Understanding the Business Case for on Print on Demand Products
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
List of Book Printers in the United States and Beyond
List of Book Printers in the United States and Beyond TOP BOOK PRINTERS IngramSpark 1 Ingram Blvd. La Vergne, TN www.ingramspark.com Support: [email protected] Australia: [email protected] International: [email protected] Print on demand printing and distribution services. A division of Ingram. Baker and Taylor Publisher Services (formerly BookMasters) 30 Amberwood Parkway Ashland OH 44805 567-215-0030 800-537-6727 www.bookmasters.com/ Bookmasters, based in Ashland, Ohio, is one of the largest providers of customized publisher services in the United States. ALABAMA BOOK PRINTERS Walker 360 (formerly EBSCO Media) 2700 Hwy 280 S. Suite 350E Mountain Brook, AL 35223 334.832.4975 http://walker360.com [email protected] Top 1% of printers in the nation with facilities in Montgomery and Birmingham. ARIZONA BOOK PRINTERS Epic Print Solutions 3346 W Catalina Dr. Phoenix, AZ 85017 480-625-4682 www.epicprintsolutions.com [email protected] Print on demand and offset printing. Nonfiction Authors Association Page 2 Rev 4/18 CALIFORNIA BOOK PRINTERS Burnett Print Group 2600 W Olive Avenue, 5th Floor Burbank CA 91505 818-653-5118 www.burnettprintgroup.com Focused on sustainability in the manufacturing of high quality print materials. Corporate Color Printing 17855 Fitch Irvine, CA 92614 714-464-6705 or 800-495-0322 www.4printing.net [email protected] After 28 years, a printing company should know how to not disappoint the people who place faith in them. We only accept jobs we know will make you satisfied when our work is under your review. DeHart’s Media Services 6586 Whitbourne Dr. San Jose, CA 95120 408-768-1575 www.deharts.com Whether our customers need a small print run, supported by our short-run digital print technology—also called Print on Demand (POD) or their needs are better suited to direct- to-plate offset technology, DeHART’s offers complete print solutions—including complementary products, software manufacturing, and packaging—to meet our customer’s requirements. -
Stephen Bushansky, Et Al. V. Cafepress Inc., Et Al. 18-CV-01607-Complaint for Violation of the Federal Securities Laws
Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 1 of 18 PageID #: 1 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE STEPHEN BUSHANSKY, On Behalf of ) Himself and All Others Similarly Situated, ) Plaintiff, ) ) ) Case No. _____________ v. ) ) JURY TRIAL DEMANDED CAFEPRESS INC., FRED E. DURHAM, III, ) ANTHONY C. ALLEN, MARY ANN ) CLASS ACTION ARICO, KENNETH T. MCBRIDE and ) ALAN B. HOWE, ) Defendants. ) COMPLAINT FOR VIOLATION OF THE FEDERAL SECURITIES LAWS Plaintiff Stephen Bushansky (“Plaintiff”), by and through his undersigned counsel, for his complaint against defendants, alleges upon personal knowledge with respect to himself, and upon information and belief based upon, inter alia, the investigation of counsel as to all other allegations herein, as follows: NATURE OF THE ACTION 1. This is a class action brought on behalf of the public stockholders of CafePress Inc. (“CafePress” or the “Company”) against CafePress and the members of its Board of Directors (the “Board” or the “Individual Defendants”) for their violations of Sections 14(d)(4), 14(e) and 20(a) of the Securities Exchange Act of 1934 (the “Exchange Act”), 15 U.S.C. §§ 78n(d)(4), 78n(e), 78t(a), and U.S. Securities and Exchange Commission (“SEC”) Rule 14d-9, 17 C.F.R. §240.14d-9(d) (“Rule 14d-9”) and to enjoin the expiration of a tender offer (the “Tender Offer”) on a proposed transaction, pursuant to which CafePress will be acquired by Case 1:18-cv-01607-UNA Document 1 Filed 10/17/18 Page 2 of 18 PageID #: 2 Snapfish, LLC (“Snapfish”) through its wholly owned subsidiary Snapfish Merger Sub, Inc. -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
Northwest Newsletter Vol 54, No
TIME SENSITIVE MATERIAL TIME SENSITIVE MATERIAL 84403 S Ogden, UT 4500875S E Tom Burchard, Circulation Socie ofNorthwest FederationMineralogical Northwest - 2913 Newsletter VOLUME 54, NO. 7 Northwest Federation of Mineralogical Societies AUGUST 2014 ties NFMS Annual Meeting August 15, 2014 4 pm U.S. Paid Postage Non Permit No. 9 Permit No. ID 83318 Burley Hermiston Conference Center, - Profit Profit Org. Hermiston, Oregon See you there ! ! ! Hatrockhound Happenin’ It’s almost time to circle up your wagons and come on down to the biggest little show in town. We hope you have gotten your advanced registration in so you will be ready to relax and enjoy the What’s Inside: show. If you have sent in a registration and haven’t received anything yet, Judi will be gone from July 12-August 5, so there will be a lot of catching up to do upon her return. NFMS Meeting . 1 We are excited about the offerings we have for you as you enjoy the show. On Friday, Ed VPs’ Reports . 3 Thornton will be doing a presentation on Data Assisted Mineral Identification and Greg Tolbert will Bulletin Aids Report . .4 inform about the law of rock, fossil, and mineral collecting. The annual meeting will take place at Editor’s Rockpile. 4 4:00 on Friday. Public Lands Report . .5-6 Saturday is a jam-packed day. First thing, at 8:00 is the Editors’ Breakfast. At 10:00 there Juniors’ Activity . .7 will be an ALAA meeting. After the meeting, you won’t want to miss John George, Executive Club Shows . -
