Apple Qmaster 3 and Compressor 3 Distributed Processing Setup
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Pro Admin User Manual 1
Pro Admin User Manual 1 Pro Admin User Manual Pro Admin extends Pro Maintenance Tools to allow tasks to be performed simultaneously over a network. The Pro Admin interface gives system administrators all the tools they need to manage, maintain and troubleshoot Final Cut Studio systems on their network. With just one button press, administrators can repair Compressor, clean caches, analyze crash logs, synchronize plugins, troubleshoot problems and much more - saving time and allowing them to get on with more important tasks. The software consists of a Pro Client that is installed on every computer on the network and a Pro Admin tool to manage and perform tasks. Pro Admin also requires Pro Maintenance Tools to be installed on each client computer, which can be downloaded and installed remotely from within the admin tool. Features • Perform maintenance tasks across the network simultaneously • Sync plugins, preferences, user paths and scheduled tasks between computers • Use the Difference Finder tool to find the differences in specification between computers on the network, allowing you to determine why a particular system isn't working correctly when others are fine • View aggregate crash statistics including the number of crashes across the network per day, week or month, the most common cause of crashes, and the most and least stable machines • Maintenance tasks can be scheduled to run automatically Last updated Sep 24, 2014 Pro Admin User Manual 2 Quick Start 1. Use the provided installer to install and setup Pro Client. Install this on every computer on your network. If a firewall message pops up asking you to allow incoming connections, click Allow. -
Shake User Manual
Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. -
Final Cut Pro Help
Sending from Final Cut Pro to Compressor You can export a Browser clip or sequence directly from Final Cut Pro to Compressor by using the Send to Compressor command. Exporting media from Final Cut Pro to Compressor works nearly the same as using Compressor as a standalone application. The main difference is that Final Cut Pro renders media directly to Compressor during the encoding process, so you don’t need to create an intermediate QuickTime movie. When Should You Export Directly to Compressor? The advantage of exporting a sequence to Compressor directly from Final Cut Pro is that rendering happens as part of the transcoding process, potentially saving you time and eliminating unwanted artifacts. Compression and chapter markers in your Final Cut Pro sequence can be included in the resulting compressed media files. When imported into DVD Studio Pro, the chapter markers automatically appear in the Track Editor. Depending on the length of the movie, the format you are exporting to, and your computer’s capabilities, exporting can take a significant amount of time. Another option is to use the Share feature in Final Cut Pro, which can process export sessions in the background. For more information, see Using Share. To send a sequence or clip from Final Cut Pro to Compressor 1. In the Browser, select a sequence or clip you want to export. If you want to export only a specific segment of a clip or sequence, set In and Out points in your clip or sequence. 2. Choose File > Send To > Compressor. Compressor opens and the sequence or clip you exported from Final Cut Pro appears as a new encoding job in a Compressor Batch window. -
Copyrighted Material
15_387603-bindex.qxp 8/18/08 11:48 PM Page 238 Numbers Adobe Photoshop configuring as external editor, 32–33 3-Way Color Corrector filter, 185–187 Photoshop layers, 190–191 9-pin to USB serial adapters, 34–35 PSD files, 33 10-bit uncompressed codec, 202, 204 titles, 123–124 16x9 media, 205–206 AIFF file format, 53 A AJA I/O box, 35 alpha channels abort capture on dropped frames, 29 defined, 102 accounts drop shadows, 148 AutoSave vault, 28 graphic file formats, 102 login IDs, 26 Travel Matte – Alpha composite mode,140–141 multiple user accounts, 26 vector shapes, 195 accuracy of batch list file, 46 analyzing audio files, 98–99 activating Exposé, 5 anamorphic 16x9 media, 205–206 adapters, 34–35 Animation codec, 202, 204–205 Add composite mode, 139 animations Add Edit feature, 62–64 Flop filter, 181 Add Motion Keyframe button, 158 LiveFonts, 104–106, 108–109 adding buttons to button wells, 36–37 Apple Compressor adjusting Batch monitor window, 211–212 audio levels droplets, 213–214 Audio Mixer tool,COPYRIGHTED 83–84 MATERIAL frame controls, 212–213 multiple clips, 85 preset settings, 211–212 Pen tool, 84–85 QuickTime movies, 210–211 Soundtrack Pro, 94–95 sending sequences and clips to, 210 Viewer window, 85–86 Apple Jam Packs, 92 Double-Click speed, 7 Apple Web site, 214 parameters of video filters, 170–171 application launch, 28 sequence settings, 204 tracking speed, 7 238 15_387603-bindex.qxp 8/18/08 11:48 PM Page 239 Index applying audio levels filter packs, 178 adjusting filters Audio Mixer tool, 83–84 audio filters, 87 multiple clips, -
