MARCH-APRIL 2018

1 THE IGNCA NEWSLETTER

Shri Raghavendra Singh, Secretary Ministry Cultural performance titled ‘Vande Mataram’ of Culture visited the exhibition on Rahul by Padmashri Prathibha Prahlad & Group. Sankrityayana’s Antiquity Collection

Address by the Union Minister of State for Dr. Sachchidanand Joshi, Memeber Secretary, Tourism Shri KJ Alphons, at AngkorWat IGNCA, introducing the theme of the day in programme presence of Padma Vibhushan Dr. Sonal Mansingh.

Shri M.J. Akbar, Union Minister of State for Release of exhibition catalog (L-R) External Affairs, sharing his views during the Dr. Shushma Jatoo, Ms.Neera Mishra, International Conference AngkorWat: The Ms. Pratibha Prahlad, Hon'bl Minister Monument and the Living Presence Smt. Smriti Irani, Dr. Shashi Bala, Dr.Sachchidanand Joshi at 'SHAKTI PARVA': Valedictory Function.

Front Cover: Thangka painting of 18th century, brought by Mahapandita Rahul Sankrityayana from Tibet, Lhasa depicting eleven headed Avalokiteswara. Exhibition from 14th March to 5th April 2018.

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March -April 2018 Chief Editor Dr. Sachchidanand Joshi

Editor A. K Sinha contentsInternational Conference on "Demetrios Galanos 2 and his Legacy: Indo-Greek Scholorship 1790-2018" Editorial Assistant ~ Sudhir Lal

Simran Kaur AngkorWat: the Monument and the 4 Neeraj 13 Living Presence Shruti Awasthi ~ Pratapanand Jha The opinions expressed in the magazine are those of ?kqeDdM+ ^jkgqy lkad`R;k;u^ dh ;kn esa 6 the authors/interviewees and ~ lqtkrk izlkn IGNCA does not necessarily subscribe to them. 16 nsosUnz Lo:i laxzg % ,d lkFkZd iz;kl 9 ~ Jqfr voLFkh

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Swachhta Pakhwada at IGNCA 13 2 18 ~ Srishti Safaya

Events at IGNCA 14

Conference on Indian Contribution to Central 16 Asian Art and Culture 20 4 ~ Navneet Sawhney and Aparna Jha

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Buddha Purnima Concert - Musings by 20 6 22 Bombay Jayashri Ramnath ~ Shailaja Khanna

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9 24 Dance Therapy Workshop 24 ~ Batika Tarika

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11 25 Recent Publications 27

Photo Credit: Design & Printed by: Colourbar Communications, All photographs are from the IGNCA Archives/ Photography Unit unless specified otherwise. C136, Naraina Industrial Area, Phase-I, New Delhi-110028, Ph.: 98112 18951

1 THE IGNCA NEWSLETTER

International Conference on “DemetriosGalanos and His Legacy: Report Indo-Greek scholarship 1790-2018″ Sudhir Lal Project Director, Bharat Vidya Prayojana

he Bharat Vidya Prayojana of the Indira TGandhi National Centre for the Arts (IGNCA) organized an International Conference on “DemetriosGalanos and His Legacy: Indo-Greek scholarship 1790-2018” from 3rd Feb-10th Feb. 2018 in two editions; the first one at Delhi and the second at Varanasi. The conference was supported by the Embassy of Greece, New Delhi, the India International Center (IIC), Delhi, the Bharat Adhyayan Kendra of Banaras Hindu University (BHU) and the Indo-Hellenic Friendship League, New Delhi. The conference was aimed at examining the age-old academic and cultural exchanges between India and Greece, with DemetriosGalanos (born 1760–1833), the Athenian; at the centre-stage of this rich exchange; as he had spent the final forty Prof. Bharat Gupt, H. E. Panos Kalogeropoulos, Prof. Satyavrat Shastri and years of his life at Varanasi, translating Sanskrit texts Dr. Sachchidanand Joshi at inaugural like the Srimadbhagvadgita, the BhagavatPurana etc., from Sanskrit to Greek. A 9000 word trilingual dictionary (Sanskrit-English-Greek) is also one of the highpoints of his literary achievements. The conference addressed a variety of topics relevant to the main theme, including focused enquiries into subjects like the Sanskrit- Greek translations, Sanskrit and Greek theatre and music. On 03-02-2018, the International Conference was inaugurated by Prof.SatyavratShastri, eminent Sanskrit scholar and His Excellency PanosKalogeropoulos, Ambassador of Greece to India in the presence of Prof. Bharat Gupt, Trustee, IGNCA and Dr.Sachchidanand Joshi, Member-Secretary of IGNCA. Prof. Bharat Gupt introduced the concept of the conference. He H. E. Panos Kalogeropoulos at the exhibition. mentioned that Galanosremains the only ‘western’ student he remarked that Galanos had immense courage and or European who spent 40 years in India, living as an determination, since he left his own land and loved ones Orientalist scholar. Prof.SatyavratShastri, touching upon and never returned. He presented the soft copy of a Greek the antiquity of the Indo-Greek relations, stated that the book by DemetriosGalanos in a USB drive, as a gift from commonality between Greece and India is age-old and Greece to the Dr.Sachchidanand Joshi, Member-Secretary both Sanskrit and Greek languages are of Indo-Germanic of IGNCA. Dr.Sachchidanada Joshi, in his address stated family. H. E. PanosKalogeropoulos, Ambassador of Greece that Galanos can be seen as a symbol of coming together of to India, extended the greetings of the Greek foreign these two great civilizations, as he embraced and enriched ministry to IGNCA for organizing this International both these cultures by his immense knowledge and deep Conference. While paying his tributes to Galanos, insight.

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The Conference Delhi had nine academic presentations spread across two days. Mr. Dennis Dinopoulous, gave a detailed introduction about the life of Galanos and his contributions. Dr.Vassiliades Demetrios presented his illustrated research on the presence of Sanskrit in Greece. Prof. U. P. Arora presented a thorough study on Greek philosophical systems and their impact on European philosophy. Prof. Bharat Gupt presented a very scholarly paper on Greek / Indo- European dramatic traditions. Ms. Leda Shantala gave a very Greek musicians giving lecture-demonstration at IGNCA engaging presentation Kendra of BHU. Prof. Neeraj Tripathi, VC, BHU, Prof depicting the organic relationship of ancient Greece and Vagish Shastri, eminent Sanskritist, Prof. Kamalesh Dutta ancient India by showing videos of her work. Dr. A. K. Tripathi, Professor Emeritus, BHU and Prof. Bharat Gupt Singh on talking about Yavanika, the Indo-Greek Journal, inaugurated the Conference. A fore said Greek scholars stressed that India and Greece still live in the villages. Prof. presented their researches in about six academic sessions, PavlosKavorous in his very learned presentation, talked at along with presentations by other scholars, namely, Dr. length about his extensive research in Indian Yoga tradition Koenraad Elst, Prof. Bharat Gupt, Prof. K. D. Tripathi, Dr. alongside his reflections on theatre, music and culture of A. K. Singh, and Mr. Ravi Sharma. The academic sessions ancient Greek. were extremely informative and highly interactive in which Towards the close of academic sessions on the day one eminent Scholars like Prof. Reva Prasad Dwivedi, Prof. (3rd of February, 2018), the four Greek musicians namely, Maruti Nandan Prasad Tiwari, Prof Jugal Kishore Mishra, Mr.Thimios Atzakas, Mr. James Wylie, Ms. AvgeriniGatsi Prof. Rana P. B. Singh, Prof. Rakesh Pandey, Prof. Sadashiv and Mr. Nikolaos Paraoulakis gave their lecture- Dwivedietc. whole-heartedly participated. On 10th of demonstration titled the ‘Greek Raga’. On the evening of February, 2018 the Greek musicians performed at Pt. 04th February, 2018, a music concert by these musicians Omkar Nath Thakur Hall of BHU, wherein a large number was organized at the India International Centre, Delhi of students and music lovers turned up and thoroughly wherein, they played different instruments such as, Lyra, enjoyed the Greek music. Outi, Accordion, Klarino, Defi, Floyera, etc. The audience It may be concluded that the Conference and the concerts remained mesmerized throughout their performance. were great success as they generated a lot of interest From 7th February till 10th of February, 2018, the venue in the area of Indo-Greek Studies. The programmes of the Conference shifted to Varanasi. It was a historical received very positive comments in the Indian press and moment when all the visiting Greek scholars and IGNCA in the Sanskritweekly news “Vaarta” of Doordarshan, faculty visited the grave of Demitrios Galanos to pay India’s national television network. The Greece based homage after nearly 180 years of his demise. Indo-Hellenic Society for Culture and Development The academic sessions of the Conference were organized (ELINEPA) has also published some select articles in at the K. N. Udupa Hall of Benaras Hindu University. The Greek and English on its website. entire team of Regional Centre, IGNCA- Varanasi led by Hope this Conference goes a long way in opening up Dr. V. S. Shukla provided great local support in successful of newer vistas of Indo-Greek researches and cultural organization of the Conference along with Bharat Adhyayan exchanges.

3 THE IGNCA NEWSLETTER

AngkorWat: The Monument and

Report the Living Presence

Pratapanand Jha Director, Cultural Informatics Laboratory

Release of the Angkor Wat International Conference Booklet by Hon’ble Minister of State for Tourism (Independent Charge) Shri. K.J. Alphons, Member Secretary IGNCA Dr. Sachchidanand Joshi, Shri Pradeep Kumar Kapur, Shri L. L. Mehrotra, Shri Sachchidanand Sahai and Shri Ea Darith

he IGNCA had organised a three – day international Reap, Combodia urged that the Ministry of Tourism, India Tconference on ‘AngkorWat: The Monument and the should identify AngkorWat as a major tourist destination. Living Presence, from 28- 30 March 2018. The conference The inaugural of conference was done by Shri. K.J. Alphons, attempted to undertake a holistic interpretation of the IAS Hon’ble Minister of State (Independent Charge) for world famous monument, across time and space. IGNCA Tourism, Government of India, as he described AngkorWat took a step forward on this road by signing a MoU with the as an embodiment of the crystallization of the 5000 year APSARA National Authority in Cambodia, in order to study old Indian civilization. The Minister hoped that the the common threads of culture in India and Cambodia. philosophy of happiness, that is, happiness of the subjects is the happiness of the king as realized by the ancient kings AngkorWat was built by Suryavarman II and is one of the of Cambodia and the friendship between the two countries world’s largest religious complexes. In Khmer, AngkorWat will be strengthened through the conference. means “temple city”. The original name of the AngkorWat temple was “Braha Vishnuloka” meaning the sacred A wide range of aspects were covered during the dwelling of Lord Visnu. The initial construction of the international conference, mapping the possible domains temple took place in the first half of 12th century A.D. The that could be incorporated as part of the work that would now be jointly carried out by Indira Gandhi National temple is admired for its exquisite architecture, extensive Centre for the Arts, India and APSARA National Authority, bas relief and the numerous deities painted on the walls. Siam Reap, Cambodia. The themes on which papers were In his keynote speech, Padma Shree Prof. Sachchidanand presented included wider socio-political ones such as state Sahai, presently Advisor, APSARA National Authority, Siem formation, Indo-Khmer historical relationship and Angkor

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Shri M.J. Akbar, Minister of State for External Affairs, sharing his views at the closing session International Conference AngkorWat: The Monument and the Living Presence as a symbol of Khmer identity. At the same time, a number to be worked out. It is necessary to create specific projects of papers looked at specific aspects such as the iconography and dedicated teams to work on each project. It would be of Lord Vishnu, The Buddha, Apsara and other images in important for each team to have a counterpart in Cambodia the temple, from art history, archaeology and ethnographic as well. points of view. Several papers also outlined the depiction Shri M. J. Akbar, Minister of State for External Affairs, of sacred texts such as the Puranas and various epics such Government of India, graced the valedictory session of the as Mahabharata & Ramayana that are part of the shared conference. He congratulated the IGNCA for identifying thread between India and Cambodia. Finally, several AngkorWat as a subject of research and he mentioned that papers helped contextualise the conservation, restoration the great monument of AngkorWat was an outcome of and preservation efforts that have been afoot in Angkor Wat beautiful minds at work. Therefore, AngkorWat needs to be over the last several decades. On the whole, the conference seen in the light of the present and also as a beautiful bridge was a grand success in so far as it has been able to help between a shared past and present. He said that among us identify the various aspects of work which would now the prime objectives of the project needs to be to connect commence and be implemented over the next few years. cultures and people, thereby, re-instating communication Representatives from UNESCO, EFEO, APSARA National between Indian and Cambodian cultures. Authority and other international organisations presented The Minister, while expressing support from Government papers at the conference. Among the key recommendations of India, hoped that the research project on AngkorWat will of the conference was a realisation that documentation for fit well with India’s ‘Look East’ policy. He wished IGNCA a site like AngkorWat requires a dedicated team of experts all the best for initiating this extraordinary project that aims and researchers. To map AngkorWat in its totality, a long- at filling gaps between the past and the present of India- term project with intermediate, phase-wise milestones has Cambodia relationship.

