DOCSLIB.ORG

Court Transcript 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Court Transcript 1 STATE OF MICHIGAN IN THE CIRCUIT COURT FOR THE COUNTY OF OAKLAND FAMILY DIVISION DEBORAH ANN FRAZIER, Plaintiff, Hon. Karen McDonald Case No: 2010-773215-DM vs. RICKY ALAN FRAZIER, Defendant. / VIDEOTAPED DEPOSITION OF DAVID E. TAYLOR, A/K/A THE APOSTLE Taken by the Defendant at law offices of Colleen V. Ronayne, located at 2055 Orchard Lake Road, Sylvan Lake, Michigan 48320, on Tuesday, February 10, 2015, commencing at 10:00 a.m. APPEARANCES: For the Defendant: COLLEEN V. RONAYNE (P33560) 2055 Orchard Lake Road Sylvan Lake, Michigan 48320 (248) 334-9938 For the Defendant: GREGORY M. YATOOMA (P68818) Corporate Counsel 1605 S. Telegraph Road Bloomfield Hills, Michigan 48302 (248) 459-8832 For Third-Party DAVID W. POTTS (P19043) Witness: 21 E. Long Lake Road, Suite 250 Bloomfield Hills, Michigan 48304 2 (Pages 2 to 5) Page 2 Page 4 1 APPEARANCES (Continued): 1 Sylvan Lake, Michigan 2 Also Present: Rick Frazier 2 Tuesday, February 10, 2015 - 10:41 a.m. 3 VIDEOGRAPHER: VIDEO ENTERPRISES, INC. 3 * * * * * 4 RECORDED BY: REGENCY COURT REPORTING 4 VIDEOGRAPHER: We are now on the 3133 Union Lake Road, Ste. A 5 record. This is the videotaped deposition of David 5 Commerce Township, MI 48382 6 E. Taylor, a/k/a The Apostle. Today’s date is (248) 360-2145 7 February, 10th, 2015. The time is now 10:41 a.m. My 6 8 name is Nick Houselander, I’m the video technician. 7 9 This deposition is being taken at 2055 8 9 10 Orchard Lake Road, Sylvan Lake, Michigan, 48320 in 10 11 the case of Deborah Ann Frazier v. Ricky Alan 11 12 Frazier, Case No: 2010-773215-DM in the Oakland 12 13 County Family Division. Could the attorneys please 13 14 briefly identify themselves for the record. 14 15 MS. RONAYNE: Go ahead. 15 16 MR. POTTS: Sure. I’m Dave Potts, I 16 17 represent the witness, Dave Taylor, and these are my 17 18 own clients. 18 19 MS. RONAYNE: Colleen Ronayne 19 20 appearing on behalf of Rick Frazier who is to my 20 21 left. 21 22 MR. YATOOMA: Gregory Yatooma, also 22 23 23 representing Rick Frazier. 24 24 VIDEOGRAPHER: Can the court reporter 25 25 please swear in the witness. Page 3 Page 5 1 TABLE OF CONTENTS 1 COURT REPORTER: Could I have you 2 WITNESS: PAGE 2 raise your right hand, sir. Do you solemnly swear or 3 DAVID E. TAYLOR 3 affirm to tell the truth, the whole truth and nothing 4 Direct Examination by Ms. Ronayne 7 4 but the truth, so help you God? 5 5 MR. TAYLOR: Yes. 6 6 COURT REPORTER: Thank you. 7 7 MR. POTTS: I have a preliminary 8 EXHIBITS: 8 matter. 9 Deposition Exhibit Number Three 220 9 MS. RONAYNE: Sure. 10 Deposition Exhibit Number Four 228 10 MR. POTTS: If I could just make a 11 11 statement. The Court rendered an opinion and order 12 12 regarding a motion dealing with the question of 13 13 privilege that was raised during the November 12th 14 14 deposition. The Court entered an order on January 15 15 28th requiring that the matter be held in the 16 16 courthouse. Pursuant to agreement of counsel and 17 17 pursuant to notice, the deposition is being held in 18 18 Plaintiff’s counsel’s office, certainly with my 19 19 permission and with my concurrence. But just so that 20 20 the record is correct, this is an agreed upon 21 21 relocation of the venue and we’ve -- we’ve done this 22 22 by consent. 23 23 MS. RONAYNE: That is correct, 24 24 although if we run into a problem I reserve the right 25 25 to have it relocated to the courthouse. Do you 3 (Pages 6 to 9) Page 6 Page 8 1 understand? You’re in agreement with that? 1 Q And who’s your son? 2 MR. POTTS: Yes. 2 A Joshua Taylor. 3 MS. RONAYNE: Okay. And that we’ve 3 Q And what’s his date of birth? 4 agreed that we are going to rather liberally just get 4 A The 12th, the 21st, and it’s 2000. 5 this deposition done, and I understand that we’re 5 Q And -- 6 going to adhere to the opinion which may be on a 6 A I mean, 1999. I’m sorry. 7 question by question basis when it comes to spiritual 7 Q And who is his mother? 