Larry Jordan's Final Cut Studio Newsletter
Sign up for Larry's FREE Monthly Newsletter! Editor: Larry Jordan Issue #71 - September, 2010 Welcome to the latest edition of my monthly Final Cut Studio newsletter for September, 2010. The goal of this newsletter is to provide information helpful to the interested user of Final Cut Pro. This newsletter publishes each month, past issues are available in my store. All software references are to Final Cut Studio (3) unless otherwise noted. Please invite your friends to visit my website -- www.larryjordan.biz. There you'll find daily tips, the latest industry news, and over 500 articles and tutorials to help you get the most out of Final Cut Studio! If you haven't done so already, each issue of this newsletter is FREE -- subscribe here. Then, follow us online. Larry's Final Cut Studio Forum Larry on Facebook Larry on Twitter Latest Industry News from the Digital Production Buzz Digital Production Buzz Weekly Podcast Larry Jordan's Blog Learn Visual Story-telling with 2 Reel Guys NEWSLETTER CONTENTS Welcome Apple Releases Updates to Final Cut Studio Digital Production Buzz Is The Official Podcast of Digital Video Expo 2010 Larry's Weekly Webinar Update Thoughts on Stereoscopic 3D Video Product Review: Drobo FS by Data Robotics Technique: Working With Subclips Thoughts on Teaching Technology Quick Note On PluralEyes Plug-In In Use: NewBlueFX Product Review: get Product Review: prEdit PASSING THOUGHTS Short mentions of interesting subjects. READER MAIL Closing The Gap Booking Work Questions on Transcoding Choosing a Graphics Card Timing Out and Spinning Beach Balls Is 60I The Same as 30P? Save My LiveType Converting HDV To DVD Sizing Graphics for DVD Text Is Text, Right? Missing Media In DVD Studio Pro's Palettes Confused About Data Rates Conforming Video Running Compressor From The Command Line Render Times And Filters Exporting Video Files From Keynote WRAP-UP WELCOME September seems to be flying by -- Digital Video Expo is rapidly approaching -- and there is so much I want to chat with you about. -
Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc
Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc. All rights reserved. Apple, the Apple logo, Bonjour, Final Cut, Final Cut Pro, Final Cut Studio, FireWire, Logic, Logic Studio, Mac, Mac OS, Your rights to the software are governed by the QuickTime, Shake, Xsan, and Xserve are trademarks of accompanying software license agreement. The owner or Apple Inc., registered in the U.S. and other countries. authorized user of a valid copy of Final Cut Studio or Logic Studio software may reproduce this publication for Apple Remote Desktop, Finder, and NetInfo are trademarks the purpose of learning to use such software. No part of of Apple Inc. this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this AppleCare is a service mark of Apple Inc., registered in the publication or for providing paid for support services. U.S. and other countries. The Apple logo is a trademark of Apple Inc., registered in Adobe, the Adobe logo, Acrobat, the Acrobat logo, the U.S. and other countries. Use of the “keyboard” Apple Distiller, PostScript, and the PostScript logo are trademarks logo (Shift-Option-K) for commercial purposes without or registered trademarks of Adobe Systems Incorporated the prior written consent of Apple may constitute in the U.S. and/or other countries. trademark infringement and unfair competition in violation “Dolby,” “Pro Logic,” and the double-D symbol are of federal and state laws. trademarks of Dolby Laboratories. Confidential Every effort has been made to ensure that the information Unpublished Works, © 1992–1997 Dolby Laboratories, Inc. -
Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5
Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5 Contents Page 4 Final Cut Server Page 5 New in Final Cut Server 1.5 Page 7 Easy Asset Cataloging Asset Discovery Process Broad Format Support Automatic Proxy and Thumbnail Generation Simultaneous Metadata Capture Drag-and-Drop Uploads Automated Synchronization Page 11 Blazing-Fast Searches Powerful, Layered Searches Easy-to-Use Metadata Tools Versatile Production “Containers” Personalized Workspaces Time-Saving Previews Optimized Bandwidth Use Robust Access Controls Seamless Archiving and Retrieval Page 18 Point-and-Click Automation Event-Based Automation Modular Automation Tools Basic and Advanced Automation Options Convenient Workflow Templates Scripts to Control External Systems Page 21 Seamless Collaboration Check-In/Check-Out Protections Version Management Automated Notifications Integrated Review and Approval Tools Working with ProRes 422 (Proxy) Workflows with Final Cut Pro Workflows with Other Final Cut Studio Applications Product Overview 3 Final Cut Server 1.5 Page 25 Multiformat Delivery Pristine Encoding and Frame Conversions Industry-Standard Encoding Batch Processing Time-Saving Templates Distributed Encoding Delivery to External Systems Page 28 Flexible Configuration Scalable Server Software Cross-Platform Client Software Quick-Start Customer Profiles Easy Setups Advanced Administration Features Automated Backups Extensible Solutions Page 32 Workflow Examples Radical Media: Expediting a Global, End-to-End Workflow FRONTLINE/World: Streamlining Website Updates Page 36 Product Details Product Overview 4 Final Cut Server 1.5 Final Cut Server Maximum creativity. Minimum overhead. Final Cut Server 1.5 frees up even more time for creative work, with new features that make it exceptionally flexible and easy to use. -
Freevlog Tutorial: How to Compress from Imovie with Quicktime 7
Freevlog Tutorial: How to compress from imovie with QuickTime 7 Here we are in imovie and we have our video clip and I'm going to show you how to compress it. Go up to File>Share. We're going to get this little box over here and we're going to select, out of all these, select QuickTime. So that's selected. I think it starts with e-mail, there's "e-mail", "web", "web streaming" blah blah blah. You want to go to "Expert Settings" so we can set it the way we want it. And We're going to click "Share". It looks like it's compressing it, but we actually get this "Save As.." window. So we're just going to save it as, whatever you want to call it. I put stuff in a folder called "Outputs". Down here were it says "Export", we want to make sure it says "Movie to QuickTime Movie" and we'll set the compressor in there with our Options and right now I think it's on "Default Settings" but we're going to change those "Default Settings" with our Options. So click Options and we get these movie settings up here. We want to first start with the Video codec. We'll click "Video Settings" and right now we're at the H.264 codec. Just a note about H.264, this codec is for QuickTime 7 only. So if you don't have QuickTime 7, like in Windows, there is no QuickTime 7 for Windows yet. You should not use this because a lot of people can't watch it so the best codec for you to use is MPEG-4 Video. -
Leopard 10.5.8 Latest Software
Leopard 10.5.8 latest software Here is a list of the latest software that OS X Leopard supports. If you have software that can be added, tell me in the thread and where to find it, so we can expand the list. A lot of the software is not on the mac repository sites or other sites, some download links are broken and programs or any info about them will be extremely hard to find. I have a lot of free space on my HDD and I store all this software & can send a download link whenever someone needs something (ideal solution is if we can make a file server or make a new updated PCC store). I first used a list from “The Leopard Thread”, sorted everything better (sorry if something isn't in order) and added programs that weren't there before. Also, some of the programs weren't the latest version, so I found the latest, found a serial and added it in the folder. Please, if you want to add something on the list, check if it truly is the latest version for PPC! Also, if some program is put under incorrect label or there is a better version, please tell me in the thread, i want to make it as best as possible! Green Have latest version of the software and a working serial if it needs one Blue Have latest version of the software, but no serial Red Downloaded latest version of the software, but haven’t tested it Magenta I guess that this is the latest version, but can’t find a download link anywhere Black Not downloaded or checked if it works or latest version Bold Black - made a list like this before without checking too much if the programs were latest version & these weren't on the Leopard Thread list, so i copied them & need to check again 1. -
User Guide Version 3.0
