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Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival. -
Atonement (2007) Compiled by Jay Seller
Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright. -
Ian Mcewan's Atonement
UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka ANETA VRÁGOVÁ III. ročník – prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání – Německý jazyk se zaměřením na vzdělávání IAN MCEWAN’S ATONEMENT: COMPARISON OF THE NOVEL AND THE FILM ADAPTATION Bakalářská práce Vedoucí práce: Mgr. Josef Nevařil, Ph.D. Olomouc 2015 Prohlášení: Prohlašuji, že jsem závěrečnou práci vypracovala samostatně a použila jen uvedených pramenů a literatury. V Olomouci (datum) ……………………………………………… vlastnoruční podpis I would like to thank Mgr. Josef Nevařil, Ph. D. for his assistance, comments and guidance throughout the writing process. CONTENTS INTRODUCTION .......................................................................................................... 6 1. BIOGRAPHY OF IAN MCEWAN ...................................................................... 7 1.1. BIOGRAPHY ................................................................................................... 7 1.2. LITERARY OUTPUT ...................................................................................... 8 1.3. AUTOBIOGRAPHICAL ASPECTS ................................................................ 9 2. POSTMODERNISM .......................................................................................... 12 3. COMPARISON OF THE NOVEL ATONEMENT AND THE FILM ADAPTATION ......................................................................................................................... 14 3.1. NOVEL: GENERAL INFORMATION ........................................................ -
2020 21 Media Guide Comple
2021 UCLA TRACK & FIELD 2021 QUICK FACTS TABLE OF CONTENTS Location Los Angeles, CA The 2021 Bruins Men’s All-Time Indoor Top 10 65-66 Rosters 2-3 Athletic Dept. Address 325 Westwood Plaza Women’s All-Time Indoor Top 10 67-68 Coaching Staff 4-9 Los Angeles, CA 90095 Men’s All-Time Outdoor Top 10 69-71 Men’s Athlete Profles 10-26 Athletics Phone (310) 825-8699 Women’s All-Time Outdoor Top 10 72-74 Women’s Athlete Profles 27-51 Ticket Offce (310) UCLA-WIN Drake Stadium 75 Track & Field Offce Phone (310) 794-6443 History/Records Drake Stadium Records 76 Chancellor Dr. Gene Block UCLA-USC Dual Meet History 52 Bruins in the Olympics 77-78 Director of Athletics Martin Jarmond Pac-12 Conference History 53-55 USA Track & Field Hall of Fame Bruins 79-81 Associate Athletic Director Gavin Crew NCAA Championships All-Time Results 56 Sr. Women’s Administrator Dr. Christina Rivera NCAA Men’s Champions 57 Faculty Athletic Rep. Dr. Michael Teitell NCAA Women’s Champions 58 Home Track (Capacity) Drake Stadium (11,700) Men’s NCAA Championship History 59-61 Enrollment 44,742 Women’s NCAA Championship History 62-63 NCAA Indoor All-Americans 64 Founded 1919 Colors Blue and Gold Nickname Bruins Conference Pac-12 National Affliation NCAA Division I Director of Track & Field/XC Avery Anderson Record at UCLA (Years) Fourth Year Asst. Coach (Jumps, Hurdles, Pole Vault) Marshall Ackley Asst. Coach (Sprints, Relays) Curtis Allen Asst. Coach (Distance) Devin Elizondo Asst. Coach (Distance) Austin O’Neil Asst. -
Olympia Prize for IUCN
62 Environmental Conservation and that there is a pressing need for additional nature 'N.A.T.' (1976). Cue Phuong National Park. Viet Nam Courier, reserves. Economic conditions, however, seem to make 12(46), pp. 26-8. NGAN, Phung Trung (1968). Status of conservation in South early action improbable in both cases. Vietnam. Pp. 519-22 in Conservation in Tropical South East Asia (Ed. L. M. Talbot & M. H. Talbot). International Union for Conservation of Nature and Natural Resources, REFERENCES Morges, Switzerland, Publ. n.s. No. 10, 550 pp., illustr. NOWAK, R. M. (1976). Wildlife of Indochina: tragedy or oppor- AVRORIN, N. A. (1964). [First tropical 'botanical garden re- tunity? National Parks and Conservation Mag., 50(6), pp. serve' in North Viet Nam.