In This Issue… New Leader of Tucson's Holocaust Museum Is a Genocide Survivor Herself EMU Jewish Studies Presents Mira Awad

Total Page:16

File Type:pdf, Size:1020Kb

In This Issue… New Leader of Tucson's Holocaust Museum Is a Genocide Survivor Herself EMU Jewish Studies Presents Mira Awad Washtenaw Jewish News Presort Standard In this issue… c/o Jewish Federation of Greater Ann Arbor U.S. Postage PAID 2939 Birch Hollow Drive Ann Arbor, MI Do'ikayt: Looking National Ann Arbor, MI 48108 Permit No. 85 Washtenaw for Library Rose of Israel page 7 page 10 page 16 March 2021 Adar/Nissan 5781 Volume XX Number 7 FREE EMU Jewish Studies presents Mira Raoul Wallenberg and the War Awad: A Concert/Conversation Refugee Board Martin B. Shichtman, special to the WJN Kelsey Robinette Keeves, special to the WJN astern Michigan University’s Cen- and culture — performing music; appear- ebecca Erbelding, a historian, archi- lenberg, the United States, and the myth of ter for Jewish Studies presents Mira ing in television, theater, and film; creat- vist, and curator at the United States a plan,” will explore Wallenberg’s work on EAwad in a concert and conversation ing visual installations. In 2009, however, RHolocaust Memorial Museum, will behalf of the War Refugee Board in Buda- on Sunday, March 7 at 3 p.m. she exploded onto the international scene be delivering the 31st David W. Belin Lec- pest, Hungary as revealed by United States when, representing Israel at the Eurovision government records. Song Contest, she joined her longtime friend Raoul Wallenberg, one of and frequent collaborator, Achinoam Nini the most famous Holocaust- (known outside of Israel as Noa), to perform era rescuers, was only 32 years “There Must Be Another Way,” the first time old when he was arrested and any Israeli entry included Arabic lyrics. She disappeared in January 1945, is among the actors in the hit Israeli televi- 10 years after graduating from sion series Arab Labor and has even been a the University of Michigan. participant in Israel’s version of Dancing “My goal is to restore the con- With the Stars. text of Budapest, the context of Mira Awad is also a forceful activist for Washington, the relationships women’s rights, for equal citizenship for between all these events and Palestinians living in Israel, for a two-state people, and to explain how the solution, and for environmental awareness. chaos of the Holocaust and the Her eloquent advocacy for dialogue and war limited the possibility of Mira Award co-existence, for peace and solidarity, has carrying out any preconceived Singer, songwriter, actress, artist, and brought considerable praise (and some criti- Raoul Wallenberg Rebecca Erbelding plan for his rescue work,” ex- content creator, Mira Awad has long been cism) across the political spectrum. She calls ture in American Jewish Affairs virtually on plained Erbelding. a major figure in Israeli and Palestinian life her music Arabic Fusion, a combination of March 16, 2021. Her lecture, “Raoul Wal- Her book, Rescue Board: The Untold Continued on page 2 Continued on page 2 New leader of Tucson’s Holocaust museum is a genocide survivor herself Phyllis Braun, originally for the JTA/Arizona Jewish Post he Holocaust museum in Arizona’s Arizona. second-largest city has tapped a Jew- The COVID pandemic has severely cur- Tish survivor of an African genocide as tailed access to the museum, and its typi- its new leader. cal stream of non-Jewish visitors, especially The board of directors at the Jewish His- schoolchildren on class trips, has stopped. tory Museum/Holocaust History Center in Some programming has moved online in Tucson unanimously selected Gugulethu a shift that Moyo described as a “great op- Moyo in November to become its executive portunity and innovation” laced with uncer- director, making her likely the first Jew of tainty. color to lead a major Jewish museum in the At the same time, Arizona has newly United States. mandated education about the Holocaust Moyo, the museum’s operations director and other genocides in schools, giving the since July 2019, brings a unique set of quali- museum a role in creating materials that fications encompassing both her career as an draw on its archive of testimonies from sur- international human rights lawyer and per- vivors who have lived in the southern part sonal Jewish journey. of the state. “Gugu has the most remarkable biogra- And the national reckoning over racism phy I have ever seen in an applicant for a po- that erupted last