5 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER ?kqeDdM+ ^jkgqy lkad`R;k;u^ laLej.k dh ;kn esa lqtkrk izlkn iwoZ vfrfjDr lfpo] laLd`fr ea=ky;

lEesyu dk m)kVu l=& ck;sa ls MkWñ lfPpnkuan tks'kh ] izksñ ,l vkj Hkê] Jh izhre flag vkSj lqJh t;k lkad`R;k;u fUnjk xk¡/kh jk’Vªh; dyk dsUæ }kjk iVuk 9 vçSy] 1893 dks tUes jkgqy lka—R;k;u NksVh&lh vk;q blaxzgky; ds lg;ksx ls jkgqy lka—R;k;u }kjk lax`ghr esa ?kj NksM+dj pys x, FksA mudh ftKklq ço`fÙk mUgsa iPpklh nqyZHk ewy ewfrZ;ksa] FkUdk lwphi=ksa] dk’Bfp=ksa okjk.klh ys vkbZ] tgka os fu/kZu fo|kFkhZ leqnk; ds lkFk vkSj ikaMqfyfi;ksa dh ,d çn”kZuh vk;ksftr dh xbZA bls jgs vkSj laL—r dk v/;;u fd;kA fcgkj esa fo[;kr turk dh ekax ij 15 vçSy] 2018 rd c<+k fn;k x;kA oS’.ko eB ds egUr ds lkFk mudh la;ksxo”k eqykdkr bl çn”kZuh esa ml eqä vkRek okys fo}ku ftUgksaus 140 us muds thou dks cny MkykA “kh?kz gh mUgksaus çkphu ekSfyd iqLrdksa dk ys[ku dk;Z fd;k] dh vlk/kkj.k ;k=k laL—r vkSj czkã.koknh fl)karksa dk xgjk Kku çkIr dj dk o`Ùkkar n”kkZ;k x;k gSA blesa mudh iq=h vkSj iq= ds fy;kA eB dk mÙkjkf/kdkjh pqus tkus ij mudk uke Lokeh oS;fäd laxzg ls nqyZHk fp= çnf”kZr fd, x, gSaA frCcr jkeksnjnkl iM+kA mudh vlhfer ÅtkZ vkSj ns”kdky ds ij 1932 esa çdkf”kr mudh igyh iqLrd frCcr esa lok ca/kuksa ls nwj mudh bPNk”kfä mUgsa nf{k.k Hkkjr dh o’kZ us ;k=k&o`Ùkkar fo/kk dh :ijs[kk gh cny nh] ftlesa ;k=k ij ys xbZ] tgka dqN le; çkphu oSfnd v/;;u bfrgkl] Hkwxksy] iqjk.k&vk[;ku] laLej.k vkfn fo/kkvksa dk dh ijEijk ds vuq:i mUgksaus osnk/;;u fd;kA oSfnd lqUnj lekxe gqvk FkkA jhfr&fjoktksa ls gVdj vius fuxqZ.k Hkko ls çsfjr gksdj

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,df=r vf/kdrj ikaMqfyfi;ka ;k rks gLrfyf[kr ikaMqfyfi;ka Fkha ;k mUgsa ydM+h ds mRdhf.kZr Cykd dk ç;ksx djds Nkik x;k FkkA muesa ls dqN lksus vkSj pkanh ds cqjkns ls fy[kh xbZ FkhaA “kkL=h; fl)karksa ds vfrfjä] buesa bfrgkl vkSj /kkrq foKku] fpfdRlk “kkL=] ra=] dyk] T;ksfr’k “kkL=] ouLifr “kkL= ,oa rduhdh fo’k;ksa ls lacaf/kr ikB FksA Jhyadk okilh ij mUgksaus ckS) fHk{kq ds :i esa nh{kk xzg.k dh vkSj varr% mUgksaus jkgqy 9 ª lEesyu ds vdknfed l= dh ,d >yd & ck;sa ls & MkWñ vfHkthr nhf{kr] MkWñ ,yslsaMk dalkSykjks] lka—R;k;u uke dks viuk fy;kA MkWñ tkWu czS] MkWñ fe'ksy lksjsulsu vkSj MkWñ vydk pqMky vius u, vorkj esa] mUgksaus viuh mudk >qdko vk;Z lekt dh rjQ gks x;kA dkykarj esa ;k=k,a tkjh j[krs gq, Ýkal] baXySaM] teZuh] eyk;k] tkiku] mUgksaus dsnkjukFk fo|kFkhZ ds uke ls fgUnh vkSj mnwZ esa dksfj;k] eapwfj;k] bZjku] vQxkfuLrku rFkk lksfo;r la?k fy[kuk “kq: dj fn;k rFkk fopkj”khy n”kZu dh viuh dh ;k=k dh ftlds fy, mUgksaus Vªkal&lkbcsfj;kbZ jsy ryk”k esa os varr% ckS) /keZ dh vksj mUeq[k gks x,A ij lkbcsfj;k dks ikj fd;kA muds laLej.kksa esa fofHkUu jkgqy lka—R;k;u dk jktuhfrd thou o’kZ 1919 esa rc Hkw&–”; lkdkj mHkjdj lkeus vkrs gSa] tks ,sfrgkfld vkSj vkjaHk gqvk tc os dkaxzsl esa “kkfey gq, rFkk mÙkjh fcgkj esa vk/;kfRed ckjhfd;ksa ls Hkjs gq, gSa] ftudk fooj.k ltho os vlg;ksx vkanksyu ds egRoiw.kZ usrk cu x,A mUgsa FkksM+s vkSj xgu gSA mUgksaus ikap Hkk’kkvksa esa ys[ku fd;k gS& varjky ij nks ckj fxj¶rkj fd;k x;kA mUgksaus tsy esa fganh] laL—r] Hkkstiqjh] ikyh vkSj frCcrhA mudh —fr;ksa jgrs gq, viuk igyk miU;kl] ^ckbloha lnh^ fy[kkA o’kZ esa fofHkUu ys[ku fo/kkvksa dk ç;ksx fd;k x;k gS ftuesa 1926 esa tsy ls ckgj vkus ij] mUgksaus fgeky; dh ;k=k ;k=k&o`Ùkkar] laLej.k] lekt”kkL=] bfrgkl] n”kZu”kkL=] dh rFkk o’kZ 1927 esa Jhyadk esa ckS) egkfogkj fo|ky; ckS) /keZ] frCcr”kkL=] dks”kdyk] O;kdj.k] yksd esa v/;kid dh ukSdjh dj yhA Fksjoknh ckS)ns”k Jhyadk lkfgR;] dkYifud dFkk,a vkSj ys[k “kkfey gSaA ?kqeDdM+h esa mUgksaus ckS)ksa ds /keZxzaFk f=fiVd ij dke djuk vkjEHk vFkok ;k;kojh muds ys[ku vkSj thou&n”kZu ds dsUæ esa fd;kA mUgksaus phuh Hkk’kk esa miyC/k f=fiVd ls laL—r esa jgh vkSj mls mUgksaus fodkl vkSj xfreku jgus ds fy, ^vfHk/kEedks”k^ ds yqIr lanHkksaZ dks fQj ls la;ksftr fd;kA visf{kr ekukA blh ?kqeDdM+h thou&n”kZu ls çsfjr gksdj lkFk gh] ;wjksih; Hkkjrfon~ fo}kuksa ds ys[ku ls fHkK jgus mUgksaus vius thou ds mÙkjk/kZ esa Þ?kqeDdM+”kkL=ß uked ds fy, mUgksaus Lo;a Ýsap vkSj teZu Hkk’kk,¡ lh[khaA fdrkc fy[khA muds }kjk fyf[kr ,d vU; ;qxkardkjh jkgqy lka—R;k;u dh ckS) n”kZu esa vfHk#fp vkSj iqLrd Fkh ÞoksYxk ls xaxkß tks bfrgkl vkSj dYiuk”khyrk viwokZuqes; ,oa vçR;kf”kr dks viukus dh {kerk mUgsa ds laxe dk vuwBk mnkgj.k gS] ftldh dFkk 6000 bZ- iw- frCcr ys xbZ] ftldh ;k=k nqxZe Hkh Fkh vkSj lkgfld esa “kq: gksrh gS vkSj lu 1942 esa lekIr gksrh gSA HkhA mUgksaus igys dkBekaMw ?kkVh esa ,d fganw lk/kq ds :i jkgqy lka—R;k;u ds 1934 esa frCcr ds nwljs nkSjs esa esa ços”k fd;k vkSj gsaMjlu dh frCcrh iksFkh dh lgk;rk mUgsa ewy laL—r esa vuqc) gLrfyf[kr ,oa rkM+&i= ls frCcrh lh[kh rFkk frCcr esa ços”k djus ds fy, nqdik ikaMqfyfi;ka feyhaA muesa ls dbZ vuwfnr Fkha vkSj “kkD;] ykek dh lgk;rk yhA mUgksaus Hks’k cnydj] vR;ar nqxZe I;ks[kkax] uxksj vkSj vU; ckS) eBksa esa lhycan rg[kkuksa ifjfLFkfr;ksa esa ;k=k dh ftl nkSjku ckgjh nqfu;k ls esa j[ks gq, frCcrh “kL=h; fl)karksa dk Hkkx FkhaA os vius mudk dksbZ laidZ ugha FkkA os iaæg ekg Ygklk esa jgs lkFk vusd frCcrh tkbyksxzWk¶l vkSj ntZuksa mR—’V tgka mUgksaus yqIr ckS) ikBksa dk v/;;u fd;kA muds }kjk frCcrh iê&fp= yk,A

