DOCSLIB.ORG

Company Profile

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Company Profile ENTERTAINMENT&MARKETING COMPANYPROFILE TABLEOF ABOUT CHANNEL CONTENTS MODOOENM INTRODUCTIONS 1. WELCOMEMESSAGE 1. MAINCHANNEL 2. COMPANYPROFILE 2. OURWORKS 1.WELCOMEMESSAGE ABOUT MODOOENM 2. COMPANYPROFILE Koreaheadquarters”StrongGriends" includeSM,BigHit,JYP Entertainmentandmore. Itisacomprehensiveentertainment companythatstartedwiththe securityofsingers,models,actors, etc. WELCOME belongingtomanyfamous MESSAGE entertainmentagenciesinKorea Modoo ENM is in charge of marketing department in the Philippines of the Korea headquarters ”Strong Friends" and is conducting K-POP concerts, production, SNS and YouTube MCN projects. MultiChannelNetworks Filming& Coordinating Manageandfostersystematic K-popConcertandEntertainment activitiesthroughsocialnetworksfor ProgramFilmingandField Coversongsingers,dancers,models, CoordinatorRelatedtoCultural Influeneers,YouTubers,etc. Exchangesbetween KoreaandthePhilippines OUR SNS&VideoMarketing Webdesign & development WORKS Providesatotalmarketing Website/companyprofile/ solutionthroughSNSandVideo businesscarddesign/companylogo includingplans,branding, etc. scenariocreation,andpromotion provideallthenecessarypartsfor forclients. businessbranding OUR WORK STATION DATE PROJECT CATEGORY COUNTRY POSITION SeoulMusicAwardsKorea2020- Gocheok Dome 2020.01 Concerts Korea Media - SportsSeoulmagazine­ Seoulcity SeoulMusicAwardsPhilippines 2019.11 ­ K-popcoverdancecompetition Concerts Manila Organizer - InvitationalperformanceofKoreansingers K-fish Haishen 2019.11 Exhibition Manila - K.G.W/GlobalExhibition *cooperated SAMJINAMOOK&SMfariview Filming& 2019.07 Concerts Manila - Shinmin-chul (Boysoverflower,Singer) coordinating TVn,Littlebighero 2019.07 Broadcast Manila Sole ­ Hangi-beom (basketballplayer) K-fish Haishen 2019.07 Exhibition Manila - promotionaleventPhilippines *cooperated OUR KoreanproductfestivalPhilippines 2019.06 Exhibition Manila cooperated ­Parkhae-jin (LadynatureLEDmaskmodel) WORKS CJE&M, Seoulmate2 2018.12 Broadcast Manila Sole - Sandara park, Kimsuk, Kimyoung-chul SBS,Dongsang emong 2018.02 Broadcast Boracay Sole ­ Nohsa-yeon (Singer) CJE&M,Onenight foodtrip 2017.09 Broadcast Boracay Sole ­ Woo ji-won (basketballplayer) KBS,OneKconcert AAP 2017.03 Concerts Manila - PSY, SHINEE, CNBLUE, AOAetc *cooperated 1. MAINCHANNEL CHANNEL INTRODUCTIONS 2. OURWORKS Modoo studio - management and training of creators for Philippines & Korea's cultural contents (singer, dancer, beauty, entertainment) Modoo fun TV - channel showing all the information (food/travel/lifestyle/culture) in the Philippines SNS CHANNEL Modoo Music - A channel featuring the cultural content of Philippines & Korea as cover music and dance YOUTUBE Modoo Studio - Media -> https://www.facebook.com/MoDooStudio/ Mozzi Oppa – K-pop News -> https://www.facebook.com/MOZZiOPPA/ SNS Unnix2 – beauty & fashion -> https://www.facebook.com/Unnix2/ CHANNEL FACEBOOK Online seoul - Media -> https://www.facebook.com/onlineseoul/ Samgyupkana - K-food -> https://www.facebook.com/Samgyupkana- One-Archers-Taf t-branch-113028320052341/ HerBday – K-products -> https://www.facebook.com/Herbday.PH/ Metroquick – tour & travel -> https://www.facebook.com/metroquick SNS CHANNEL Strongfriends - entertainment -> https://www.facebook.com/KStrongFriends/ FACEBOOK RoBBytailor – K-FASHION -> https://www.facebook.com/robbytailorbespoke/ *SM X REDLINES ENT – Influencer’s events -> http://bit.ly/2SjTsgM *SMA Philippines 2019 – Introduction Video -> http://bit.ly/31s401x *LAZADA EVENTS -> http://bit.ly/39637OK VIDEO WORKS *LEVIS EVENTS -> http://bit.ly/2RT6V0a *Samjin Amook – Introduction Video -> http://bit.ly/2OpjGgO *Samjin Amook – Promotion Song & Dance Video -> http://bit.ly/2v4vqPa *Mr.park bread and café – Introduction Video -> http://bit.ly/2v2QFAy *Samgyupkana – Introduction Video -> http://bit.ly/2v1jVrH VIDEO WORKS *Samgyupkana – Influencer’s events -> http://bit.ly/31nogRW *CCYG – Introduction Video -> http://bit.ly/37YKc8v *CCYG – REVIEW / MUKbANG -> http://bit.ly/2vkV1n6 *Life Cash Coin – Introduction Video -> http://bit.ly/2v4Zrhr *OPT - Introduction Video -> http://bit.ly/2ugRjuq VIDEO WORKS *Shin min chul x Samjin Amook, Concert in SM -> http://bit.ly/2v0cHEk *Kwon minje - Sayang Na sayang -> http://bit.ly/36Xrdty [INFLUENCEREVENTS] Influence marketing to maximize on- and off-line promotion of stores and products INFLUENCER EVENTS [CONCERTS] *SEOULMUSICAWARDSPH - K-popcoverdanceCompetition *Samjin Amook &SMFairview ­ shinminchul concerts SHOOTING& COORDINATOR *KBS,ONEKCONCERTSMANILA- PSY,SHINee,CNBlue,AOA,B1A4,BAP, BtoB [COORDINATOR] *CJ E&M,Onenightfoodtrip - Woo ji-won (basketballplayer) *SBS,Dongsang emong - Nohsa-yeon (Singer) SHOOTING& COORDINATOR * CJE&M, Seoulmate2 - Sandara park, Kimsuk, Kimyoung-chul (celebrities) [K-fish] - K-fishpromotionaleventPhilippines EXHIBITION [Koreanproductfestival] - Ladynaturebrand- LEDmask(modelparkhae-jin) EXHIBITION OUR NETWORKS BRANDON:09178750607&OJ:0945 392 7325 E-mail:[email protected] /Landline:027172609 Unit5B,EmeraldPlaceBuilding,604ShawBlvd,Pasig,1603MetroManila,Philippines.
Load more

Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • The Oxford Democrat
    The Oxford Democrat. 1898. NUMBER 48. ΥΟΙ.ΓΜΚ 65. SOUTH PARIS, MAINE, TUESDAY, NOVEMBER 29, Witt toe Μία sir? Doe· It If iu nue un- "Ah," cried be, "I hare no money!" CHAPTER IV. βmets," uyrano. * or to ad- ford ml. kin* a! dieguat you? ν VTKARNS. «Ill confer far by writing I Ragneneau, paatry I■ here assembled." wholesome to or It· too Blubbing, s be pot All tbe coûtent» of Bat eye· aw all the My ootnpany AMONG THE FARMERS. vance the amount and kind of exhibit· cook·, patron of poati and playwright·, you proportions thoagh Cyrano'· at hi· «id Carbon de Cutei Jaloux. "Cy- «rill communica- De Ur^e?" tbe buffet bis aervice. soene. bat am thought filled mind Attorney & Counselor, they make. All such had circnlated among them, telling them to the if you Bergerac nut take them from never rano, pre«-tit ooant, 91 be addreaaed to J. J. Cryano "No, no!" tbe bore, "it is "I could yon, —Knxam· Would she con»·* MAINS. tion· should Fry, from Um play by Hmd lottHd. them of Um bargain of Cyrano de Ber- gasped " NORWAY, exhibit cf io (act. Heaven obild," he Mid, "no keen la our Uaaoou Woo Id tbe «low minutes never dis* pieaae. Portland, Main·. A large waa ■nail, quite minute^ de Bergerac bon gerac. _ _ >;n!nir- (Un k Bull'lln# U ex· 8avinieu-Gyrano But fear of out- lb* CumstKifetoac* oa tiMtui ιο|>ι· a poultry food· and other a of me!" pride. hurting you themselves by? He wbiled away ajjrtcuitara. «applies (a Perigord in Um year 1620 and died "He haa got bat· Montflenry, belp (To be couUeu*l.j to aottrltad.
