Theories and Methods of African Conceptual History
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Creation of an Hgis Database
A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE A Thesis by JESSE ANDREWS Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS DECEMBER 2017 Department of Geography and Planning A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE A Thesis by JESSE ANDREWS December 2017 APPROVED BY: Kathleen Schroeder, Ph.D. Chairperson, Thesis Committee Kara Dempsey, Ph.D. Member, Thesis Committee Jessica Mitchell, Ph.D. Member, Thesis Committee Kathleen Schroeder, Ph.D. Chairperson, Department of Geography and Planning Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Jesse Andrews 2017 All Rights Reserved Abstract A PRACTIUM ON UNCERTAINTY: CREATION OF AN HGIS DATABASE Jesse Andrews B.A., University of North Carolina Greensboro Chairperson: Kathleen Schroeder Integrating Geographic Information Systems (GIS) historical sources and geospatial technology offers a fruitful new approach to mapping, analyzing, and modeling the past. This project employs sources freely available online to create a historical geodatabase of the A Line of the Mexican National Railroad circa 1910. The project utilizes satellite imagery, census data, historical maps, train schedules along with postcards and photography from the period, to reconstruct the rail line and its stations shortly before the Mexican Revolution. These sources are combined in a GIS to create a highly accurate map and associated historical database of the system as it existed in the first decade of the 20th Century. The database suggests the potential of future scholarship combining GIS software, satellite imagery, and online source materials. -
Teaching the Voices of History Through Primary Sources and Historical Fiction: a Case Study of Teacher and Librarian Roles
Syracuse University SURFACE School of Information Studies - Dissertations School of Information Studies (iSchool) 2011 Teaching the Voices of History Through Primary Sources and Historical Fiction: A Case Study of Teacher and Librarian Roles Barbara K. Stripling Syracuse University Follow this and additional works at: https://surface.syr.edu/it_etd Recommended Citation Stripling, Barbara K., "Teaching the Voices of History Through Primary Sources and Historical Fiction: A Case Study of Teacher and Librarian Roles" (2011). School of Information Studies - Dissertations. 66. https://surface.syr.edu/it_etd/66 This Dissertation is brought to you for free and open access by the School of Information Studies (iSchool) at SURFACE. It has been accepted for inclusion in School of Information Studies - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT The ability to analyze alternative points of view and to empathize (understand the beliefs, attitudes and actions of another from the other’s perspective rather than from one’s own) are essential building blocks for learning in the 21 st century. Empathy for the human participants of historical times has been deemed by a number of educators as important for the development of historical understanding. The classroom teacher and the school librarian both have a prominent stake in creating educational experiences that foster the development of perspective, empathy, and understanding. This case study was designed to investigate the idea -
Past Looking: Using Arts As Historical Evidence in Teaching History
Social Studies Research and Practice www.socstrp.org Past Looking: Using Arts as Historical Evidence in Teaching History Yonghee Suh Old Dominion University This is a comparative case study of how three high school history teachers in the U.S.A. use art in their practice. The following research question was investigated: How do secondary history teachers incorporate the arts—paintings, music, poems, novels, and films—in their teaching of history and why? Data were collected from three sources: interviews, observations, and classroom materials. Grounded theory was utilized to analyze the data. Findings suggest these teachers use the arts as historical evidence roughly for three purposes: First, to teach the spirit of an age; second, to teach the history of ordinary people invisible in official historical records; and third, to teach, both with and without art, the process of writing history. Two of the three teachers, however, failed to teach historical thinking skills through art. Keywords: history, history instruction, art, interdisciplinary approach, thinking skills, primary sources. Introduction Encouraging historical thinking in students is not a new idea in history education. Since the turn of the 20th century, many historians and history educators have argued that history consists of not only facts, but also historians’ interpretation of those facts, commonly known as the process of historical thinking, or how to analyze and interpret historical evidence, make historical arguments, and engage in historical debates (Bain, 2005; Holt, 1990; VanSledright; 2002; Wineburg, 2001). Many past reform efforts in history education have shared this commitment to teach students to think historically, in part by being engaged in the process of historical inquiry (Bradley Commission on History in Schools, 1988; National Center for History in the Schools, 1995). -
Method and Meaning in Canadian Environmental History
