A Visit to Paris with Paul Davenport in the Footsteps of the Impressionists
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Lapin Agile in Winter
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD Lapin Agile in Winter Ah, Montmartre, with its provincial corners and its bohemian ways...Iwould be so at ease near you, sitting in my room, composing a motif of white houses or all other things. Utrillo to César Gay from the Villejuif asylum, 19161(p6) AURICE UTRILLO (1883-1955) WAS BORN ON instruction, and he began to demonstrate real talent. Relieved, December 26 in the Montmartre quarter of and considering him cured, his mother took him back to Mont- Paris, France. He began to paint as occupa- martre, thinking that she could return to her own work as an art- tional therapy under the tutelage of his mother ist. Soon Maurice was drinking again and getting into fights, of- to divert him from alcoholism.2 Reluctant at ten returning home beaten and bruised. Mfirst, he gradually began to paint what he saw around him. His As his talent was recognized, rather than serve as a distraction cityscapes (city streets, favorite parts of Montmartre, and churches) from alcohol, his paintings were often exchanged for drinks. Each delighted the man in the street and intrigued the connoisseur. day he would vow to remain sober, yet by day’s end, he would be Although he was surrounded by the founders of modern ab- overcome by a craving for alcohol. He would drink alone and be- stract art, he recreated the city around him by realistically pre- come agitated and threatening. His mother continually rescued senting simplified images of familiar scenes. His work has a cer- him after his bouts of drinking and brought him home, seeking tain calmness and a nostalgic vitality about it, suggesting that there hospital admission as a last resort. -
Paris Noir: the African American Experience
SMALL GROUP Ma xi mum of 28 Travele rs LAND ACTIVE TRAVEL JO URNEY for Cultural Explorers Paris Noir: The African American Experience Inspiring Moments >Explore Montmartre, where African- American jazz musicians created their own Harlem in the 1920s. INCLUDED FEATURES >Enjoy an evening at a jazz club. >Nibble treats and French specialties ACCOMMODATIONS ITINERARY during a gastronomic walking tour. (With baggage handling.) Day 1 Depart gateway city A >See Paris’ most beautiful landmarks – Seven nights in Paris, France, at Day 2 Arrive in Paris during a cruise on the Seine. the first-class Les Jardins du Marais. Day 3 Right Bank | Latin Quarter | Eiffel Tower >Gaze at works of llustrating black EXTENSIVE MEAL PROGRAM culture through the ages in the Day 4 Montmartre | Latin Quarter | – Seven breakfasts, one lunch and three Louvre Museum. dinners, including Welcome and St. Germain des Pres Farewell Dinners; tea or coffee with Day 5 Seventh Arrondissement | >Experience Paris’ Banks of the Seine, all meals, plus wine with dinner. Louvre a UNESCO World Heritage site. – Sample authentic regional specialties Day 6 Paris during meals at local restaurants. Day 7 Left Bank | Latin Quarter | Sacré-Cœur in Montmartre St. Germain des Pres YOUR ONE-OF-A-KIND JOURNEY Day 8 Seine River Cruise – Discovery excursions highlight A the local culture, heritage and history. Day 9 Depart for gateway city A – Expert-led Enrichment programs Flights and transfers included for AHI FlexAir participants. enhance your insight into the region. Note: Itinerary may change due to local conditions. Travelers should be physically fit, able to walk up to 3 miles, exit/enter – Free time to pursue your own interests. -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Hidden Gardens of Paris: a Guide to the Parks, Squares, and Woodlands of the City of Lights Pdf, Epub, Ebook
HIDDEN GARDENS OF PARIS: A GUIDE TO THE PARKS, SQUARES, AND WOODLANDS OF THE CITY OF LIGHTS PDF, EPUB, EBOOK Susan Cahill | 176 pages | 03 May 2012 | Griffin Publishing | 9780312673338 | English | California, United States Hidden Gardens of Paris: A Guide to the Parks, Squares, and Woodlands of the City of Lights PDF Book Are the prices for this place or activity budget-friendly? Best to do a search for properties in the 7th arrondissement within your budget and with your requirements and narrow it down from there. But, if reaching the top is on your bucket list, I recommend purchasing tickets in advance. But for many expats and foreign students who live and work there, the