7 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

ls Hkh lEekfur fd;k x;kA muds }kjk lax`ghr ikaMqfyfi;k¡ ekuork dh vewY; Fkkrh gSa] tks 1950 esa frCcr ij phu ds vkf/kiR; ds i”pkr fuf”pr :i ls ;k rks u’V gks tkrha ;k yqIr gks tkrhaA mudh iq=h t;k bu ikaMqfyfi;ksa ds laj{k.k dks ysdj dbZ rjg dh vk”kadk,¡ O;ä dj pqdh gSa vkSj ftUgsa xaHkhjrk ls fy, tkus dh vko”;drk gSA muds vuqlkj] fcgkj vuqla/kku lkslkbVh ds can dejs esa 6400 ;k blls vf/kd frCcrh ikaMqfyfi;ka j[kh gqbZ bfUnjk xk¡/kh jk"Vªh; dyk dsUnz us fcgkj ds iVuk laxzgky; ds lg;ksx ls ^jkgqy gSaA buesa ls dqN dk jk’Vªh; ikaMqfyfi fe”ku lkad`R;k;u laxzg^ ij ,d izn'kZuh vk;ksftr dhA }kjk fMftVyhdj.k fd;k x;k gSA dsUæh; vius mÙkjorhZ frCcr&nkSjksa ds nkSjku] mUgksaus ,slh dbZ laL—r ikaMqfyfi;ksa dk irk yxk;k vkSj muds QksVksxzWkQ fy, tks fcgkj fjlpZ lkslkbVh esa Xykl usxsfVo ds :i esa j[kh xbZ gSaA mUgksaus osnU;k;] vnZ~/k;k/kZ’Vd] foxzgO;ofrZuh] çek.kofrZdk] çek.kofrZdfVdk] çek.kofrZdk Hkk’; vkSj çek.kofrZdko`fÙk tSlh fofHkUu egRoiw.kZ ikaMqfyfi;ksa dh çfrfyfi;ka Hkh rS;kj dhaA muds laLej.kksa esa mYys[k vkrk gS fd dSls vR;f/kd BaM esa nokr esa j[kh L;kgh Hkh te tkrh Fkh vkSj mudh maxfy;k¡ cQZ lh te tkrh FkhaA 1930 vkrs&vkrs mUgksaus vius vkidks xka/khoknh jktuhfr ls nwj dj fy;k FkkA os dkaxzsl lks”kfyLV ikVhZ ds laLFkkid lnL;ksa esa ls ,d FksA bl pj.k ds nkSjku mUgksaus u dsoy ekDlZoknh lkfgR; dk v/;;u fd;k] cfYd ^ekDlZoknh ?kks’k.kki=^ dk vuqokn Hkh fd;k vkSj ^lkE;okn gh D;ksa^ tSlh “kkL=kFkZ laca/kh iqLrdksa dh jpuk dhA 1938 rd os isij izstsaVlZ vkSj vU; izfrHkkxh jkgqy lkad`R;k;u }kjk fy[kh Hkkjr esa fdlku vkanksyu ds ,d çeq[k usrk cus vkSj fcgkj fdrkcksa dks ns[krs vkSj [kjhnrs gq,A esa ekDlZoknh ikVhZ dh LFkkiuk dhA 1940 esa os vf[ky Hkkjrh; fdlku lHkk ds v/;{k fuokZfpr fd, x, vkSj mPPrj frCcrh v/;;u laLFkku] lkjukFk ds fo}kuksa us ,d dqN le; ds fy, blds vkf/kdkfjd eq[ki= ^gqadkj^ ds laxzglwph cukbZ gS] ijUrq ;g muds —frRo dks lexzrk esa laiknd Hkh jgsA mUgsa gtkjhckx tsy esa vkSj nsoyh ugha çLrqr djrk gSA bUgsa T;knk ls T;knk lqyHk djkus utjcanh f”kfoj esa nks o’kksaZ ds fy, dkjkokl esa j[kk x;kA vkSj fo}kuksa }kjk buds vuqokn gsrq lg;ksxkRed ç;kl ijUrq] tc os okeiaFkh jktuhfr ds f”k[kj ij igq¡ps] mUgksaus djus vkSj bUgsa iwokZoLFkk esa ykus dh vko”;drk gSA ;g jktuhfr NksM+ nh vkSj ysfuuxzkn fo”ofo|ky; esa ,d fojklr gS ftls Hkkoh ihf<+;ksa ds fy, fuf”pr :i ls Hkkjrfo|k ij v/;kiu vkSj vuqla/kku ds fy, iqu% lajf{kr fd;k tkuk pkfg,A Hkkjr NksM+dj pys x,A os 1948 esa okil ykSVs vkSj fgeky; nqHkkZX;o”k muds laLej.kksa vkSj ;k=k o`Ùkkarksa dks oSlk egRo rFkk Jhyadk esa viuk “ks’k thou O;rhr fd;kA mudk ckS) çkIr ugha gqvk gS] tSlk gsfeaxos dh —fr ^, ewo,cy }a}okn ij lcls egRoiw.kZ fuca/k o’kZ 1970 esa muds ej.kksijkUr QhLV^] C:l pkSVfou dh —fr ^bu isaVkxksfu;k^ vkSj xzkge çdkf”kr gqvkA mUgsa ^e/; ,f”k;k dk bfrgkl^ tSlh vR;ar xzhu dh —fr ^tuhZ fonkmV eSIl^ tSlh iqLrdksa dks çkIr egRoiw.kZ —fr ds fy, lkfgR; vdkneh iqjLdkj çkIr gqvk gSA jkgqy lka—R;k;u dk —frRo vkt Hkh vf/kdka”k gqvkA 1963 esa ftl o’kZ mudh e`R;q gqbZ] mUgsa in~e Hkw’k.k ds fy, vYiKkr gS vFkok nqyZHk gSA

8 MARCH-APRILekpZ&vizSy 2018

nsosUnz Lo:i laxzg% fjiksZV ,d lkFkZd iz;kl Jqfr voLFkh ifj;kstuk lgk;d] dyk n'kZu

nsosUnz Lo:i d{k ds lkeus izksñ Lo:i] mudh iRuh] dsanz ds v/;{k Jh jkecgknqj jk;] lnL; lfpo MkWñ lfPpnkuan tks'kh] MkWñ d`".k xksiky] Jh vkyksd dqekj] MkWñ osn izrki oSfnd o vU; fUnjk xk¡/kh jk’Vªh; dyk dsUæ vkt ,d xksiky] Jh ds-,u- xksfoUnkpk;Z] Jh egs”k pUæ “kekZ] Jh bvfoLe.khZ; mRlo dk lk{kh cuk tc dsUæ ds vyksd dqekj vkfn x.kekU; yksx ekStwn FksA dykfuf/k izHkkx ¼iqLrdky; ladk;½ esa ofj’B i=dkj ,oa dk;ZØe esa vfrfFk;ksa dk Lokxr djrs gq, laLFkku ds bfrgklfon~ çks-nsosUæ Lo:i th us viuh futh iqLrdksa dh lnL; lfpo us dgk fd tks “kCn ds lk/kd gksrs gSa muds vewY; /kjksgj tks muds }kjk dsUæ dks HksaV dh xbZ gS ds vanj dgha u dgha larRo dk Hkko gksrk gSA ,sls gh ,d fy, nsosUæ Lo:i ÞO;fäxr xzaFk laxzg d{kß dk “kqHkkjaHk lar çksQslj nsosUæ Lo:i dks ge ueu djrs gSaA ge muds Lo;a fd;kA _.kh gS tks maUgksaus viuh iqLrdsa gesa lkSaih gSaA ge fo”okl bl vçfre volj ij laLFkk ds v/;{k Jh jkecgknqj fnykuk pkgrs gSa fd ftl eu ls mUgksaus viuh iqLrdsa gesa jk;] dsUæ ds lnL; lfpo M‚- lfPpnkuan tks”kh] M‚-—’.k lkSih gSa mlh rjg ge mldk lnqi;ksx djsaxsA bUgksa us

9 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

x;k FkkA nsosUæ th ds lEikndh; tc eSa i<+rk Fkk rks eq>s le> vk x;k fd ;s i=dkfjrk ugha gS ;s ikafMR; gSA vkSj ;s ikafMR; cM+h esgur vkSj i<+us ls gh vk ldrk gSA nsosUæ th ds bl vn~Hkqr laxzg dks ns[kdj eSa csgn mRlkfgr gwaA nsosUæ th ds bl laxzg dk T;knk ls T;knk mi;ksx gks lds blds fy, gedks ç;kl djus gksaxsA T;knk ls T;knk yksxksa dks bl iqLrdky; ls lEc) djok;k tk,A eSa nsosUæ Lo:i dh nh?kZ vk;q dh bZ”oj ls çkFkZuk djrk gw¡ vkSj dkeuk djrk gw¡ fd oks gedks fn”kk nsrs jgsaA bfUnjk xk¡/kh jk’Vªh; dykdsUæ ds v/;{k Jh jkecgknqj jk; th dgk dh gekjs fy, ;s larks’k vkSj lkSHkkX; dk fo’k; gS fd Jh nsosUæ Lo:i us viuh iqLrdksa dk voyksdu djrs izksñ nsosUnz Lo:iA viuh mu iqLrdksa dks gekjs lqiqnZ fd;k gS] ftuesa bl volj ij esokM+ baLVhVîwV dk bl laxzg dks lgst mudh vkRek clh gSA geus mudh iqLrdksa dk dj j[kus ds fy, vkHkkj O;ä fd;kA ÞnsosUæ Lo:i [k.Mß cuk;k gSA gekjs bl [kaM dks cukus çks- Lo:i ij vius fopkj j[krs gq, M‚- —’.k xksiky dk mís”; Fkk fd yksx ;gha cSB dj iqLrdsa i<+saA th us dgk fd ;g iqLrd laxzg tks nsosUæ Lo:i th us eSa vDlj budks Qksu djrk Fkk ysfdu ,d ckj Qksu fd;k ;gka HksaV fd;k gS mldk ewY; fdlh “kks/kkFkhZ dh gh le> rks buls lEidZ ugha gks ik jgk FkkA fQj irk pyk fd vk,xkA ysfdu nsosUæ Lo:i ds iqLrd laxzg ls dbZ ,slh budks ml le; czsu gSaejst gqvk FkkA tc vLirky esa vuks[kh iqLrdsa fey tkrh gSa tks “kk;n gh dgha feysaA ns”k eSa buls feyus x;k rks eSaus buls iwNk fd vki dkSu ls ds dbZ lky ds bfrgkl dks nsosUæ th us lEgky dj j[kk nks dke djuk pkgsaxs rks bUgksaus dgk fd Hkkjr dh Kku gSA vkus okys le; esa gekjs ns”k ds “kks/k Nk=ksa dks nsosUæ ijEijk ij ,d fdrkc fy[kuk pkgwaxkA blds vykok la?k Lo:i th dh iqLrdksa ds ek/;e ls cgqr dqN feysxkA dk bfrgkl fy[kuk pkgrk gwaA la?k ds Åij buds }kjk bl volj ij Jh xksfoankpk;Z th us dgk fd xaxk ty 18 ys[k fy[ks tk pqds gSaA ls gh xaxk dh iwtk djuk gekjh ijaijk jgh gSA e/kq dk mi;ksx e/kq ugha djrh vkt ge dqN ,slk gh eglwl dj tc eSus nsosUæ Lo:i dks utnhd ls tkuk] mlds ckn jgs gSaA nsosUæ Lo:i th ges”kk u;k tkuus esa fnypLih eq>s] irk pyk fd la?k esa nsosUæ Lo:i tSlk dksbZ nwljk j[krs gSaA ;g muds LoHkko dh fo”ks’krk gSA eSa dkQh iqjkus ugha gSA la?k esa egkRek xka/kh dh tks vkRek gS oks nsosUæ le; ls nsosUæ th dh bl fo”ks’krk ls ifjfpr jgk gwaA Lo:i ds dkj.k gSA D;ksafd ;s ewyr% xka/khoknh gSaA nsosUæ bls eSa viuk lkSHkkX; ekurk gw¡A Lo:i dh iqLrdksa ds ek/;e ls nks yksxksa dks pquk tk, tks la?k ij “kks/k djuk pkg jgs gksaA mUgsa dyk dsanz dh rjQ dykfuf/k ds funs”kd M‚- vkj-lh xkSM+ us Hkh viuh ckr j[khA mUgksaus dgk fd ,sls “kkunkj vk;kstu dks ewrZ:i ls QSyksf”ki feysA fey ldk blds fy, lcls igys bfUnjk x¡k/kh jk’Vªh; dk;ZØe ds var esa cksyrs gq, Jh nsosUæ Lo:i th us dgk dyk dsUæ ds v/;{k dks lk/kqoknA mUgksaus vkxs dgk fd fd bl le; esjh fLFkfr datwl tSlh gS ftldks viuk Jh vVy fcgkjh oktis;h us bl Hkou dk yksdkiZ.k fd;k cpr dk [ktkuk [kkyh djuk iM+ jgk gSA 1960 ls tc eSa Fkk] ge pkgasxs fd muds iqLrd laxzg dks ;gka j[kk tk çpkjd thou ls okil gqvk rc eSus viuk iqLrd laxzg ldsA gekjs ikl dksbZ jk’Vªh; iqLrdky; ugha gSA eSa bl “kq: fd;kA ysfdu vkt rd eSus fdlh dks Hkh iqLrd ugha eap ls vkxzg djuk pkgwaxk fd ;gka ,d us”kuy vkVZ nhA ysfdu esjk lkSHkkX; gS fd esjh iqLrdksa dks bruk vPNk ykbczsjh cukbZ tk,A LFkku feyk gSA yksxksa ds i<+us dh ço`fÙk ?kVrh tk jgh gSA nsosUæ Lo:i th ds ije fe= ,oa ofj’B i=dkj M‚- tks i<+uk Hkh pkg jgs gSa] oks v‚uykbu i<+uk pkg jgsa gSaA osnçrki oSfnd th us crk;k fd eq>s 50 lky igys dh ysfdu fdrkc i<+uk fdruk t:jh gS] ;g le>uk gksxkA ckr ;kn vkrh gSA ,d ckj eSa buds ?kj x;k ogka muds vkt ;gka vkdj [kqn dks lkFkZd le> jgk gw¡ fd esjs laxzg ikl fdrkcksa dk cM+k laxzg Fkk ftldks ns[kdj eSa nax jg dks ,d lgh LFkku fey x;k gSA ;s esjk lkSHkkX; gSA