00_fm.qxd 2/5/08 9:00 AM Page i Method and Meaning in Canadian Environmental History EDITED BY Alan MacEachern The University of Western Ontario William J. Turkel The University of Western Ontario 00_fm.qxd 2/5/08 9:00 AM Page iii Dedicated to 51°50'1.93" N 122°33'22.54" W and 46°10'26.32" N 63°18'20.75" W 00_fm.qxd 2/5/08 9:00 AM Page iv Contents Geographical and Temporal Coverage Chart . vi Alan MacEachern, “An Introduction, in Theory and Practice” . ix Section I: Approaching Environmental History . 1 Graeme Wynn, “Travels with George Perkins Marsh: Notes on a Journey into Environmental History” . 2 Donald Worster, “Ice, Worms, and Dirt: The Power of Nature in North American History”. 24 Section II: Reading Landscapes. 35 Peter E. Pope, “Historical Archaeology and the Maritime Cultural Landscape of the Atlantic Fishery” . 36 Carolyn Podruchny, “Writing, Ritual, and Folklore: Imagining the Cultural Geography of Voyageurs”. 55 Section III: Manipulating Scale . 75 Lyle Dick, “People and Animals in the Arctic: Mediating between Indigenous and Western Knowledge” . 76 Liza Piper, “Colloquial Meteorology” . 102 R. W. Sandwell, “History as Experiment: Microhistory and Environmental History” . 124 Section IV: Learning by Looking . 139 Colin M. Coates, “Seeing and Not Seeing: Landscape Art as a Historical Source”. 140 Catriona Mortimer-Sandilands, “Finding Emily”. 158 Section V: Finding the Nation in Nature . 181 John F. Varty, “Trust in Bread and Bologna: Promoting Prairie Wheat in the Twentieth Century”. 182 Alan MacEachern, “Lost in Shipping: Canadian National Parks and the International Donation of Wildlife” . -
Postmodernism and Historiography
Durham E-Theses 'How warped the mirrors': postmodernism and historiography Olson, Ryan Scott How to cite: Olson, Ryan Scott (2002) 'How warped the mirrors': postmodernism and historiography, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3971/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 'How Warped the Mirrors' Postmodernism and Historiography Ryan Scott Olson The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 2 1 JAN 200~l Submitted for the Master of Arts degree University of Durham Department of Theology 2002 The Copyright of this thesis rests with the author. No quotation of its contents should be published without his prior written consent and information derived from it should be acknowledged. -
Reform and Responsibility — the Climate of History in Times of Transformation Aalborg Nordic History Congress, Keynote 17 August 2017
HISTORISKarticle TIDSSKRIFT 10.18261/issn.1504-2944-2018-01-02Bind 97, nr. 1-2018, s. 7–23 artikkel ISSN online: 1504-2944 ARTIKKEL 10.18261/issn.1504-2944-2018-01-02 Reform and responsibility — the climate of history in times of transformation Aalborg Nordic History Congress, Keynote 17 August 2017 Sverker Sörlin Fil.dr. 1988. Professor ved Avdelningen för historiska studier av teknik, vetenskap och miljö, Kungliga Tekniska Högskolan, Stockholm. [email protected] Dear colleagues, students, friends! It is a great pleasure to see you all here, a distinguished audience of Nordic historians, hono- ring this hour with your presence. For me it is a privilege. This is a congress I hold dear. In times when international conferences have grown in size and numbers I have always thought it is immensely valuable to keep the Nordic community of historians alive and well, not for nostalgic reasons but because “Nordic” is an appropriate level of focus and analysis. Shortly before traveling here I finished the concluding chapter for a book with a Nor- wegian publisher on the tradition of Folkeopplysning in the Nordic countries since the 17th century.1 One of my ongoing papers right now is an analysis of the influence in our region of the famous Berkeley historian of science, environment and feminism, Carolyn Merchant.2 Other contributors to that book write of other themes, I write of the Nordic countries. I can swear she had some influence since I took a PhD course for her at Umeå University in 1984, but I am confident there is more…! Nordic is real. -
Rationality and History
Rationality and History By Georg G. Iggers (Lecture which he gave at East China Normal University, 2007) I The past two decades have seen a lively theoretical discussion internationally on how history is to be written and at the same time a conscious reorientation in the writing of history itself. The term "postmodernism" has at times been applied to the new theoretical outlook and the new historiography.1 The discussion has raised certain very fundamental questions regarding the nature of historical inquiry similar to those which have been asked regarding other forms of intellectual activity. These questions have revolved around the assumptions which have underlain historical writing - and philosophical thought - since the beginning of the Western tradition of secular history. There were two assumptions which were central to this tradition from Herodotus and Thucydides to the very recent past, namely, that there is a distinction, even if not necessarily an absolute dividing line, between fact and fiction, and similarly that there is a difference between rational thought and free imagination, even if the two may intersect In dealing with the problems of reality and rationality raised in those segments of recent philosophic thought which have identified themselves as post-modern or deconstructionist,2 this article proceeds from the assumption, rejected by this thought, that a historical text must be understood with reference to the context to which it refers and that this context contains an element of objectivity not fully identical with the subjectivity of the historian and an element of rationality which presumes elements of intersubjectivity in the methods of historical inquiry. -
History 2016 Contents
History 2016 CONTENTS Historiography ..................................................................................1 Skills/Sources ...................................................................................3 Heritage ..............................................................................................5 Medieval History .............................................................................7 Early Modern History.................................................................. 13 Irish History ..................................................................................... 19 French History .............................................................................. 22 Social History ................................................................................ 24 Science, Technology & Medicine ......................................... 25 History of War ............................................................................... 29 Political History ............................................................................. 31 Gender ..............................................................................................36 Imperialism .....................................................................................39 Cultural History ............................................................................45 Journals ............................................................................................. 51 Agents, representatives and distributors ........................ 52 Index -
