DOCSLIB.ORG

Share Monitor 4 User Manual Copyright © 2012 Apple Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Share Monitor 4 User Manual Copyright © 2012 Apple Inc Share Monitor 4 User Manual Copyright © 2012 Apple Inc. All rights reserved. Note: Because Apple frequently releases new versions and updates to its system software, applications, and Your rights to the software are governed by the Internet sites, images shown in this manual may be slightly accompanying software license agreement. The owner or different from what you see on your screen. authorized user of a valid copy of Compressor, Final Cut Pro, or Motion software may reproduce this Apple publication for the purpose of learning to use such 1 Infinite Loop software. No part of this publication may be reproduced Cupertino, CA 95014 or transmitted for commercial purposes, such as selling 408-996-1010 copies of this publication or for providing paid for support www.apple.com services. Apple, the Apple logo, Final Cut, and Final Cut Pro are The Apple logo is a trademark of Apple Inc., registered in trademarks of Apple Inc., registered in the U.S. and other the U.S. and other countries. Use of the “keyboard” Apple countries. logo (Shift-Option-K) for commercial purposes without the prior written consent of Apple may constitute UNIX is a registered trademark of The Open Group. trademark infringement and unfair competition in violation Other company and product names mentioned herein of federal and state laws. are trademarks of their respective companies. Mention of Every effort has been made to ensure that the information third-party products is for informational purposes only in this manual is accurate. Apple is not responsible for and constitutes neither an endorsement nor a printing or clerical errors. recommendation. Apple assumes no responsibility with regard to the performance or use of these products. Contents Preface 5 Welcome to Share Monitor 5 About Share Monitor 5 About the Share Monitor Documentation 6 Additional Resources Chapter 1 7 Using Share Monitor 8 About the Share Monitor Main Window 11 About the Info Window 11 Viewing or Changing the Status of a Submitted Batch 13 Share Monitor and Distributed Processing 14 Share Monitor Preferences 3 Welcome to Share Monitor Preface Share Monitor is an easy-to-use application for viewing or adjusting the status of batches and jobs processed by Compressor, Apple Qmaster, Final Cut Pro, and Motion. This preface covers the following: • About Share Monitor (p. 5) • About the Share Monitor Documentation (p. 5) • Additional Resources (p. 6) About Share Monitor You use Share Monitor to monitor the transcoding progress of batches and jobs. You can pause, resume, cancel, and get the status for any submitted batch or any individual job, target, or target segment. You can also use Share Monitor to view detailed history for recently completed batches and jobs. Important: Share Monitor 4 is designed to work closely with Final Cut Pro X and later and Motion 5 and later. All mentions of Final Cut Pro and Motion in this document refer to these versions. About the Share Monitor Documentation The Share Monitor User Manual (this document) describes the Share Monitor application only. For information about Compressor and how to create a complete network for Apple Qmaster processing, see the Compressor User Manual, available in Compressor Help. • Share Monitor User Manual: This brief document describes how to use Share Monitor to monitor the transcoding progress of batches and jobs. • Compressor User Manual: This is a comprehensive document that describes the Compressor interface, commands, and menus and gives step-by-step instructions for using Compressor and accomplishing specific tasks. It also explains how to set up and maintain a distributed processing network for use with Compressor or digital visual effects software packages. It is written for users of all levels of experience. 5 • Final Cut Pro Help: This document describes how to share your projects and use Share Monitor to view the progress. • Motion Help: This document describes how to share your projects and use Share Monitor to view the progress. Additional Resources There are a variety of Apple websites that you can visit to find additional information. Compressor Website For general information and updates, as well as the latest news on Compressor, go to: • http://www.apple.com/finalcutpro/compressor Apple Service and Support Websites For software updates and answers to the most frequently asked questions for all Apple products, go to the general Apple Support webpage. You’ll also have access to product specifications, reference documentation, and Apple and third-party product technical articles. • http://www.apple.com/support For software updates, documentation, discussion forums, and answers to the most frequently asked questions for Compressor, go to: • http://www.apple.com/support/compressor 6 Preface Welcome to Share Monitor Using Share Monitor 1 Just as Printer Setup Utility allows you to view print jobs submitted to a printer, Share Monitor lets you view the status of batches submitted for processing. For example, Share Monitor displays each batch’s