Program Content Is at the Sole Discretion of the Performing Arts Group
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
?Did You Know... We Are Letting the Cat out of the Bag!
Summer 2014 Plainfield Public Library District Newsletter IN THIS ISSUE: Adults. 2 Children 5 & Under ..6 Children. 7 Teens .............9 Library News ......12 Library Special Events ...........15 LIBRARY CLOSINGS: May 25 - 26 Memorial Day weekend We are letting the cat July 4 out of the bag! Independence Day This summer, don’t allow your reading habits to go to the dogs, here’s a purr- fectly good solution: “Paws to Read” for excitement and rewards! September 1 Labor Day See more about Summer Reading 2014 on page 14 815.436.6639 Did you know... There will be surprise visits and furry fun during 15025 S. Illinois St. Registration Week, June 2 - 5! Plainfield, IL 60544 ? Adult Programs Classes and workshops Health routines and schedules Alzheimer’s how the kids can help with Registration is required for all adult programs. Disease and Early chores. Detection Call the Reference Desk at 815.327.2515 or visit Pets www.plainfieldpubliclibrary.org to register. Wednesday, June 18, 7:00 PM Registration for adult programs begins June 2, unless Secrets of Dog If you or someone you Training otherwise noted in the online calendar. know is experiencing Tuesday, June 24, 7:00 PM Collections Juicing for Life memory loss or behavioral From excessive barking Book Appraisal Wednesday, July 23, 7:00 PM changes, it’s time to learn the facts and warning and housebreaking to Tuesday, August 12, 7:00 PM Learn the basics of fresh signs. Early detection gives jumping or socialization vegetable and fruit juicing Rare bookseller and you a chance to plan for skills, the experts from and how to incorporate appraiser Thomas Joyce, the future. -
A Christmas Carol by Charles Dickens
A Christmas Carol by Charles Dickens Stave V "The End of It" Yes! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! “I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this. I say it on my knees, old Jacob, on my knees!” He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. “They are not torn down!” cried Scrooge, folding one of his bed- curtains in his arms, “they are not torn down, rings and all. They are here – I am here – the shadows of the things that would have been, may be dispelled. They will be! I know they will.” His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. “I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. -
Charles Dickens
A Christmas Carol Revision Charles Dickens Plot Summary: A mean-spirited, miserly old man named Ebenezer Scrooge sits in his counting-house on a frigid Christmas Eve. His clerk, Bob Cratchit, shivers in the anteroom because Scrooge refuses to spend money on heating coals for a fire. Scrooge's nephew, Fred, pays his uncle a visit and invites him to his annual Christmas party. Two portly gentlemen also drop by and ask Scrooge for a contribution to their charity. Scrooge reacts to the holiday visitors with bitterness and venom, spitting out an angry "Bah! Humbug!" in response to his nephew's "Merry Christmas!" Later that evening, after returning to his dark, cold apartment, Scrooge receives a chilling visitation from the ghost of his dead partner, Jacob Marley. Marley, looking haggard and pallid, relates his unfortunate story. As punishment for his greedy and self-serving life his spirit has been condemned to wander the Earth weighted down with heavy chains. Marley hopes to save Scrooge from sharing the same fate. Marley informs Scrooge that three spirits will visit him during each of the next three nights. After the wraith disappears, Scrooge collapses into a deep sleep. He wakes moments before the arrival of the Ghost of Christmas Past, a strange childlike phantom with a brightly glowing head. The spirit escorts Scrooge on a journey into the past to previous Christmases from the curmudgeon's earlier years. Invisible to those he watches, Scrooge revisits his childhood school days, his apprenticeship with a jolly merchant named Fezziwig, and his engagement to Belle, a woman who leaves Scrooge because his lust for money eclipses his ability to love another. -
New Stage Theatre Presents a Christmas Arol a C GHOST STORY of CHRISTMAS by Charles Dickens Adapted by Michael Wilson Directed by Peppy Biddy