10 MARCH-APRILekpZ&vizSy 2018 laL—fr laokn J`a[kyk&8 fjiksZV

'kf'k izHkk frokjh dyk leh{kd

ckck ;ksxsUnz th dks lEekfur djrha xksok dh ekuuh;k jkT;iky Jherh e`nqyk flUgk] lnL; lfpo MkWñ lfPpnkuan tks'kh rFkk lkaln eukst frokjh fUnjk xk¡/kh jk’Vªh; dyk dsUæ esa dyk_f’k ckck tqV tkrs gSaA ckck ;ksxsUæ ,sls gh Lor% LQwrZ O;fäRo gSaA b;ksxsUæ ij dsafær vkBosa laL—fr lokan dk vk;kstu mUgksaus feêh dk jax vkSj lqxa/k ns[kdj dyk dk iq’V cht fd;k x;kA bl lekjksg dk mn~?kkVu xksok dh jkT;iky Mky fn;k gSA tks le; ds lkFk fur u, fodkl dh lhek ekuuh;k e`nqyk flUgk us fd;kA bl volj ij mUgksaus r; djsxkA mUgksaus lekt ls FkksM+k fy;k gS] vkSj mls dbZ ckck ;ksxsUæ dks “k‚y] JhQy] okXnsoh dh ewfrZ HksaVdj xq.kk c<+k dj fn;k gSA lEekfur fd;kA dsaæ ds lnL; lfpo M‚ñ lfPpnkuan tks”kh us Lokxr vius mn~cks/ku esa jkT;iky egksn;k us dgk fd vkt ds Hkk’k.k esa dgk fd gekjs lekt vkSj laL—fr esa laokn le; dk rdkt+k gS fd lkaL—frd vk;kstu gksaA ge vius dh fpjaru ijaijk jgh gSA laokn ds tfj, ge thou dh O;ogkj ls gh vkus okyh ih<+h dks laLdkfjr dj ldrs gSaA Js’Brk] dYiuk”khyrk ,oa l`tu”khyrk dks çkIr djrs bfrgkl esa] laLdkj esa] laL—fr esa gks jgs iru dks vke gSa] ftlds ,d i;kZ; gSa] ckck ;ksxsUæA laLdkj Hkkjrh ds yksx eglwl ugha dj ikrs gSaA ij tks yksx eglwl djrs laLFkkid lnL; ckck ;ksxsUæ us dgk fd lekt] ns”k] gS] oks mls nksxqus osx ls iquZLFkkfir djus ds ç;kl esa ifjokj vkSj fo”o dk eaxy djus ds fy, gj Lrj ij

11 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

iqLrd dk foekspu djrs MkWñ lfPpnkuan tks'kh] Jh Vhñ,lñ ukxkHkkjuk] Jherh e`nqyk flUgk] ckck ;ksxsUnz] Jh eukst frokjh] Jherh ekfyuh voLFkh] Jh olhQqíhu Mkxj] Jherh 'k'khizHkk frokjh ,oa Jh ek/ko laokn t:jh gSA lkaln o xk;d eukst frokjh us dgk us dgk ckck ;ksxsUæ lkaL—frd tkxj.k ds HkkxhjFk gSaA fd tc eSa cukjl fganw fo”ofo|ky; esa i<+ jgk Fkk] ml rhljs l= esa HkjrukVîe u`R;kaxuk ljkstk oS|ukFku] /kqzin nkSjku eq>s lcls igys laLdkj Hkkjrh ds eap ij gh xkus xk;d mLrkn olhQíhu Mkxj] dFkd u`R;kaxuk ufyuh] dk volj feykA ckalqjhoknd psru tks”kh vkSj fp=dkj ghjkyky çtkifr us mn~?kkVu l= ds nkSjku ;qok xkf;dk vfnfr “kekZ us f”kjdr dhA Hkkjrh; dyk –f’V ds lanHkZ esa vius fopkj ljLorh oanuk vkSj —’.k Hktu xk;kA blds vykok] j[krs gq,] mLrkn olhQqíhu Mkxj us dgk fd laL—fr ds ckck ;ksxsUæ ij dsfUær fdrkc ^dyk lk/kuk ds oVo`{k^ laj{k.k ls gh laLdkjksa dk laj{k.k gks ldrk gSA fp=dkj dk yksdkiZ.k jkT;iky e`nqyk flUgk] ckck ;ksxsUæ] mLrkn ghjkyky çtkifr us dgk fd dykdkjksa dks tksM+uk lcls olhQqíhu Mkxj] ekfyuh voLFkh] eukst frokjh] ek/ko Hkku T;knk t:jh gS] tSlk fd ckckth us fd;kA tcfd] psru us fd;kA iqLrd dk laiknu i=dkj “kf”kçHkk frokjh us tks”kh us dgk fd ge Hkkjrh; dykdkj viuh dyk fd;k gSA lk/kuk ls lR;e f”koe~ lqanje dh LFkkiuk djus dh dk;ZØe esa ckck ;ksxsUæ&thou ,oa ;ksxnku] Hkkjrh; dksf”k”k djrs gSaA dFkd u`R;kaxuk ufyuh us dgk fd dyk dyk –f’V vkSj dyk lk/kuk&lk/kd ,oa laLFkk fo’k;d gh –f’V gS vkSj ;gh –f’Vdks.k Hkh gSA ifjppkZ gqbZA çFke l= esa ckck ;ksxsUæ&thou ,oa ;ksxnku ij viuk v/;{kh; oäO; nsrs gq, fp=dkj “;ke “kekZ us dyk lk/kuk] lk/kd vkSj laLFkk fo’k; ij M‚ñ n;kçdk”k dgk fd eq>s dke djrs&djrs laLdkj Hkkjrh ds dke dk flUgk] Vh ,l ukxHkjuk] vehj pan] xtsUæ lksyadh vkSj irk pykA ogha laLdkj Hkkjrh dh ek/koh rkbZ dqyd.khZ us M‚ñ Lo.kZ vfuy us vius&vius fopkj çLrqr fd,A bl dgk fd tc gesa mnklhurk gksrh gS ;k fujk”kk gksrh gS rc l= dk lekiu bfUnjk xk¡/kh jk’Vªh; dyk dsUæ ds v/;{k ge ckckth ds lkfu/; esa tkrs gSaA tcfd] mn; banqjdj jkecgknqj jk; ds oäO; ls gqvkA tcfd] laL—fr laokn us dgk fd gekjs Hkkjrh; fpardksa us foKku dh [kkst ls J`a[kyk&8 dk lekiu ckck ;ksxsUæ th ds thou ij igys gh vius fparu&euu ls txr ds lR; dks LFkwy o vk/kkfjr o`Ùkfp= ds çn”kZu ls gqvkA bldk funsZ”ku vrqy lw{e :i esa çekf.kr dj fn;k FkkA blh J`a[kyk ds fpard tSu us fd;k FkkA bl dk;ZØe dk lapkyu jkgqy pkS/kjh ckck ;ksxsUæ gSaA bl l= esa yksdxkf;dk ekfyuh voLFkh uhy us fd;kA

12 MARCH-APRIL 2018

Swachhta Pakhwada Report at IGNCA Srishti Safaya Project Associate, Kala Darsana

of the building. The employees were divided into groups titled as ‘Ashok’, ‘Arjun’, ‘Pipal’, ‘Bargad’, ‘Neem’, ‘Deodar’, ‘Champa’, ‘Kadam’, ‘Amaltas’, ‘Mahua’, ‘Gulmohar’ and a day was assigned to each group to carry out ‘Shramdaan’. Some of the employees also planted trees around the campus. A poster competition was also organised in which everyone was invited to create a poster highlighting the message of ‘Swachh Bharat Abhiyan’. On 24th April, a film screening, ‘Swachhta Devatva ek Samaan’ was hosted for school children. The film highlights the conditions of pious places of Tree plantation by S/S Vinod Rawat, Satyavrat Tripathi, Dinesh Sharma, Suresh and Bhagat India which include, ‘Ghats’ of Varanasi; ‘Swarn Mandir’ of Amritsar; ‘Ajmer Sharif Dargah’ and Venkateswara Temple of Tirumala, Andhra Pradesh. It points out how Indian citizens leave no stone unturned to spread filth around religious places which otherwise they consider to be pious. It also cites Tirumala temple as an example which should be adopted by all other religious places of India; it uses a unique technology to dispose off its waste and sewerage. During the screening Shri Umesh Aggarwal, film director was present. The students had many questions for him; one of them commented that he has personally seen people recklessly throwing away dirt and it affects him to IGNCA employees participating in ‘Swachhta Shapath’ with Shri Anurag see this behaviour. The director responded by saying Trivedi, Director, IGNCA that next time if he sees anyone doing this, he must either politely tell him to throw it in the dustbin ndira Gandhi National Centre for the Arts observed I‘Swachhta Pakhwada’ from 16th to 30th April, 2018 or he should pick it up himself in front of the person and to follow the mandate of Government of India, which dispose it off in the dustbin. Another student mentioned intends to promote the idea of ‘Swachh Bharat’ amongst that he had observed people of different religions arguing Indian citizens. It was inaugurated on 17th April wherein over cleanliness wherein the person of one religion tried IGNCA employees took ‘Swachhta Shapath’ together stopping the person of another religion to enter and clean with their fellow colleagues. Each day, IGNCA employees the former’s religious place. He asked the director that why participated in cleanliness drives (‘Shramdaan’) in and religion should come in between the cleanliness drive. around the campus which included collecting debris (rags, The director appreciated his belief and encouraged him papers, dust) in poly bags, sweeping dirt and dust from and all students to become future messengers of religious floors and terraces, wiping off dirt from walls and rooms harmony as well as ‘Swachh Bharat’.