—in Russian]. Botaniceskii 13-18. Zhurnal, 49, pp. 1521-23. TALBOT, L. M. (1959). A Look at Threatened Species. Fauna CONSTABLE, J. D. (in press). Wildlife in Vietnam. Oryx. Preservation Society, London, UK: 137 pp., illustr. IPPL. (1974). Conditions for primates in Vietnam. International WESTING, A. H. (1976). Ecological Consequences of the Primate Protection League Newsletter, 1(2), pp. 2-3. Second Indochina War. Almqvist & Wiksell, Stockholm, LIPPOLD, L. K. (1977). Douc Langur: A time for conservation. Sweden: x + 119 pp., illustr. Pp. 513-38 in Primate Conservation (Ed. Rainier III & WESTING, A. H. (1980). Warfare in a Fragile World: Military G. H. Bourne). Academic Press, New York, NY: xviii + Impact on the Human Environment. Taylor & Francis, 658 pp., illustr. London, UK: xiv + 249 pp. Sinai Wilderness Marred by Paint-spraying Incredible as it may sound, a French 'artist', Jean Protection of Nature, which, during Israeli occupation of Verame, has been spray-painting the mountains in the the Sinai, was a major force in establishing conservation previously unspoiled valley of Bir Nafach, an area close standards in the area. -
Costume Design and the Modern Romanticization of Pride and Prejudice
Creating a Romantic Landscape: Costume Design and the Modern Romanticization of Pride and Prejudice Catherine Perez College of Fine Arts, University of Florida Through an examination of the three major film adaptations of Pride and Prejudice, this paper explores how costume design plays a role in highlighting the romance plot of the novel and creating entirely different interpretations of Austen’s original text. The Robert Z. Leonard (1940), Simon Langton (1995), and Joe Wright (2005) adaptations of Pride and Prejudice have all contributed to the contemporary notion that Pride and Prejudice is a great romance; the interpretations of historic costume design in each film play a significant role in changing modern perception of Austen’s original novel. Throughout the 19th and 20th centuries, Jane Austen’s hailed for “describing involvements, and feelings, and Pride and Prejudice has been highly regarded, and characters of ordinary life which is to [the reviewer] the considered a prime example of Austen’s innate ability to most wonderful [he] ever met with” (Southam 135). The bring the everyday to life. Today, however, it is the romance between Elizabeth and Mr. Darcy is never romance aspect of the novel that is most promoted by expounded upon, but merely mentioned in passing as the mainstream entertainment. Society’s obsession with the primary device that moves the plot. It is not until the 20th “timeless romance” between Elizabeth Bennet and Mr. century and the advent of film that the modern perception Darcy (a quick Google search brings up over 182,000 of Pride and Prejudice as an epic romance begins to take articles, blog entries, and movie reviews on the topic) has form. -
15Th EBHA Annual Conference
1 15th EBHA Annual Conference “Business, Finance and the State in 20th Century: European Comparisons in Historical Perspective, Crises and Transformation” Athens, 24-26 August 2011 Mr Onassis and Game Theory Gelina Harlaftis Ionian University Draft paper “I never gamble, it doesn‟t amuse me” said Onassis to the reporters. “ I don‟t oppose it. I understand it. My whole life has been a terrific gamble”.1 Onassis was a great player in a game of “global chess” as it unraveled in a highly publicized case that stunned the world in the 1950s. This paper examines the confrontation of Aristotle Onassis with the American government in the 1950s. The ultimate goal is to examine the strategies used by weatlthy international family businesses to confront governments in host countries. The history of attacking entrepreneurial elites of foreign origin has been a repetitive story in international business.2 During the 1940s and 1950s a large number of Greek shipowners previously based in London had transferred their base to New York, at the time which was increasingly becoming a world maritime centre. In the post-WWII the United States, at the time the world‟s leading power was not a maritime nation and shipping under the American flag cost quite highly. In this way, it did not fill the oceans with American flag ships but promoted the adoption of flags of convenience from main traditional European shipowners from maritime countries. The flags of convenience, then the PanHoLib fleet -of Panama, Honduras and Liberia-, were cheap flags that provided cheap sea transport.3 In the 1940s and 1950s it was the Greeks that exploited such an 1 New York Times, 20 June 1958. -