New Stage Theatre Presents A ChriStmas arol A C GHOST STORY OF CHRISTMAS by Charles Dickens adapted by Michael Wilson directed by Peppy Biddy musical director Carol Joy Sparkman choreographer Drew Stark EBENEZER SCROOGE December 3-22, 2019 Sponsored by Production Manager / Stage Manager Lighting Designer Scenic Designer Technical Director Josh Harris Bronwyn Teague Chris Rich Richard Lawrence Sound Design and Costume Designer Properties Designer Original Music Caleb Blackwell Marie Venters John Gromada acc_program_final.indd 1 12/2/19 2:09 PM A ChriStmas Carol By Charles Dickens Adapted by Michael Wilson Originally produced by the Alley Theatre, Houston, Texas, Gregory Boyd, Artistic Director; Paul R. Tetreault, Managing Director Sound Design and Original Music by John Gromada “A CHRISTMAS CAROL – A GHOST STORY OF CHRISTMAS is presented by special arrangement with Dramatists Play Service, Inc., New York.” The videotaping or other video or audio recording of this production is strictly prohibited. Theatrical Fog and Smoke are used in this production There will be one 15-minute intermission Please silence your cell phone THE SETTING London, 1843 acc_program_final.indd 2 12/2/19 2:09 PM THE CAST (in order of appearance) EBENEZER SCROOGE ........................................Turner Crumbley* MRS. DILBER/PARTY GUEST .......................................Jenn Harris BOB CRATCHIT ..............................................Christopher Sferra FRED/YOUNG SCROOGE .......................................... Sam Lovorn FIRST SOLICITOR/UNDERTAKER/PARTY GUEST ......................Drew Stark SECOND SOLICITOR/MR. FEZZIWIG ......................... Christan McLaurine DOLL VENDOR (MRS. PIDGEON)/SPIRIT OF CHRISTMAS PAST .....Mandy Kate Myers FRUIT VENDOR (BERT)/SPIRIT OF CHRISTMAS PRESENT . Joseph Frost CLOCK VENDOR (MR. MARVEL)/PARTY GUEST/ ..................Cameron Pitre SPIRIT OF CHRISTMAS FUTURE THE GHOST OF JACOB MARLEY/OLD JOE .........................Chris Roebuck MRS. -
Costume Fitting Protocol and Shop Information UT Department of Theatre • 206 Mcclung Tower • Knoxville, TN 37996 Costume Shop • 865-974-2203
Updated: August 2013 Costume Fitting Protocol and Shop Information UT Department of Theatre • 206 McClung Tower • Knoxville, TN 37996 Costume Shop • 865-974-2203 Welcome to the Clarence Brown Theatre at the University of Tennessee! We would like to take this opportunity to give you some information regarding the Costume Shop Staff, our Costume Shop Facilities, and our Fitting Protocol. C OSTUME S HOP S TAFF Melissa Caldwell-Weddig – Costume Shop Supervisor [email protected] The Costume Supervisor is responsible for maintaining all costume stock, materials and equipment used for the construction of costumes. The Costume Supervisor manages all use of costume stock with production needs, rentals and all events. Ensures that show comes in on time, on budget and within the scope designed. Kyle Schellinger – Cutter Draper [email protected] The Cutter/Draper is responsible for the patterning, cutting of mockups, fitting, final fabric cutting, construction, and preparation of all assigned production costumes while maintaining the vision of the costume designer within necessary budget and time constraints. Elizabeth Aaron – Costumer and Wardrobe Supervisor [email protected] Amber Williams – Costumer and Wardrobe Supervisor [email protected] Costumers stitch and finish all assigned costumes per draper instructions. The Wardrobe Supervisor heads the Wardrobe Crew and coordinates the care, management and organization of all costumes throughout the dress rehearsals and performances. The Wardrobe Supervisor is responsible for directing and supervising the execution of the Costume Designs for all productions when in the space and through the run. C OSTUME S HOP F ACILITIES The Costume Shop The Costume Shop is located in the basement level of The Clarence Brown Theater and is most easily accessed thru the north back doors, closest to the corner of Andy Holt Ave and Melrose Place. -
Loading up up Loading
U-HIGH Volume 76, Number 4 • University High School, 1362 East 59th Street, Chicago, Illinois 60637 • Tuesday , Dec . 12, 2000 Loading up to the max Li-Highers forego open periods as they fill schedules to free up senior year !JyNatalie Hoy ___________ _ Associate editor or years, open periods have represented a badge of honor for U -High. While other F schools plunk kids into faculty-supervised study halls, U-High has considered perio~ when students don't have classes and make their own de cisions about how to best use their time part of the educational program. And that's the irony of it. More and more U-Highers are using those open periods for more classes . At least for the three lower grade levels, open periods may represent an endangered species. The coming win ter break, in fact, for many U-Highers will repre sent their first "open" break since school began. A check of schedules indicates that 137 U-Highers out of 463 pack their schedules to course capacity. ''This is the story," said Principal Jack Knapp. ne ofmy "There are two threads ''o that I see at Lab. One is goals is to the A.P.-driven thread create a well which seeks the best pos rounded sible scores for students so they can get into the education for best colleges; I see a lot of students ... ,, this. The other thread uses more of the Dewey theory of learning and doing . These students seek a more hands-on experi mental experience. "These two threads seem to be frequently in competition for the school's soul, but it doesn't need to be this way. -