13 THE IGNCA NEWSLETTER EVENTS AT IGNCA

Padmashree Dr. Yashodhar Mathpal Shri T.N. Chaturvedi, Former Governor of Conference on Maritime Traditions of Indian and interacting with students during the Karnataka & Kerala at the Exhibition on Rahul Pacific Oceans Exhibition " Glorious Bhimbetka " from 3rd Sankrityayan Puratan Sangraha April to 12th April

Maryada Purushottam’s Solo Painting MoU signing with Amrit Vishwa Vidyapeetham Performance by Mrs. Bharathi Thirumagan Exhibition cum lecture Coimbatore, Tamil Nadu and troupe on ‘Villupaattu’ tradition from Tamil Nadu at Sanjari Event

Prof. Molly Kaushal at the inaugural function Sindhu Tai Sapkal at the inauguration of The wife and daughter of Shri of National Seminar on Tribal Literature, exhibition titled ‘Divine Manifestation of B.S.Ramaswamy, IA & AS ( retired ) gifted his Culture and Art Challenges and Possibilities Shaktitattva’ personal Veena to IGNCA at Delhi University

14 MARCH-APRIL 2018 EVENTS AT IGNCA

National Seminar on Tribal Literature, Views shared by Smt. Smriti Zubin Irani, the Team Performance of Maharashtra’s artist- Prof. Culture and Art: Challenges and Possibilities then Hon’ble Union Minister for Information & Chandrashiva at Swagat Navsanvatsar 2075 at the IGNCA Broadcasting, Government of India

Conference on Rahul Sankrityayana (1893- Group Discussion by Gond Tribes during 8th Dance performance by participants at the 1963)- Mahapandita in the Land of Snow (R to L) National Gondi Language Standardization valedictory function 8th National Gondi Dr. Radha Banerjee Sarkar, Prof. Lokesh Chandra, Workshop Language Standardization Workshop Ven Geshe Damdul and Ms. Navneet Sawhney

Panel discussion on the academic theme Smt. Usha Malik and Dr.Sachchidanand Joshi, Performance by Shri Dhananjay Kaul and ‘Women in Arts and Culture’ with panelists Member Secretary, IGNCA signed the gift deed, his team from Kashmir at Sanjari: Ek Bharat Padmashri Shobhana Narayan, Padmashri for the personal collection of books and archival Shreshth Bharat Shrinkhala Padma Sachdev, Prof. Shonaleeka Kaul and material of Late Shri Keshav Malik, Poet and Art Ms. Tanushree Chatterjee Critic to place in the Kala Nidhi Reference Library

15 THE IGNCA NEWSLETTER

Conference on Indian Contribution to Central Asian Art and Culture Report Navneet Sawhney - Project Associate, East Asian Programme Unit and Aparna Jha - Project Assistant, East Asian Programme Unit

three days International Conference on Indian and shared their research insights. Contribution to Central Asian Art and Culture was A The conference provided a platform for the experts, young conducted from March 29 to March 31, 2018 by East scholars and academicians having expertise in Central Asian Asian Program Unit, Kalakosa Division of IGNCA in Art, Archaeology, Culture, Philosophy, Literature,History, collaboration with the Association for Central Asian Sociology and Religion. In the contemporary times, Civilizations and Silk Road Studies, UK/USA. The globalisation is one such force which has unified various Association for Central Asian Civilizations and Silk Road nations however diverse in one thread and if we see India Studies (ACANSRS) envisions working on multifaceted and Central Asia from the panoramic lens then academic aspects related to Central Asia and the Silk Road by promoting research on Central Asia from antiquity to conglomeration like this is one of most important and modern times through collaborations, sponsoring events, possible route to plug in the research lacunae of the publications, film-making and educational trips to the cultural plurality. region. If we talk about music and its relevance in Central Through this academic endeavour materialized by both and South Asia then the ethos of Sufism is one such the Institutions (IGNCA & ACANSRS), an attempt was domain which is quite inseparable from Central Asian made to explore, rejuvenate and rekindle the common Art and Culture. On March 30, the scholars visited the cultural traits which India and Central Asia is said to have Nizammuddin Auliya Dargah in West Delhi to explore enjoyed since time immemorial. The main objective of the and experience centuries-old tradition of qawaali which is conference was to focus on the relevance of India as the revered by music lovers and the devout alike. The visit to mid-point connecting East, West, North and South. Dargah became exhilarating by melodious renderings of qawallis in the premises of shrine. Dr.Radha Banerjee Sarkar, EAP Unit was the convenor and Dr. Mariko Walter Namba (Secretary and Chair, On March 31, 2018, the scholars also visited the National ACANSRS, USA/UK) was the co-organizer of the Museum, New Delhi where they explored and analysed the Conference. The Chief Guest of the Inaugural Session Aurel Stein’s Collection. To further explore the intricacies of the Conference was Dr. Dnyaneshwar M Mulay, of the ancient and medieval trade routes a heritage walk Secretary, Ministry of External Affairs and the Guest of titled “Spaces of trade and religion – Old Delhi” was Honour was Amb. Ashok Sajjanhar, President, Institute organised as the part of conference on March 31.The walk of Global Studies. The welcome address was given by was conducted by Dr. Navina Jafa who is currently a lead Dr. Ramesh Gaur, Director (Library & Information) and consultant with the Asian Heritage Foundation and the Head-KalaNidhi division, IGNCA. Director of Indian Cultural Heritage Research. The walk covered the labyrinth of old Delhi neighbourhoods of Total twenty two scholars from interdisciplinary Chhipiwara, Dharampura and Kinari Bazaar. The scholars background all across the globe participated in the unravelled and explored the narrow streets of Chandni conference. There were nine academic sessions spread Chowk which is the perfect place where one can still feel over three days the themes of which ranged from general the history through the remnants left. introduction of India’s Contribution to Central Asian Art and Culture to Early History/Hellenism and Iran/ In the valedictory session, an attempt was made to gather Buddhism, general archaeological issues/mapping & feedback and viewpoints of all the scholars, experts, regional History, Interaction of Indian and Central Asian academicians for further plans and endeavours. Dr. Mariko Art, Transformation, Modernity, Colonialism, Islam, and Walter Namba proposed to conduct more such academic Folk Literature and Central Asian Music. Numerous conferences of this level in collaboration with IGNCA, in notable scholars including Prof. Romila Thapar and Prof. every three years all across the globe on the issues pertaining Lokesh Chandra graced the conference with their presence to Central Asian Art and Culture. A proposal was also

16 MARCH-APRIL 2018

At the Conference- (R-L) Dr. Radha Banerjee Sarkar, Dr. Stefan Dr. Sachchidanand Joshi, Member Secretary, IGNCA expressing Baums, Dr. Dnyaneshwar M Mulay, Amb. Ashok Sajjanhar, Dr. his views during the Valedictory Session. (L-R) Professor Shashi Ramesh Gaur, Dr. Mariko Walter and Ms. Navneet Sawhney Bala, Dr. Mariko Walter, Dr. Gai Jorayev, Dr. Robert Parthesius, Dr. Rachel Mairs, Dr. Nirmala Sharma, Dr. Richard Wolf & Dr. Radha Banerjee Sarkar.

Prof. Romila Thapar sharing her research insights during the academic sessions with Dr. Ajay Kumar Mishra put forward by Dr. Radha Banerjee Sarkar for organizing have ease of access to these antiquities for research purpose capacity building Program for experts and scholars for as it is really difficult to access the collection because of gaining knowledge of the Central Asian languages. The their placement in different spaces across the globe. A set of scholars also reached to the consensus that IGNCA should three books related to interdisciplinary aspects of India and work in the direction of creating a centralised Central Asian Central Asia is also in the pipeline which will be released Antiquity Collection. This will help the research scholars to by next year.

17 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER ukjh ‘kfDr dks lefiZr fjiksZV ^’kfDr ioZ* uhjt ifj;kstuk lgk;d

'kfDr ioZ dk;ZØe esa nhi izTtofyr djrh gqbZ fla/kqrkbZ ,oa lnL; lfpo MkWñ lfPpnkuan tks'kh fUnjk xk¡/kh jk’Vªh; dyk dsUnz us varjjk’Vªh; lefiZr jgkA fo”o esa efgykvksa dks ns[kus&le>us dk befgyk fnol ij f=fnolh; “kfä ioZ dk utfj;k nks çdkj gS] igyk ik”pkR; –f’Vdks.k ftles vk;kstu fd;kA bl ioZ esa O;k[;ku] ukVî efgykvksa dks lekurk dk vf/kdkj] muds gd dh yM+kbZ Fksjih dk;Z”kkyk] fQYe LØhfuax] uqDdM+ ukVd] çn”kZfu;k¡] oxSjg dh ckr gksrh gS] nwljk –f’Vdks.k Hkkjrh; gS ftles laxksf"B;k¡] ukVd] iqLrd ifjppkZ] u`R; ,oa laxhr ds ukjh dks lekurk ds ctk; Js’B utfj, ls ns[kk tkrk gS] lkFk&lkFk gsaMhØk¶V o Hkkstu LVkWy dk vk;kstu fd;k D;ksafd l`tu dh “kfDr flQZ efgykvksa dks gh gSA dk;ZØe dk “kqHkkjEHk jk’Vªifr }kjk L=h “kfä lEeku ls lEekfur x;k FkkA flU/kq rkbZ ldiy ds gkFkksa gqvk vkSj gesa mUgsa lquus dk dsUæ ds lnL; lfpo M‚ñ lfPpnkuan tks”kh us dgk fd ekSdk çkIr gqvk] nwljs fnu gesa çfl) dgkuhdkj in~eJh Þrhu fnuksa rd pys bl ioZ dk vk;kstu efgykvksa dks ekyrh tks”kh dks lquus dk ekSdk feykA in~eJh ekyrh