French capital will remain an exquisite, fascinating, and moving place that was worth experiencing. Rue Cler market Photo credit: Colleen Lanin. I just added the market to our list of stops. Poor 0. Gotta plan another trip! Great tips about the center of Paris. You learn a lot about the culture! Bethany — So glad you find these tips for Paris with kids helpful! Hope you can do a mom-daughter trip! Seeing Eiffel Tower at night its like been in a fairytale! This site uses Akismet to reduce spam. What a great list. My son is pining for the food in France! Traveling with kids, whether it be in the U. April 16, at pm. The Pere Lachaise Cemetery in the 20th arrondissement of Paris is the largest operating cemetery of…. All languages. Louis near Notre-Dame 4th Arrondissement , the Luxumbourg Garden neighborhood 6th Arrondissement , and the more affordable and less central Montmartre neighborhood 18th Arrondissement. -
The Earful Tower's Bucket List: 100 Things to Do in Paris in 2021
The Earful Tower’s Bucket List: 100 things to do in Paris in 2021 1. Galeries Lafayette rooftop 34. Vincennes Human Zoo 68. Le Bar Dix 2. Vanves flea market 35. Georges V hotel 69. Serres d’Auteuil garden 3. Louis Vuitton Foundation 36. Vaux le Vicomte 70. Vie Romantique musuem 4. Grand Palais exhibition 37. Comédie Française 71. Le Meurice Restaurant 5. Sevres Ceramics Museum 38. Rungis market 72. Roland Garross 6. Cruise Canal St Martin 39. Surf in 15eme 73. Arts Décoratifs museum 7. Eat in Eiffel Tower 40. Jardins de Bagatelle 74. Montparnasse Tower 8. Watch PSG game 41. Bees at the Opera 75. Bois de Boulogne biking 9. Black Paris Tour 42. Saint Étienne du Mont 76. Richelieu library 10. Petit Palais Cafe 43. 59 rue de Rivoli. 77. Gravestone Courtyard 11. Lavomatic speakeasy 44. Grange-Batelière river 78. Piscine Molitor 12. L’As du Fallafel 45. Holybelly 19 79. Cafe Flore. 13. Pullman hotel rooftop 46. Musee Marmottan 80. Sainte Chapelle choir 14. Chapel on Rue du Bac 47. Grande Arche 81. Oldest Paris tree 15. Jardin des Plantes 48. 10 Rue Jacob 82. Musée des Arts Forains 16. Arago medallions hunt 49. Grande Chaumière ateliers 83. Vivian Maier exhibit 17. National France Library 50. Moulin de la Galette 84. Chess at Luxembourg 18. Montmartre Cemetery cats 51. Oscar Wilde’s suite 85. André Citroën baloon 19. Bustronome Bus meal 52. Credit Municipal auction 86. Dali museum 20. Walk La Petite Ceinture 53. Seine Musicale 87. Louxor cinema 21. Maxims de Paris 54. Levallois street art 88. -
Impressionist Adventures
impressionist adventures THE NORMANDY & PARIS REGION GUIDE 2020 IMPRESSIONIST ADVENTURES, INSPIRING MOMENTS! elcome to Normandy and Paris Region! It is in these regions and nowhere else that you can admire marvellous Impressionist paintings W while also enjoying the instantaneous emotions that inspired their artists. It was here that the art movement that revolutionised the history of art came into being and blossomed. Enamoured of nature and the advances in modern life, the Impressionists set up their easels in forests and gardens along the rivers Seine and Oise, on the Norman coasts, and in the heart of Paris’s districts where modernity was at its height. These settings and landscapes, which for the most part remain unspoilt, still bear the stamp of the greatest Impressionist artists, their precursors and their heirs: Daubigny, Boudin, Monet, Renoir, Degas, Morisot, Pissarro, Caillebotte, Sisley, Van Gogh, Luce and many others. Today these regions invite you on a series of Impressionist journeys on which to experience many joyous moments. Admire the changing sky and light as you gaze out to sea and recharge your batteries in the cool of a garden. Relive the artistic excitement of Paris and Montmartre and the authenticity of the period’s bohemian culture. Enjoy a certain Impressionist joie de vivre in company: a “déjeuner sur l’herbe” with family, or a glass of wine with friends on the banks of the Oise or at an open-air café on the Seine. Be moved by the beauty of the paintings that fill the museums and enter the private lives of the artists, exploring their gardens and homes-cum-studios. -
André Derain Stoppenbach & Delestre