spring following the death sition,” said Barry Kirschner, president of the Gugulethu Moyo is the new executive director of the Tucson Jewish History of George Floyd in police custody means that museum board and himself an attorney. Moyo’s vision for the museum’s future has Museum/Holocaust History Center. PHOTO CAPTTION: : ILLUSTRATION BY GRACE YAGEL That biography includes a childhood in renewed resonance. Zimbabwe, a law career in support of media South African anti-apartheid lawyers. tion at a time of intense change for muse- “The core work,” Moyo said, “is to con- freedom and a Jewish journey inspired by Moyo takes over a 15-year-old institu- ums, memory and Holocaust education in Continued on page 9 IFrom the Editor arch 2021, can we all say a she- taking a fresh look at who we are is a wel- hechiyanu, a prayer of gratitude, come endeavor that is on the horizon for that we have made it to this day, Washtenaw County. In the meantime, if you M 2935 Birch Hollow Drive this season, this new moment? Our com- know of someone who might have an inter- Ann Arbor, Michigan 48108 munity is bursting with energy: so many est in the Jewish community in Washtenaw, (734) 395-4438 opportunities for learning and celebrating it why not ask them if they’d like to receive a www.washtenawjewishnews.org was hard to fit them all into this newspaper. free subscription to the Washtenaw Jewish [email protected] Hopefully, this is our last year of Zoom sed- News. I’m dreaming that everyone reading ers for a while, but I’m grateful that so many this finds one other household to start re- Editor and Publisher of us have learned how to use innovation to ceiving the paper. Clare Kinberg celebrate! In this issue is the 15th installment of my Would you be willing to hazard a guess as story about my aunt Rose. I’m about half- Advertising Manager to how many Jews live in Washtenaw Coun- way through the telling, and it has been a joy Gordon White ty? How would you go about counting us? to hear from people about it. If you want to Who would you count? These are questions start at the beginning, all prior issues are on Design and Layout on my mind right now, and on the mind of the WJN website. Dennis Platte Clare Kinberg others in the community. This newspaper is As always, send me your reactions to any- Staff Writers mailed to about 3000 households, yet I think ish adjacent, was Jewish, or is considering thing you read here, ideas for articles, and Hannah Davis, Shifra Epstein, this number could easily double if only I had becoming Jewish. Our Jewish community your personal simchas. n Lonnie Sussman the addresses of existing households that in the U.S. is in a porous and changing era. have someone who identifies as Jewish, Jew- “Diversity” is a bit of a tired buzzword, but Contributing Writers Rabbi Daniel Alter, Rabbi Jared Anstandig, Rebecca Belkin, Rabbi Nadav Caine, Stacy Carroll, Eileen Freed, Terri Ginsburg, Raoul Wallenberg and the War Refugee Board Continued on from page 1 Stephanie Glass, Rabbi Aharon Goldstein, Laurie Greenberg, Gillian Jackson, Kayla Story of America’s Efforts to Save the Jews of inspiration for humanitarian activists today,” people they ‘saved,’” said Erbelding. “But even Kapen, Kesley Robinette Keeves, Devon Europe, won the 2018 National Jewish Book Erbelding stated. without easily understood outcomes, I argue Meier, Martin Shichtman, Clara Silver, Award in the category of Writing Based on Ar- She believes that the War Refugee Board it is important to honor the efforts of the War Robert Savit, Dvora Schulman, Jacob Sing- er, Rachel Wall, Teddy Weinberger, Rabbi chival Material. A key challenge in writing her wasn’t more widely known before now for a Refugee Board staff and use their work as an Josh Whinston, Jack Zaientz,. book was in organizing the War Refugee Board’s few reasons. When teaching about the Holo- example for confronting humanitarian chal- records, 120 boxes still in roughly the order they caust, most schools don’t have time to focus on lenges today.” The Washtenaw Jewish News is published were in the 1940s, organized by topic and name. the American and international response, and The Belin lecture series was established monthly, by JCMWC, LLC. Opinions ex- She spent two years digitizing and organizing the general summary is that the United States in 1991 through a generous gift from the late pressed in this publication do not necessar- hundreds of thousands of pages before she began didn’t do enough. She believes this is broadly David