name, details of where it originated, the percentage of completion, and the estimated time before completion. Batches not yet running appear as pending. Each batch, job, target, and target segment includes status information and a progress bar, as well as buttons you can use to pause, resume, cancel, and get the status of a transcode that is currently in progress. Note: The most popular use of Share Monitor is viewing the progress of the Compressor transcoding batches and Final Cut Pro or Motion sharing operations. By default, Share Monitor does not automatically open when you submit a Compressor batch. To have Share Monitor open automatically, in Compressor preferences, select “Automatically launch Share Monitor.” See the Compressor User Manual for more information. Share Monitor appears in the Dock when you start a share operation from either Final Cut Pro or Motion. This chapter covers the following: • About the Share Monitor Main Window (p. 8) • About the Info Window (p. 11) • Viewing or Changing the Status of a Submitted Batch (p. 11) • Share Monitor and Distributed Processing (p. 13) • Share Monitor Preferences (p. 14) 7 About the Share Monitor Main Window Most of the Share Monitor controls are available in the Share Monitor main window. Toolbar buttons User buttons Status buttons Batch display Cluster list The Share Monitor main window includes the following sections: General Interface For details about the toolbar buttons and the batch display, see the next sections. • Batch display: Provides a hierarchical display of batch, job, target, and segment information for current and completed batches. Also includes controls to pause, resume, cancel, and get status for any individual batch, job, target, or segment. • Toolbar: Use the toolbar to adjust the display of items you are monitoring. See Toolbar Buttons for details. • Cluster list: Displays a list of computers available for processing batches, including “This Computer” (the one using Share Monitor) and all enabled Apple Qmaster processing clusters on your network. Select any cluster in the list to monitor its activity. • User buttons: Click the Me button to display batches you submitted. Click All to display all batches for the selected cluster. (For information about permissions and password protection, see the “Apple Qmaster and Distributed Processing” chapter in the Compressor User Manual. • Status buttons: Click the Active button to display batches that the selected cluster is currently processing. Click Completed to display batches that the selected cluster has already completed. Click All to display all batches for the selected cluster. 8 Chapter 1 Using Share Monitor Toolbar Buttons Share Monitor contains a toolbar with the following buttons that let you adjust the display of batch status information. Note: If the toolbar isn’t visible when you open Share Monitor, click the button in the upper-right corner of the Batch window to open it. • Refresh: Click Refresh to update the status of a selected cluster immediately, rather than wait for the next update event. • Expand All: Reveals all job, target, and segment information for every batch. • Collapse All: Displays batch-level information only. • Sort Order: Switches the batch list between descending and ascending order. Batch Display Batches, jobs, targets, and segments are displayed in hierarchical (nested) views. Each view in the batch view hierarchy contains a disclosure triangle. Click the disclosure triangles to reveal the next level of the hierarchy. For example, click the disclosure triangle in a batch view to reveal the jobs contained within the batch, and click the disclosure triangle in a job view to reveal the targets contained within the job. Chapter 1 Using Share Monitor 9 Note: Completed tasks appear in the same view area. Batch view Job view Target view Segment views • Batch view: Displays the batch name, the number of jobs and targets contained within the batch, the date and time on which the batch was submitted, the name of the user who submitted the batch, and the status. • Job view: Displays the name, the number of targets and segments contained within the job, the input file type (displayed as an icon), and the status. • Target view: Displays the type (displayed as an icon), the name, the number of segments that the target has been broken down into, and the status. • Segment view: When a batch is being processed using a cluster, this displays a description (a time-based or frame-based description of the portion of the target being processed), the machine name (service node that the segment is being processed on), the status, and the machine type (displayed as an icon). Segment information is available only while a batch is being processed. 10 Chapter 1 Using Share Monitor About the Info Window To get detailed information about any submitted batch, job, target, or segment, click its Show Info button to open a window showing information for that item.
Load more

Recommended publications
  • FCS Remover User Manual 1
    FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them.
    [Show full text]
  • Shake User Manual
    Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors.