VERSION - 3.0 User Guide Version 3.0 QuVIS Technologies, Inc. Page 1 Wraptor™ – Digital Cinema Mastering VERSION - 3.0 TABLE OF CONTENTS SOFTWARE LICENSE AGREEMENT ..................................................................................................................................... 4 FINDING INFORMATION ......................................................................................................................................................... 5 About this manual ......................................................................................................................................................5 How this manual is organized ................................................................................................................................5 Getting more information............................................................................................................................................6 QuVIS Product Support..............................................................................................................................................6 Web Technical Support..........................................................................................................................................6 Phone Support .......................................................................................................................................................6 CHAPTER 1 – INTRODUCTION TO WRAPTOR AND DCP MASTERING ............................................................................ -
The Logic Pro 9 Compressor Introduction to Music Production, Week 4
The Logic Pro 9 Compressor Introduction to Music Production, Week 4 Joe Muscara - May 14, 2015 THE LOGIC PRO 9 COMPRESSOR - JOE MUSCARA "1 Introduction My name is Joe Muscara and I live in Houston, Texas where the Big Bopper’s classic hit “Chantilly Lace” was recorded at what is now arguably the oldest continuously operating studio in the U.S., SugarHill Studios. This lesson is for week four of Introduction to Music Production at coursera.org. I will show how to use the Compressor that comes with Logic Pro 9. Before We Begin Logic Pro is a very deep and powerful program. There is usually more than one way to do something, whether it be a menu item, a keyboard shortcut, or a cursor tool. If you’re familiar with Logic Pro, you may have a completely different method to do some of the steps I describe below. What’s important is that you use what’s best for your workflow. Also, while I am showing Logic Pro 9, these techniques are the same or similar in Logic Pro 8 and X. Consult your documentation for specifics. The examples below assume that you already have tracks or channels set up in a Logic Pro session and that you know some of Logic Pro’s terminology. If you want to try these techniques and you do not have a recording to work with, you can make a test recording with your built-in microphone, or you can use some audio (blue) Apple Loops. What is a Compressor? A compressor is primarily used to reduce the dynamic range of a recording, whether it be of an individual track, a submix of tracks, or the overall mix. -
Key Concents / Video Parameters . Codec
Key Concents/ Video Parameters . Codec- The languagein which the video datais written Example:H.264 AKA:Compressor, format, encoder . File Type- The packagein which the video datais wrapped Example:.mo% .m4v,.avi, .mkv AI(A:Wrapper, file extension . Dimensions- How manypixels comprise the width andheight of the imag, Examples:19 20x108 0, t280x720, 720x480 . AI(A: Resolution,size Relatedconcept Aspectratio (width:height usually15:9 or 4:3) . FrameRate - How many still imagesper secondmakeup the video image Examples:15 fps, 29.97 fps, 3 Ofps, 60fps Relatedconcepts: Progressive vs. interlaced . Bit Rate- How muchdata per secondis availablefor video information Examples:600kbs, 1500kbs, 10mbs, 200mbs Differentparameters are bestfor differentscenarios. Optimum parameters for playback on a local device itiffer greatly from those for streaming playback ov the internets or for those for frame accurate video editing. Common tools for video acquisition and transcoding . Handbrake- http://handbrake.fil Use:Ripping DVDs, transcoding video files for streamingor local playback . MPEGStreamclip - http://www.squared5.com/ Use:Video playback, video transcoding for streaming,local playbac or editing simpleedits and trims . EasyYouTube Downloader and VideoDownload Helper - googlethem Firefoxextensions for downloadinginternet videos . SnapzProX - http:/fwww.ambrosiasw,com Use:Screencapture software for Macs . VLCPlayer - http://www.videolan.org/vlc/ Use:Plays almost everything includingDVDs from all regions Institutefor MultimediaLiteracy Schoolof CinematicArts University of Soutlern Californa Final CutPro - The Basics This documentwill help getyou up and running. Termsmarked with a * are defined anddiscussed in the'Notesand Explanations'section. 1) SETUP - Taking time for proper setup is crucial. Be deliberateand organized. 'Create . a folderwhere you'll store your PROfECTFILE* and all of your MEDIA* e OpenFinal CutPro (FCP) r Saveyour new,'untitled' projectin your folder with an appropriatename .