18 MARCH-APRILekpZ&vizSy 2018

u`R; ukfVdk izLrqr djrs dykdkj

u`R; ukfVdk izLrqr djrs dykdkj “kfDr ioZ ds lekiu l= dks lacksf/kr djrs gq,A rRdkyhu lwpuk ,oa çlkj.k ea=h] Jherh Le`fr bZjkuh us dgk fd ÞeSa vk”kkoknh vkSj vfHkyk"kh gwa fd ;g tks”k] twuwu vkSj t”u ek= ,d fnu rd lhfer u jg tk;sA gj fnu efgyk dk fnu gS] gj fnu efgyk dk ioZ gS] gj fnu ukV~;'kkL= dh dk;Z'kkyk mRlo gS] ftldh dsUæ efgyk gSA esjk bl ioZ esa vkus ds ihNs dkj.k ;g Fkk fd ;gk¡ og lc foHkwfr;k¡ ekStwn gSa tks laLdkj] lekt vkSj vke ftanxh esa ,d leaO;rk dks s rc gqvk tc eSa iatkc dh ,d lk/kkj.k xk¡o dh efgyk ls feyhA tgk¡ efgyk ds csVh dks tUe nsus ij ifr us efgyk ls cPph dks ekjus dks dgkA ml efgyk us bldk ç;kl Hkh fd;k ysfdu oks foQy jghA rc ml efgyk us QSlyk fd;k fd tc esjh csVh ekSr ls yM+ ldrh gS rks D;k eSa vius ifr ls ugha yM+ ldrhA mUgksaus dgk fd Hkxoku ls gesa laLdkj dqN dk;ZØe ds nkSjku gqvk xk;u ,sls feys fd ifr ds ihNs pyrs gSa]D;ksafd vxj dgha iq#’k tks”kh us viuh lkekftd rkuksa&ckuksa ij vk/kkfjr rhu Mxexk;s rks mls laHkkyus dh {kerk flQZ efgyk esa gSA dgkfu;ka Þosy Mu ikikß] Þiq.;frfFkß o Þnjdk gqvk niZ.k bl volj ij ekuuh; lwpuk ,oa çlkj.k ea=h ¼rRdkyhu½ vkSj [kafMr Nfo;k¡ß lqukbZaA tgk¡ Þosy Mu ikikß dgkuh ds gkFkksa Hkkjr dh egku fL=;ksa ij vk/kkfjr çdk”ku firk dh viuh csVh dh “kknh dh fpark vkSj vPNs oj dh foHkkx dh 13 Hkk’kkvksa esa fy[kh xbZ rhu iqLrdksa jkuh ryk”k ds bnZ&fxnZ cquh x;h rks iq.;frfFk dh dgkuh ,d y{ehckbZ] jft+;k lqYrku o çkphu Hkkjr ds L=h jRu dk ek¡ ij vk/kkfjr gSA yksdkiZ.k Hkh fd;k x;kA

19 THE IGNCA NEWSLETTER

Buddha Purnima Concert – Musings

Interview by Dr. Bombay Jayashri Ramnath

Shailaja Khanna Musicologist

Bombay Jayshri and her classical musicians performing on the occasion of Buddha Purnima ecently IGNCA organized an open air concert on the absorb the nuances of music in her totality. full moon night of Buddha Purnima, it was indeed a R Interaction with her after her concert: surreal experience in IGNCA that listeners will remember it. Culminating in torrential rains, that disrupted the Buddhism is not really linked with music at all, how did concert but in a way it made it special. The Chennai based you plan out this concert which is indeed a unique first Carnatic vocalist Bombay Jayashri and her team of 7 had time attempt? the expectant audience enthralled from the moment of the When I was first approached by IGNCA to perform on moon rise. Buddha Purnima, I started thinking how I would compile Bombay Jayashri is indeed a remarkable musician – it is appropriate pieces to present before a discerning audience; not usual to take on the identity of a cosmopolitan city with I had no idea at all how to proceed with such a specific no particular musical roots merely because “you love the subject as Lord Buddha. Then I looked at a couple of old city”, but that is what Jayashri did, years ago, at the start of texts with my disciple Shweta, whose Sanskrit is good, her musical career. She is trained in Bharatanatyam and and we both realized that the compositions of Saints like the Sarawati veena as well as in the Hindustani tradition, Adi Shankara, Vallabhcharya and others were completely Jayashri, with her mesmerizing, rich voice has made an suitable as the subject was the same. All spoke of the unity of indelible mark in the world of classical music, she is also godhead, the limitless one, who is beyond comprehension known as “the Nightingale of the South”. Being a 5th but can only be experienced; all the subjects that the generation musician has probably pre conditioned her to Buddha held dear and lived by.

20 MARCH-APRIL 2018

Classical music concert on the occasion of Buddha Purnima

We chose the Kala Bhairavashtakam shloka by Shri Adi Tell us a little about your experience of the concert: Shankra as it relates to the guardian deity of Kashi, (Kal The experience was out of this world; the place, the Bhairav), the same Kashi from where the Budhha gave his beautifully decorated tree, the fact it was Buddha Purnima, first sermon at Sarnath. The Nirvana Shatakam, which I also felt the audience was special; though they had sat we also sang, encapsulates the very essence of Budhha’s for our rehearsals and the level of our thinking and there teachings, and yet was composed by Shri Adi Shankara. was the same; it was though we all were in the same frame The verse says there is no intellect, no ego, no mind and of mind; such a beautiful experience. This initiative of there is no journey; I am neither the observer nor the IGNCA was really a great idea, especially in today’s world observed, all is just bliss. In fact every great mind in India to bring people together to celebrate something like this, has said the same thing; it’s the same great set of values which are beyond faith. My musicians were curious to which as Indians we all share. know that will they’re going to be only Buddhists at the It was a beautiful thing spending time working on this concert and I replied “no! everybody will attend”. That’s concert; my disciples and I have been working on it for a the beauty of our country and our music. Our music is month. It definitely did something to us, churned us up beyond faith, beyond language, its common to all. from inside. I was in the US and my disciples were in India, I felt I was not just performing, whereas going from one raga so we connected over Skype as we went over the melodies to another tala, there was a connection with the audience and work on the presentation. right through out and they were as much as part of the process of music as we were. I generally don’t bond like In fact I always believed that the journey in preparing for this with my audience in a classical music concert, though such unusual concert is as enjoyable as the actual concert there was in no way a dilution in the music at this concert. itself. The last time we did something like this was around Whether it was the fact that they sang along with us, they 8 years ago at the Matra Mandir Amphitheatre in Auroville, literally came closer to me and enjoyed, towards the end Ma Sharda Mandir, which was a memorial event itself. We when the rain brought them on to stage unlikely when rain developed closeness while working on such an uplifting comes the audience just melts away or takes shelter, in this subject is tremendous. We will remember every bit of this case they came right up to us and I performed without a experience, not just the planning and execution but also the microphone, as I felt there was a perceptible togetherness. traveling. For the musicians too, (the Violinist, Mridangam, As the nature and occasion of Buddha Purnima which Khanjira player) who rehearsed as much as we did; it was made it more special. a unique experience for them as well. Such concert like this, you not only have liberty to play as you have learnt Indeed a special thanks to IGNCA for thinking of this great but you have to confine yourself to the frame work of the idea; it was a memorable concert for all of us. composition, as it’s in a way its less of a challenge.

21 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

^lqusaxs rHkh rks lh[ksaxs* fjiksZV f'kosaæ dqekj flag eSusftax VªLVh] jkxxhjh

jk lksfp, vxj ge viuh Hkkoh ih<+h dks cpiu tls gh Hkkjrh; laL—fr vkSj dykvksa ls tksM+ nsa rks vkus okys oä esa lekt ds fodkl esa mudk fdruk ;ksxnku gksxkA gekjh ubZ ih<+h gh gekjh laL—fr dh ^czkaM ,acslMj* gksxhA ogh gekjh laL—fr dks lajf{kr vkSj laof)Zr djsxhA blds fy, gesa cPpksa rd tkuk gksxkA mUgsa crkuk gksxk fd Hkkjr dh laL—fr] gekjh dyk,a] lkfgR; fdruk le`) gSA bfUnjk xka/kh jk’Vªh; dyk dsUæ vkSj jkxxhjh VªLV blh fn”kk esa dke dj jgs gSaA jkxxhjh Hkkjrh; “kkL=h; laxhr vkSj dykvksa ds çpkj&çlkj ds fy, dke djus okyh laLFkk gSA fiNys ,d lky ls bfUnjk xka/kh jk’Vªh; dyk dsaæ vkSj jkxxhjh us Ldwyh cPpksa ds fy, dk;Z”kkykvksa dh ,d J`a[kyk “kq: dhA bl J`a[kyk dks xkft;kckn ds dsanzh; fo|ky; esa jaxeap dk;Z'kkyk “kh’kZd fn;k x;k& lqusaxs rHkh rks lh[ksaxsA lqusaxs rHkh rks lh[ksaxs ds rgr vc rd ukS dk;Z”kkykvksa dk vk;kstu fd;k x;k gSA blds fy, fnYyh vkSj jk’Vªh; jkt/kkuh {ks= ;kuh ,ulhvkj ds Ldwyksa dk p;u fd;k x;kA blesa egkek;k ckfydk baVjehfM,V d‚yst ¼uks,Mk½] “kghn gseqdykuh loksZn; cky fo|ky; ¼fnYyh½] “kghn vuqlq;k çlkn xoZesaV lhfu;j lsdsaMjh Ldwy ¼fnYyh½] xq: ukud xjhc uokt ,tqds”kuy lkslkbVh ¼fnYyh½] iap”khy ckyd baVjehfM,V d‚yst ¼uks,Mk½] dsUæh; fo|ky; ¼xkft;kckn½] çkFkfed fo|ky; ¼dqysljk½ tSls Ldwyksa dk p;u fd;k x;kA Ldwyksa ds p;u esa bl ckr dk fo”ks’k /;ku j[kk x;k fd ogka ,sls cPpksa ls tqM+k dqysljk] uks,Mk ds izkFkfed fo|ky; esa dFFkd dk;Z'kkyk tk, tks vDlj bl rjg dh lkaL—fr;ksa xfrfof/k;ksa ls bu dk;Z”kkykvksa dks rhu pj.kksa esa ckaVk x;k gSA igys oafpr jg tkrs gSaA ;gh otg Fkh fd dk;Z'kkyk dh nks pj.k esa fdlh Hkh nks “kkL=h; dykvksa ds ckjs esa cPpksa lHkh xfrfof/k;ksa esa bu Ldwy ds cPpksa us c<+&p<+dj dks crk;k tkrk gSA rhljs pj.k esa ,d uqDdM+ ukVd dk fgLlk fy;kA bu dk;Z”kkykvksa esa gtkjksa cPpksa dks Hkkjrh; eapu gksrk gSA ;s uqDdM+ ukVd Ldwyh cPpksa dks LoPNrk laL—fr dh fofo/krk dh tkudkjh nh xbZA bl J`a[kyk esa ds çfr tkx:d jgus vkSj LoPN Hkkjr vfHk;ku ds egRo dqN fo”ks’k dk;Z”kkyk,a bfUnjk xka/kh jk’Vªh; dyk dsUæ ds dks le>kus ds fy, gSaA bl uqDdM+ ukVd esa dwM+s ds lgh lhoh esl v‚fMVksfj;e esa Hkh vk;ksftr dh xbZaA fuLrkj.k vkSj chekfj;ksa ls cpus dh tkudkjh nh tkrh