    [Show full text]
  • Motion 1.0: Late-Breaking News (Manual)
    1 Late-Breaking News About Motion Motion Clarifications Align to Motion behavior When using the Motion Path behavior, the Align to Motion behavior (from the Simulation subcategory) has no effect. Align to Motion is designed to work with a keyframed animation path. You can use the Snap Alignment to Motion behavior (from the Basic Motion subcategory) once a Motion Path behavior is applied to an object. Blend Mode The Premultiplied Mix blend mode performs an unpremultiply composite—the foreground image is assumed to be premultiplied. Artifacts may appear as result of unpremultiplying pixels whose RGB and alpha values are very small (resulting in pixels with values of 255). In some cases, the hardware performs bilinear filtering and then the blend mode unpremultiplies the alpha. Field Dominance Motion projects with field dominance set in Project Properties, will not be encoded or rendered with field interlacing unless Field Rendering is enabled in the View menu of the Canvas. Enabling this setting will also improve playback quality of motion on an interlaced monitor. Filters Pasting a filter does not paste at the current playhead location. Suggestion: Paste the filter, then press the Shift key while you drag the pasted object. As you approach the current playhead location, it snaps into place. Panning To pan the Canvas at any time, hold the Space bar down, then drag in the Canvas. The Pan tool is temporarily selected in the Toolbar. 1 Particles If you apply certain transformations, such as a scale, rotate, or shear, to an object used as a particle cell source, the transformation is not respected.
    [Show full text]
  • Pro Apps Vancouver Courses
    pro apps vancouver courses FCP 101 Introduction to Final Cut Pro 7 Teaches basic editing functions while familiarizing students with the basic user interface. (3 days) $1,395* – Upcoming Course: November 8 - 10 FCP 200 Comprehensive Study of Final Cut Pro 7 Provides an in-depth study of the primary feature set and basic interface of Final Cut Pro. (5 days) $1,795* – Upcoming Course: November 8 - 12 FCP 300 Final Cut Pro 7 Advanced Editing Covers advanced editing techniques, including creating polished transitions, fixing screen direction errors, editing multi-camera projects, and compositing like a pro. Also covers advanced workflows for managing media and working with film. (3 days) $1,395* – Upcoming Course: January 24 - 26 FCP + Motion Bootcamp Final Cut Pro 101 + Motion 101 Combined An intense session that combines the Introduction to Final Cut Pro and the Introduction Ask to Motion training courses into a solid week of instruction. (5 days) About $2,295* – Upcoming Course: Please contact us. Motion 101 Introduction to Motion 4 Covers interface fundamentals, particles, blend modes, layer organization, and Custom fundamental multi-layer editing. (3 days) $1,295* – Upcoming Course: Please contact us. Courses! Color 101 Introduction to Color Correction in Final Cut Studio Introduces students to Final Cut Studio’s color correcting capabilities. Start with the If you don’t see basics of color correction in Final Cut Pro and move on to the fine points of secondary grading in Color. (2 days) exactly what you need $1,095* – Upcoming Course: November 15 - 16 we can customize Logic Pro 101 Introduction to Logic Express 9 and Logic Pro 9 Introduces students to the primary feature set and basic user interface of Logic the perfect solution Express and Logic Pro.
    [Show full text]
  • Software Soloist Motion Composer Suite
    SOFTWARE SOLOIST MOTION COMPOSER SUITE The Power to Differentiate Your Process Connect and Go The Soloist Motion Composer Suite is the development solution Setting up your smart drive solution is easy. Quickly set up your motion control application needs. Part of the Soloist single- drives, motors, and stages with the Configuration Manager axis motion control platform, the Motion Composer Suite allows application. This is just one of several tools integrated in the you to deploy advanced automation that outpaces competitive Motion Composer Suite that makes drive, controller, and servo solutions. The suite includes the following products: configuration fast and effective. • Soloist Configuration Manager Setting up an automation process is also quick and easy. The Soloist smart drives include an integrated controller that can talk • Soloist Motion Composer IDE over EtherNet/IP, Ethernet TCP/IP, RS-232, RS-485, and Modbus • Soloist Digital Scope TCP. Powerful Technology, Simply Integrated Fieldbus I/O and expandable I/O on Aerotech drive hardware is The Soloist solution is a powerful performance tool that can directly accessible within the AeroBasic real-time programming be simply integrated into your system. The Motion Composer language. Suite gives you more precision at your fingertips through Develop and Test Real-Time Applications a user-friendly interface with tools for each aspect of your The Soloist Motion Composer Suite includes a powerful development process. Using the Motion Composer Suite, you can environment for real-time developers. The Motion Composer IDE deploy real-time application code to a smart, single-axis drive allows real-time application code to be developed, debugged, and which includes an integrated controller.
