24.75 $29.75 $34.75

Total Page:16

File Type:pdf, Size:1020Kb

24.75 $29.75 $34.75 MARCH, 1923. PAGE FIVE Books Intended to be Read in Bed BURY HALL FOLKS By PROFESSOR M. E. DEWEY. * _ By EMILY ETHELL (W e realize -that we are taking liberties with the poetry of Modern Poetry Rinehart, M. Edgar A. Guest, and we offer abject apologies, but do it just the Amazing Interlude. A war story When the brain gets dry as an empty same.) nut, that has not lost the power to enter­ When the mind (like a beard) has a tain. L ~~ formal cut— Trakington, Booth. We’re queer folks here at Bury Hall, There is a place and enough for the Gentle Julia. The joys of having We talk about the weather, * pains of prose; young relations. The gotod times we have had together, But whenever the May-blood stirs and Magnificent Ambersons. Winner of The good times near, glows, the Pulitzer prize a few years ago. The sunsets and the trees, And the young year dra\vs to the Monsieur Beaucaire. To fie Doug­ We know no others such as these. ——^ "golden prime,” las Fairbanks’ next big picture. We talk about examinations too And Sir Romeo sticks in his hair a Wilson, H. L. And who came mighty near not getting through. rose— Merton of the Movies. Who pray­ We talk of things both great and small Then hey! for the ripple of laughing ed: “ Oh, God, make me a good movie For they’re of interest to us all. rhyme! actor!1* Now'a successful. play ray* But we don’t talk gossip itvthe Hall.---------------■»---------- —Austin Dobson. ning in New York. We’ve got too many other labors To talk about our neighbors. Guest, Edgar. * Travel and Advefflure "The wonders of each region view Just Folks. H. From frozen Lapland to Peru." My books and I are good old pals, We’re strange .(oiks here at Bury Hall. —Soame Jenkins. My laughing books are gay, We’re trying to*be cheerful, Bechdolt, F. R. Just suited for my merry moods And keep this Hall from getting tearful. When the West was Young. “ Ex­ When I am wont to play. We hold it dear. , citing and true tales of pioneer days, Kipling, Rudyard. We never speak o f wantin’ money; Indians, bandits, courage and adven­ Verse: inclusive edition. All the We’re always just as sweet as honey. ture, compiled from reminiscences of poetry that Kipling wrote from 1886 An’ when the water freezes old settlers, files of Arizona newspa­ through 1918. We just laugh at colds an’ sneezes. pers and books ''on early days in the Lindsay, Vachel. When someone’s noise a question raises west.” The Congo. “ Then I saw the Con­ We always sing each other’s praises. go creeping through the Black, Cut­ Grey, Zane. ting through the jungle with a golden Tales of Lonely Trails. Zane Grey’s III. track.” adventures in the southwest, roping Wfe've one rule here at Bury Hall, lions in the Grand Canyon and hunt­ Masters, E. L. And that is to be pleasant. Spoon River Anthology. Interesting ing lions and bears. The folks we know are always present, to mirror the age and country in Binghpm, Hiram. Or very near. ___ . ' Inca Land. Discoveries of the lost which we live. At night we’re here together so. civilization of the Incas, and their But in the day to different classrooms go. Noyes, Alfred. Collected poems. wonderful stone-built cities. An’ that keeps us from, always seem" “ fVimp rtown tn Kew in lilac-time, in Drama The faults in every human bein’. lilac-time, >n lilac-time; "Is there no pTay, W T don’t talk-mean when faUta are neir, _ _ Come down to Kew in lilac-time (it To ease the angftish of a torturing Our friends are always there to hear. isn’t far from London!) hour?” —Shakespeare. An’ so no scandal here is started And you shall wander hand'in hand Barrie, J. M. Because from friends we’re never parted. with love in summer's wonder­ Dear Brutus. “ The fault, dear Brutus, lies not in our land; stars, Come down to Kew in lilac-time (it isn’t for from London.) But in ourselves, that we are under­ lings.” Sandburg, Carl. Would you have been a different Smoke and Steel. ‘^ Ife today is transmitted into words, sometimes person had you taken the other turn­ very beautiful, sometimes very ugly, ing? but whether developing a broad pan A Kiss for Cinderella. The dream oramie view and suggesting its spir­ of a little cockney servant girl comes itual significance, or making lovely true. What Every Woman Knows. Read Sketches just for their beauty, each 371 DEPARTMENT STORES it and learn the secret of popularity. poem means something in America’s Leonard, S. A. ed. answer to the eternal question.” Atlantic Book of Modern Plays. Teasdale, Sara. Shay, Frank, ed. Flame and Shadow. Contemporary One-Act Plays of Love Songs.' 