Afrofuturism & Social Justice Ideas Through

Afrofuturism & Social Justice Ideas through Art Joseph Kerney and Allison Beaulieu University of Chicago Laboratory Schools What is Afrofuturism? A movement in literature, music, art, etc., featuring futuristic or science fiction themes incorporating elements of African/African Diaspora and Black culture through a variety of mediums. Sun Ra Narrative Writing ● Creating stories that depict a diverse future world. ● Identifying the plot ● Creating dynamic characters “Mr. Nancy of American Gods” ● Types of Conflict ● Understanding the theme Ancient Nubia Students visit the Oriental Institute on University of Chicago’s campus to study images of Ancient Nubia “Here we are— Octavia Butler’s Poems from Earthseed (1993) Energy, Mass, Life, Shaping Life, Mind, “All that you touch Shaping Mind, you change. God, All that you change changes you. Shaping God. The only lasting truth Consider— is change. We are born God Is change.” Not with purpose, But with potential.” World Building ● Worlds that defy limitations “Wakanda from Black Panther” ● A marriage of technology and culture ● Elements grounded in modern times that relate to current events ● Creating a history to your world ● Including all the senses to give the world character “how it looks, sounds, feels, and smells. ● What does society look like in this world “effects from design process” Hebru Brantley’s NEVERMORE Park: Chicago 2019 Visual History: Black Panther Movie Ndebele Neck Rings Visual History: Black Panther Movie Agbada Robes Visual History: Black Panther Movie Zulu headdress Visual History: Black Panther Movie Himba Tribe red ochre Visual History: Black Panther Movie Mursi and Surma lip plates Influences in Movies/TV shows ● Changing your reality through physical and mental abilities ● Inception ● Doctor Strange ● The Matrix ● StarTrek ● Black Mirror Video Game references ● Fortnite ● Prototype 2 ● Detroit: Become Human Comic Influences ● Green Lantern: Far Sector ● Concrete Park ● Tuskegee Heirs ● Black ● World of Black Heros Collaboration between Homeroom and Art Turtel Onli Project Ideas: Comic Characters into Clay Project Ideas: Comic Characters into Clay Hebru Brantley’s FlyBoy based upon the Tuskegee Airmen of WW2 Nick Cave’s Soundsuits AfriCOBRA 1968 Project Ideas: Scratch Art Profiles (3rd grade) Project Ideas: Oil Pastel Story Silhouettes (4th grade) Project Ideas: Oil Pastel Story Silhouettes (4th grade) Afrofuturism & STEAM (Science, Technology, Engineering, Art, and Math) Hologram Pyramid Projector & Symbol Studies on Kimoyo Beads Afrofuturism & STEAM (Science, Technology, Engineering, Art, and Math) Moon Girl Riri Williams Afrofuturism & STEAM (Science, Technology, Engineering, Art, and Math) Studio Museum in Harlem Afrofuturism and Imagination: Human Centered Design Future Plans and Further Ideas Ceramic Shoes based upon collaborative stories in homeroom Work by Kang Lee Thank You! Joseph Kerney Allison Beaulieu 3rd/4th Grade Visual Arts Teacher 4th Grade Homeroom Teacher Mikki Sanders Art Department Co-Chair [email protected] 4th Grade Science [email protected] Teacher DEI Coordinator [email protected] .

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Afrofuturism in Animation: Self Identity of African Americans in Cinematic Storytelling
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 Afrofuturism in Animation: Self Identity of African Americans in Cinematic Storytelling Dana Barnes University of Central Florida Part of the Film Production Commons, and the Illustration Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Barnes, Dana, "Afrofuturism in Animation: Self Identity of African Americans in Cinematic Storytelling" (2020). Electronic Theses and Dissertations, 2020-. 14. https://stars.library.ucf.edu/etd2020/14 AFROFUTURISM IN ANIMATION: SELF-IDENTITY OF AFRICAN AMERICANS IN CINEMATIC STORYTELLING by DANA BARNES BFA University of Central Florida 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 Major Professor: JoAnne Adams ©DANA B BARNES II 2020 ii ABSTRACT My work addresses the importance of self-identity within Black culture in the United States of America through the depiction of an African American boy who must look into himself to overcome a difficult bullying situation. Animation as a medium is an ideal tool for interrogating the Western perspective of identity through cinematic storytelling. Using established animation methods, I created a visual narrative to portray the impact self-identity has on an individual's actions in certain social conditions.
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Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................
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Why Read Science Fiction and How to Help Those Who Do Chat Transcript
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An Exploration of Afro-Southern Speculative Fiction
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction Hilary Word Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Word, Hilary, "Post-Soul Speculation: An Exploration Of Afro-Southern Speculative Fiction" (2020). Electronic Theses and Dissertations. 1817. https://egrove.olemiss.edu/etd/1817 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. POST-SOUL SPECULATION: AN EXPLORATION OF AFRO-SOUTHERN SPECULATIVE FICTION A Thesis Presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by HILARY M. WORD May 2020 Copyright © Hilary M. Word 2020 ALL RIGHTS RESERVED. ABSTRACT This thesis is an examination of female authored, post-soul, Afro-Southern speculative fiction. The specific texts being examined are My Soul to Keep by Tananarive Due, Stigmata by Phyllis Alesia Perry, and Sing, Unburied, Sing by Jesmyn Ward. Through exploration of these texts, I posit two large arguments. First, I posit that this thesis as a collective work illustrates how women-authored Afro-Southern speculative fiction based in the post-soul era embodies and champions womanist politics and praxis critical for liberation through speculative elements. Second, I assert that this thesis is demonstrative of how this particular type of fiction showcases the importance of specificity of setting and reflects other, often erased facets of African American identity and realities by centering the experiences of contemporary Black Southerners.
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Race, Gender and Technology in Science-Fiction (Oxford, 25-27 Apr 2019)
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118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
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Vibing with Blackness: Critical Considerations of Black Panther and Exceptional Black Positionings
arts Article Vibing with Blackness: Critical Considerations of Black Panther and Exceptional Black Positionings Derilene (Dee) Marco Media Studies Department, University of the Witwatersrand, Johannesburg 2000, South Africa; [email protected] Received: 12 September 2018; Accepted: 15 November 2018; Published: 21 November 2018 Abstract: This article considers different ways in which Blackness is represented as exceptional in the 2018 film Black Panther. It also considers other iterations of Black visibility and legibility in the current popular culture context which appears to privilege Black narratives in interesting ways. The essay uses conceptual lenses from diaspora studies, Afro science fiction and Black feminist studies to critically engage the film and to critically question the notion of Black exceptionalism. Keywords: Afrofuturism; blackness; Black exceptionalism; cinema; post-apartheid; Black Panther film 1. Introduction How do you know I’m real? I’m not real. I come to you as myth, because that’s what black people are—myths. Ra(2017) Gabi Ngcobo holds the position as the first Black curator of the Berlin Biennale. In various articles from South African and other global publications, the overarching message about the Biennale was its (and its curator’s) exceptionalism. This exceptionalism, it seems, is to be read as a slightly nervous celebration of Ngcobo as Black and an equally anxious reception of her all black team and a host of seemingly ‘unknown artists’ who were on the show. Ngcobo herself confronts this geographical and psychological positional through the following—a position that I wish to use in this article as a basis and space for reflection: ..
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June-Oct 2021
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Berliner Festspiele / Theatertreffen May 2021 Playwright's Podcast Season 5 – Transcription Ta-Nia (Aka Talia Paulette Olive
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