W. Belin of Des Moines and New York ily reflect those of its editors or staff to read through the records. true, but adds that it ignores those who were to provide an academic forum for the discus- She stresses that the most important mes- pushing for the U.S. to take action since 1933. sion of contemporary Jewish life in the United ©2021 by the Washtenaw Jewish News. All rights reserved. No portion of the Washtenaw sage from the book is the impact public and “The history is utterly fascinating, but there’s States. Previous scholars to hold this honor Jewish News may be reproduced without private pressure can have on the United States no quick way to tell it without simply listing off include Deborah Lipstadt, Samuel Freedman, permission of the publisher.
Recommended publications
  • Curriculum Vitae
    Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor
    [Show full text]
  • Landscapes 20 January — 24 February 2018
    Avigdor Arikha Landscapes 20 January — 24 February 2018 Private View: Friday 19 January, 6-9pm Blain|Southern Potsdamer Straße 77–87 Avigdor Arikha, View from Rue de la Chaise, 2005 10785 Berlin Courtesy the Estate of Avigdor Arikha and Blain|Southern Blain|Southern presents Landscapes, a selection of landscape paintings and drawings by Avigdor Arikha (1929-2010), one of the great observational artists of the late twentieth century. The gallery now represents the Estate of Avigdor Arikha and Landscapes is the first exhibition of the artist’s work. The exhibition is on view in the Long Gallery, beginning a new programme of simultaneous exhibitions at the Berlin gallery. While Avigdor Arikha is highly regarded for his interiors, still lifes and portraits, most of which he painted in his Paris studio, he also spent long periods in Israel and New York, and he never failed to take his pencil or brush along with him. Spending summers in Israel, he painted the warm walls, arid hills and desert vegetation, and during his frequent trips to New York City, the city’s rhythmic, rising grids became a new view to stimulate his eye and hand. His adopted hometown of Paris was his most frequent subject, from iconic Haussmann cityscapes, to seemingly overlooked patches of the city. Wherever he landed his eye, he found a subject, or a structure, worthy of a picture. Landscapes allows viewers to travel with the artist, and to see places and perspectives that were important throughout the artist’s life. Window frames inspired the artist wherever he travelled. In View from Rue de la Chaise (2005), the warm glow of the interior window frames are contrasted with the cool burst of green from the tree beyond.
    [Show full text]
  • Review of Dalia Ardon Ish-Shalom, Ardon: a Comprehensive Catalogue, Jerusalem: the Association for the Perpetuation of the Artistic Legacy of Mordecai Ardon, 2019
    Review of Dalia Ardon Ish-Shalom, Ardon: A Comprehensive Catalogue, Jerusalem: The Association for the Perpetuation of the Artistic Legacy of Mordecai Ardon, 2019. Mordecai Ardon is a major Israeli artist and art educa- studio in 1933 that destroyed many of the works he tor who achieved international renown in his lifetime. had stored there. His transition to life in Israel is well- After his religious childhood in Poland, he moved to discussed, but Ardon Ish-Shalom doesn’t explain the Germany where he studied advanced modern art at change in his name from Bronstein to Ardon which the Bauhaus and traditional painting techniques with would have given an insight into his occasionally Max Doerner. In 1933, he escaped the Nazis and found mischievous character.2 She does discuss his long- himself in Jerusalem, which surprised him by feeling lasting affair beginning in 1935 with Rikuda Potash, to like the home he had been longing for. His art unites whom several of his paintings are dedicated. However, modern abstraction with traditional techniques and after 1945, the biography becomes more impersonal, mystic Jewish and ancient Canaanite symbolism to replete with his attainments, exhibitions, major works, comment on modern events in Israel and the world. but few details of his actual life. While objectivity is This catalogue raisonné is a definite contribution a good trait in such a book, I missed here any of the to research on this fascinating artist, as the book author’s own reminiscences or insights into the art- gives new information on his life and work and ist’s life and character, and any discussions she may 550 photographs of his works in various media.