8 matters, but in a cooperative way, and if necessary 8 A Tabitha Taylor. 9 we’ll seek the guidance of the Court. 9 Q Now, you have older children; is that right? 10 MR. POTTS: Yes. It’s my intention 10 A No. 11 to try and live within the scope of the opinion. I 11 Q You live with -- 12 read it. We’ve had an opportunity to discuss it. 12 A Oh, yeah. Oh, yeah, my daughter Destiny Taylor. 13 It’s clear that the Court’s trying to give us some 13 Q And her mother is Tabitha? 14 direction and guidance but it may be that on a case 14 A Mm-hmm. 15 to case basis we’ll have to see where we go. But 15 Q You have to answer yes or no. 16 it’s my intention to be more cooperative than less, 16 A Yes, mm-hmm. 17 and to try to reason as expansively but as narrowly 17 Q Okay. So you’ve had full custody of Joshua? 18 as I can, that makes a quandary, but -- 18 A We have joint -- well, I think they give her the -- 19 MS. RONAYNE: Okay. 19 what -- what do the courts say if you got them -- 20 MR. POTTS: -- I think we know each 20 custodial custody where -- I don’t know the 21 other well enough that we’re not going to -- 21 terminology for it, but I know that I have -- she 22 MS. RONAYNE: Okay. 22 keeps them half of the week and then I keep them. 23 MR. POTTS: -- fight when we don’t 23 Q When you say “them,” who are you referring to? 24 have to have one. 24 A Joshua and Destiny. 25 MS. RONAYNE: Exactly. Okay. 25 Q Is Destiny an adult? Page 7 Page 9 1 Mr. Taylor, you were here for a 1 A Yeah. Now, she is -- she just turned 18 this coming 2 deposition -- what was the date of -- 2 January. 3 MR. POTTS: The 12th. 3 Q Okay. So is Tabitha Taylor the primary custodian -- 4 MS. RONAYNE: What was it? 4 A Yes. 5 MR. POTTS: November 12th. 5 Q -- of the children? 6 MS. RONAYNE: -- November 12th. 6 A Is that the terminology? 7 THE WITNESS: Mm-hmm. Sure. 7 Q No, I’m supplying some. I don’t know what it -- 8 MS. RONAYNE: And we ran out of time 8 A Yeah. 9 and rescheduled it for today, ultimately through 9 Q -- where you got divorced and what language they use. 10 court order, and I’d like to clear up a couple of the 10 A Yeah, that’s right. 11 things that you said at the November 12th deposition. 11 Q But you believe you have 50/50 parenting time? 12 THE WITNESS: Okay. 12 A Yes. 13 MS. RONAYNE: Okay. 13 Q And you pay support? 14 DAVID E. TAYLOR 14 A Yes, mm-hmm. 15 SWORN AS WITNESS, TESTIFIED AS FOLLOWS: 15 Q How much do you pay? 16 DIRECT EXAMINATION 16 A Seven fifty a month. 17 BY MS. RONAYNE: 17 Q A month? 18 Q Who lives with you at 2008 Victory Lane? 18 A Mm-hmm. 19 A No one. 19 Q Okay. You indicated that when you’re in St. Louis 20 Q No one lives with you there? 20 you sleep at two houses, two different places. One 21 A No. Other than my son. 21 is the Victory Lane that you rent, that’s a rental? 22 Q Well, I mean, he counts. 22 A Mm-hmm. 23 A Okay. Yeah. 23 Q You have to answer yes. 24 Q Whoever the human being is. 24 A Yes, mm-hmm. 25 A Yes, my son. 25 Q Okay. And one was where JMMI rents at -- I’m not 4 (Pages 10 to 13) Page 10 Page 12 1 sure how to pronounce the name of the street -- 1 Q You’ve had barbeques and pool parties at that house? 2 Timpaige? 2 A Yes, mm-hmm, for the ministry. 3 A Yeah. Timpaige. 3 Q For staff? 4 Q Timpaige? 4 A Yeah, for staff. 5 A Mm-hmm. 5 Q Do you consider Debbie Frazier staff? 6 Q How much time do you spend at one versus the other? 6 A Yes, she has been on the staff, and I’m for sure. 7 A I’m not sure. I know that we just, you know, the 7 Q What is her title? 8 ministry just acquired that ministry residence now a 8 A There’s no title, we don’t keep titles. 9 little over a year, and so we were preparing things 9 Q She doesn’t have a -- any kind of reference to what 10 over there so I spent more time this past little year 10 her -- well, what’s her job description? 11 of helping that, but the majority of my time usually 11 A She’s basically a volunteer staff like most of the 12 is at the apartment which is my main residence.
