With Or Without You

Total Page:16

File Type:pdf, Size:1020Kb

With Or Without You With or Without You "With or Without You" is a song by rock band U2. It is the third track from their 1987 album, The Joshua Tree, and was released as the album's first single on 21 March 1987. The song was the group's most successful single at the time, becoming their first number-one hit in the both the United States and Canada by topping the Billboard Hot 100 for three weeks and the RPM national singles chart for one week. "With or Without You" features sustained guitar parts played by guitarist The Edge, along with vocals by lead singer Bono and a bassline by bassist Adam Clayton. The song originated from a demo recorded in late 1985 that the group continued to work on throughout The Joshua Tree sessions. Ostensibly a troubled love song, the track's lyrics were inspired by Bono's conflicting feelings about the lives he led as a musician and domestic man. Critics praised the song upon its release. It is frequently performed on the band's tours, and it has appeared on a number of their compilation albums and concert films. "With or Without You" is U2's second most frequently covered song. In 2010, Rolling Stone magazine placed the song at number 132 on their list of "The 500 Greatest Songs of All Time". SEE THE STONE SET IN YOUR EYES. AND YOU GIVE, AND YOU GIVE, SEE THE THORN TWIST IN YOUR SIDE. AND YOU GIVE YOURSELF AWAY. AND I WAIT FOR YOU. MY HANDS ARE TIED. SLEIGHT OF HAND AND TWIST OF FATE, MY BODY BRUISED, SHE´S GOT ME WITH ON A BED OF NAILS SHE MAKES ME WAIT, NOTHING TO WIN AND AND I WAIT WITHOUT YOU. NOTHING LEFT TO LOSE. WITH OR WITHOUT YOU, AND YOU GIVE YOURSELF AWAY… WITH OR WITHOUT YOU. WITH OR WITHOUT YOU… THROUGH THE STORM WE REACH THE SHORE. YOU GIVE IT ALL BUT I WANT MORE. AND I´M WAITING FOR YOU. WITH OR WITHOUT YOU, WITH OR WITHOUT YOU. I CAN´T LIVE , WITH OR WITHOUT YOU. AND YOU GIVE YOURSELF AWAY, AND YOU GIVE YOURSELF AWAY, Bilingüal Proyect. Music Department. I.E.S. López-Neyra. .
Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
    Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt.
    [Show full text]
  • PSCI 11 the Gospel According to U2 Winter Study 2008
    PSCI 11 The Gospel According to U2 Winter Study 2008 Professor Darel E. Paul PSCI 11 Stetson g19 Griffin 6 597-2327 TWR 10am-noon [email protected] Office Hrs.: Mondays 2:00pm - 4:00pm and by appointment Course Description It has been said that U2 is the "world's greatest rock band" – but is it also (unknown to most) the world's greatest – and most unusual – Christian rock band? This course explores the theology, spirituality and politics of U2 expressed through the group's songs, stage performances and human right campaigns. We will travel from the band's origins in the Shalom Christian Fellowship in Dublin to their overtly Christian second album October (1981); the culmination of their superstardom in Joshua Tree (1987); through their techno and ultra-ironic 1990s marked by Zoo-TV, PopMart and Bono's "mock the devil" phase as Mr. MacPhisto; and a return to their roots in All That You Can't Leave Behind (2000) and How To Dismantle An Atomic Bomb (2004). Along the way, we will listen to a lot of U2, watch some videos and tour footage – but it's not all fun and games. We will also read serious theological and philosophical tracts on U2 lyrics and explore the band's complicated interweaving of faith, sexuality, grace, fame, doubt, justice, and the meaning of America in a way which makes them a surprisingly popular and poignant spiritual voice in our superficial and materialistic age. We will also delve into the group's human rights and social justice work, from Band Aid in the ‘80s to (Product)RED today, and in particular explore Bono's Christian social justice moorings.
    [Show full text]
  • Music and Politics: U2 and the Country of Adolescence
    Digital Collections @ Dordt Faculty Work Comprehensive List 2011 Music and Politics: U2 and the Country of Adolescence Howard Schaap Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Christianity Commons, and the Music Commons Recommended Citation Schaap, H. (2011). Music and Politics: U2 and the Country of Adolescence. Perspectives Journal: A Journal of Reformed Thought, 26 (6), 14. Retrieved from https://digitalcollections.dordt.edu/faculty_work/ 128 This Article is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Music and Politics: U2 and the Country of Adolescence Keywords U2, Bono Disciplines Christianity | Music Comments • Copyright © Reformed Church Press 2011. • http://perspectivesjournal.org/blog/2011/06/01/music-and-politics-u2-and-the-country-of- adolescence/ This article is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/128 Music and Politics: U2 and the Country of Adolescence perspectivesjournal.org /blog/2011/06/01/music-and-politics-u2-and-the-country-of-adolescence/ Howard Schaap Share on FacebookShare on Twitter At the end of spring semester, I know it’s coming. It’s most often an honest question from both colleagues and non-teachers alike, though sometimes the latter’s fascination with “summers off” borders on an obsession. Still, in whatever form, the question still comes: “What do you have planned for the summer?” Even though I answer this question more assuredly as a college teacher than I did as a high school teacher, this year I find myself fishing for an answer that will satisfy.