A Christmas Carol- the Plot Stave 1: Marley's Ghost
A Christmas Carol- The Plot Stave 1: Marley's Ghost Here the reader meets Ebenezer Scrooge, a miserable but wealthy old man. Scrooge works in his ……...........................................with his clerk,………………………………………………. Bob writes out records of accounts and Scrooge oversees the business but we don't know (it's not important) what it exactly does. (There may be a clue in the next chapter, where we see Scrooge as an apprentice with ……………………………………………..) It is Christmas…………………….., and Scrooge receives several visitors. One is his nephew……………………………..who invites Scrooge to dine with him for Christmas. Then come two gentlemen who are collecting for ……………………………….. We learn here that Scrooge had a partner……………………………………….., who died on Christmas Eve seven years previously. Scrooge refuses to give the gentlemen anything, saying he helps the poor already through supporting prisons and workhouses. Scrooge allows Bob to have Christmas Day as a holiday, but insists that he……………………………………………………………………………………………………………... (Boxing Day was not usually a holiday in the 19th century, but was the day when tradesmen collected their Christmas "boxes" - gifts from their customers.) When Scrooge returns to his lodging he is visited by the Ghost of Jacob Marley who is weighed down by ………………………………………………………………………………. The ghost says that any spirit which does not mix with other people in life must travel among them after death. Marley tells Scrooge that he, too, wears a chain, larger than Marley's. Marley has often sat by him unseen. Now he tells him that……………………………………………………………………………………………………………. Stave 2: The First of the Three Spirits This is the Ghost of ……………………………………………………………………. - Scrooge's own past. The ghost has a strange changing form and gives out brilliant …………………………………. -
Costume Technician
Costume Technician Ballet Memphis is seeking qualified applicants for the position of Costume Technician. This position will assist with the day to day operations of producing and maintaining costumes, and provide assistance with costumes and wardrobe for all Ballet Memphis productions and performance-related special events. Organization In its 35th season, Ballet Memphis is one of the nation’s most celebrated professional ballet companies. The Ballet Memphis professional company produces four mainstage productions a season at various local performing venues, including the historic Orpheum Theatre, as well as smaller performances throughout the year at Ballet Memphis studios and in the community. Ballet Memphis attract audiences of 25,000+ annually, has a School with over 300 enrolled students, and Pilates + Wellness programs that sees hundreds of clients weekly. The organization also engages thousands annually through its Community Impact programs. Ballet Memphis’s mission is to reveal and celebrate the universality of the human experience through dance. General Description The Costume Technician is a part-time position reporting to the Wardrobe Supervisor & Resident Costume Designer. This position works closely with Company Dancers, the Stage Manager, and other Costume Shop employees to facilitate the use of costumes in rehearsals and performances. In daily operations, the Costume Technician primarily assists with building, altering, embellishing, and repairing costumes for all Ballet Memphis productions and will be a part of the costume team that facilitates the runs of all performances at the theater. This position is expected to work some nights and weekends as determined by the production calendar. During performance weeks, the costume team will run all Ballet Memphis productions, including assisting Company Dancers, overseeing hired dressers, performing quick changes, and repairing costumes as needed. -
Rouse Simmons" Shipwreck Other Names/Site Number N/A
NPS Form 10-900 i- OMB No. 10024-0018 (January 1992) | ^ZTr~~——-———__ / Wisconsin Word Processing Format (Approved 1/92) United States Department of Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900A). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name "Rouse Simmons" Shipwreck other names/site number N/A 2. Location Lake street & number 6 miles off Point Beach N/A not for publication city or town Lake Michigan X vicinity state Wisconsin code WI county Manitowoc code 071 zip code 54241 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets _ does not meet the National Register criteria. -