Load more

Recommended publications
  • THE GAY CANDIDATES - ~I
    , $1.50 . No.9 August 21 1989 . NEW YORK'S ... ~~~~~ - LESBIAN AND GAY NEWS ~ -- MAGAZINE.;.....;~------ THE GAY CANDIDATES - ~i NEWS 10 HEALTH Political Science' (Harrington) 26 AIDS Treatment News (Smyth) 28 . THE ARTS GEARING UP FOR THE GAMES photo: Jim Marks 50 peg. 36. Film Parenthood s•• Film Lockup 52 Feat-ures Performance Penny Arcade 53 Books A Visitation of Spirits 54 Books PeNerts by Official Order 55 DEPARTMENTS Outspoken (Editorial) 4 'Letters 6 Sotomayor 6 Freak of the Week 7 THE CANDID CANDIDATES Xeroxed 9 Sandor Katz TalksTo Dave Taylor and Tom Dykes to Watch Out For (Bechdel) 22 Duane 32 Ray Navarro 29 Out of Control (Day) 30 GAY GAMES III Look Out 42 Out Of My Hands (Ball) 44 Jim Marks Takes A Look At Vancouver A Gossip Watch (Signori/e) 45 Year Before The Action Begins 36 Social Terrorism (Conrad) 46 Community Directory 56 GIRL WATCHING Classifieds 57 AT THE RACCOON LODGE Personals 62 Mona Feigenbaum Searches For Sisterfire Going Out Calendar (X) 74 48 Best Bets (X) 76 Sports (Ham/in) 78 On The Cover: Tom Duane and Dave Taylor Crossword (Greco) 80 photographed by Michael Datoli Hot Shot (Conrad) 82 really revolting. I am LETTERS astounded to see lesbian/ TO THE EDITOR gay papers taking their ads-like this full page spread in the August 1989 PEN PAL act to buy OutWeek every issue of Sappho' 5 /5/e, a No one is rooting more week and urge my friends to metro lesbian paper. Whdh<ron ..... for the success of OutWeek do so. I also explain to news- in a can or bottle Whenever I'm in a than I.
    [Show full text]
  • The Data Indicates That in Spite of Lowering the Dam at Wareham
    ANNUAL REPORT OF THE TOWN OF MIDDLEBOROUGH MASSACHUSETTS FOR THE YEAR ENDING DECEMBER 31, 2011 “CRANBERRY CAPITAL OF THE WORLD” 342 YEARS OF PROGRESS DEDICATION Betty Brown Betty Brown served as the Adult Services and Reference Librarian for the Middleborough Public Library from 1990 – 2010. A graduate of Middleborough High School, UMass Amherst and Michigan State University where she earned Masters and Doctorate degrees, Betty shared her knowledge of local history and genealogy through her work at the library. She spearheaded the indexing of the Middleborough Gazette as a special project which enables users the world over to have easy access to our local newspaper. She will be long remembered for her wonderful sense of humor and professional expertise. Anna Nalevanko Anna Nalevanko served as the Director of the Office of Economic and Community Development for the Town of Middleborough from 2006 - 2011. A graduate of Assumption College and George Washington University, she had a long career in public service upon her arrival in Middleborough. She wrote and administered grant programs secured by the Town in the areas of economic development, housing and business. She was enthusiastic and dedicated to her work to enhance the quality of life in Middleborough. 1 Eileen Gates Eileen Gates began her employment with the Town of Middleborough in 1971 as a part- time clerk in the Police Department. In 1972, she was hired full-time in the Treasurer/Collector’s Office and retained her part-time in the police department for another theee years. In 1986, she was appointed Assistant Town Clerk/Town Accountant and was promoted to Town Clerk on March 8, 2004 serving until her retirement on June 30, 2011.