    [Show full text]
  • Using Motionvfx Templates
    Using MotionVFX templates Installing templates 2 Motion 5 Overview 4 Replacing Drop Zones and Texts 5 Sharing 6 FCPX Finding projects 7 Replacing Drop Zones and Texts 8 Cutting 9 Sharing 11 Installing templates The easiest and the most efficient way of installing our templates & plugins is through our desktop app mInstaller. Download mInstaller from our website motionvfx.com/minstaller and drag & drop it to the Applications folder. After the installation you can find it in the menu bar in the upper right corner. Log into it using your MotionVFX Login and password - after that the app will allow you to access all of your purchases. 2 Now you can download, install, repair and also convert Apple Motion projects’ FPS right inside mInstaller. Remember All of our products require the latest versions of their supported host software (FCPX/Motion 5/Adobe's After Eects/etc.) as well as the latest version of OS X (if appliable). 3 Motion 5 All Motion templates can be and fully edited in Motion 5. In Final Cut Pro X you can access the specifically marked (published) parameters such as texts and Drop Zones. Every MotionVFX project can be opened in Motion 5 from mInstaller. To easily customize a project in Motion 5, open the project’s properties (by selecting the Project layer and going to the Inspector > Project ) and pick the Publishing tab. 4 Replacing Drop Zones and Texts The easiest way to replace a Drop Zone is to drag and drop your footage from Finder onto the proper Drop Zone visible in the viewport.
    [Show full text]
  • Videodisc Control and Video Playback on the Computer
    Understanding Videodisc Control and Video Playback on the Computer James D. Lehman Educational Technology Purdue University How is control of a videodisc player and video playback accomplished from within an authoring environment such as HyperStudio, HyperCard, Toolbook, or Director? Although the precise answer to this question varies from program to program, the basic processes are the same regardless of the system. Let's see what those processes are. All modern industrial videodisc players have a built-in serial port. A computer is able to direct the actions of the videodisc player by sending appropriate signals through the serial port, in much the same way that the computer communicates with a modem. To accomplish videodisc control from the computer, one simply needs an appropriate cable connection from the computer's serial port to the videodisc player's serial port and software that can communicate with the serial port. (Note: the needed cable is specific to videodisc players and should be ordered from a vendor that deals in videodisc players.) Codes sent by the computer tell the videodisc player what to do. See the Pioneer videodisc commands following for information about the Pioneer two-letter codes. (Sony uses a numeric system we will not explore.) Software that can communicate with the serial port is a key requirement. Most modern authoring tools do not have the capability to communicate with the computer's serial port directly. As a result, some sort of add-on or special software is needed. This software is known as driver software; it is low-level software (often written in C or assembly language) that controls the interplay between the authoring environment on the computer and the videodisc player.
    [Show full text]
  • Motion Graphics and Effects in Final Cut Studio
    Instructor Guide Motion Graphics and Effects in Final Cut Studio Final Cut Studio 2 Instructor Guide Motion Graphics and Effects in Final Cut Studio Contents Contents About this instructor guide . .3 Preparing the classroom . .4 Essential teaching information . .8 Final Cut Studio 101 Agenda . .10 About the Final Cut Studio Level Onecertification exam . 26 Final Class wrap up . 30 Post-class cleanup . .31 2 For personal use only. Not for resale. Instructor Guide Motion Graphics and Effects in Final Cut Studio About this instructor guide This instructor guide is a companion to the FCS 101: Motion Graphics and Effects in Final Cut Studio course, and should be used by all Apple Certified Trainers (ACTs). It includes helpful pointers for teaching each lesson and lists all the files and materials needed to teach the class, including how much storage space the media files require. We strongly recommend that you read this document before teaching any classes. You should also review Apple Pro Training Series: “Motion Graphics and Effects in Final Cut Studi,o by Mark Spencer and Jem Schofield (ISBN: 0321509404). You can order the courseware with a 35% discount at http://www.peachpit.com/appletrainers. This link works internationally and you won’t need a discount code. Please don’t redistribute this link, because it’s only for ACTs and trainer candidates. this instructorAbout guide You should also review the tutorials at www.apple.com/finalcutstudio/ tutorials/ as well as the New Features Guide. You should also review the Apple ProRes 422 white paper, which you can download from www.apple.com/finalcutstudio/finalcutpro/support.html .