    [Show full text]
  • Block B Album Download Block B Members Profile
    block b album download Block B Members Profile. Block B (블락비) currently consists of: Zico, Taeil, B-Bomb, Jaehyo, U-Kwon, Kyung, and P.O . Leader Zico left the company on November 23, 2018, however according to Seven Seasons , the future of the band as a 7-members band is still under discussion. The band debuted on April 13, 2011, under Stardom Entertainment. In 2013, they left their agency and signed with Seven Seasons, a subsidiary label to KQ Entertainment. Block B Fandom Name: BBC (Block B Club) Block B Official Fan Color: Black and Yellow Stripes. Block B Official Accounts: Twitter: @blockb_official Facebook: BlockBOfficial Instagram: @blockb_official_ Fan cafe: BB-Club. Block B Members Profile: Zico Stage Name: Zico (지코) Birth Name: Woo Ji Ho (우지호) Position: Leader, Main Rapper, Vocalist, Face of the Group Birthday: September 14, 1992 Zodiac Sign: Virgo Birthplace: Seoul, South Korea Height: 181 cm (5’11”) Weight: 65 kg (143 lbs) Blood Type: O Twitter: @ZICO92 Instagram: @woozico0914. Zico Facts: – He was born in Mapo, Seoul, South Korea. – He has an older brother, Woo Taewoon, who was a former member of idol group Speed. – He was a Vocal Performance major at Seoul Music High School. – Zico studied at the Dong-Ah Institute of Media and Arts University (between 2013 -2015). – Specialties: Freestyle rap, composing, weaving melody lines. – He auditioned for S.M. Entertainment as a teenager. – He joined Stardom Entertainment in 2009. – Zico lived abroad in Japan for three years. – On November 7, 2014, Zico released his official solo debut single entitled “Tough Cookie” featuring the rapper Don Mills – He, along with Kyung have produced all of Block B’s albums.
    [Show full text]
  • Super Junior
    Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl.
    [Show full text]
  • Gender Discrimination in the K-Pop Industry
    Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating.
    [Show full text]
  • Colorado Journal of Asian Studies, Volume 5, Issue 1
    COLORADO JOURNAL OF ASIAN STUDIES Volume 5, Issue 1 (Summer 2016) 1. Comparative Cultural Trauma: Post-Traumatic Processing of the Chinese Cultural Revolution and the Cambodian Revolution Carla Ho 10. Internet Culture in South Korea: Changes in Social Interactions and the Well-Being of Citizens Monica Mikkelsen 21. Relationality in Female Hindu Renunciation as Told through the Life Story of Swāmī Amritanandā Gīdī Morgan Sweeney 47. Operating in the Shadow of Nationalism: Egyptian Feminism in the Early Twentieth Century Jordan Witt 60. The Appeal of K-pop: International Appeal and Online Fan Behavior Zesha Vang Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) Center for Asian Studies University of Colorado Boulder Page i 1424 Broadway, Boulder, CO 80309 Colorado Journal of Asian Studies Volume 5, Issue 1 (Summer 2016) The Colorado Journal of Asian Studies is an undergraduate journal published by the Center for Asian Studies at the University of Colorado at Boulder. Each year we highlight outstanding theses from our graduating seniors in the Asian Studies major. EXECUTIVE BOARD AY 2016-2017 Tim Oakes, Director Carla Jones, Interim Director, Spring (Anthropology, Southeast Asia) Colleen Berry (Associate Director/Instructor) Aun Ali (Religious Studies, West Asia/Middle East) Chris Hammons (Anthropology, Indonesia) Sungyun Lim (History, Korea, East Asia Terry Kleeman (Asian Languages & Civilizations, China, Daoism) RoBert McNown (Economics) Meg Moritz (College of Media Communication and Information) Ex-Officio Larry Bell (Office of International Education) Manuel Laguna (Leeds School of Business) Xiang Li (University Libraries, East Asia-China) Adam LisBon (University Libraries, East Asia-Japan, Korea) Lynn Parisi (Teaching about East Asia) Danielle Rocheleau Salaz (CAS Executive Director) CURRICULUM COMMITTEE AY 2016-2017 Colleen Berry, Chair Aun Ali (Religious Studies, West Asia/Middle East) Jackson Barnett (Student Representative) Kathryn GoldfarB (Anthropology, East Asia-Japan) Terry Kleeman (AL&L; Religious Studies.
    [Show full text]
  • Volume 8, No 2, October 2019
    International Journal of Music Business Research Volume 8, Number 2, October 2019 Editors: Peter Tschmuck University of Music and Performing Arts Vienna, Austria Dennis Collopy University of Hertfordshire, UK Phil Graham (also book review editor) University of the Sunshine Coast, Australia Guy Morrow University of Melbourne, Australia Daniel Nordgård (also book review editor) University of Agder, Norway Carsten Winter (also book review editor) University of Music, Drama and Media Hanover, Germany AIMS AND SCOPE: The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a new platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research involves a scientific approach to the intersection of economic, artistic (especially musical), cultural, social, legal, technological developments and aims for a better understanding of the creation/production, dissemination/distribution and recep- tion/consumption of the cultural good of music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy. EDITORIAL BOARD Dagmar Abfalter, University of Music and Performing Arts Vienna, Austria David Bahanovich, Trinity Laban Conservatoire of Music and Dance London, UK Marc Bourreau, Université Telecom ParisTech, France Ryan Daniel, James Cook University Townsville, Australia Beate Flath, University of Paderborn, Germany
    [Show full text]
  • A Feminist Political Economy of the Korean Popular Music Industry
    A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry.
