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CONTACTS IN CANNES OFFICE IN CANNES IN CANNES NEW UPCOMING STILL AVAILABLE Emilie Georges (May 13th -24th) | [email protected] | +33 6 62 08 83 43 25 La Croisette, Bagatelle, LOUDER SLACK BAY BERLIN SYNDROME BODY Tanja Meissner (May 13th -24th) | [email protected] | +33 6 22 92 48 31 3rd floor THAN BOMBS by Bruno Dumont by Cate Shortland by Malgorzata Szumowska th th 06400 Cannes – France by Joachim Trier In Pre-Production In Pre-Production Nicholas Kaiser (May 13 -24 ) | [email protected] | +33 6 43 44 48 99 COP CAR In Competition Mathieu Delaunay (May 13th -24th) | [email protected] | +33 6 87 88 45 26 THE DARKNESS NEWS FROM by Jon Watts Sata Cissokho ((May 13th -24th) | [email protected] | +33 6 17 70 35 82 THE PROPAGANDA by Daniel Castro Zimbrón PLANET MARS Naima Abed (May 13th -24th) | [email protected] | +44 7 731 611 461 GAME In Production by Dominik Moll by Alvaro Longoria In Production World Market Premiere MARGUERITE JAMES WHITE by Xavier Giannoli by Josh Mond In Post-Production World Market Premiere OFFICE IN PARIS 9 Cité Paradis – 75010 Paris – France Tel: +33 1 53 34 90 20 Fax: +33 1 42 47 11 24 [email protected] [email protected] Proudly sponsored by international.memento-films.com IN COMPETITION IN CANNES LOUDER THAN BOMBS A film by Joachim Trier By the director of OSLO, AUGUST 31st (Cannes 2011 – Un Certain Regard) and REPRISE With ISABELLE HUPPErt (Amour, The Piano Teacher, 8 Women), Academy Award Nominee GABRIEL BYRNE (In Treatment, The Usual Suspects, The End of Violence), Academy Award Nominee JESSE EISENBERG (Batman v Superman, Now You See Me, The Social Network), Academy Award Nominee AMY RYAN (The Wire, Birdman, Bridge of Spies, Gone Baby Gone), Academy Award Nominee DAVID Strathairn (Lincoln, Good Night) and DEVIN DRUID Three years after her unexpected death, the preparation of an exhibition celebrating the famous war photo- grapher Isabel Reed brings her husband and their two sons together for the first time in years. When an unsettling secret resurfaces, the three men are forced to look at each other and themselves in a new light, redefining their innermost needs and desires. PRODUCED BY MOTLYS, MEMENTO FILMS PRODUCTION AND NIMBUS CO-PRODUCED BY ARTE FRANCE CINEMA, DON’T LOOK NOW WITH THE SUPPORT OF CANAL + ARTE FRANCE, CINE + IN ASSOCIATION WITH ANIMAL KINGDOM AND BEACHSIDE FILMS NorwAY, FRANCE, USA | 2015 I 103 MIN I ENGLISH | BUDGET 11 MILLIONS USD SCREENINGS IN CANNES Sat. 16th – 4:00 PM @ Arcades 2 (Private Market Screening – By invitation only) Mon. 18th – 1:30 PM @ Grand Théâtre Lumière (Tickets required) Mon. 18th – 2:00 PM @ Star 1 (Private Market Screening – By invitation only) Mon. 18th – 10:00 PM @ Grand Théâtre Lumière (Official Premiere – Tickets required) Tue. 19th – 1:30 PM @ Salle du 60e (Repetition screening) Thur. 21st – 3:30 PM @ Riviera 4 (Market Screening) WORLD MARKET PREMIERE IN CANNES THE PROPAGANDA GAME A film by Alvaro Longoria By the director of SONS OF THE CLOUDS North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards to world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war. BY THE EDITOR OF OLIVER STONE’S THE UNTOLD History OF THE UNITED STATES, COMANDANTE, ALEXANDRE BY THE CINEMATOGRAPHER OF 7 DAYS IN LA HAVANA, LA PLAGA BY THE COMPOSER OF MAMA, THE IMPOSSIBLE, THE ORPHANAGE PRODUCED BY MORENA FILMS (CELL 211, EVEN THE RAIN, MA MA) AND MARE NOSTRUM PRODUCTIONS SPAIN, FRANCE | 2015 | 90 MIN I ENGLISH SCREENINGS IN CANNES Fri. 15th – 2:00 PM @ Olympia 4 (Private Market Screening – By invitation only) Mon. 18th – 3:30 PM @ Star 4 (Private Market Screening – By invitation only) Fri. 22nd – 12:00 PM @ Riviera 3 (Private Market Screening – By invitation only) WORLD MARKET PREMIERE IN CANNES Audience Award NEW JAMES WHITE A film by Josh Mond By the Producers of AFTERSCHOOL and MARTHA MARCY May MARLENE With CHRISTOPHER ABBOTT (Girls, A Most Violent Year), Golden Globe Nominee CYNTHIA NIXON (Sex & the City), SCOTT ‘KID CUDI’ MeSCUDI (Entourage) James White is a troubled twentysomething trying to stay afloat in a frenzied New York City. As he retreats further into a hedonistic lifestyle, his mother’s battle with a serious illness faces a series of setbacks that force him to assume more responsibility. With the pressure on him mounting, James must find new reserves of strength or risk imploding completely. “Knockout performances by Cynthia Nixon and Girls alumnus Christopher Abbott. James White could be considered Mond’s Amour, albeit seen through PRODUCED BY BORDERLINE FILMS (AFTERSCHOOL, MArthA MARCY MAY MARLENE) the eyes of a child rather than a spouse.” VARIETY USA | 2015 | 86 MIN | ENGLISH “No film at Sundance this year