1921. Two good collections of modem "L ife ha's: loveliness to sell, Young Men’s S p o r t s Suits All beautiful and splendid things, plays. Blue waves whitened on a cliff, In Smart All Wool Cassimeres Soaring fire that sways and sings, NORMAL NOCKS Your inspection of our showing of SporSI Suits will quickly demonstrate their unusual smnrtnes* a id the fact that they And children’s faces looking up afford far more in clothing value than ia usually found. Holding wonder like a cup.” Did you ever "Enow that "no teach­ Stories That Will Amuse You er is hard if you get your lessons?* “The foolishest book Is. a kind of leaky boahon a sea of wisdom; some Be it ever so homely, there’s no' o f the wisdom will get in anyhow.” face like your own. — Holmes. Keep your temper. Nobody els'e Bacheller, Inring. wants it. In the Days of Poor Richard. A love story of Revolutionary times. A dog fills an empty place In a Farjeon, Eleanor. Martin Pippin in the apple orchard. man’s life—especially a hot dog. A story to read in the spring time. The difference for some men be­ How Martin Pippin rescued Gillian tween an “ A ” and a funk; is a co­ from the well house which was guard­ ed. ed by six milkmaids "sworn virgins and man-haters all.” Miss Hurd, in English class: “ Bus­ Famol, Jeffery. ter, get some part of your znind on Amateur Gentleman. Who chose af­ that book besides your eye.” ter all "the ‘harder way’ which is a path that can be trsdden only by the A FOOLISH QUESTION foot of a Man! Peregrine’s Progress. More ro- A Junior asks: “ How can I get an f manc^ in old England. article in the Pine?" Gale, Zona. Well, Junior, this depends entirely Miss Lulu Bett. "Much admired upon the article. If the article hap­ both for its craftsmanship and for it$ pens to be a bottle of ink, a fountain interest, is this story of a household pen, or a spool of thread, tear the drudge.” pages apart and spread them smooth­ Hope, Anthony. ly upon the floor. After placing the Prisoner o f Zenda. The story up­ article in the center, fold over the There are tartan plaids, pencil stripes, checks and herrtnr* on which the picture that >*ou saw last edges neatly and tie with a string. The bones in greys, browns, tans and blues. The illustration shows fall is based. latter will prevent the article from one of the several styles in our displays at— Johnson, Owen. slipping out. If, however, thq article Skippy Bedelle. A woman hater of happens to be a bath tub, a player- $24.75 $29.75 $34.75 aixUan who declares that “if any lov­ piann, or something of like bulk, it ing is going to be done, they can do Is advisable either to use a crate or the loving.” a Sunday paper. _ - ==— 7.
Recommended publications
  • Read Ebook {PDF EPUB} Monsieur Beaucaire: the Beautiful Lady His Own People by Booth Tarkington Monsieur Beaucaire
    Read Ebook {PDF EPUB} Monsieur Beaucaire: The beautiful lady His own people by Booth Tarkington Monsieur Beaucaire. The beautiful lady. His own people Item Preview > ... The beautiful lady. His own people by Tarkington, Booth, 1869-1946. Publication date 1920 Publisher Garden City, N. Y., Doubleday, Page & Company Collection cornell; americana Digitizing sponsor MSN Contributor Monsieur Beaucaire ; The beautiful lady ; His own people [Tarkington, Booth, Tarkington, Booth] on Amazon.com. *FREE* shipping on qualifying offers. Monsieur Beaucaire ; The beautiful lady ; His own people Sep 04, 2014 · A literary soap opera disguised as a period piece--related with the Yankee touch-- this novella proves an amusing read for armchair swashbucklers. "Monsieur Beaucaire" is Booth Tarkington's second novel which was originally published in 1900. It is would probably be considered a novelette today due to its short length. Monsieur Beaucaire, The Beautiful Lady, His Own People by TARKINGTON, Booth Seller Between the Covers- Rare Books, Inc. ABAA Published 1926 Condition Very Good Item Price $ Monsieur Beaucaire, The Beautiful Lady, His Own People. Tarkington, Booth; C.D. Williams [Illustrator] Published by Charles Scribner's Sons (1921) Monsieur Beaucaire; The Beautiful Lady; His Own People [Hardcover] [1927] $29.98. Free shipping. Seller 99.9% positive. The Cat in the Hat by Dr. Seuss Hardcover Book NEW. $14.95. Free shipping. Seller 99.8% positive. Easton Press Monsieur Beaucaire by Booth Tarkington American Literature. Additional Physical Format: Print version: Tarkington, Booth, 1869-1946. Monsieur Beaucaire. New York : C. Scribner's Sons, 1920 (OCoLC)3008701: Material Type: After numerous stories which take place in the U.S., and the Midwest for the most part, Tarkington at last returns to Europe for the setting of his novella “His Own People”.