Alessandro Ludovico
POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of every- day life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avant- garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. ISBN 9789078454878 90000 > 9 789078 454878 POSt- DIGITAL PRINT The Mutation of Publishing since 1894 Alessandro Ludovico ONOMATOPEE 77 1 2 contents Introduction. 7 Chapter 1 – The death of paper (which never happened). 15 1.1 Early threats to the printed medium. -
Silver City Public Library Guide to Self-Publishing Resources
Silver City Public Library Guide to Self-Publishing Resources There are many possibilities for aspiring authors to publish their work independently. Authors can self-publish in various formats—print, e-book, or audiobook. When working with any type of publishing service, make sure to find out what legal rights you are granting the service provider to your work. As an example, the agreements for Amazon’s CreateSpace and Kindle Direct Publishing request permissions to distribute the work globally. However, they state that the authors retain the copyright. The Silver City librarians and self-publishing panelists are not lawyers, so our ability to offer guidance is very limited. Companies for Self-Publishing e-Books, Print, or Audio Lulu www.lulu.com Publish e-books or printed books. Overview of printing: www.lulu.com/create/books Overview of e-books: www.lulu.com/create/ebooks Terms of service can be found at www.lulu.com/about/legal Draft2Digital draft2digital.com Publish e-books or printed books. An overview of how to use their services: www.draft2digital.com/steps Terms of service can be found at www.draft2digital.com/terms-of-service BookBaby www.bookbaby.com Publish e-books or printed books. Overview of print: www.bookbaby.com/book-printing Overview of e- books: www.bookbaby.com/ebooks Terms of service can be found at www.bookbaby.com/terms-of- service Smashwords www.smashwords.com Details about e-book creation are at www.smashwords.com/about/how_to_publish_on_smashwords Terms of service can be found at www.smashwords.com/about/tos Mercury Heartlink (Stewart Warren) Assistance with design, layout, e-book creation, and print-on-demand: www.heartlink.com/publishing.htm 505-881-2499 Author Solutions authorsolutions.com This company runs Booktango for e-book publishing (see below), and offers print self-publishing too. -
Part 1: Software Printers and Enterprise Customers Are Finding More Software Solutions for >> VDP Success
Digital Publishing Solutions - Subscribe at www.dpsmagazine.com [ CoverStory ] Part 1: Software Printers and enterprise customers are finding more software solutions for >> VDP success. 22 What’s Easier to Do, 23 Harder to Sort Out? Variable data printing (VDP) strategies are on a lot of minds and whiteboards these days. “More people are interested in it because it’s getting easier to do,” stated one industry pundit. The VDP market is as dynamic and diverse as the documents it helps generate. Dozens of companies offer scores of solutions, while users and services providers are busy creating applications by the thousands. This report highlights the diversity of the market and provides a snapshot of some of the many solutions available. BY CARRO FORD WESTON DPS • JANUARY/FEBRUARY 2005 WWW.DPSMAGAZINE.COM WWW.DPSMAGAZINE.COM JANUARY/FEBRUARY 2005 • DPS Digital Publishing Solutions - Subscribe at www.dpsmagazine.com [ CoverStory ] Ease of use, quick deployment, seamless postcards, coupons, newsletters, full-length output generated by billing information a DAM system. For Web-to-print integration, open systems, single platform, proposals, and more, with each individually systems into fully customized documents. applications, one key problem Web-based capabilities, enterprise scalabil- customized by text, image, color, chart, and The company is focused on two verticals: solved by the use of Pageflex tech- ity, and multi-channel delivery—these are layout. Working with QuarkXPress 6.0 for healthcare and retailers. nology is providing accurate some of the terms venders use to describe the Mac OS X, Darwin makes it possible to “Our integrated technology and produc- online previews and online their VDP heaven. -
[+ List of 1000+ Niches] How to Find Profitable T-Shirt Niches