    [Show full text]
  • {PDF} Radiohead: the Stories Behind Every Song
    RADIOHEAD: THE STORIES BEHIND EVERY SONG PDF, EPUB, EBOOK James Doheny | 224 pages | 13 Sep 2012 | Carlton Books Ltd | 9781847329943 | English | London, United Kingdom Radiohead: The Stories Behind Every Song PDF Book Whoa, awesome. Allie rated it it was amazing Dec 22, Introduction Preschoolers generally adore making up new words, creating funny sentences, repeating rhymes, and singing silly songs. I can't say where it is but I know I'm going home. Submit Content. Philitsa rated it really liked it Jul 26, Where the Streets Have No Name Want to Read saving…. Elevation By the editors of Child magazine October 05, Saw them in l. Three-year- olds also tend to enjoy stories about everyday things, animals, and kids, as well as books that discuss issues like learning to share, making friends, going to school, and using the potty. Or perhaps it's about somebody caught in an abusive relationship. Adrian Vargas Obando rated it really liked it Dec 03, Ryan rated it it was ok Jun 28, All rights reserved. April rated it really liked it Feb 18, Poems, Songs, and Stories. Fans love it, but it hasn't been played on tour since It does put a new layer of meaning to the song. Dylan rated it liked it Aug 12, Harrison rated it liked it Dec 24, The Saints Are Coming But the meanings of most U2 songs are subject to interpretation. September A year-old drummer posts a notice at school that he's looking to start a band. Rating details. This energetic and mighty rocker reached number one in Australia, Canada, and all over Europe, but didn't receive much airplay in the States.
    [Show full text]
  • With Or Without You Free
    FREE WITH OR WITHOUT YOU PDF Carole Matthews | 432 pages | 27 Mar 2014 | Little, Brown Book Group | 9780751551518 | English | London, United Kingdom U2 > Discography > Singles > With or Without You It is the third track on their fifth studio album, The Joshua With or Without Youand was released as the album's lead single on 16 March The song was the group's most successful single at the time, becoming their first number-one hit in both the United States and Canada by topping the Billboard Hot for three weeks and the RPM national singles chart for one week, with a further three weeks at number two. The song originated from a demo recorded in late that the group continued to work on throughout The Joshua Tree sessions. Ostensibly a troubled With or Without You song, the track's lyrics were inspired by Bono's conflicting feelings about the lives he led as a musician and domestic man. Critics praised the song upon its release. It is frequently performed on the band's tours, and it has appeared on many of their compilation albums and concert films. With or Without You lateU2 convened at a house that drummer Larry Mullen Jr. During this time, a rough demo of "With or Without You" was written, with lead vocalist With or Without You composing the song's chord sequence. Guitarist the Edge considered the song at that point to be "awful". The group attempted to take the song in a different direction, although Bono was reluctant. Bono and his friend Gavin Friday continued to work on the song after Lanois and Eno declined to do so.
    [Show full text]
  • Joshua Tree”--U2 (1987) Added to the National Registry: 2013 Essay by Stephen Catanzarite (Guest Post)*
    “The Joshua Tree”--U2 (1987) Added to the National Registry: 2013 Essay by Stephen Catanzarite (guest post)* Original album cover Original label The band Across four studio albums, beginning with their 1980 debut, “Boy,” the Irish rock band U2 created a signature sound and built an adoring international fan base, delivering spiritual (and increasingly political) songs and live performances brimming with the irrational exuberance of youth. But it was their fifth studio album, 1987’s “The Joshua Tree,” that cemented the band’s iconic status. The astonishing success of “The Joshua Tree” may, in retrospect, seem to have been inevitable. A critically-acclaimed work that has sold more than 25 million copies, produced two chart-topping singles, and inspired not one but two of the highest-grossing concert tours ever, it’s become ingrained in the popular imagination--particularly in America, the country whose myths, legends, and ideals inspired its creation. Yet, at the time of its release, “The Joshua Tree” bloomed in stark contrast to the pop music landscape that surrounded it. In an era when popular culture gleefully celebrated unabashed materialism and professed a credo of “greed is good,” here was an album that seemed to herald asceticism as ideal. Dutch photographer Anton Corbijn’s austere cover photos present the band’s members (singer Bono, guitarist the Edge, bassist Adam Clayton, and drummer Larry Mullen Jr.), as four modern-day sons of the Desert Fathers, casting wary eyes upon the Day-Glo fashions, big hair silliness, and conspicuous consumption that epitomized the times. Taking its title from the hardy desert plant native to the more arid portions of the American southwest (which was itself named by early Mormon missionaries who saw in it the Old Testament image of Joshua raising his hands to the sky in prayer), “The Joshua Tree” represented all of the things most of U2’s contemporaries renounced: earnestness, austerity, and introspection.
