Will McCormack begins searching for a scapegoat. Despite their best efforts, the informant refuses their protection and gets himself into a heap of trouble. -
Batman: Zero Year - Secret City Volume 4 Pdf, Epub, Ebook
BATMAN: ZERO YEAR - SECRET CITY VOLUME 4 PDF, EPUB, EBOOK Greg Capullo,Scott Snyder | 176 pages | 14 Oct 2014 | DC Comics | 9781401249335 | English | United States Batman: Zero Year - Secret City Volume 4 PDF Book The book was published in multiple languages including English, consists of pages and is available in Hardcover format. The storyline about the Red Hood Gang was interesting and more than a little creepy creepy in the sense of the pervasiveness and ruthlessness of the cult. This is the one of the finest Batman origin stories I've read to date. DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url. However, his mission is clear: To avoid that anyone else would suffer the same pain that he endured when he lost his parents at the hands of a robbery. When there was nothing left to do but step beyond anything you'd learned before And newer readers, who aren't familiar with the way this character has been played with in the past, are going to get the surprise of their lives. Bruce reveals to the media that the Red Hood gang is planning to rob Ace Chemicals, so the gang tries to kill him. If you've never liked Batman, or not got into him before, this is a great place to start. Jul 28, Mike rated it really liked it Shelves: src18sum , completed-series. Only with different colour hair. I also like the flashback moments about his father, and his interactions with an uncle who tries to push him back into the Wayne spotlight, to take up that mantle and be the man his parents want him to be. -
The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons. -
Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
Not All Superheroes Were Created Equal
00 gresh fm i-xii, 1-6 8/13/04 1:54 PM Page i THE SCIENCE OF SUPERVILLAINS Lois H. Gresh Robert Weinberg John Wiley & Sons, Inc. 00 gresh fm i-xii, 1-6 8/13/04 1:54 PM Page ii Copyright © 2005 by Lois H. Gresh and Robert Weinberg. All rights reserved Introduction © Chris Claremont. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied war- ranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. -
With a Particular Focus on the Saga of Grettir the Strong, Gisfi Surrson's
Volume 3: 2010-2011 ISSN: 2041-6776 School of English Studies With a particular focus on The Saga of Grettir the Strong, Gisfi Surrson’s Saga and Nijar’s Saga, discuss the nature and role of the supernatural in Icelandic saga literature and assess the extent to which it reveals a religious significance. Georgina Georghiou At the end of the Viking Age, the Icelanders developed a literary tradition in the vernacular, Old Icelandic, in which the legendary tales of Iceland’s sogooki (the Saga Age, c. 9E1030 CE) were written.’ Hitherto sustained by the oral tradition (hence the designation saga, from segja, to say, tell’), the tales which constitute the islendrgasogur (Sagas of Icelanders, written between the twelfth and fourteenth centuries) journeyed through phases of Iceland’s cultural evolution, most notably its political movement from the Commonwealth to the Norwegian monarchy in 1262 CE, and its religious conversion from Norse paganism to Christianity under the sovereignty of King Olaf Tryggvason (995-1000 CE). Chronicling events which occurred during and after this cultural whirlwind, the sagas in their present form reflect a mystical synthesis of Norse-pagan and Christian conceptions of the sacred, both of which incited a conviction in the Supernatural’. Despite their differences, they commonly present the Scandinavian world as one which interacts with unworldly beings and forces, and whilst this ‘unworldliness’ has contributed to the modern view that the sagas are ‘pseudo- historical’,5 for the medieval Icelander, they were a record of historical truth. The truth’ invested in the supernatural involves it, inevitably, in sacred matters, and the affiliation between the supernatural and the religious has thus been a highly debated topic among saga scholarship.