Untapped & Profitable T Shirt Niches [+ List of 1,000+ Niches] Knowing how to find profitable t shirt niches is the reason I was able to sell well over $2,438,085 with Teespring and about half that again on Fabrily. If you start looking in any groups on Facebook you can be forgiven for being overwhelmed and thinking every t shirt niche in the world is saturated. I am here to tell you that this isn't the case. There are tips, tricks, and ways that allow you to unlock niches almost on command. It takes a little bit of money, but ensuring you have a system when entering a new market is key to your overall success. So what are you going to learn in this article? Ideally, how to make money, and lot's of it! I can give you the keys, I can't make you open the door. What you will learn in this article; How to spot a profitable t shirt niche How to find best selling designs Massive Niche List [BEFORE WE BEGIN] Bookmark this page! You'll be coming back. Oh, and share the hell out of it! How to Find Profitable T-Shirt Niches How to spot a profitable t-shirt niche Finding niche's to wrangle is the single most important aspect when starting out with print on demand or dropshipping. It forms the backbone of what we are trying to achieve with building a scalable, long-term business. No matter which niche you target the ones that will be the most profitable will be the ones with the most passion and pride. -
Cafepress Inc.Inc
May 2013 AllAll contentcontent copyrightcopyright ©© 2013 2013 CafePress. CafePress. AllAll rightsrights reserved.reserved. CafePressCafePress isis aa registeredregistered trademarkstrademarks ofof CafePressCafePress Inc.Inc. All All otherother trtrademarksademarks notednoted hereinherein areare thosethose ofof theirtheir respectiverespective ownersowners 1 SAFE HARBOR These slides and the accompanying oral presentation contain forward-looking statements. All statements other than statements of historical facts contained in these slides and the accompanying oral presentation, including statements regarding CafePress’ (“CafePress” or the “Company”) future operations, future financial position, future revenue, projected expenses, opportunities, prospects and plans and objectives of management are forward-looking statements. In some cases, you can identify forward-looking statements by terms such as “anticipate,” “believe,” “estimate,” “expect,” “intent,” “may,” “might,” “plan,” “project,” “will,” “would,” “should,” “could,” “can,” “predict,” “potential,” “continue,” “objective,” or the negative of these terms or similar expressions. The Company has based these forward-looking statements largely on its estimates of its financial results and its current expectations and projections about future events and financial trends that it believes may affect its financial condition, results of operations, business strategy, short term and long-term business operations and objectives and financial needs. These forward-looking statements are subject to a number of risks, uncertainties and assumptions, including, but not limited to, our operation in an emerging market and our relatively new and evolving business model, our ability to evaluate our current and future prospects, our ability to generate additional revenue on a cost-effective basis, our ability to attract and retain advertisers, our ability to increase our customer base, our ability to continue operating under existing laws and a number of other factors outside of our control. -
HUSTLE GUIDE** A.K.A
THE OPERATING SYSTEM’s AS-PAINLESS-AS-POSSIBLE **HUSTLE GUIDE** a.k.a. book/self promotion resources & FAQ’s by OS Founder / Creative Director Lynne DeSilva-Johnson (with a little help) You = STAR! LET’s BE HONEST HERE: NO ONE LIKES MARKETING & PROMOTION!!! ESPECIALLY OF (Y)OUR OWN WORK (WE HATE IT AS MUCH AS YOU DO, TBH) BUT, IF YOU WANT YOUR BOOK IN PEOPLE’S HANDS IN THE CURRENT CLIMATE YOU MUST DO CERTAIN THINGS (OR YOU’RE DOING YOURSELF, AND YOUR PRESS, A DISSERVICE) SOOOO we made a handy guide to help you out. Toolkit :: Contents I. INTRODUCTION II. BUILDING A PLATFORM BUILDING / MAINTAINING A WEBSITE USING SOCIAL MEDIA (AND WHAT TO DO THERE) CREATING A NEWSLETTER III. GETTING YOUR BOOK OUT THERE REVIEWS, BOOK LISTS & PUBLICITY OUTLETS THE CHANGING ROLE OF REVIEWS GOOD READS & AMAZON DIRECT EMAIL & OTHER FORMS OF CONTACT LIBRARIES, CLASSROOMS, ETC IV. CREATING A MEDIA KIT / PROMOTIONAL MATERIALS BUSINESS CARDS, POSTCARDS, ETC. SELL SHEET (TEMPLATE LINK / DOWNLOAD) V. BOOKING EVENTS / LAUNCHES / PUBLIC APPEARANCES STOCKING FOR EVENTS HANDSELLING vs INVENTORY VI. CONTESTS 1 . Introduction There’s no magic formula for having a “successful” book, and thinking about what “success” even means to you as early on in the publishing process as possible will go a long way as you make decisions about expenditure of time, money, labor, etc. as well as how you interface with spaces, people, organizations, and so on. So, how do *you* quantify “success”? How may this differ both for you and for others in the long and short term? What would determine a book or project having been successful, for you? Here are some things that might be helpful to consider.