    [Show full text]
  • LINER NOTES Recorded Anthology of American Music, Inc
    DAVID TAYLOR New World Record 80494 Bass Trombone MOONRISE WITH MEMORIES Frederic Rzewski: Moonrise With Memories was commissioned by and written for David Taylor in 1978. Taylor specifically requested a piece for bass trombone, a piece that could not be played on a tenor instrument. He also suggested an accompanying ensemble of bass (or other low-range) instruments, but I chose instead a different arrangement. The soloist is accompanied by any six instruments that can play in the soprano range (more or less that of an oboe), so that the customary relation of melody and supporting parts is turned upside down. The form is an arch, ascending and descending on either side of a central song, which is based on a short poem, "World War II," by Langston Hughes. The thinking behind this simple piece was influenced by, perhaps more than anything else, my reading of Colin Turnbull's book on Pygmy culture, The Forest People (Simon and Schuster, 1962). Without knowing a great deal about Pygmy music, I nevertheless felt strangely in tune with it, and in fact, used some heterophonic techniques, especially in the central semi-improvisatory section, that refer to the tradition. The bass trombone could be heard as the molino of Pygmy ceremony, a kind of long trumpet that is used to imitate the various voices of the forest, but above all to wake up the forest, to keep it awake, to make sure it continues its benevolent function of provider and source of life. It is usually brought out and played when something big goes wrong, or when somebody dies, and an optimistic answer to a threatening situation is needed.
    [Show full text]
  • PHILLIPS End to BEGINNING
    MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz.
    [Show full text]
  • Bryan Adams ‘Run to You’
    Bryan Adams ‘Run To You’ Bryan Adams SONG TITLE: RUN TO YOU ALBUM: RECKLESS RELEASED: 1984 LABEL: A&M GENRE: CLASSIC ROCK PERSONNEL: BRYAN ADAMS (GTR+VOX) KEITH SCOTT (GTR) DAVE TAYLOR (BASS) TOMMY MANDEL (KEYS) MICKEY CURRY (DRUMS) UK CHART PEAK: 11 US CHART PEAK: 6 BACKGROUND INFO NOTES ‘Run To You’ was the first single from 1984’s The main guitar parts are treated with a chorus Reckless. It’s built around a repeated riff that gets its effect (probably added post-production). This effect distinctive sound from the open fourth string that’s was used widely on guitar parts, particularly picked repeated in every chord. The original song is played chordal parts, through the mid-to-late 80s. Def with a capo at the second fret, but sounds just as Leppard’s Hysteria album is probably the most famous effective without a capo, as can be seen in the exam example of this tone, particularly the single ‘Love version. The chorus uses simple open chords which Bites’. As with all genres there are a whole host of are the perfect contrast to the rolling arpeggios found ‘also rans’ who imitated this sound. As popular as it in the verse and pre-chorus. The bridge section was, the chorused guitar tone dated quickly and was changes the dynamic further with a breakdown that largely discarded by the simplistic production values features a simple repeated motif before the song picks that were associated with the grunge movement of up again with a reprise of the chorus. the early 90s.