    [Show full text]
  • Aoa Angel's Knock Album Download Aoa Angel's Knock Album Download
    aoa angel's knock album download Aoa angel's knock album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67af29a7fb604971 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. AOA - 1st Album Angel's Knock (Ver. B) Packages are generally dispatched within 2 business days after receipt of payment. Shipping fees include handling and packing fees as well as postage costs, and it will be calculated automatically, depending on your location, shipping method, and item weights. Our job is limited to dispatching orders through shipping options that buyers choose on their own, and we can't make a particular order arrive faster than others. If you need faster shipping, please choose the faster shipping option instead of demanding us faster shipping. The weight is our own unit of measurement, and it's neither lbs nor kg. ANGEL'S KNOCK. Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile.
    [Show full text]
  • Super Junior
    Super Junior From Wikipedia, the free encyclopedia For the professional wrestling tournament, see Best of the Super Juniors. Super Junior Super Junior performing at SMTown Live '08 in Bangkok,Thailand Background information Origin Seoul, South Korea Genres Pop, R&B, dance, electropop, electronica,dance-pop, rock, e lectro, hip-hop, bubblegum pop Years active 2005–present Labels S.M. Entertainment (South Korea) Avex Group (Japan) Associated SM Town, Super Junior-K.R.Y., Super Junior-T,Super acts Junior-M, Super Junior-Happy, S.M. The Ballad, M&D Website superjunior.smtown.com,facebook.com/superjunior Members Leeteuk Heechul Han Geng Yesung Kangin Shindong Sungmin Eunhyuk Donghae Siwon Ryeowook Kibum Kyuhyun Korean name Hangul 슈퍼주니어 Revised Romanization Syupeojunieo McCune–Reischauer Syupŏjuniŏ This article contains Koreantext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Hangul or Hanja. This article contains Chinesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Chinese characters. This article contains Japanesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of kanji and kana. Super Junior (Korean: 슈퍼주니어; Japanese: スーパージュニア) is a South Korean boy band from formed by S.M. Entertainment in 2005. The group debuted with 12 members: Leeteuk (leader), Heechul, Han Geng, Yesung, Kangin, Shindong, Sungmin, Eunhyuk, Donghae, Siwon,Ryeowook, Kibum and later added a 13th member named Kyuhyun; they are one of the largest boy bands in the world. As of September 2011, eight members are currently active,[1] due to Han Geng's lawsuit with S.M.
    [Show full text]
  • Running Man Cn Blue
    Running man cn blue click here to download Running Man Episode Running Man Ep - CN Blue live performance in Running Man. siti nur. YongHwa is thrown across the mud field in order to get close to the 'wolf'. [Eng Sub] Running Man EP CN BLUE มารายการรันนงิ เเมน ตอนท ี ตอนเรมิ รายการ CN BLUE ไดร้ อ้ งเพลง I'm sorry เเละ เพลงใหม่ทยี งั ไม่ไดอ้ อก [พงึ เคยทาํ ซบั ครัง เเรก ถา้ เเปลผดิ . Daftar Episode Running Man yang Dibintangi oleh Member CNBLUE: E7 [Jung Yong Hwa] E11 [Jung Yong Hwa] E17 [Jung Yong Hwa] E Both CNBLUE and the Running Man camps (including guest, actress Shim Eun Kyung) recruited extra team members from the crowd, while. CNBlue's Jung Yong Hwa has set a record of having guest starred on SBS's “Running Man” 10 times. On the February 23 episode of “Running. Well then, let the Running Man cast be your guide to take you on a Then it's time for the finale with a real band in the form of CNBlue (Jung. Watch all the Running Man () episodes that Lee Jong-hyun () has appeared in. Lee Jong- hyun (). A member of: CNBLUE. [Compilation of Yong Hwa Running Man episode] For those who miss seeing Yong's appearance in Running Man like me Ep 7 Broadcast date 22/08/ The regular members of Running Man have the best variety skills and it's hard to find celebrities that can match their timing. Still, there have. Many idols and actors have guested on the popular show 'Running Man', but CNBLUE's Yonghwa has made the most appearances of them all! Lee Jonghyun - Running Man big lol for this episode hahahaha.
    [Show full text]