2019 International Music Festival Artists
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Avalon String Quartet
Faculty Recital Series Avalon String Quartet Blaise Magnière, violin Richard O. Ryan Endowed Chair in Violin Marie Wang, violin Anthony Devroye, viola Cheng-Hou Lee, cello Saturday, April 17, 2021 7 p.m. Boutell Memorial Concert Hall PROGRAM String Quartet in A minor, No. 2 Florence Price Moderato (1887-1953) Andante cantabile Juba: Allegro Finale: Allegro String Quartet in F Major, Op. 59 No. 1 Ludwig van Beethoven Allegro (1770-1827) Allegretto vivace e sempre scherzando Adagio molto e mesto Thème russe: Allegro PROGRAM NOTES Ludwig van Beethoven: String Quartet in F Major, Op. 59 No. 1 (1806) When Andreas Razumovsky, the Russian ambassador in Vienna, commissioned a set of quartets from Beethoven, the composer threw himself into the project and wrote three in 1806. Exhibiting a breadth and difficulty never before encountered in the medium, the so-called "Razumovsky" Quartets confused both performers and listeners at first but quickly found favor. In these works, Beethoven applied the middle-period style he had initiated in the "Eroica" Symphony of 1803; they also feature "symphonic" passages in which he seems to make the four instruments sound like a string orchestra. Beginning in the cello, the expansive opening theme of the first quartet gently climbs up four octaves. The next theme moves by contrast with leaps and staccato articulations. After a harmonically quirky transition, a graceful secondary melody unfolds, which ends by trading half notes among the voices. The development begins like the exposition (which does not repeat) but suddenly veers off in a new direction; it features a wide variety of textures, including a double fugue. -
Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Lynn Harrell 59 Olivier Latry
Table of Contents | Week 19 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 completing the circle: wagner’s brave new world in the concert hall by thomas may 25 this week’s program Notes on the Program 26 The Program in Brief… 27 Wolfgang Amadè Mozart 35 Augusta Read Thomas 43 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 55 Christoph Eschenbach 57 Lynn Harrell 59 Olivier Latry 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Alexandre Lecarme by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Tchaikovsky Competition 1982 a Diary by Peter Donohoe1
TCHAIKOVSKY COMPETITION 1982 A DIARY BY PETER DONOHOE1 1 The footnotes in this diary are restrospective notes from 2012 – 30 years later... 08 June 1982 Recital at Charlotte Mason College in Ambleside in the British Lake District Program: Tchaikovsky Sonata 2 in G Major (1st Movement) Tchaikovsky November (from The Seasons) Tippett Sonata 2 Prokofiev Sonata 6 ---- Scriabin Etude Op65/3 Chopin Etude Op10/8 Rachmaninov Etude Tableau Op39/5 E flat Minor Bach Prelude and Fugue Book 2 No. 3 Flierkovsky – Prelude and Fugue in G minor Stravinsky Three Movements from Petrushka A very nice, but knowing guy came up to me after the concert, and said “That was a very unusual program. It is almost as if you are preparing to enter the Tchaikovsky Competition.” I asked him to keep it under his hat – it is never good for people to know in advance of your competition efforts, in case it doesn’t work out. Set off home at 11.00 p.m. The car –a Vauxhall Viva borrowed from my parents-in-law – broke down after about 10 miles of a 120 mile journey to my in-laws on the Wirral. Still in the Lake District countryside. The weather was appallingly wet. I had to get to the Wirral, and then the next morning to Manchester for an early flight to London to connect with the Aeroflot flight to Moscow. 09 June 1982 Thank God for the AA Relay service. They got me to the Wirral in the cab of one of their trucks, with the car on the back. -
Welcome Anthea Kreston! the Artemis Quartet Welcomes Its New Member
Welcome Anthea Kreston! The Artemis Quartet welcomes its new member Berlin, 18 January 2016 In the past six months, amidst mourning the death of Friedemann Weigle, the Artemis Quartet also came to the decision of continuing its work as an ensemble. Now, the Artemis Quartet is pleased to announce its new member: the American violinist Anthea Kreston, who will take over the second violin position with immediate effect. In a musical chairs scenario, Gregor Sigl will assume the viola position in the quartet. Andrea Kreston, born in Chicago, studied with Felix Galimir and Ida Kavafian at the renowned Curtis Institute of Music in Philadelphia, as well as chamber music with the Vermeer Quartet and Emerson String Quartet. Anthea Kreston was a member of the Avalon Quartet - with whom she won the ARD Competition in 2000 - for seven years. In 1999, she founded the Amelia Piano Trio. She has given many concerts in the United States and Europe with both ensembles. Eckart Runge and Anthea Kreston have known each other for twenty years. They met, as members of different ensembles, at a masterclass given by the Juilliard String Quartet. Eckart Runge: “Already then, Anthea struck me as an extraordinarily brilliant musician and someone who has a big personality. She applied for the available position, travelled to the audition from the West Coast [of the United States] and impressed us with her warm-heartedness, boundless energy and - above all - her fantastic qualities as a musician and violinist. All three of us immediately felt that, in her own way, Anthea reflects the soul of Friedemann and will bring new energy to our quartet.” Anthea Kreston: “It is with a full heart that I join the Artemis Quartet, my favourite quartet since we were all students together at the Juilliard Quartet Seminar 20 years ago. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