    [Show full text]
  • Gay Tolerance Rallies Planned Crusader's Visit Here for What They Call the Homosexual Life- Program to Eliminate Homophobia and Being Normal Or Acceptable
    AIDS is here Role models Rock hounds HIV-positive native woman shares Native students can learn from- Local mountain bikers grind gears her painful, story and counsels aboriginal actors and herbologists as they climb to caution\NEWS A3 in camps\COMMUNITY B3 prominence\SPORTS B5 tJ~lfiN¢~rtAY" TANDAR Gay tolerance rallies planned Crusader's visit here for what they call the homosexual life- program to eliminate homophobia and being normal or acceptable. Hennig, of the Terrace Women's style. heterosexism in the B.C. public school The lnstitute's mandate is to protect Resource Centre, isn't predicting a triggers opposition Simpson's plans have sparked an op- system." "traditional family values." violent reaction to Simpson's rally here. "Themore attention you give her the By CRIS LEYKAUF posing rally --'starting at the same time The information could be taught to stu- "We are not anti-gay," said Simpson. RALLIES both for and against the teach- ,p the street at the Skeens Health Unit dents within the context of the Career "We promote tolerance and respect for worse it is,'! said Hennig. But organizers of the Simpson forum ing of homosexual tolerance in schools auditorium -- to discuss why tolerance and" Personal Planning classes -- the individual." are plan.ned here for Wednesday, July in schools is important. mandatory for graduation. However, She believes parents have the right to aren't taking chances. Entry is by invita- control the moral values taught to their tion only, and the back of the ticket 16. Simpson has spoken to more than whether it goes ahead and what form it Contro~¢ersial speaker Karl Simpson, 20,000 people throughout the province in takes has not been decided.
    [Show full text]
  • Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
    AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Amended Minutes Muncie Common Council 300 North High Street Muncie, Indiana 47305
    Muncie City Council February 1, 2021 AMENDED MINUTES MUNCIE COMMON COUNCIL 300 NORTH HIGH STREET MUNCIE, INDIANA 47305 MONDAY, FEBRUARY 1, 2021 REGULAR MEETING: 7:00P.M., 15r FLOOR CITY HALL AUDITORIUM. PLEDGE OF ALLEGIANCE: Led by Councilman Garrett. INVOCATION: Given by Pastor John Lee from Berea Church. Councilman Polk requests a Moment of Silence to recognize the passing of former City Councilman, Dave Taylor. Taylor passed away last month in January from COVID complications and was the longest-serving City Councilmember, ever, in the City of Muncie. He served 7 full terms of 28 years. CITIZEN RECOGNITION: Councilwoman Selvey recalls in November 2015, Deb Huston had a vision that no Southside Middle School student worry where their next meal might come from when not in school. With help and permission from then principal, Kelli Turner, that vision became reality. Starting out with enough food to send hbme with 4 students weekly, the pantry has blossomed into something Deb never could have imagined. Now feeding around 60 students a week, the SMS pantry is a staple at Southside. In the 5 years since its start, Deb and her volunteers have made and sent home over 30,000 backpacks of food each weekend and along break while also providing nearly 200 families with a Thanksgiving and Christmas meal each year. 6th grade teacher Rachel Miller recalled her experience working the Christmas Dinner giveaway by saying, "the families were so thankful for the help. The best part of the evening was seeing the relief on some of their faces knowing they would be able to feed their family on Christmas." In connection with the pantry, Deb and her volunteers also operate the monthly family food giveaway that has provided food for approximately 560 families this year alone.
    [Show full text]
  • Music Appreciation 2013
    MUSIC APPRECIATION 2012 - 2013 OCTOBER 2012 The Music Appreciation Group is boldly going where no other music groups have gone before. We are attempting to cover all forms of recorded music to widen everyone's appreciation. Individuals will bring in a piece of music to be played and discussed. Initial interests appear to include Classical, Opera, Jazz, Blues, Rock and fusions in between. Music can be from MP3, CD, Cassette, or Vinyl (Well - we've all been around for a while. No 8 track cartridges though) DECEMBER 2012 The Group met in the Nags Head, as before, and there was no losing battle with an amplifier this time so we got straight into the recordings people brought in. A good range of music poured forth. We started with a local band 'North Sea International' doing Parisienne Walkways, through bluegrass music, Cat Stevens, Tony Christie, Runrig, Fleetwood Mac, Lindisfarne, Eagles, to Silent Night by Mahalia Jackson. Probably the most impressive track was Luiyang River by young Chinese piano virtuoso Di Xiao who had been playing at the Royal Concert Hall a few weeks earlier. The cultural highlight? - If you've never heard Rolf Harris's version of 'Stairway to Heaven' you missed a treat. JANUARY 2013 The Music Appreciation Group continues with its mix of all and any style of music – dependent on what members bring in. We had Verdi’s Hebrew Slaves, English Folk, Rock, Cajun, Sam Cooke, Nigel Kennedy, Buena Vista Orchestra, Reggae, Gregorian Chants, Traffic, Bob Dylan, Hugh Laurie, Jimi Hendrix and others. FEBRUARY 2013 A bumper compilation album; an eclectic mix of music brought in by members.