    [Show full text]
  • Home Circle Department
    Pacific Rural Press, December 30, 1922 749 A NEW USE FOR THE PHONO- where records may be obtained in ex- GRAPH. actly the same manner as are books. Home Circle Department. "Hans Kindler is going to play the A very great many of the schools "Melody in P" for us this morning," in Sacramento county have pianos as Conducted Anna Harper Haney Edward says to Ralph as they enter well as phonographs, but now and the schoolyard and we wonder if our then a school is found which lacks MRS. HANEY’S WEEKLY LETTER. The Mirrors of Washington. ears are deceiving us or if the Robla one or the other of these. At Del Anonymous. school is be by great Paso, a wide-awake Parent-Teacher's Dear Home Circle to visited a artist. Friends: The Mirrors of Downing Street. But the mystery is soon explained. Association has just made the pur- Now that the holidays are nearly Anonymous. Miss Lewis places a record on the chasing of a phonograph possible, over, we have long evenings free to Painted Windows.— Anonymous. phonograph and says, "Now close your and their method of raising the nec- fireplace .spend around the open and The Glass of Fashion.—Anonymous. eyes, children, and tell me what this essary funds may give other mothers we will have time to read some of The Story of Mankind. —Van Loon. music means to you after you have some suggestions. the new books. We did lots of sew- Victoria. —Strachey. listened closely to this record." interest created when during Queen First, was a ing December when we were The Mind in the Maktng.—-Robinson Edward can hardly restrain his en- teacher demonstrated the use of a getting ready for Christmas, didn't Etiquette.—Emily Post.
    [Show full text]
  • Production: Produced by Members of the Berkeley Technology Law Journal. All Editing and Layout Done Using Microsoft Word. Print
    0000 28_1 FRONTMATTER_081313_WEB (DO NOT DELETE) 8/13/2013 4:34 PM Production: Produced by members of the Berkeley Technology Law Journal. All editing and layout done using Microsoft Word. Printer: Joe Christensen, Inc., Lincoln, Nebraska. Printed in the U.S.A. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Library Materials, ANSI Z39.48—1984. Copyright © 2013 Regents of the University of California. All Rights Reserved. Berkeley Technology Law Journal University of California School of Law 3 Boalt Hall Berkeley, California 94720-7200 [email protected] http://www.btlj.org 0000 28_1 FRONTMATTER_081313_WEB (DO NOT DELETE) 8/13/2013 4:34 PM BERKELEY TECHNOLOGY LAW JOURNAL VOLUME 28 NUMBER 1 SPRING 2013 TABLE OF CONTENTS ARTICLES DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION ................................................... 1 Christopher Buccafusco & Paul J. Heald STATE PATENT LAWS IN THE AGE OF LAISSEZ FAIRE ................................................ 45 Camilla A. Hrdy THE BACKGROUND OF OUR BEING: INTERNET BACKGROUND CHECKS IN THE HIRING PROCESS .................................................................................................. 115 Alexander Reicher THE LAW OF THE ZEBRA ................................................................................................. 155 Andrea M. Matwyshyn EXACTITUDE IN DEFINING RIGHTS: RADIO SPECTRUM AND THE “HARMFUL INTERFERENCE”
    [Show full text]
  • Eddy, Lovecraft, and 'The Loved Dead'
    Digital Scholarship in the Humanities Advance Access published July 29, 2015 Stylometry and Collaborative Authorship: Eddy, Lovecraft, and ‘The Loved Dead’ ............................................................................................................................................................ Alexander A. G. Gladwin, Matthew J. Lavin and Daniel M. Look St. Lawrence University, Canton, NY, USA ....................................................................................................................................... Abstract The authorship of the 1924 short story ‘The Loved Dead’ has been contested by family members of Clifford Martin Eddy, Jr. and Sunand Tryambak Joshi, a leading scholar on Howard Phillips Lovecraft. The authors of this article use stylometric methods to provide evidence for a claim about the authorship of the story and to analyze the nature of Eddy’s collaboration with Lovecraft. Correspondence: Alexander Further, we extend Rybicki, Hoover, and Kestemont’s (Collaborative authorship: A. G. Gladwin, 753 Franklin Conrad, Ford, and rolling delta. Literary and Linguistic Computing, 2014; 29, 422– Ave. Columbus, OH 43205 31) analysis of stylometry as it relates to collaborations in order to reveal the United States. necessary considerations for employing a stylometric approach to authorial E-mail: [email protected] collaboration. ................................................................................................................................................................................