    [Show full text]
  • Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
    Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS ....................................................................................
    [Show full text]
  • Identity, Spectacle and Representation: Israeli Entries at the Eurovision
    Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show.
    [Show full text]
  • MA Thesis: Linguistics: English Language and Linguistics
    MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car.
    [Show full text]
  • 2009 Han Vantade.Pdf
    ©Kim Milrell, 2010 Framställd på www.vulkan.se Ansvarig utgivare: Kim Milrell Han väntade vid Jerusalems portar Kim Milrell Femte bloggboken är här *spridda applåder och uppmuntrande rop*! 2009 var ett okej år. Tänk dig ett diagram: det går upp, upp, upp och så en liten raksträcka. Därefter ner, ner, ner. Och ner. Bilder och annat finns att beskåda på kimmilrell.se. Njut nu! Kim Milrell, Stockholm 1 januari 2010 (det nya årtalet känns lite perverst att skriva). 1 Dagens mail 1 januari Det hela började med ett mail… I promise I won’t sleep with anyone else for twelve months from our first date if we are together… :-) After that you will have to move here and keep an eye on me. :-) I wish I could spend the evening and night with you. Kissing, feeling and touching you. Talking and smoking together. Spending time. Having a walk hand in hand. /superduperhunk, 37, Tel Aviv Svar: Smoking? Människor utvecklas 1 januari Jag hade en väldigt jobbig typ i min högstadieklass. En sån där ondskefull person som naturligtvis var väldigt rasistisk (och gärna delade med sig av sina vanföreställningar). Nu hamnade jag av en slump på hans Facebooksida och noterade att han var medlem i klubbar som “jag lovar att inte tiga när nån säger nåt rasistiskt”. En fin start på 09! 2 Vad är problemet? 2 januari Nu ska vi tala om det där communityt som är det enda stället man kan träffa någon på. Man träffar inte kärleken på ICA (man vill inte riskera att bli misshandlad till döds) och inte via vänner (man känner redan alla deras vänner och bekanta) och sannerligen inte på krogen (de är så upptagna med att inte verka tillgängliga).
    [Show full text]
  • Pluralistic Israel: Women, Minorities, and Diversity the Association for Israel Studies: Annual Conference
    June 7–9, 2021 Pluralistic Israel: Women, Minorities, and Diversity The Association for Israel Studies: Annual Conference University of Illinois Urbana-Champaign College of Liberal Arts & Sciences Program in Jewish Culture & Society EVENT SPONSORS The Jewish Federation of Metropolitan Chicago The Association for Israel Studies The Israel Institute The College of Liberal Arts & Sciences The Program in Jewish Culture & Society The Academic Engagement Network The School of Literatures, Cultures & Linguistics The Gies Business School The Law School—Comparative Criminal Procedure and Policing The Office of the Chancellor for Equity and Diversity Hewitt International The Program in Comparative and World Literature The Center for South Asian and Middle Eastern Studies The Crown Family Center for Jewish and Israel Studies 37th Annual Meeting of the Association for Israel Studies Pluralistic Israel: Women, Minorities, and Diversity June 7–9, 2021 Hosted Virtually by University of Illinois Urbana-Champaign PROGRAM 2 Contents 3 Welcome from the AIS President 4 Welcome from the Conference Chair 5 Conference Team 5 Association for Israel Studies 6 Program Committee 7 AIS Award Winners 8 Conference Information 10 Virtual Event Code of Conduct 12 Schedule at a Glance 16 Time Zone Conversions 17 Opening Events 18 Pre-Conference Events 22 Conference Schedule 59 Index of Participants 3 Welcome from the AIS President It is my immense pleasure to welcome a deeper interdisciplinary understanding of the you to the 37th Annual Meeting of the complexities of Israel, but also offers a lens through which to better compare and understand other Association of Israel Studies, its first virtual countries who likewise work through issues of conference.
