Vice Media Launches First-Of-Its-Kind Multimedia Project Produced Entirely from User-Generated Content
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The Perceived Credibility of Professional Photojournalism Compared to User-Generated Content Among American News Media Audiences
Syracuse University SURFACE Dissertations - ALL SURFACE August 2020 THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES Gina Gayle Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Gayle, Gina, "THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES" (2020). Dissertations - ALL. 1212. https://surface.syr.edu/etd/1212 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This study examines the perceived credibility of professional photojournalism in context to the usage of User-Generated Content (UGC) when compared across digital news and social media platforms, by individual news consumers in the United States employing a Q methodology experiment. The literature review studies source credibility as the theoretical framework through which to begin; however, using an inductive design, the data may indicate additional patterns and themes. Credibility as a news concept has been studied in terms of print media, broadcast and cable television, social media, and inline news, both individually and between genres. Very few studies involve audience perceptions of credibility, and even fewer are concerned with visual images. Using online Q methodology software, this experiment was given to 100 random participants who sorted a total of 40 images labeled with photographer and platform information. The data revealed that audiences do discern the source of the image, in both the platform and the photographer, but also take into consideration the category of news image in their perception of the credibility of an image. -
Vice News Lands 19 News & Documentary Emmy
VICE NEWS LANDS 19 NEWS & DOCUMENTARY EMMY NOMINATIONS VICE News Tonight is the most-nominated nightly newscast for two consecutive years Brooklyn, NY (July 25) – Today, it was announced by the National Academy of Television Arts & Sciences that VICE News has been nominated for 19 News & Documentary Emmy® Awards. In only its third year on air, VICE Media and HBO’s nightly newscast VICE News Tonight earned 18 News & Documentary Emmy® Awards nominations, becoming the most highly nominated nightly show for the second year in a row and more than doubling last year’s total of nine nominations. VICE News Tonight was nominated across 12 categories including: Best Story in a Newscast, Outstanding Coverage of a Breaking News Story in a Newscast, Outstanding Video Journalism and Outstanding News Special. Additionally, the VICE Special Report ‘Panic: The Untold Story of the 2008 Financial Crisis’ was nominated in the Outstanding Business and Economic Documentary, bringing the VICE News total nomination count to 19 total. Madeleine Haeringer, Executive Producer, VICE News Tonight on HBO said: “The nominations, across twelve different categories, truly show the breadth of creativity and coverage of our work. It's a testament to the grit, determination, and unwavering fellowship of the news team that for three years in a row, VICE News Tonight has not only stood shoulder to shoulder with the giants of news, but outright beaten them.” Full list of VICE News nominations: OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN A NEWSCAST Moment of -
Beyond Objectivity and Relativism: a View Of
BEYOND OBJECTIVITY AND RELATIVISM: A VIEW OF JOURNALISM FROM A RHETORICAL PERSPECTIVE A Dissertation Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Catherine Meienberg Gynn, B.A., M.A. The Ohio State University 1995 Dissertation Committee Approved by Josina M. Makau Susan L. Kline Adviser Paul V. Peterson Department of Communication Joseph M. Foley UMI Number: 9533982 UMI Microform 9533982 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 DEDICATION To my husband, Jack D. Gynn, and my son, Matthew M. Gynn. With thanks to my parents, Alyce W. Meienberg and the late John T. Meienberg. This dissertation is in respectful memory of Lauren Rudolph Michael James Nole Celina Shribbs Riley Detwiler young victims of the events described herein. ACKNOWLEDGMENTS I express sincere appreciation to Professor Josina M. Makau, Academic Planner, California State University at Monterey Bay, whose faith in this project was unwavering and who continually inspired me throughout my graduate studies, and to Professor Susan Kline, Department of Communication, The Ohio State University, whose guidance, friendship and encouragement made the final steps of this particular journey enjoyable. I wish to thank Professor Emeritus Paul V. Peterson, School of Journalism, The Ohio State University, for guidance that I have relied on since my undergraduate and master's programs, and whose distinguished participation in this project is meaningful to me beyond its significant academic merit. -
Subsidizing the News? Organizational Press Releases' Influence on News Media's Agenda and Content Boumans, J