22 MARCH-APRILekpZ&vizSy 2018

dqysljk] uks,Mk ds izkFkfed fo|ky; esa jaxeap dk;Z'kkyk dqysljk] uks,Mk ds izkFkfed fo|ky; esa uqDdM ukVd ^LoPN Hkkjr&LoLFk Hkkjr^

izkFkfed fo|ky; dh iz/kkukpk;Z ds lkFk jkxxhjh vkSj vkbZth,ulh, vkbZth,ulh, esa vk;ksftr dk;Z'kkyk esa LoPNrk ij MkWñ lksuy dh Vhe ekuflag dk O;k[;ku gSA vius vkl ikl dh txg dks lkQ djus ds vykok mUgsa ;s le>k;k tk, fd jaxeap ds tfj, oks ftanxh esa vius ok.kh vkSj fopkjksa esa Hkh LoPNrk ykus ij tksj fn;k ,dkxzrk] vkilh lkeatL; vkSj vkRefo”okl tSlh ckrsa tkrk gSA bl uqDdM+ ukVd dh yksdfç;rk ,sls le>h lh[k ldrs gSaA bl edln ls jk’Vªh; ukVî fo|ky; tk ldrh gS fd Ldwyh cPpksa us blh ukVd dks [kqn ls ds rhu vuqHkoh dykdkj Jh lat; JhokLro] Jh jktho rS;kj dj fy;k gS tks oks vius Ldwy esa Hkh fn[kk;k djrs xkSjflag vkSj Jh lqanj flag dk;Z”kkyk esa vkrs jgs gSaA gSaA ok.kh vkSj fopkj dh LoPNrk ds egRo dks le>kus ds jkxxhjh dh ukVî eaMyh us Lofyf[kr uqDdM+ ukVd dk fy, in~efoHkw’k.k M‚- lksuy ekuflag Hkh bl dk;Z”kkyk dk vk;kstu gj dk;Z”kkyk ds var esa fd;k gSA fgLlk cu pqdh gSaA mUgksaus Ldwyh cPpksa dks cgqr gh jkspd rjhds ls LoPNrk dk egRo crk;kA M‚- lksuy ekuflag vkt dh rsth ls Hkkxrh nkSM+rh ftanxh esa ;s gekjh gh LoPN Hkkjr vfHk;ku ds fy, ç/kkuea=h dh rjQ ls pqus ftEesnkjh gS fd ge cPpksa dks viuh “kkL=h; dykvksa vkSj x, uojRuksa esa “kkfey gSaA laL—fr ds ckjs esa crk,aA ;s dgus Hkj ls dke ugha pysxk bu dk;Z”kkykvksa esa fo"k; fo”ks’kK ds rkSj ij dbZ fd cPpksa dk T;knk eu dkVwZu ;k eksckby xse esa yxrk vuqHkoh dykdkj tqM+s gq, gSaA dFkd dh cqfu;knh gSA gesa vius lkFkZd ç;klksa ls cPpksa dks bu dykvksa dk tkudkjh nsus ds fy, leh{kk “kekZ ¼dFkd dsUæ] fnYyh½] egRo crkuk gSA budh mi;ksfxrk crkuh gSA dk;Z”kkykvksa _pk tSu ¼t;iqj&y[kuÅ ?kjkuk½ vkSj lnkuan fcLokl dh bu J`a[kyk dk uke blhfy, ^lqusaxs rHkh rks lh[ksaxs* ¼t;iqj ?kjkuk½ tSls vuqHkoh dykdkjksa us dk;Z”kkykvksa esa j[kk x;k gS] ftlls ge cPpksa ls mEehnsa ikyus ls igys f”kjdr dh gSA Hkkjrh; “kkL=h; laxhr dh tkudkjh nsus viuh ftEesnkjh dks iwjk djsaA ,slh dk;Z”kkyk,a bl lky ds fy, mLrkn vet+n vyh [kku ¼fdjkuk ?kjkus½ vkrs jgs vkSj Hkh vk;ksftr dh tk,axhA bu dk;Z'kkykvksa dks lks”ky gSaA cPpksa dks jaxeap dh Hkh cqfu;knh tkudkjh nh tk,A ehfM;k vkSj fçaV ehfM;k esa Hkh dkQh ljkguk feyh gSA

23 THE IGNCA NEWSLETTER

Dance Therapy Workshop

Report Batika Tarika Kala Darsana

e live in a world that is not just moving but running Wat a very high speed and somehow our health is forgotten. If not forgotten but has definitely taken a back seat. Our focus is on completing day-to-day schedule including both household work and office work. And if at all there is any time left, family is taken care off. That is why the need of celebrating International Yoga Day becomes all the more important. International Yoga Day is celebrated every year on June 21st, but to propagate the benefits of health amongst the staff members of IGNCA, Dr. A V Satyanarayan with the staff of IGNCA we organized a Dance Therapy Workshop. Peacock is not just the national bird of our country but IGNCA organised “Dance Therapy workshop” which was also the most beautiful bird. It spreads its feathers when it conducted by Dr. A.V Satyanarayan, Director of Shrishti dances which makes it a view for sour eyes. One cannot look Center of Performing Arts & Institute of Dance Therapy. away from this sight. While performing the peacock pose, He is a pioneer in Dance Therapy, also known as Dance an imagination of inner beauty makes it more and more Yoga and has conducted a lot of workshops both in India reliable for anyone performing it. In other words, you feel and abroad in various Medical Conferences. He is the First that you are as beautiful as a peacock. Along with it comes Indian Dancer, professionally trained in Bharatnatyam and the anatomy of the body, the arms spread like the feathers Kathak, who was able to research and apply the therapeutic of the peacock will involve the muscles of the arms and values of these Indian Dance forms by curating workshops the imaginative sense will make us stress free because we that aim at controlling Diabetes, Obesity and Stress. know we are beautiful and lively. A simple thing can make With the sole motive of awareness about health and general such a difference. We all live in a world where in thinking fitness Dr. Satyanarayan’s workshops are getting rippling or rather imagining that we are beautiful is actually out of affect amongst the masses. The 2-day workshop conducted question not because we don’t want to but we don’t feel the here in IGNCA was received with great enthusiasm by need to do it. We are fine is what everybody says and then the participants. First Day, it was all female members and the chapter ends. Second Day, it was all male members. The all excited group of female staff members from all departments of Later the Snake pose was introduced. It is a way which not IGNCA were ready for their first session at 11:00 AM only helps to vent out the frustration but also involving the which all started with Ms. Neelam Gautam welcoming Dr. entire body for overall effect. The anatomy of the body is Satyanarayan followed by his introduction, his background, truly worked out in this pose. achievements and his performances through his videos. The whole experience of dance combined with body’s Dr. Satyanarayan then explained the participants about anatomy was fulfilling and rejuvenating in a way that “Dance Therapy”. It is a unique concept where dance the last hour of second day was a gala affair with a lot of and fitness blend in a way that it solves problems of stress, members of the staff attending it. Director (Admin), Shri obesity, diabetes and other lifestyle imbalances. Dance is Anurag Trivedi tried the Dance Therapy and was quite fun for everyone but who knew dance involves the anatomy ecstatic. of our body to a great extent. Simple moves like the snake pose or the peacock pose can work wonders on difficult The initiative of introducing a fun way of workout or problems. It is all about knowing the right way of doing the rather getting to understand health in a fun way was very pose to reap the best benefits. Apart from doing the right interesting. It was something that has widely motivated pose it is also about the mental state that is required for me and I suppose everyone who attended these sessions to anyone to deal with problems of life such as stress. work towards a better health.

24 MARCH-APRILekpZ&vizSy 2018 laLFkku&,d ifjokj fjiksZV jktho HkaMkjh osyQs;j vkWfQlj ,oa ys[kkf/kdkjh

[ksy & dwn esa fgLlk ysrs dsUnz ds deZpkfj;ksa ds cPps ekpZ] 2018 ;w¡ rks uo laoRlj 2075 dh otg 17ls egÙoiw.kZ fnu Fkk] ij bfUnjk xk¡/kh jk’Vªh; dyk dsUæ ds fy, vR;ar egÙoiw.kZ blfy;s Hkh Fkk] D;ksafd ml fnu bfUnjk xk¡/kh jk’Vªh; dyk dsUæ ds vf/kdkjh ,oa deZpkjh vius&vius ifjokjksa ds lkFk bfUnjk xk¡/kh jk’Vªh; dyk dsUæ ds çkax.k esa mifLFkr FksA çkr%dky dk le; fHkUu&fHkUu [ksyksa dk Fkk] ftlesa fØdsV] cSMfeaVu] E;wftdy ps;j] cPpksa dh nkSM+] Liwu ySeu jsl ,oa cPpksa dh dyk çfr;ksfxrk dk vk;kstu gqvkA buesa cPpksa rFkk ifjokj ds vU; lnL;ksa us c<+&p

25 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

Hkkstu mijkar] jaxkjax dk;ZØe dk vk;kstu Fkk] ftlesa yksxksa us viuh e/kqj vkokt esa xhr xk, ,oa dfork ikB ls ekgkSy ,d vyx gh jax esa jax x;kA bfUnjk xk¡/kh jk’Vªh; dyk dsUæ esa dk;Zjr Jherh y{eh jkor }kjk funsZf”kr gkL; ukVd ^inkZ&mBkvks inkZ fxjkvks* dk eapu çKk vkVZ ds dykdkjksa }kjk fd;k x;k] ftls yksxksa us cgqr ljkgkA [ksydwn ,oa jaxkjax dk;ZØe ds fotsrkvksa dks iqjLdkj ls lEekfur fd;k E;wftdy ps;j [ksyrh efgyk,a x;kA “kke ds le; fHkUu “kM+t ds vUrxZr lquank “kekZ ds xk;u us Hkh pkj pk¡n yxk fn,A /kU;okn Kkiu ds lkFk bl ,d fnolh; dk;ZØe dk lekiu gqvkA ge ekuuh; v/;{k] lnL; lfpo ,oa funs”kd ¼ç”kklu½ ds cgqr vkHkkjh gSa] ftuds ekxZn”kZu ,oa çksRlkgu ls bruk lqUnj dk;ZØe laHko gks ik;kA Hkfo’; esa Hkh bl rjg ds dk;ZØe dk vk;kstu ge djrs jgsaxs] ,slk ekuuh; lnL; lfpo dks vk”oklu gSA u`R; izLrqr djrs ifjokj ds lnL;

E;wftdy ps;j [ksyrh efgyk,a

26 MARCH-APRILekpZ&vizSy 2018 Publications Recent Publications

1. Kalakalpa the bi-annual journal of the IGNCA address itself to a holistic understanding of the arts, not as an activity dissociated from life but as a response to it. Its aim is to foster an active dialogue amongst the scholars of the various disciplines. 2nd volume of Kalakalpa explore more of the complex intra- cultural civilization and its diverse disciplines ranging from archaeology, anthropology, art, history of art, linguistics, philosophy, religion, gender issues, myths and folklores, music, logic, etc.