    [Show full text]
  • The Irish Tenors and Mira Awad Bring Notes of Peace from Regions of Conflict at 2010 Liberty Medal Ceremony
    FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Alex Podmaska Director of Public Relations Public Relations Coordinator 215.409.6693 215.409.6895 [email protected] [email protected] THE IRISH TENORS AND MIRA AWAD BRING NOTES OF PEACE FROM REGIONS OF CONFLICT AT 2010 LIBERTY MEDAL CEREMONY Philadelphia, PA (September 9, 2010) – Renowned singing trio The Irish Tenors and Israeli-Palestinian singer Mira Awad will perform during the 2010 Liberty Medal ceremony at the National Constitution Center on Monday, September 13, 2010, honoring former British Prime Minister Tony Blair. Both groups represent areas of the world where Tony Blair has demonstrated a commitment to promoting peace. The Liberty Medal ceremony will be broadcast live on WPVI-TV/6abc and webcast live on www.6abc.com . The Irish Tenors will sing “Isle of Hope, Isle of Tears" and “Let There Be Peace,” Mira Awad will perform her song “Faith in the Light,” and students from Girard Academic Music Program will join Awad in a performance of “You Raise Me Up” to close the ceremony. The John Byrne Band , led by Dublin native John Byrne, who currently resides in the Philadelphia area, will perform at the President’s Reception prior to the ceremony. President Bill Clinton, Chair of the National Constitution Center, will award the Liberty Medal to former Prime Minister Blair in recognition of his steadfast commitment to conflict resolution. Blair played a critical role in advancing peace in Northern Ireland during his tenure as British prime minister. Throughout the grueling negotiation process that preceded the historic Good Friday Accord, he displayed unwavering determination to settle the generations-long conflict.
    [Show full text]
  • Artists on the Frontline
    (Click the URLS for links to articles/websites online) ARTISTS ON THE FRONTLINE This month, Israeli singer Noa (Achinoam Nini) found herself in the headlines when JNF Canada withdrew their support from an upcoming concert featuring her, falsely alleging that she was a BDS supporter. Noa is an outspoken peace activist & critic of the current Israeli government. Delegitimisation of politically outspoken cultural figures is increasingly prevalent in Israel today, with growing attempts to silence and side-line those deemed ‘disloyal’ to Israel. PROTEST AND BRIDGE-BUILDING RECENT CULTURAL CLAMPDOWN: IN ISRAEL’S MUSIC SCENE: 16 JUNE 2015 Culture Ministry halts funding to Haifa theatre Sha’anan Streett of showing a play about a terrorist’s life Hadag Nahash: ‘Sticker Song’ & ‘One More 31 DECEMBER 2015 Brother’ address themes Education Ministry bans novel ‘Borderlife’, a love of social cohesion story between an Israeli & Palestinian, from schools Source: Facebook 22 JANUARY 2016 Source: www.miraawad.co Education Ministry’s cultural blacklist of “politically Arab-Israeli singer, undesirable” is exposed Mira Awad, promotes dialogue through musical collaboration 26 JANUARY 2016 Culture Minister proposes new ‘Cultural Loyalty’ bill to enable Ministry to control funding for the arts 27 JANUARY 2016 R/wing extremist group Im Tirtzu launches campaign Sagol 59 uses his attacking Israeli cultural heroes for being “moles” music to expose social injustice 5 FEBRUARY 2016 NIF and human rights NGOs hold major concert in Credit: masterpeace.cxp.nu Credit:
    [Show full text]
  • Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production
    Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production Nili Belkind Submitted in partial fulfillment of the Requirements for the degree Of Doctor of Philosophy In the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Nili Belkind All Rights Reserved ABSTRACT Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production Nili Belkind This is an ethnographic study of the fraught and complex cultural politics of music making in Palestine-Israel in the context of the post-Oslo era. I examine the politics of sound and the ways in which music making and attached discourses reflect and constitute identities, and also, contextualize political action. Ethical and aesthetic positions that shape contemporary artistic production in Israel-Palestine are informed by profound imbalances of power between the State (Israel), the stateless (Palestinians of the occupied Palestinian territories), the complex positioning of Israel’s Palestinian minority, and contingent exposure to ongoing political violence. Cultural production in this period is also profoundly informed by highly polarized sentiments and retreat from the expressive modes of relationality that accompanied the 1990s peace process, strategic shifts in the Palestinian struggle for liberation, which is increasingly taking place on the world stage through diplomatic and cultural work, and the conceptual life and currency Palestine has gained as an entity deserving of statehood around the world. The ethnography attends to how the conflict is lived and expressed, musically and discursively, in both Israel and the occupied Palestinian territories (oPt) of the West Bank, encompassing different sites, institutions and individuals. I examine the ways in which music making and attached discourses reflect and constitute identities, with the understanding that musical culture is a sphere in which power and hegemony are asserted, negotiated and resisted through shifting relations between and within different groups.
    [Show full text]
  • Tel Aviv University International Study Abroad Fall Semester 2017
    Tel Aviv University International Study Abroad Fall Semester 2017- 2018 COURSE DESCRIPTION MAIN OFFICE UNITED STATES CANADA The Carter Building , Room 108 Office of Academic Affairs Lawrence Plaza Ramat Aviv, 6997801, Israel 39 Broadway, Suite 1510 3130 Bathurst Street, Suite 214 Phone: +972-3-6408118 New York, NY 10006 Toronto, Ontario M6A 2A1 Fax: +972-3-6409582 Phone: +1-212-742-9030 [email protected] [email protected] Fax: +1-212-742-9031 [email protected] INTERNATIONAL.TAU.AC.IL TABLE OF CONTENT ■ FALL SEMESTER 2017 DATES 3-4 ■ ACADEMIC REQUIREMENTS 5-13 ■ SCHEDULE OF COURSES 14-16 ■ TRANSCRIPT REQUEST INSTRUCTIONS 16 ■ COURSE DESCRIPTIONS 17-110 ■ REGISTRATION FORM FOR STUDY ABROAD COURSES 111 ■ EXTERNAL REGISTRATION FORM 112 2 FALL SEMESTER 2017-2018 IMPORTANT DATES ■ The Fall Semester starts on Monday, October 23rd 2017 and ends on Thursday, January 4th 2018 (inclusive). ■ Academic Orientation: Monday, August 14th 2017 at 2:00 p.m. ■ Course registration deadline: Monday, August 21st 2017. ■ Class changes and finalizing schedule (see hereunder): Sunday, October 29th 2017. ■ Last day in the dorms: Sunday, January 7th 2018. Students are advised to register to more than the required 5 courses but not more than 7 courses. Students will be allowed to delete courses from their schedules, (not add), on Sunday, October 29th 2017. Fall Semester lasts 11 weeks, most courses will be given 4 hours per week, (two hours, twice a week), in most cases 3 credits each course. As a result, no early departures will be approved prior to Thursday, January 4th 2017. Early departures may in some case be approved for students whose Fall Semester in their school overlaps with the Tel Aviv University schedule.
    [Show full text]