ANDR É DERAIN ANDRÉ DERAIN STOPPENBACH & DELESTRE 17 Ryder Street St James’s London SW1Y 6PY www.artfrancais.com t. 020 7930 9304 email. [email protected] ANDRÉ DERAIN 1880 – 1954 FROM FAUVISM TO CLASSICISM January 24 – February 21, 2020 WHEN THE FAUVES... SOME MEMORIES BY ANDRÉ DERAIN At the end of July 1895, carrying a drawing prize and the first prize for natural science, I left Chaptal College with no regrets, leaving behind the reputation of a bad student, lazy and disorderly. Having been a brilliant pupil of the Fathers of the Holy Cross, I had never got used to lay education. The teachers, the caretakers, the students all left me with memories which remained more bitter than the worst moments of my military service. The son of Villiers de l’Isle-Adam was in my class. His mother, a very modest and retiring lady in black, waited for him at the end of the day. I had another friend in that sinister place, Linaret. We were the favourites of M. Milhaud, the drawing master, who considered each of us as good as the other. We used to mark our classmates’s drawings and stayed behind a few minutes in the drawing class to put away the casts and the easels. This brought us together in a stronger friendship than students normally enjoy at that sort of school. I left Chaptal and went into an establishment which, by hasty and rarely effective methods, prepared students for the great technical colleges. It was an odd class there, a lot of colonials and architects. -
Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: the Truth of Nature Features More Than 100 Works Spanning the Artist’S Entire Career
Images available upon request. Denver Art Museum to Premiere Landmark Monet Exhibition Claude Monet: The Truth of Nature features more than 100 works spanning the artist’s entire career DENVER—July 23, 2018—The Denver Art Museum (DAM) will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades when it presents Claude Monet: The Truth of Nature, in the fall of 2019. The exhibition will feature more than 100 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked. Co-organized by the DAM and the Museum Barberini in Potsdam, Germany, Denver will be the sole U.S. venue for this presentation from Oct. 20, 2019 through Feb. 2, 2020. The exhibition will travel to the Museum Barberini in the spring of 2020. artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous Monet traveled more extensively than any other dialogue with nature and its places through a impressionist artist in search of new motifs. His thematic and chronological arrangement, from journeys to varied places including the rugged the first examples of artworks still indebted to the Normandy coast, the sunny Mediterranean, landscape tradition to the revolutionary London, the Netherlands and Norway inspired compositions and series of his late years. Princeton University Art Museum. The exhibition also will include six Monet paintings from the DAM collection; four of them were part of the Frederic C. -
A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2014 The ubiC st's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schwartz, Geoffrey David, "The ubC ist's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912" (2014). Theses and Dissertations. 584. https://dc.uwm.edu/etd/584 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE CUBIST’S VIEW OF MONTMARTRE: A STYISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912. by Geoffrey David Schwartz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee December 2014 ABSTRACT THE CUBIST’S VIEW OF MONTMARTE: A STYLISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912 by Geoffrey David Schwartz The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Kenneth Bendiner This thesis examines the stylistic and contextual significance of five Cubist cityscape pictures by Juan Gris from 1911 to 1912. These drawn and painted cityscapes depict specific views near Gris’ Bateau-Lavoir residence in Place Ravignan. Place Ravignan was a small square located off of rue Ravignan that became a central gathering space for local artists and laborers living in neighboring tenements. -
Realism in Paris: a Partnership Between Guy De Maupassant and Baron Georges Haussmann Julie M. Patterson a SENIOR THESIS For