    [Show full text]
  • DOMENICA RUTA, with Or Without You —DAVID GATES
    “The detective quality of this strong memoir is both maddening and fascinating. The reader is made to feel what it’s like to be de- nied answers in an essential search.” —AMY HEMPEL, Sing to It “Atlantis Black was—is?—an extraordinary woman whose descent into madness will leave you spellbound and heartbroken. Betsy Bonner writes with the precision of a poet and the courage of a survivor. I could not put this book down.” —DOMENICA RUTA, With or Without You “Scrappy and queer, charismatic and enigmatic, the young musician who reinvented herself as Atlantis Black left behind a haunting archive that complicates rather than resolves the narrative of her vibrant, troubled life. In this beautiful exploration of her sister’s life and disappearance, Betsy Bonner has crafted a terse, urgent page- turner that is equally ode, elegy, and mystery.” —CHELSEY JOHNSON, Stray City “Her manic, self-destructive sister wanted to be famous, but it took Betsy Bonner’s literary gifts to make her a rock star on the page. In mournful, meticulous—and sometimes wryly funny—prose, The Book of Atlantis Black gives us an unforgettable portrait of an im- possible yet compelling young woman taken down by her own de- mons, and fighting every step of the way.” —DAVID GATES, A Hand Reached Down to Guide Me the book of atlantis black the book of atlantis black THE SEARCH FOR A SISTER GONE MISSING A MEMOIR BY BETSY BONNER ∏IN HOUSE / Portland, Oregon Copyright © 2020 Betsy Bonner All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews.
    [Show full text]
  • Music Review: U2, the Joshua Tree and Two Contrary States of Faith “The Joshua Tree Thirtieth Anniversary Tour”, Twickenham Stadium, GB: Sunday, 9 July 2017
    Vaughan S. Roberts Music Review: U2, The Joshua Tree and Two Contrary States of Faith “The Joshua Tree Thirtieth Anniversary Tour”, Twickenham Stadium, GB: Sunday, 9 July 2017 We cross dirt roads and highways that mark the will of some one and then others, who said I need to see what’s on the other side. I know there’s something better down the road. We need to find a place where we are safe. We walk into that which we cannot yet see. Elizabeth Alexander, “Praise Song for the Day” So the hands that build Can also pull down The hands of love U2, “Exit” Fig. 1 “Praise Song for the Day” on screen, Twickenham, 9 July 2017. www.jrfm.eu 2018, 4/1, 111–116 Review: The Joshua Tree | 111 DOI: 10.25364/05.4:2018.1.9 BREAKING THROUGH The Joshua Tree (1987) is a record of U2’s discovery of America and, in a real sense, the Thirtieth Anniversary Tour was a road trip from the 1980s rerun three decades later. It began in Vancouver on 12 May 2017 and concluded in Sao Paolo on 25 October 2017. The centrepiece of each show featured the band playing The Joshua Tree (1987), frequently described as U2’s “breakthrough” album, in order and in its entirety. The concerts most often began with four songs released before The Joshua Tree: “Sunday Bloody Sunday”, “New Year’s Day”, “Bad” and “Pride”. These were followed by the eleven tracks of The Joshua Tree1 and two encores (or one extended encore) including popular songs from the band’s more recent work and, as the tour progressed, some tracks from their next album, Songs of Experi- ence (2017).