    [Show full text]
  • Final Cut Express 4 Product Overview November 2007 Product Overview  Final Cut Express 4
    Final Cut Express 4 Product Overview November 2007 Product Overview Final Cut Express 4 Contents Page 4 Welcome to Final Cut Express 4 More Powerful Video Editing for DV, HDV, and AVCHD A Workflow That Grows with You Expanded Creative Capabilities More Than One Way to Show Off Page 6 Selected New Features Use Movies Captured from AVCHD Camcorders Mix Different Formats in a Timeline Expand Your Effects for Visually Rich Looking Movies Bring Your iMovie ’08 Projects into Final Cut Express 4 Page 7 Getting Footage into Your Computer Capture Your Footage Easy Asset Management Page 10 A Tour of the Editing Environment The Browser: Get an Overview of Your Assets The Viewer: Select Assets and Preview Changes The Timeline: Put the Pieces in Place The Canvas: See It All Come Together Customize the Interface: Work the Way You Want The Autosave Vault: Save Your Stuff Page 16 Powerful Editing with Final Cut Express Make Professional Edits Refine Your Edits with Trimming Add Transitions and Effects Page 1 Compositing and Titles Use Multiple Video Layers Speak with Titles Page 5 Audio Real-Time Audio Filters Precise Controls Voice Over Tool Product Overview Final Cut Express 4 Page 7 Finding Your Audience Print to Video Create a DVD Export Video for the Web Page 8 Product Features Page 33 Product Availability and Support Pricing Availability System Requirements Support Product Overview 4 Final Cut Express 4 Welcome to Final Cut Express 4 Final Cut Express 4 is the perfect video editing tool for videomakers who want creative freedom and professional-quality results.
    [Show full text]
  • Quicktime File Format Specification Contents
    QuickTime File Format Specification Contents Introduction to QuickTime File Format Specification 17 Organization of This Document 17 Licensing Information 18 Special Fonts 18 Updates to This Specification 18 For More Information 19 Overview of QTFF 20 Media Description 20 Atoms 20 Atom Layout 22 Atom Structure 22 QT Atoms and Atom Containers 24 QT Atom Containers 27 QuickTime Movie Files 30 The File Type Compatibility Atom 33 Free Space Atoms 35 Movie Data Atoms 35 Preview Atoms 35 Movie Atoms 37 Overview of Movie Atoms 38 The Movie Atom 40 The Movie Profile Atom 42 Movie Header Atoms 43 Color Table Atoms 46 User Data Atoms 47 Track Atoms 54 Track Profile Atom 57 Track Header Atoms 57 Track Exclude From Autoselection Atoms 61 Track Aperture Mode Dimension Atoms 61 Clipping Atoms 66 Clipping Region Atoms 67 2012-08-14 | © 2004, 2012 Apple Inc. All Rights Reserved. 2 Contents Track Matte Atoms 68 Compressed Matte Atoms 69 Edit Atoms 69 Edit List Atoms 70 Track Load Settings Atoms 71 Track Reference Atoms 73 Track Input Map Atoms 76 Media Atoms 79 Media Header Atoms 80 Extended Language Tag Atom 82 Handler Reference Atoms 84 Media Information Atoms 85 Video Media Information Atoms 86 Video Media Information Header Atoms 87 Sound Media Information Atoms 88 Sound Media Information Header Atoms 89 Base Media Information Atoms 89 Base Media Information Header Atoms 90 Base Media Info Atoms 91 Data Information Atoms 92 Data Reference Atoms 94 Sample Atoms 95 Sample Table Atoms 96 Sample Description Atoms 99 Time-to-Sample Atoms 101 Composition Offset Atom 103 Composition Shift Least Greatest Atom 105 Using Composition Offset and Composition Shift Least Greatest Atoms 106 Sync Sample Atoms 107 Partial Sync Sample Atom 108 Sample-to-Chunk Atoms 109 Sample Size Atoms 111 Chunk Offset Atoms 113 Sample Dependency Flags Atom 115 Using Sample Atoms 116 Compressed Movie Resources 117 Allowing QuickTime to Compress the Movie Resource 118 Structure of a Compressed Movie Resource 118 Reference Movies 119 2012-08-14 | © 2004, 2012 Apple Inc.