UvA-DARE (Digital Academic Repository) Subsidizing the news? Organizational press releases' influence on news media's agenda and content Boumans, J. DOI 10.1080/1461670X.2017.1338154 Publication date 2018 Document Version Final published version Published in Journalism Studies License CC BY-NC-ND Link to publication Citation for published version (APA): Boumans, J. (2018). Subsidizing the news? Organizational press releases' influence on news media's agenda and content. Journalism Studies, 19(15), 2264-2282. https://doi.org/10.1080/1461670X.2017.1338154 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 SUBSIDIZING THE NEWS? Organizational press releases’ influence on news media’s agenda and content Jelle Boumans The relation between organizational press releases and newspaper content has generated consider- able attention. -
OUTDOOR CHANNEL TURNS VICELAND on FRIDAY NIGHTS Viewers in Malaysia, Thailand, Philippines and Vietnam Set to Be the First to Enjoy Exclusive VICELAND Programming
OUTDOOR CHANNEL TURNS VICELAND ON FRIDAY NIGHTS Viewers in Malaysia, Thailand, Philippines and Vietnam set to be the first to enjoy exclusive VICELAND programming SINGAPORE, 25th August 2016 – Outdoor Channel (Asia), The World Leader In Outdoor Entertainment, today announced the exclusive launch of VICELAND Friday Nights on Outdoor Channel, for its viewers in 17 countries and almost 7 million households across Asia. VICELAND, the critically-acclaimed 24-hour lifestyle and cultural TV channel produced by the global youth media company VICE, will launch early 2017 across Southeast Asia in partnership with Multi Channels Asia. As a prelude to that launch, Outdoor Channel viewers will be the first in Asia to get a taste of VICELAND’s distinctive, immersive style of original lifestyle and culture programming. The three-hour VICELAND block will premiere in October on Fridays from 21:00 to Midnight (SG/MY/HKG). Viewers can expect a line-up of VICELAND signature shows including Huang’s World, Woman, Noisey, VICE World of Sports, King of the Road, Black Market, Cyberwar and States of Undress. The VICELAND programming block will give the youth centric audience of Outdoor Channel programming that delves into the curiosities of everything that makes up life today. VICELAND launched in the US and Canada in February 2016, with the channel confirmed to launch in 50 new territories throughout 2016 and 2017, including the UK, France, India, the Middle East, Sub-Saharan Africa, South East Asia, Australia and New Zealand. ### About VICE Media: VICE is the world’s preeminent youth media company and content creation studio. Launched in 1994, VICE now operates in over 30 countries and distributes its programming to viewers across digital, linear, mobile, film and socials. -
The Protection of Journalistic Sources, a Cornerstone of the Freedom of the Press
Thematic factsheet1 Last update: June 2018 THE PROTECTION OF JOURNALISTIC SOURCES, A CORNERSTONE OF THE FREEDOM OF THE PRESS According to the case-law of the European Court of Human Rights, the right of journalists not to disclose their sources is not a mere privilege to be granted or taken away depending on the lawfulness or unlawfulness of their sources, but is part and parcel of the right to information, to be treated with the utmost caution. Without an effective protection, sources may be deterred from assisting the press in informing the public on matters of public interest. As a result, the vital “public watchdog” role of the press may be undermined. Any interference with the right to protection of journalistic sources (searches at journalists’ workplace or home, seizure of journalistic material, disclosure orders etc) that could lead to their identification must be backed up by effective legal procedural safeguards commensurate with the importance of the principle at stake. First and foremost among these safeguards is the guarantee of a review by an independent and impartial body to prevent unnecessary access to information capable of disclosing the sources’ identity. Such a review is preventive in nature. The review body has to be in a position to weigh up the potential risks and respective interests prior to any disclosure. Its decision should be governed by clear criteria, including as to whether less intrusive measures would suffice. The disclosure orders placed on journalists have a detrimental impact not only on their sources, whose identity may be revealed, but also on the newspaper against which the order is directed, whose reputation may be negatively affected in the eyes of future potential sources by the disclosure, and on the members of the public, who have an interest in receiving information imparted through anonymous sources and who are also potential sources themselves. -
The Growing Relationship Between Brands and the Entertainment World Is a Big Theme Once Again at Cannes