Experiencing Reel Spirituality Spirituality and Film
Experiencing Reel Spirituality Spirituality and Film Theme Speaker The Rev. Douglas E. Wadkins Camp Eliot August 2013 Day 1 The Daily Round “Let the Great World Spin” Day 2 Joy and Laughter “To Truly Laugh” Day 2 Joy and Laughter “To Truly Laugh” Day 3 Sadness & Loss "It's Not That I am Afraid to Die..." Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 5 Love and Other Redemptions Day 6 “The Play’s the Thing” Befriending Film Frederic and Mary Ann Brussat 1. Be Prepared 2. Remember your intention to be hospitable 3. Connect with the characters Befriending Film 4. Pay attention to your reactions 5. Consider the significance of what you are seeing 6. Look for the bigger picture Befriending Film 7. Watch for epiphanies 8. Don’t turn away from the shadow 9. Let the movie simmer Frederic and Mary Ann Brussat Links Home Page: http://www.spiritualityandpractice.com Spirituality & Film: http://www.spiritualityandpractice.com/films Rotten Tomatoes Critic Page: http://www.rottentomatoes.com/critic/frederic-and-mary-ann-brussat Filmography 1 Baraka. Dir. Ron Fricke. Magidson Films, 1992. Film. Beasts of the Southern Wild. Dir. Benh Zeitlin. Perf. Quvenzhané Wallis, Dwight Henry, Jovan Hathaway et al. Cinereach, 2012. Film. Defending Your Life. Dir. Albert Brooks. Perf. Albert Brooks, Michael Durrell, Lee Grant, Meryl Streep et al. Producer Robert Grand, 1991. Film. The Descendants. Dir. Alexander Payne. Perf. George Clooney, Patricia Hastie et al. Fox Searchlight Pictures, 2011. Film. The Impossible. Dir. J.A. Bayona. Perf. -
Books and Letters in Joe Wright's Pride & Prejudice (2005)
Books and Letters in Joe Wright’s Pride & Prejudice (2005) David Roche To cite this version: David Roche. Books and Letters in Joe Wright’s Pride & Prejudice (2005): Anticipating the Spec- tator’s Response through the Thematization of Film Adaptation. Persuasions: the Jane Austen Journal On-Line, Jane Austen Society of North America, 2007, http://www.jasna.org/persuasions/on- line/vol27no2/roche.htm. halshs-00451735 HAL Id: halshs-00451735 https://halshs.archives-ouvertes.fr/halshs-00451735 Submitted on 16 Jun 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. David Roche 16/06/11 15:05 V.27, NO.2 (Summer PERSUASIONS ON-LINE 2007) Books and Letters in Joe Wright’s Pride & Prejudice (2005): Anticipating the Spectator’s Response through the Thematization of Film Adaptation DAVID ROCHE David Roche (email: [email protected]) teaches American cinema and literature at the L’Université Blaise Pascal (Clermont II), France. His forthcoming L’Imagination malsaine (L’Harmattan, 2007) is an attempt to understand what we mean by “unhealthy” and notably by an “unhealthy” book or film. He has published articles on David Cronenberg, David Lynch, and Joe Wright’s Pride & Prejudice. -
Silver Arts Award West Oxfordshire Academy of Performing Arts My
Silver Arts Award West Oxfordshire Academy of Performing Arts My Review of The Darkest Hour By Sophie Cridland For my review, I went to go and see ‘The Darkest Hour’ at the cinema in Witney. From what I knew before I went to see it, I understood that it was a film about Churchill during WWII and the difficult decisions he had to make to try and save the British expeditionary force, which was being overwhelmed by the advancing German army and was at risk of being cut off. I found it a captivating story that gave an interesting insight into the events from a different perspective than one would normally see. I thought that it was clever the way the film showed you all the factors influencing