2. ijari ckck ;ksxsaæ th dk thou yxHkx ,d “krkCnh ds vuqHkoksa dk lgstk gqvk :i gSA og ges”kk lekt dks ,dkRed ekuork ds ifo= ;K ls tksM+us ds fy, rRij jgrs gSaA muls feyus okys yksx] muls gj eqykdkr es dqN u;k lh[krs gSaA Hkkjrh; lekt ds gj oxZ dks] ftls {ks=] tkfr] /keZ] Hkk’kk ds uke ij ck¡Vk tk jgk gS] ,dtqV djus ds fy, ckck fujarj ç;kljr jgrs gSaA og dgrs gSa fd dyk feêh esa çk.k Qw¡drh gSA dyk ls laLdkjksa dk l`tu gksrk gSA dyk gh lekt dks >d>ksjus dk dk;Z djrh gSA fofo/k dykvksa vkSj dyk lk/kdksa us le; le; ij lks, gq, ns”k dks txkus esa egÙoiw.kZ ;ksxnku fn;k gSA ckck dh lnh Hkkjrh; laL—fr dh fojklr dks lgstus dh lnh gSA ckck ,d ,sls çk.kh gS] ftudk gj ix ns”k dh lkaL—frd psruk dks u;k thou çnku djrk gSA

27 vkbZth,ulh,THE IGNCA U;wt+ysVj NEWSLETTER

3. fo”o Lrj ij thfor dykvksa esa lfEefyr “kSydyk ij vk/kkfjr ;g iqLrd jktLFkku dh ,sfrgkfld “kSydyk dk vrqY; fooj.k gSA ekuo thou ds fodkl ls tqMs izxfr dze ds xgu v/;;u ds fy, ;g iqjkrkfRod lzksr egRoiw.kZ gSA bl [kaM esa izLrqr euq’; }kjk mRiUu dykRed vfHkO;fDr;ska dk “kSy fp=.k esa :ikUrj.k ,o fo”ys’k.k iw.kZ :i ls mtkxj djus dk iz;kl fd;k x;k gSA vr% bles “kSy fp=ksa dk v/;;u gh ugh cfYd “kSydyk vkSj “kSykJ;ksa ds laj{k.k esa orZeku pqukSfr;ksa esa dk;Zjr rduhdksa dk izys[ku] js[kkfp=ksa ,oa Nk;kfp=ksa }kjk ljyrk ls mYys[k fd;k x;k gSA fpf=r “kSyJ;ksa ds bl izys[ku dk;Z esa fofo/k fo’k; fo”ks’kKksa ;Fkk dykeeZK] bfrgkldkj] HkwrRofoKkuh] HkwxksyosÙkk] ekuofoKkuh] lektfoKkuh] thofoKkuh] ,oa iqjkRoosrk dks lfEefyr dj mudk mlh ifjizs{k; esa leqfpr v/;;u fd;k x;k gSA jktLFkku dh ouLifrd laink ds lkFk oU;thoksa ,oa tSofofo/krk dk foLrkj iwoZd ys[ku fd;k x;k gSA blds lkFk ioZrh; ,oa oU;izns”kksa esa fuokl dus okys ekuo leqnk;ksa ,oa tutkfr;ksa dk mudh of”’Vrkvksa ds vuqlkj fooj.k miyC/k djokus dk iz;kl fd;k x;k gSA [kwclwjrh ls izLrqr ;s [kaM ikBdksa dks bl yqIr gksrh dyk ds laosnu”khy igyqvksa ds izfr ,d u;k lkekftd n`f’Vdks.k iznku djsxk tks bl ds vfLrRo dks Hkfo’; esa thfor cuk;sa j[kus esa dk;Zxr@lQy gksxkA

4. bfUnjk xk¡èkh jk"Vªh; dyk dsaæ] =Sekfld dk;ZØe laL—fr laokn bfUnjk xk¡èkh jk"Vªh; dyk dsaæ] =Sekfld dk;ZØe laL—fr laokn Ük`a[kyk ds Ëkjksgjksa ds lanHkZ varxZr ,d [;kruke 'kf[l;r dks Ük`a[kyk ds varxZr ,d [;kruke 'kf[l;r dks dsUnz esa j[kdj dsUnz esa j[kdj foe'kZ vk;ksftr djrk gSA dk;ZØe esa O;fä vkSj fo"k; ls tqM+s izkså ch-ch- yky ,;j okbl ek'kZy jkts'k yky ¼fjVk;MZ½ fo}kuksa dks fo"k; ijd ifjppkZ ds fy, dk tUe lu~ 1948foe’kZ esa gqvkA Jh ykyvk;ksftr ,d djrk gSA dk;ZØe esa O;fä vkSj fo"k; ls tqM+s QkbVj ik;yV ds rkSj ij lu~ 1968 esa vkeaf=r fd;k tkrk gSA ,;j QkslZ esa HkrÊ gq, FksA Jh yky Hkkjrh; ok;q lsuk ds ,d VªsaM yM+kdw blh Ük`a[kyk esa in~e Hkw"k.k çksQslj c`t Ë k jk s gjksa ds lanHk ik;yV jgsA mUgksausfo}kuksa lu~ 1971 dksesa fo"k; ijd ifjppkZ ds fy, vkeaf=r fd;k tkrk gSA cklh yky ij laokn vk;ksftr fd;k ikfdLrku ds lkFk gq, ;q) esa Hkkx fy;kA x;kA çks- yky lqfo[;kr varjkZ"Vªh; dkjfxy ;q) ds nkSjku Jh yky us ,d [;kfr çkIr iqjkrÙofon~ gSaA 96 o"kÊ; lapkyu dsaæ dk usr`Ro Hkh fd;kA ,;j Jh yky dks iqjkrkfRod [kqnkà ,oa 'kksèk okbl ek'kZy jkts'kblh yky ,d Ük`a[kyk;ksX;rk esa in~e Hkw"k.k çksQslj c`t cklh yky ij laokn vkSj 'kksèk ijd ys[ku dk 71 o"kks± dk çkIr mM+ku çf'k{kd] ijh{kd ik;yV ,oa yack vuqHko gSA mudk ys[ku bl vk;q jk"Vªh; j{kk egkfo|ky; ls Lukrd gSaA os ok;qlsuk dh ÝaV&ykbu VqdM+h ds dekaMj esa Hkh tkjh gSA o"kZ 2017 esa Hkh mudh vk;ksftr fd;k x;kA çks- yky lqfo[;kr varjkZ"Vªh; [;kfr çkIr

Z Hkh jgs gSaA blds vykok dekaM Lrj] ok;q nks vfr egRoiw.kZ iqLrdsa çdkf'kr gqà izks å ch- yky lsuk eq[;ky; Lrj ,oa j{kk ea=ky; esa gSaA deZpkjh fu;qfä dk dk;ZHkkj Hkh Jh yky ds lqiqnZ jgk gSA iqjkrÙofon~ gSaA 96 o"kÊ; Jh yky dks iqjkrkfRod [kqnkà ,oa 'kksèk 19 tqykà 2017 dks uà fnYyh esa ;g 2006 esa viuh lsok fuo`fÙk ds ckn mUgksaus dk;ZØe laiUu gqvk] ftleas nks l=ksa esa O;kolkf;d ik;yVvkSj dk çf'k{k.k 'kksèkykblsal ijd ys[ku dk 71 o"kks± dk yack vuqHko gSA mudk 10 jk"Vhª; ,oa varjkZ"Vªh; fo}kuksa us çkIr fd;k ,oa bfUnjk xk¡èkh jk"Vªh; mM+ku Hkkxhnkjh dhA çks- ch- ch- yky ds vdkneh esa eq[; ik;yV ds :i esa dk;Z fopkjks ,oa iqjkrkfRod dk;ks± dk la{ksi fd;kA Jh yky dk 8000 ?kaVksa dk yack o.kZu ys[kksa] çcaèkksa ,oa mudh fy[kh mM+ku vuqHko gSA ys[kulfØ; ik;yV ds blin vk;q esa Hkh tkjh gSA o"kZ 2017 esa Hkh mudh nks vfr iqLrd leh{kk ds ekè;e ls bl iqLrd ls os 65 dh vk;q ds lkFk lsokfuo`r gq,A esa gSaA blds vykok iqLrd esa muds mudh #fp bfrgkl ,oa iqjkrRo esa vius futh thou dh >yd Hkh gS tks mudh egRoiw.kZ iqLrdsa çdkf”kr gqà gSaA firk in~e Hkw"k.k çks- ch- ch- yky ds lkFk fy[kh iqLrd ^ihÇlx Vqxsnj% eseksjht ladyudrkZ dke djrs gq, mudh iqLrdksa dh çwQ v‚Q ,u vÆd;ksy‚ftLV* dk va'k gSA ,;j okbZl ek'kZy jkts'k yky ¼ls0 fu0½ jhÇMx ds nkSjku tkxhA Jh yky us ;|fi dk;ZØe ds l=ksa esa i<+s x, çcaèkksa ^fXyEil v‚Q+ bafM;k%19 le tqykÃ5000 b;lZ 2017 dks uà fnYyh esa ;g dk;ZØe laiUu gqvk] ftleas dks vyx ls Nkik tk;sxkA vuqokn% va'kq xqIrk ,xks* ¼2017] vk;Zu cqDl baVjus'kuy½ iqLrd dk ys[ku fd;kA iqLrd ds ekè;e ls bUgkasus Hkkjr dh le`) lkaL—frd fojklr dks varZ–f"Vnks nsus dsl=ksa lkFk&lkFk esa 10 jk"Vhª; ,oa varjkZ"Vªh; fo}kuksa us Hkkxhnkjh dhA vaxzstksa }kjk LFkkfir dh xà ,sfrgkfld fo—fr;ksa ij foLrkj ls ppkZ dh gSA bfUnjk xk¡/kh jk"Vªh; dyk dsUæ iqLrd ds ekè;e lsçks- mUgksaus crk;kch- gS fdch- yky ds fopkjks ,oa iqjkrkfRod dk;ks± dk la{ksi o.kZu INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS _Xosn dky ds yksx ewyr% Hkkjrh; gh bfUnjk xk¡èkh jk"Vªh; dyk dsUæ bfUnjk xk¡èkh jk"Vªh; dyk dsUæ FksA Jh yky us ^bUæçLFk jsfoftVsM* lh- oh- esl] tuiFk] uà fnYyh &110001 lh- oh- esl] tuiFk] uà fnYyh &110001 ¼2017% ch- vkj- ys[kksa]ifCyds'ku½ dk çcaèkksaHkh ,oa mudh fy[kh iqLrd leh{kk ds ekè;e ls bl lg&laiknu fd;k gSA www.ignca.nic.in iqLrd esa gSaA blds vykok iqLrd esa muds futh thou dh >yd Hkh gS tks mudh fy[kh iqLrd ^ihÇlx Vqxsnj% eseksjht v‚Q ,u vÆd;ksy‚ftLV* dk va”k gSA ;|fi dk;ZØe ds l=ksa esa i<+s x, çcaèkksa dks vyx ls Nkik tk;sxkA

For the Book list, CD & DVD's please visit IGNCA website : http://ignca.gov.in/

28 MARCH-APRIL 2018

MEDIA COVERAGE

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ÀFF±F ¶F³FF¹FF þF°FF ±FF »FZdIY³F BÀFZ ´¹FûSX ÀFFCX±F Q ¶F„IY VFFG´F, A¸FZþ³F, ´F„À°FIY ¸FZÔ W`ÔÜ BadOX¹F³F MXZÀMX IYû ³FBÊ ´FWX¨FF³F QZ°Fe WX`ÔÜ ³FZ¨F„SX»F AFBIiYe¸F IYF MXZÀMX d¸F»F°FF WX`Ü BadOX¹F³F MX¨F QZ³FZ IZY d»FE BÀFIZY ÀFF±F ¹FWX ´Fi¹Fû¦F dIY¹FF ¦F¹FF WX`Ü ÀF„ÓFF½F ½F ´Fid°FdIiY¹FF IZY d»FE d»F£ûÔ: [email protected] THE IGNCA NEWSLETTER

vuqHko dFku dFkk dFku Hkko dFku 'kfDr ioZ] 6 ls 8 ekpZ 2018

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