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Stylometry-Based Approach for Detecting Writing Style Changes in Literary Texts
    Stylometry-based Approach for Detecting Writing Style Changes in Literary Texts Helena Gomez-Adorno´ 1,2, Juan-Pablo Posadas-Duran3, German´ R´ıos-Toledo4, Grigori Sidorov1, Gerardo Sierra2 1 Instituto Politecnico´ Nacional, Centro de Investigacion´ en Computacion,´ Ciudad de Mexico,´ Mexico 2 Universidad Nacional Autonoma´ de Mexico,´ Instituto de Ingenier´ıa, Ciudad de Mexico,´ Mexico 3 Instituto Politecnico´ Nacional (IPN), Escuela Superior de Ingenier´ıa Mecanica´ y Electrica´ Unidad Zacatenco (ESIME-Zacatenco), Ciudad de Mexico,´ Mexico 4 Centro Nacional de Investigacion´ y Desarrollo Tecnologico,´ Cuernavaca, Mexico [email protected], german [email protected], [email protected], [email protected], [email protected] Abstract. In this paper, we present an approach to advantage of this situation in order to turn the vast identify changes in the writing style of 7 authors of amount of data into practical and useful knowledge. novels written in English. We defined 3 stages of writing for each author, each stage contains 3 novels with a In authorship analysis, typical features used for maximum of 3 years between each publication. We text representation in the Vector Space Model propose several stylometric features to represent the (VSM) are words, Bag of Words (BoW) model [11], novels in a vector space model. We use supervised word n-grams [16, 22], character n-grams [7, learning algorithms to determine if by means of this 22], and syntactic n-grams [19]. The values stylometric-based representation is possible to identify of these features can be Boolean [15], tf-idf to which stage of writing each novel belongs.
    [Show full text]
  • Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (With P
    Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship January 2012 Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald) Christopher J. Buccafusco IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Evidence Commons, and the Intellectual Property Law Commons Recommended Citation Christopher J. Buccafusco, Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald), 28 Berkeley Tech. L.J. 1 (2012). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/148 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco. & Paul J. Heald ABSTRACT According to the current copyright statute, in 2018, copyrighted works of music, film, and literature will begin to transition into the public domain. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Accordingly, the next few years will witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works.
    [Show full text]
  • Reimagining the Creation of Young Adult Literature in the United States
    University of Kentucky UKnowledge Theses and Dissertations--English English 2019 Outsiders to Whom? Reimagining the Creation of Young Adult Literature in the United States Kyle W. Eveleth University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-9692-3357 Digital Object Identifier: https://doi.org/10.13023/etd.2020.040 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Eveleth, Kyle W., "Outsiders to Whom? Reimagining the Creation of Young Adult Literature in the United States" (2019). Theses and Dissertations--English. 103. https://uknowledge.uky.edu/english_etds/103 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension
    Yeshiva University, Cardozo School of Law LARC @ Cardozo Law Articles Faculty 2013 Do Bad Things Happen When Works Enter The Public Domain?: Empirical Tests of Copyright Term Extension Christopher Buccafusco Benjamin N. Cardozo School of Law, [email protected] Paul J. Heald Follow this and additional works at: https://larc.cardozo.yu.edu/faculty-articles Part of the Law Commons Recommended Citation Christopher Buccafusco & Paul J. Heald, Do Bad Things Happen When Works Enter The Public Domain?: Empirical Tests of Copyright Term Extension, 28 Berkeley Technology Law Journal 1 (2013). Available at: https://larc.cardozo.yu.edu/faculty-articles/233 This Article is brought to you for free and open access by the Faculty at LARC @ Cardozo Law. It has been accepted for inclusion in Articles by an authorized administrator of LARC @ Cardozo Law. For more information, please contact [email protected], [email protected]. Do BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccqfuscof & Paul]. Hea/dff ABSTRACT According to the current copyright statute, copyrighted works of music, film, and literature will begin to transition into the public domain in 2018. While this will prove a boon for users and creators, it could be disastrous for the owners of these valua,ble copyrights. Therefore, the next few years will likely witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain, bad things will happen to them.