the decisions that Churchill had to make, which helped the audience connect and sympathise with his situation. The film has a sense of determination and while at times he is shown as vulnerable, this helps the audience see him as a person with great responsibilities and also a lot struggles. The film also shows the effect of events on key characters in the British government and their motivations and aspirations. It paints Churchill as very human, determined and honourable yet lost all the same. It takes someone who he would not have traditionally looked to for support to open his eyes to the fact that he has supporters and people who will not give up on him, no matter if they are his family, the king, his cabinet or just ordinary people on a train. -
Israel's Air Force the Pill Is Safe
EXCLUSIVE: ISRAEL'S AIR FORCE Is it the world's best? A top medical expert says: • THE PILL IS SAFE A LOOK BONUS: PREVIEW OF DORIS LILLY'S REVEALING NEW BOOK 146'76 ti7 :,7,711A 111H a Y006 311S10 5:1101 1 A1-17 ET Z 0 Tarr '76n5E00 ilK 99620i ONCE UPON A TIME, a boy was born JACKIE -style school caps. World War I offi- in Kaysed, Turkey, and his name was cially ended in -1918, and the Onassis Socrates Onassis. family had survived it very well. Tobac- Since the fall of Constantinople, co could now be exported freely, and it the Onassis family and other Greeks seemed the road to riches had been living in Turkey had been subjects of opened. But the war was far from over the Turkish sultan. The Turks were for Smyrna. In 1919, Greek troops, great warriors, but it was the Greeks FABUL supported by Allied warships, occu- who functioned as administrators and transacted pied the city. For the next three years, Smyrna most of the business of the Turkish Empire. was Greek. Young Aristo clamped his British- Socrates could have studied at a Greek college style cap back on his jet-black hair and returned in Kayseri and then gone to work as a petty func- to the recently reopened Evangeliki Scholi. He tionary of the sultan's civil service. Instead, he joined a sporting, club and became outstanding started a small business and moved to Smyrna, at water polo. which was then an important, bustling town. More He said later that he.was in line for a place than half its population was Greek. -
DARKEST HOUR LOCANDINA.Pdf
CINEPALACE PARLA INGLESE CinePalace/Riccione in collaborazione con Comune di Riccione DARKEST HOUR Director: Joe Wright Cast:: Gary Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane Gran Bretagna 2017 - 125’ The film commences in May 1940. The opposition Labour Party in Parliament demands the resignation of British Prime Minister Neville Chamberlain for being too weak in the face of the Nazi onslaught. Chamberlain tells Conservative Party advisers that he wants Lord Halifax as his successor, but Halifax does not want to become Prime Minister yet. Chamberlain must choose the only other man whom other parties will support: Winston Churchill, the First Lord of the Admiralty. Churchill tries to dismiss his new secretary Elizabeth Layton for mis- hearing him, which earns him a rebuke from his wife Clementine. King George VI reluctantly invites Churchill to form a government including Chamberlain and Halifax. Although he was right about the danger from Adolf Hitler, Churchill has a poor reputation because of his record in the Admiralty, the Gallipoli Campaign in the First World War, his views on India and his support for Edward VIII during the Abdication Crisis. Parliament reacts coolly to Churchill’s first speech promising “Blood, toil, tears and sweat,” for which he is chastised by the King. Churchill refuses to negotiate for peace, believing that the Germans are untrustworthy, but the French Prime Minister thinks him delusional for not admitting that the Allies are losing the Battle of France. Halifax and Chamberlain agree, keen to use Italian Ambassador Giuseppe Bastianini as intermediary to negotiate with Germany. They plan to resign from the government if Churchill refuses, to cause a vote of no confidence that will allow Halifax to become Prime Minister.