hit me with more force emotionally than Josh Mond’s James White. SCREENINGS IN CANNES Devastating. Abbott is simply phenomenal here.” Fri. 15th – 12:00 PM @ Arcades 2 ROBERT EBERT.COM (Private Market Screening – By invitation only) Tue. 19th – 11:30 AM @ Star 3 “This extraordinarily intimate drama marks an (Private Market Screening – By invitation only) arresting feature debut for writer-director Josh Mond. A viscerally acted drama whose rich visual and sonic textures intensify the plunge into the title character’s messy life.” THE HOLLYWOOD REPORTER “Standing high above the rest of the films at Sundance this year, Mond’s directorial debut is a must-see. Cynthia Nixon is stunning in the role of James’ mother, generous, unselfconscious and heartbreaking.” THE HUFFINGTON POST “One of the standouts in this year’s Sundance selection.” THE GUARDIAN “The team behind Simon Killer and Martha Marcy May Marlene deliver one from the heart. James White visits tragically familiar material. Bracingly authentic and unique.” LITTLE WHITE LIES IN PRE-PRODUCTION UPCOMING NEW SCRIPT AVAILABLE SLACK BAY A film by Bruno Dumont By the director of Li’l QuiNQUIN (Cannes 2014 – Directors’ Fortnight), CAMILLE CLAUDEL 1915 (Berlin 2013 – Official Competition), FLANDERS (Cannes 2006 – Winner Grand Prize), HUMANITY (Cannes 1999 – Winner Grand Prize, best Actor and best Actress), THE LIFE OF JESUS (Cannes 1997 – Winner Caméra d’Or) With JULIETTE BINOCHE (The English Patient, Three Colors Blue), FABRICE LUCHINI (Gemma Bovary, In the House, The Women on the 6th Floor) and ValERIA BRUNI TEDESCHI (Munich, Human Capital, 5x2) ©DR Summer 1910. Several tourists have vanished while relaxing on the ©DR beautiful beaches of the Channel Coast. Infamous inspectors Machin and Malfoy soon gather that the epicenter of these mysterious disappearances must be Slack Bay, a unique site where the Slack river and the sea join only at high tide. There lives a small community of fishermen and other oyster farmers. Among them evolves a curious family, the Bréfort, renowned ferrymen of the Slack Bay, lead by the father nick-named “The Eternal”, who rules as best as he can on his prankster bunch of sons, espe- cially the impetuous Ma Loute, aged 18. Towering high above the bay stands the Van Peteghems’ mansion. Every summer, this bourgeois family ­­– all degenerate and decadent from inbreeding – stagnates in the villa, not without mingling during their leisure hours of walking, sailing or bathing, with the ordinary local people, Ma Loute and the other Bréforts. Over the course of five days, as starts a peculiar love story between Ma Loute and the young and mischie- vous Billie Van Peteghem, confusion and mystification will descend on both families, shaking their convictions, foundations and way of life. PRODUCED BY 3B PRODUCTIONS (CAMILLE CLAUDEL 1915, THE AttACK, HORS SATAN) FRANCE | DELIVERY: SPRING 2016 | BUDGET: 6,9 MILLION EUROS ©DR IN PRODUCTION UPCOMING NEW SCRIPT & TEASER AVAILABLE THE DARKNESS A film by Daniel Castro Zimbrón With BRONTIS JODOROWSKY (La Danza de la Realidad) The Earth has stopped spinning and days have stopped passing by. One toxic, dense fog covers the forest immersed in eternal twilight. Argel has spent his life, with his two siblings, locked inside the basement of an old cabin. They believe that a wild beast wanders in the forest’s depths. When his older brother mysteriously disappears, Argel undertakes a quest which will cause him to break the order and the rules with which he has grown up. Little by little he will discover the darkest secrets and mysteries that both his father and the forest hide. BY THE CINEMATOGRAPHER OF APICHATPONG WEERASETHAKUL’S LOVE IN KHON KAEN BY THE PRODUCTION DESIGNER OF BABEL AND AMORES PERROS BY THE EDITOR OF POST TENEBRAS LUX AND HELI BY THE VFX SUPERVISOR OF MILLENIUM PRODUCED BY VARIOS LOBOS CO-PRODUCED BY LES FILMS DE L’éTRANGER MEXICO, FRANCE | DELIVERY: SPRING 2016 IN PRE-PRODUCTION UPCOMING SCRIPT AVAILABLE BERLIN SYNDROME A film by Cate Shortland By the director of LORE (Locarno 2012 – Audience Award) and SOMERSAULT (Cannes 2004 – Un Certain Regard) With TERESA PalmER (I am Number Four, Warm Bodies, Warner’s Point Break, Lionsgate’s The Choice) and MAX RIEMElt (Amnesia, Free Fall, The Wave) By the scriptwriter of SNOWTOWN Adapted from Melanie Joosten’s novel While holidaying in Berlin, Australian photojournalist Clare meets Andi, a charismatic local man and there is an instant attraction between them. A night of pas- sion ensues. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes the following morning to discover Andi has left for work and locked her in his apartment.

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