    [Show full text]
  • European Journal of American Studies, 6-1 | 2011 It’S a Wonderful Life:Representations of the Small Town in American Movies 2
    European journal of American studies 6-1 | 2011 Spring 2011 It’s a Wonderful Life:Representations of the Small Town in American Movies Thomas Halper- Douglas Muzzio Electronic version URL: https://journals.openedition.org/ejas/9398 DOI: 10.4000/ejas.9398 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Thomas Halper- Douglas Muzzio, “It’s a Wonderful Life:Representations of the Small Town in American Movies”, European journal of American studies [Online], 6-1 | 2011, document 8, Online since 30 December 2011, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/9398 ; DOI: https://doi.org/10.4000/ejas.9398 This text was automatically generated on 8 July 2021. Creative Commons License It’s a Wonderful Life:Representations of the Small Town in American Movies 1 It’s a Wonderful Life:Representations of the Small Town in American Movies Thomas Halper- Douglas Muzzio I grew up with those [small town] people. They are the ones who do some of the hardest work in America, who grow our food, run our factories, and fight our wars. They love their country in good times and bad, and they’re always proud of America. I had the privilege of living most of my life in a small town. Sarah Palin, Address to the Republican National Convention, 2008 OPENING SCENE 1 As a youth, George Bailey cannot wait to escape tiny Bedford Falls. “I couldn’t face being cooped up for the rest of my life,” he tells his father. “I’m going to shake the dust from this crummy town and see the world.” But forced by circumstances to give up his dream of going to college and designing skyscrapers, he remains in Bedford Falls, managing the family’s small savings and loan.
    [Show full text]
  • Replacement List of Fiction, Compiled by the A.L.A
    REGIONAL LIBRARY DEPOSITOR~Y _ D - 3 , s5o oo~ 263 ess • REPLACEMENT LIST OF FICTION • • • REPLACEMENT LIST OF FICTION • COMPILED BY THE A.L.A. EDITORIAL STAFF FROM REPORTS OF PRACTICE IN TWELVE REPRESENTATIVE LIBRARIES S@cond Edition ) • CHICAGO AMERICAN LIBRARY ASSOCIATION 1939 .---..... -- - I - • • PREFACE • This edition o:f the Replacement list of fictiol1 is e. t'eeord nasea on reDorten Dra.er.1ce 1 not on ontn1on -- eltllBr or a connnr~;­ toa or an im11v1dual .__ aa ~o wbal. l.ll.lea l1lJI·az~iiis shoulc;1 re­ place. It includes titles of fiction which ar@ t'eported to ~ actually ana rr~quentlY reDlacect bY reDreeentAt1ve Amerlrum 11- orarles. on 1nstruct1ona !rom and w1tn tno advioo ot th~ Edit9rlal Committee, the editorial sla.tf ol the A.L.A. Publishfne Oepat't­ ment selected twelve 11b!"ar1es tn rour groups serv1ng ~opuJ~tions • or rrom 10,000 to 41 000 1 000. Theae libraries were aakad to aheok tbe tirat e<11t1on ot Replacoment list ot :t'iction for title~ whlch Copyri<]ht 1939 by the they would still replace and were asked to furnish 11s~s or addi­ AMERICAN LIBRARY AssOCI ATJON tional titlea or or titlea tn atrrerent enltlona rrom tnoso 1n tho main list whi"b they would re-purcbaae when or1s1m~l copiee had to Published August 1939 be "!thdraYfll .trom clrculQ.tion. This iD.!ormatlon w-4~ combined at A.L.A. headqwrrtenJ4 No attempt was made to reeonc1le differing op1n1ona. If a t1tle was tnclurtea by only one ot tna llorarlan 1n a oooulatton grouD, it was 1ncluaea 1n tlle list.
    [Show full text]
  • Christopher Buccafusco & Paul J. Heald According to the Current
    DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco♣ & Paul J. Heald♠ ABSTRACT According to the current copyright statute, in 2018, copyrighted works of music, film, and literature will begin to transition into the public domain. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Accordingly, the next few years will witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain bad things will happen to them. They worry that works in the public domain will be underused, overused, or tarnished in ways that will undermine the works’ cultural and economic value. Although the validity of their assertions turn on empirically testable hypotheses, very little effort has been made to study them. This Article attempts to fill that gap by studying the market for audiobook recordings of bestselling novels. Data from our research, including a novel human subjects experiment, suggest that the claims about the public domain are suspect. Our data indicate that audio books made from public domain bestsellers (1913-22) are significantly more available than those made from copyrighted bestsellers (1923-32). In addition, our experimental protocol suggests that professionally made recordings of public domain and copyrighted books are of similar quality. Finally, while a low quality recording seems to lower a listener's valuation of the underlying work, our data do not suggest any correlation between that valuation and legal status of the underlying work.
    [Show full text]