    [Show full text]
  • Form and Style in the Music of U2 Christopher James Scott Endrinal
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Form and Style in the Music of U2 Christopher James Scott Endrinal Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC FORM AND STYLE IN THE MUSIC OF U2 By CHRISTOPHER JAMES SCOTT ENDRINAL A Dissertation submitted to the College of Music In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Music Spring Semester, 2008 Copyright © 2008 Christopher J. S. Endrinal All Rights Reserved The members of the Committee approve the dissertation of Christopher J. S. Endrinal, defended on 25 February 2008. Jane Piper Clendinning Professor Directing Dissertation James R. Mathes Committee Member Matthew R. Shaftel Committee Member Charles E. Brewer Outside Committee Member The Office of Graduate Studies has verified and approved the above listed committee members. ii To Azucena and Dominic. iii ACKNOWLEDGMENTS I wish to extend my gratitude and appreciation to my advisor, Professor Jane Piper Clendinning. Her guidance and support during my entire tenure at Florida State have proven to be invaluable resources, for which I cannot thank her enough. I also extend my appreciation to Professor James Mathes (whose doctoral seminar provided the initial inspi- ration for this research) and to Professors Matthew Shaftel and Charles Brewer, for lending me their unique perspectives and insightful critiques. I would also like to thank the rest of the Music Theory faculty at Florida State. Their vast knowledge and constant encourage- ment helped keep me focused and motivated.
    [Show full text]
  • Faith Hope and U2.Pdf
    A DARE BOOKLET Copyright © Henry VanderSpek 2000 All rights reserved Published by Digory Designs, #2–5311 Lackner Crescent, Richmond, BC, Canada V7E 6B7 Printed by Lulu Island Printing Ltd, Richmond BC IVCF is a learning community seeking to understand and follow Jesus today. The views expressed here are part of an ongoing dialogue in pursuit of this purpose and do not necessarily reflect the official position of IVCF. The views expressed in this booklet are those of the author and U2 have not endorsed these views or collaborated with the author in any way. A DAY WITHOUT ME. Music by U2 Lyrics by Bono & The Edge. © Copyright 1980 Universal - Polygram Int. Publishing, Inc. a division of Universal Studios Inc. (ASCAP) International Copyright Secured. All Rights Reserved. MYSTERIOUS WAYS. Music by U2 Lyrics by Bono One day you will look back, & The Edge. © Copyright 1991 Universal - Polygram Int. Publishing, Inc. a division of and you will see how, Universal Studios Inc. (ASCAP) International Copyright Secured. All Rights Reserved. ZOOROPA. Music by U2 Lyrics by Bono & The Edge. © Copyright 1993 Universal - you were held out by this love, Polygram Int. Publishing, Inc. a division of Universal Studios Inc. (ASCAP) International Copyright Secured. All Rights Reserved. THE WANDERER. Music by U2 Lyrics by Bono & while you can stand it, The Edge. © Copyright 1993 Universal - Polygram Int. Publishing, Inc. a division of you can move on this moment, Universal Studios Inc. (ASCAP) International Copyright Secured. All Rights Reserved. MOFO. Music by U2 Lyrics by Bono & The Edge. © Copyright 1997 Universal - Polygram follow this feeling… Int.
    [Show full text]
  • Difficulties in English-Polish Translation of U2 Lyrics
    PROFESSIONAL COMMUNICATION AND TRANSLATION STUDIES 2008 135 DIFFICULTIES IN ENGLISH-POLISH TRANSLATION OF U2 LYRICS Mariusz WOLANSKI Polonia University in Cz~stochowa U2 lyrics present different aspects of human life; of which love comes to the foreground. " One" is the song that has been played by U2 at every concert for 15 years, deeply moving crowds of spectators. There are two meanings of the song. The first one can be interpreted as a conversation between the young man, who is dying of AIDS, and his father. Father does not accept his son's lifestyle and is not able to forgive him. This interpretation illustrates the need to put a blame on somebody else. The son has a chance to vent his frustration and fury caused by his father's attitude. Despite deep-rooted prejudices, his father tries to come to terms with him. In this context the song" One" can be considered as discussion about intolerance to AIDS victims and sexual minorities. The key point is that although we are not the same, we live in the same world. Thus, we have to help each other: One love, one blood, one life With each other, Sisters, Brothers One life, but we're not the same We got to carry each other One ... The second meaning of the song is more universal. It can be interpreted as a song about unhappy love. Here, the man addresses the woman. There was a time when a strong feeling of love joined them together. Nowadays, they cannot understand each other: Well it's too late, tonight To drag the past out into the light Where love used to rule, there remained bitterness and emptiness: You gave me nothing Now it's alii got The feeling disappeared and the couple cannot forget the mistakes committed in the past: Will it make it easier on you Now you got someone to blame Reading the Poiish translation of the song" One ", I have noticed that the second meaning is more significant and, at the same time, universal.
    [Show full text]