    [Show full text]
  • DAVE BRUBECK NEA Jazz Master (1999) Interviewees
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVE BRUBECK NEA Jazz Master (1999) Interviewees: Dave Brubeck (December 6, 1920 – December 5, 2012) with Russell Gloyd and (August only) Iola Brubeck Interviewers: Ted Gioia with recording engineer Ken Kimery Date: August 6-7, 2007 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 90 pp. Track markers were accidentally embedded into the original recording in such a way as to lose a few words at the breaks. Square brackets and five spaces – [ ] – indicate these small gaps in the transcription. Brubeck: There’s two cats in this house, and I don’t mean jazz musicians. But I haven’t heard them or seen them, so they probably are hiding. Gioia: They’re checking us out. Brubeck: This is a new house that – Chris had a house on the other side of town and got a pretty good deal and was able to have room for the first time in his life for a studio. He’s been writing so much – always new things. Gioia: It’s important to have the right setting. [microphone adjustment] Kimery: When you’re ready. Gioia: This is Ted Gioia. We are at Chris Brubeck’s house in Wilton, Connecticut, conducting an oral history with Dave Brubeck as part of the Smithsonian’s program of conducting oral histories with NEA [National Endowment for the Arts] Jazz Masters. 1 2 Today is August 6, 2007. Our plan is to conduct the oral history over a two-day period, today and tomorrow, August 7.
    [Show full text]
  • Creating Cool Web Sites with HTML, XHTML, and CSS
    557386 FM.qxd 4/2/04 10:00 AM Page iii Creating Cool Web Sites with HTML, XHTML, and CSS Dave Taylor 557386 FM.qxd 4/2/04 10:00 AM Page ii 557386 FM.qxd 4/2/04 10:00 AM Page i Creating Cool Web Sites with HTML, XHTML, and CSS 557386 FM.qxd 4/2/04 10:00 AM Page ii 557386 FM.qxd 4/2/04 10:00 AM Page iii Creating Cool Web Sites with HTML, XHTML, and CSS Dave Taylor 557386 FM.qxd 4/2/04 10:00 AM Page iv Creating Cool Web Sites with HTML, XHTML, and CSS Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2004 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada Library of Congress Control Number: 2004100892 ISBN: 0-7645-5738-6 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 1B/SQ/QU/QU/IN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4447, E-Mail: [email protected].
    [Show full text]
  • Selected Bios
    2017 INTERNATIONAL TROMBONE FESTIVAL: SELECTED BIOS ALGONQUIN QUARTET WEST Interpreting the music of Bartok, Coltrane, Monk, Albrechtsberger, Jelly Roll Morton, the poetry of Bukowski and others necessarily makes for a unique experience. That the concocters of such variety are four trombonists only spices up the soup. Join as they redefine chamber music and raise the roof beams. The Algonquin Quartet performs an eclectic mix of music, including Monk, Haydn, Jelly Roll Morton, Bartok, Coltrane, the poetry of Charles Bukowski, and original material. Founded in Manhattan in 1997, the Algonquin Quartet’s original members, Joe Fiedler, Conrad Herwig, Joey Sellers and Dave Taylor performed in a wide variety of venues, from concert halls to small clubs. Since relocating to Southern California, the Algonquin is now comprised of Alex Iles, Scott Whitfield, Joey Sellers and George Thatcher. SCOTT WHITFIELD is lead trombonist with Toshiko Akiyoshi’s Orchestra, works both in Los Angeles and Manhattan, and has been an Assistant Professor at Rutgers. He has performed and recorded with Nnenna Freelon, Frank Wess, and Walter Booker among others. His excellent book of transcriptions of J.J. Johnson solos is published by Hal Leonard, and a book of Steve Turre’s solos is forthcoming. Recipient of the Gil Evans Fellowship in Jazz Composition, The Sammy Nestico Award, and the Julius Hemphill Award, JOEY SELLERS writes in a wide array of styles and has received grants from the National Endowment for the Arts, Meet the Composer, The American Music Center, and others. He has played and recorded with Kim Richmond Ensemble, Bill Holman Orchestra, Satoko Fujji Orchestra, Bob Mintzer Big Band, and the Kenny Wheeler Large Ensemble.
    [Show full text]