    [Show full text]
  • Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc
    Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc. All rights reserved. Apple, the Apple logo, Bonjour, Final Cut, Final Cut Pro, Final Cut Studio, FireWire, Logic, Logic Studio, Mac, Mac OS, Your rights to the software are governed by the QuickTime, Shake, Xsan, and Xserve are trademarks of accompanying software license agreement. The owner or Apple Inc., registered in the U.S. and other countries. authorized user of a valid copy of Final Cut Studio or Logic Studio software may reproduce this publication for Apple Remote Desktop, Finder, and NetInfo are trademarks the purpose of learning to use such software. No part of of Apple Inc. this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this AppleCare is a service mark of Apple Inc., registered in the publication or for providing paid for support services. U.S. and other countries. The Apple logo is a trademark of Apple Inc., registered in Adobe, the Adobe logo, Acrobat, the Acrobat logo, the U.S. and other countries. Use of the “keyboard” Apple Distiller, PostScript, and the PostScript logo are trademarks logo (Shift-Option-K) for commercial purposes without or registered trademarks of Adobe Systems Incorporated the prior written consent of Apple may constitute in the U.S. and/or other countries. trademark infringement and unfair competition in violation “Dolby,” “Pro Logic,” and the double-D symbol are of federal and state laws. trademarks of Dolby Laboratories. Confidential Every effort has been made to ensure that the information Unpublished Works, © 1992–1997 Dolby Laboratories, Inc.
    [Show full text]
  • Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5
    Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5 Contents Page 4 Final Cut Server Page 5 New in Final Cut Server 1.5 Page 7 Easy Asset Cataloging Asset Discovery Process Broad Format Support Automatic Proxy and Thumbnail Generation Simultaneous Metadata Capture Drag-and-Drop Uploads Automated Synchronization Page 11 Blazing-Fast Searches Powerful, Layered Searches Easy-to-Use Metadata Tools Versatile Production “Containers” Personalized Workspaces Time-Saving Previews Optimized Bandwidth Use Robust Access Controls Seamless Archiving and Retrieval Page 18 Point-and-Click Automation Event-Based Automation Modular Automation Tools Basic and Advanced Automation Options Convenient Workflow Templates Scripts to Control External Systems Page 21 Seamless Collaboration Check-In/Check-Out Protections Version Management Automated Notifications Integrated Review and Approval Tools Working with ProRes 422 (Proxy) Workflows with Final Cut Pro Workflows with Other Final Cut Studio Applications Product Overview 3 Final Cut Server 1.5 Page 25 Multiformat Delivery Pristine Encoding and Frame Conversions Industry-Standard Encoding Batch Processing Time-Saving Templates Distributed Encoding Delivery to External Systems Page 28 Flexible Configuration Scalable Server Software Cross-Platform Client Software Quick-Start Customer Profiles Easy Setups Advanced Administration Features Automated Backups Extensible Solutions Page 32 Workflow Examples Radical Media: Expediting a Global, End-to-End Workflow FRONTLINE/World: Streamlining Website Updates Page 36 Product Details Product Overview 4 Final Cut Server 1.5 Final Cut Server Maximum creativity. Minimum overhead. Final Cut Server 1.5 frees up even more time for creative work, with new features that make it exceptionally flexible and easy to use.
    [Show full text]