The growing relationship between brands and the entertainment world is a big theme once again at Cannes. The debate is focused on several growing issues for brands in this space – including the integration of social media and device technology at live events, built through partnerships with the likes of Snapchat and Twitter, and the distribution of branded entertainment through deals with big media companies. Undoubtedly the biggest issue, however, is the need for brands to adapt to a changing world where they are part of a larger entertainment ecosystem. This requires some brave thinking about their brand and its role, together with the ability to connect with and, ultimately, move people in some way. This concern emerged during the Lions Entertainment session ‘What’s Next in the World of Brands and Entertainment?” The point made most forcibly by Jonny Sabbath, of Anheusher- Busch InBev. He stressed the need for those in the brand world to “think like a marketer, act like a producer. As marketers we have to act more like entertainment producers, do less interrupting and more attracting.” Sabbath raised what for me should be a significant focus for brands: bringing something that’s unique, entertaining, or useful to your audience. He cited one of his own projects, the Beerland show on Vice Media’s Viceland that follows craft brewer Meg Gill on a journey to meet home-brewers, to make his point that brands are now engaging with audiences by buying or creating TV shows and then developing their advertising around this entertainment. This requires a different approach for brands, putting themselves more in the role of producer and asking whether people will want to actively engage with the content and whether the product or service has the permission to have a conversation with people at that time, and in that space. -
The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources Kathryn M
Hastings Communications and Entertainment Law Journal Volume 12 | Number 4 Article 3 1-1-1990 When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources Kathryn M. Kase Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Kathryn M. Kase, When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources, 12 Hastings Comm. & Ent. L.J. 565 (1990). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol12/iss4/3 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. When a Promise Is Not a Promise: The Legal Consequences for Journalists Who Break Promises of Confidentiality to Sources by KATHRYN M. KASE* Introduction It was an offer Minneapolis Star Tribune reporter Lori Sturdevant could not refuse. Days before Minnesota's statewide elections in 1982, a prominent Minneapolis Republican told Sturdevant he would give her damaging information about a statewide candidate if Sturdevant would promise not to reveal her source.' Sturdevant pledged confidentiality and, in return, received a manila envelope containing a reporter's bo- nanza: copies of secret court records showing that the democratic candi- date for lieutenant governor had been convicted of shoplifting twelve years earlier.2 When Sturdevant submitted the story to the newspaper, 3 however, her editors refused to honor her promise of confidentiality. -
Vice Bolsters International Leadership Team
VICE BOLSTERS INTERNATIONAL LEADERSHIP TEAM Hosi Simon appointed as Executive Managing Director, International Tamara Howe to lead VICELAND TV EMEA business as Managing Director CJ Fahey will move into a new role as SVP International for VICE Studios TUESDAY 11 JUNE, 2019 - London -- VICE Media today announces a new leadership structure across its international team with new, enhanced roles and promotions for several key executives. Hosi Simon has been appointed as VICE’s Executive Managing Director. Simon will be responsible for overseeing all operational and business activity in APAC, EMEA & LATAM across VICE’s five lines of business – Studios, Television, Digital, News and VIRTUE. Simon has been with the organization for 13 years in multiple roles, most recently as CEO of VICE Asia Pacific where the region has quickly expanded with key partnerships. Under his leadership, VICE APAC recently announced a content partnership with Chinese streaming service Tencent, as well as its first series commission in Japan with Amazon Prime Video. In his new role as Executive Managing Director, Simon will report to Dominique Delport, Chief Revenue Officer & President, International and oversee the continued growth trajectory of the global VICE business where 50% of revenue and audience originates. As the global VICE Studios expands, CJ Fahey will move into a new role as SVP International for VICE Studios, working on the global strategy for the business reporting into Danny Gabai, Head of Vice Studios U.S. Fahey will also be responsible for the management and growth of the international Studios business in EMEA, APAC, and LATAM. Recently, VICE Studios launched a string of recent hits in the UK, including BBC Two’s 'The Brexit Storm: Laura Kuenssberg's Inside Story' and Channel 5's 'The Murder Of Charlene Downes.’ Tamara Howe will now oversee our VICELAND business across EMEA as Managing Director, reporting into Guy Slattery, General Manager VICELAND U.S. -
Source Control and Evaluation of Newspaper Inaccuracies