Charles Dickens' a Christmas Carol Celebrates 20 Years
31 W. Patrick Street Frederick, MD 21701 CONTACT: Dan Brick 301.694.4744 PRESS RELEASE (301) 694-4744 ext. 303 marylandensemble.org [email protected] CHARLES DICKENS’ A CHRISTMAS CAROL CELEBRATES 20 YEARS AS A FREDERICK HOLIDAY TRADITION FREDERICK, MD (October 30, 2013) - Charles Dickens’ classic A Christmas Carol is returning to Frederick for the twentieth straight year with Maryland Ensemble Theatre’s production December 20 through 22 at the Weinberg Center for the Arts. The cast of over two dozen actors portraying the ghosts of Christmas Past, Present, Future and Tiny Tim will transport audiences to Victorian England as the penny-pinching Ebenezer Scrooge learns the error of his miserly ways and embraces the true spirit of Christmas. “We really do feel like it’s a holiday gift we can give to our community,” said the show’s director Julie Herber. “The spirit of the show is infectious, the energy we feel greeting the audience after the show is always so cheerful and heartwarming.” A Christmas Carol is a stirring tale that has endured and delighted since being greeted with critical and popular acclaim upon its publication in 1843. Dickens himself was the first to add a performance element to the story personally performing 127 public readings of A Christmas Carol. Since then it has been adapted hundreds of times to nearly every medium possible including the first surviving film version in 1901, Orson Wells on CBS Radio in 1938, both opera and ballet adaptations, a Muppets’ movie and a Broadway musical. Maryland Ensemble Theatre’s version was adapted by Theatricks, a theater company co-founded by MET Associate Artistic Director Julie Herber. -
Jacob Marley Was Dead
Jacob marley was dead Continue I personally love the Book of Christmas Song and I read it every December. It's not a long book, which is probably why it's a favorite classic of an overworked high school student, and this librarian with a read list a mile long. I'm also a big fan of Christmas, and Christmas special, and books about Christmas. I admit that I've never been a big fan of Dickens's more works. In high school we read Great Expectations and I remember very little, except that it was particularly hard to follow, which kind of turned me away from everything he had written for a while. But a few years ago I decided to give a Christmas carol a chance and it became one of my favorite books. The language That Dickens used is unlike anything we use in everyday communication in 2014. Never has Tiny Tim ever lol, and none of the ghosts will ever smh Scrooge and his ignorance. Honestly, I can see how difficult it can be for some to sit down and read page after page of the lengthy descriptions Of the Dickens used-after-all, we want to get to the meat of ghost stories and a grumpy old man learning to appreciate kindness and friendship for money, but when we don't have the time to read what Dickens has written he draws some amazing images in our heads. Take the opening lines: Marley was dead: for starters. As for the first lines in the book to go, that one is damn good. -
Encountering Christ in Charles Dickens' a Christmas Carol
DAILY DEVOTIONS FOR ADVENT Encountering Christ in Charles Dickens’ A Christmas Carol AUTHOR’S INTRODUCTION Charles Dickens’ A Christmas Carol has been a delightful part of the celebration of Christmas since it was first written in 1843. Dickens deeply, and penitently, understands that Scrooge is really a reflection of himself and so many of us in our sinful state; yet the transformation of this central character, and us, is the blessing we receive from the Child of Christmas. There are five sections, or staves, in this classic, and each of them is represented in part in the selections to follow: The first stave (Marley’s Ghost)—an introduction to Ebeneezer Scrooge and his life before his transformation: The first week of Advent to Tuesday after the Second Sunday of Advent. The next three staves (The Three Spirits of Christmas Past, Present, and Yet-to-Come)—Scrooge’s journey through repentance and renewal: Wednesday after the Second Sunday of Advent to Saturday after the Third Sunday of Advent. The final stave (The End)—Scrooge’s transformed-self that now embraces the joy of Christmas: The final week of Advent. I hope my own reflections for each of these days in Advent will help to lift up the Child who was not ashamed to take upon himself the poverty of our being and makes us all new—for our sake, and for the sake of the whole world! FIRST SUNDAY of ADVENT The grass withers, the flower fades, when the breath of the Lord blows upon it; surely the people are grass.