2017-2018 Senior Recital-Elizabeth Lee (Cello)
Welcome to the 2017-2018 season. The talented students and Elizabeth Lee, Cello extraordinary faculty of the Lynn Conservatory of Music take this Bachelor of Music Recital Program opportunity to share with you the Sheng-Yuan Kuan beautiful world of music. Your ongoing support ensures our place Tuesday, April 24, 2018 at 5:30 p.m. among the premier conservatories of the world and a staple of our Amarnick-Goldstein Concert Hall community. Boca Raton, Florida - Jon Robertson, dean There are a number of ways by which you can help us fulfill our mission: Chant du Ménestrel Op. 71 Alexander Glazunov Friends of the Conservatory of Music (1865-1936) Lynn University’s Friends of the Conservatory of Music is a volunteer organization that supports high-quality music education through fundraising and community outreach. Raising more than $2 million since 2003, the Friends support Lynn’s effort to provide free tuition scholarships and room and board to all Conservatory of Music students. The group also raises money for the Dean’s Discretionary Fund, which supports the immediate needs of the Suite Italienne for Cello and Piano Igor Stravinsky university’s music performance students. This is accomplished (arr. Gregor Piatigorsky) (1882-1971) through annual gifts and special events, such as outreach concerts and the annual Gingerbread Holiday Concert. I. Introduzione To learn more about joining the Friends and its many benefits, II. Serenata such as complimentary concert admission, visit III. Aria Give.lynn.edu/support-music. IV.Tarantella The Leadership Society of Lynn University V. Minuetto e Finale The Leadership Society is the premier annual giving society for donors who are committed to ensuring a standard of excellence at Lynn for all students. -
Occassional Papers: the New Photography 1920S–1940S
occasional papers DEPARTMENT OF INTERNATIONAL AND AUSTRALIAN PHOTOGRAPHY Introduction cover: UMBO Selbst (Self- The National Gallery of Australia began acquiring Over the years many substantial talks have been portrait) c 1930, printed 1980 gelatin silver photograph photographic art in 1972, and in 2012 current given by staff and guest speakers, and those papers National Gallery of Australia, holdings are over 25000 works, of which over half that were not published are now planned to be Canberra, purchased 1983 are Australian. This significant print collection is progressively placed on the Gallery’s website. above: Lev Levitsky complemented by the National Gallery of Australia Tsar Nicholas II of Russia and A number of specific strengths exist in the Gallery’s Tsarina Alexandra Research Library’s excellent and extensive catalogue with children, Peter Hof, collection, including holdings of modernist 16th August 1901 of photographic literature. National Gallery of Australia, photography of the 1920s to 1930s. This paper Canberra, purchased 2006 The story of the development of the Gallery’s addresses background material to the modern photography collection has been told in the Gallery’s photography collection and has been contributed publication Building the collection, released in 2003. by Robert Deane, former Assistant Director Significant new directions began in 2006 with a (Administration), currently a volunteer and new focus on the representation of the history of Honorary Researcher. photography in the Asia-Pacific region, announced in October 2005 by Director Ron Radford in his Gael Newton Senior Curator, Photography A vision for the National Gallery of Australia. June 2012 (That document and further information can be found on the Gallery’s website: nga.gov.au, see tabs for ‘information’ and ‘collections’.) The New Photography 1920s–1940s ‘Photography is the art of the revolution’1 The Great War saw the annihilation of an entire societies through the fields of advertising, left: Cover of Das Deutsche Lichtbild 1927. -
Third Practice Electroacoustic Music Festival Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 11-3-2017 Third Practice Electroacoustic Music Festival Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Third Practice Electroacoustic Music Festival" (2017). Music Department Concert Programs. 505. https://scholarship.richmond.edu/all-music-programs/505 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. LJ --w ...~ r~ S+ if! L Christopher Chandler Acting Director WELCOME to the 2017 Third festival presents works by students Practice Electroacoustic Music Festi from schools including the University val at the University of Richmond. The of Mary Washington, University of festival continues to present a wide Richmond, University of Virginia, variety of music with technology; this Virginia Commonwealth University, year's festival includes works for tra and Virginia Tech. ditional instruments, glass harmon Festivals are collaborative affairs ica, chin, pipa, laptop orchestra, fixed that draw on the hard work, assis media, live electronics, and motion tance, and commitment of many. sensors. We are delighted to present I would like to thank my students Eighth Blackbird as ensemble-in and colleagues in the Department residence and trumpeter Sam Wells of Music for their engagement, dedi as our featured guest artist. cation, and support; the staff of the Third Practice is dedicated not Modlin Center for the Arts for their only to the promotion and creation energy, time, and encouragement; of new electroacoustic music but and the Cultural Affairs Committee also to strengthening ties within and the Music Department for finan our community.