Realism in Paris: A Partnership Between Guy de Maupassant and Baron Georges Haussmann by Julie M. Patterson A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS December 2001 Approved by: L2. - /~>- o I Dr."we~dell M·. KycocV ' Date Associate Dean, Graduate School 9 ;, ~~~ ~I Dr. Gary ~ell Date Dean, Uni rsity Honors College The author approves the photocopying of this document for educational purposes. %0^ P Teddle of Contents Acknowledgements 2 Notes on Text 3 Section I I. Introduction 5 II. Baron Georges Haussmann And His Public Works Progreuns For Paris 7 A. ^^Les Reseaiix" 10 B. Haussmann, Realism, and Nineteenth-Century Paris...l3 Section II. Discussion of Short Stories I. Guy de Maupassant 17 II. Haussmannization and Maupassant's Female Characters...21 III. Cemeteries and Parisians 29 IV. Women's Roles and Haussmannization. 36 V. Tradi t ion v. Haus smanni z at ion 41 Conclusion 52 Bibliography 54 Acknowledgements I would like to extend my deepest appreciation to several individuals who have helped me with this project. Dr. Wendell Aycock acted as my mentor professor for this project. He helped me formulate many of my ideas, potential research avenues, and acted as my main editor. He introduced me to Guy de Maupassant and lent me anything I needed out of his own resource materials for this project. Dr. Jill Patterson acted as my reviewing professor and did wonders with the editing process. I would also like to thank the Texas Tech Honors College for giving me the opportunity to undergo this kind of project at the undergraduate level. -
Edme Jean Leclaire Biography
1 BIOGRAPHY of a GOOD MAN LECLAIRE Buildings Painter CONFERENCE AT THE PALACE OF TROCADÉRO Following a speech by Mr. Edouard Laboulaye on the history of labor l September 1878 BEFORE THE GENERAL ASSEMBLY OF SOCIETIES OF LABOR FOUNDED TO FACILITATE THE PLACEMENT OF WORKERS AND EMPLOYEES BY CHARLES ROBERT Former State Councilor President of the Society of Providence and Mutual Aid of the Workers and Employees of House of Leclaire PARIS BOOKSTORE FISCHBACHER Corporation 33, RUE DE SEINE, 33 All rights reserved. Translated from French by Bob Blain 2009 With help from Google translate 2 Table of Contents I JUDGMENT OF LECLAIRE BY A LEARNED GERMAN ECONOMIST ..................................................................................... 1 II LECLAIRE AND THE SOCIETIES OF WORK ................ 4 III LECLAIRE, STUDENT, APPRENTICE, WORKMAN, CONTRACTOR ................................................................................. 7 IV PORTRAIT OF LECLAIRE IN 1838 BY M. FRÉGIER 10 V FOUNDATION OF A SOCIETY OF MUTUAL AID (1838) ............................................................................................................. 12 VI ORDINARY RESULT OF A TRANSFER OF CUSTOMERS .................................................................................. 14 VII ESTABLISHMENT OF THE PARTICIPATION OF EMPLOYEES IN PROFITS (1842) ............................................ 18 VIII DISCLOSURE OF METHODS OF UNFAIR COMPETITION (1841) ................................................................ 23 IX THE LAW OF 22 GERMINAL IN IX AND -
Fashion in Paris; the Various Phases of Feminine Taste and Aesthetics from 1797 to 1897
EX LIBRIS Cooper Union Museum for the Arts of Decoration GIVEN BY The Hospital Book and News Socle IN 1900 FASHION IN PARIS THE VARIOUS PHASES OF FEMININE TASTE AND ESTHETICS FROM 1797 TO 1897=^ By OCTAVE UZANNE ^ from the French by LADY MARY LOYD ^ WITH ONE HUNDRED HAND- COLOURED PLATES fc? TWO HUNDRED AND FIFTY TEXT ILLUSTRATIONS BY FRANCOIS COURBOIN LONDON : WILLIAM HEINEMANN NEW YORK: CHARLES SCRIBNER'S SONS MDCCCXCVIII (pr V All rights reserved CHAP. PAGE I. The Close of the Eighteenth Century ... i Licentiousness of Dress and Habits under the Directory of the Nineteenth II. The Dawn Century . 23 The Fair Sex in the Tear VIII First Empire III. Under the ...... +5 Feminine Splendour in Court and City IV. Dress, Drawing - rooms, and Society under the Restoration ....... 65 1815-1825 V. The Fair Parisian in 1830 ..... 85 Manners, Customs, and Refme?nent of the Belles of the Romantic Period VI. Fashion and Fashion's Votaries, from 1840 to 1850 103 VII. Fashion's Panorama in 1850 . 115 The Tapageuses and the Myst'erieuses in under VIII. Life Paris the Second Empire . .127 Leaders of the Gay World, and Cocodettes IX. The Fair Sex and Fashions in General from 1870 till 1880 ....... 147 X. The Parisian, as She is . .165 Her Psychology, Her Tastes, Her Dress MM. kmmi X<3 INTRODUCTION he compilation of a complete bibliography, even the most concise, of the works devoted to the subject of Costume, T and to the incessant changes of Fashion at every period, and in every country, in the world, would be a considerable undertaking—a work worthy of such learning as dwelt in the monasteries of the sixteenth century.