San Jose State University SJSU ScholarWorks Faculty Publications Journalism and Mass Communications January 1982 Source Control and Evaluation of Newspaper Inaccuracies William A. Tillinghast San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/journ_masscomm_pub Part of the Journalism Studies Commons, and the Mass Communication Commons Recommended Citation William A. Tillinghast. "Source Control and Evaluation of Newspaper Inaccuracies" Newspaper Research Journal (1982): 13-23. This Article is brought to you for free and open access by the Journalism and Mass Communications at SJSU ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. by William A. Tillinghast Source Control and Evaluatio n of Newspaper Inaccuracies Even on factual matters, some determine the amount of error or its sources judge published informa relation to constraints on the news. tion in light of their version of what Tabulating errors hasevolved into ought to be. a 14-category news source classi fication of error—omissions, under Newspaper accuracy research emphasis, overemphasis, misquotes, typically focuses on sources, news faulty headlines, spellings, names, constraints or on the reporter's ages, other numbers, titles, address mental state, generally providing es, other locations, time and dates. only a cursory examination of the The six studies found that between errors that prompted the research. 40% and 60% of all straight news The purpose of this article is to articles are said by sources to contain extend the limited research on error one or more of these errors. -
Vice Media Group Promotes Veteran News Executive Subrata De to Global Evp, Head of Programming and Development, Vice News
VICE MEDIA GROUP PROMOTES VETERAN NEWS EXECUTIVE SUBRATA DE TO GLOBAL EVP, HEAD OF PROGRAMMING AND DEVELOPMENT, VICE NEWS De will work alongside EVP, Global Head of Newsgathering, Susie Banikarim to lead VICE’s newsroom globally Longtime VICE News Executive Producer Maral Usefi promoted to Vice President, Editorial Operations JUNE 22, 2020 - BROOKLYN, NY – Today, VICE Media Group announced that award-winning veteran news executive, Subrata De has been promoted to Executive Vice President, and Global Head of Programming and Development for VICE News. De was previously Senior Executive Producer, Long Form, VICE News. De will work alongside Susie Banikarim, Executive Vice President and Global Head of Newsgathering who joined VICE Media Group in December 2019. De and Banikarim will be the most senior operational executives in VICE’s global newsroom, overseeing all aspects of the company’s news content internationally. De will lead VICE News’ robust longform unit, long lead development programming, and editorial staffing. Banikarim will continue to marshal all daily newsroom, bureaus and newsgathering functions, including the Emmy®-award winning nightly newscast VICE News Tonight. De started at VICE in May 2018 as Executive Producer of the Emmy®-award winning weekly series VICE on HBO. She was promoted to Senior Executive Producer in 2019, where she led all long-form content including Investigations by VICE on Hulu and VICE on Showtime. During her time at VICE, De has overseen multiple groundbreaking stories including "Consent,” a look at the complexity of confronting sexual assault in the wake of #MeToo; “Losing Ground” an examination into how property laws aid in the appropriation of Black land and; “Warning from Wuhan” a haunting piece reported by a now-disappeared citizen journalist in China. -
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory Zoë Visser 10151931 Master’s thesis Graduate School of Communication Master’s programme Communication Science Thesis supervisor: dr. J.W. Boumans Friday June 24th 2016 Abstract The professions of PR and journalism have been changing and widely discussed by scholars and professionals in both fields. Increasing workload in journalism demands journalists to accept an increasing number of ready-made source texts. PR professionals provide such materials, organizing both truthful and untruthful publicity stunts with the aim of becoming the subject of news. Despite all studies on the news selection process, publicity stunts are rarely covered in research. This study aims to take a first step in theorizing both types of stunts in the news process. For this purpose, a quantitative content analysis of the most validated news factors in journalistic selection processes is carried out on a range of stunts and media publications on these stunts in the Netherlands. Results show that publications on untruthful stunts score significantly higher on news factor intensity than truthful stunts, and that non-commercial organizations (governmental and NGOs) score significantly higher on news factor intensity than commercial organizations. No organizational contexts explaining for a higher number untruths in publicity stunts were discovered. It was however found that he truth of a third of untruthful stunts was doubted by the journalist covering the news event, while none of the truthful stunts were questioned. This implies that journalists are capable of distinguishing truthful and untruthful stunts to some extent.