Historians' Orientations and Historical Production
Kasvatus & Aika 5 (1) 2011, 7–18 Mapping historians: historians' orientations and historical production Lisa Muszynski and Jyrki Reunamo Narrative historians have long exhibited greater or lesser awareness of their own agency as authors, where absolute objectivity is precluded. Indeed, historians' reports of the past include their own orientations or attitudes, which can also be examined in historians' autobiographies. In this article we present a study in which a questionnaire was used to ask historians about their orientations toward their subject matter. How do historians approach their work as agents and what might this reveal about the nature of historical production? In our model, we have distin- guished four criteria, sorted the answers using statistical analysis and weighed the results in the light of our expectations. Indeed, by exploring historians' presupposi- tions (exemplified in examining historians' autobiographies), historical production can be seen as an institutional process also steered by historians' orientations and agency with important philosophical implications for the integral relationship between historians' public and private roles. Introduction The reflexive questions concerning the historian's task, as presented in the questionnaire that serves as the basis of our study, is an approach designed to capture a particular matrix of historians' orientations and attitudes that serves to open up a tacit dimension in the pro- duction of history by the "historian as agent" (cf. Polanyi 2009 [1966]). In this article, -
Theory and Method Conceptual History
Helge Jordheim, University of Oslo To be published in Bloomsbury History: Theory and Method Conceptual History [9,000 – 10,000 words] 1. Introduction (c.500 words): w/ any basic definitions clarified At the most basic level, conceptual history is the history of words. These words, called “concepts” are of a specific kind, semantically richer, more ambiguous and thus more contested than those tasked with naming specific things in the physical world. The phrase itself is easily misunderstood, like other subgenres of historiography labelled in similar way. Just as there is nothing specifically “cultural” about cultural history, there is nothing particularly “conceptual” about “conceptual history” either. A more precise name would be “the history of concepts”, since “concepts” refer to the object of study rather than a carefully crafted analytics. Furthermore, many will consider “conceptual history” to be the translation of the German Begriffsgeschichte, which is also clearly the dominant tradition in the field, although by no means the only one. Thus, conceptual history has at least two meanings: in a more general sense, it studies how people have used words in changing historical contexts, with what meaning and purpose, drawing on a wide range of traditions, theories and methods, from etymology to text-mining; in a more specific sense, it refers to a set of theories and methods originating in post-war Germany at the interface between social history and intellectual history, and between hermeneutics and historicism, as well as to its main founder Reinhart Koselleck and the most decisive scholarly manifestation, the eight- volume lexicon Geschichtliche Grundbegriffe, published between 1972 and 1992. -
Ambivalence, Anxieties / Adaptations, Advances: Conceptual History and International Law
Martin Clark Ambivalence, anxieties / adaptations, advances: conceptual history and international law Article (Accepted version) (Refereed) Original citation: Clark, Martin (2018) Ambivalence, anxieties / adaptations, advances: conceptual history and international law. Leiden Journal of International Law, 31 (4). ISSN 0922-1565 (In Press) © 2018 Foundation of the Leiden Journal of International Law This version available at: http://eprints.lse.ac.uk/89381/ Available in LSE Research Online: July 2018 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. AMBIVALENCE, ANXIETIES / ADAPTATIONS, ADVANCES: CONCEPTUAL HISTORY AND INTERNATIONAL LAW MARTIN CLARK* Scholars of the history of international law have recently begun to wonder whether their work is predominantly about law or history. The questions we ask — about materials, contexts and movements — all raise intractable problems of historiography. And yet despite this extensive and appropriate questioning within the field, and its general inclination towards theory and theorising, few scholars have turned to the vast expanses of historical theory to try to think through how we might go about addressing them. -
Evaluating Oral Histories for Restoration Ecology
Edith Cowan University Research Online Theses : Honours Theses 1999 Evaluating oral histories for restoration ecology Margaret Robertson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Natural Resources and Conservation Commons Recommended Citation Robertson, M. (1999). Evaluating oral histories for restoration ecology. https://ro.ecu.edu.au/ theses_hons/512 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/512 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. EDITH COWAN UNIVERSITY LIBRARY Evaluating Oral Histories for Restoration Ecology By Margaret Robertson A thesis submitted in partial fulfilment of the requirements for the award of Bachelor of Science (Environmental Management) Honours Faculty of Health, Communication and Science Edith Cowan University Date of Submission - 27 April 1999 .· USE OF THESIS The Use of Thesis statement is not included in this version of the thesis.