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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
At the Western Front 1918 - 2018
SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT 1918 - 2018 100 years on Polygon Wood 2 SALIENT CONTEMPORARY ARTISTS AT THE WESTERN FRONT New England Regional Art Museum (NERAM), Armidale 23 March – 3 June 2018 www.neram.com.au Bathurst Regional Art Gallery 10 August – 7 October 2018 www.bathurstart.com.au Anzac Memorial, Sydney October 2018 – 17 February 2019 www.anzacmemorial.nsw.gov.au Bank Art Museum Moree 5 March – 29 April 2019 DEIRDRE BEAN www.bamm.org.au HARRIE FASHER PAUL FERMAN Muswellbrook Regional Arts Centre MICHELLE HISCOCK 11 May – 30 June 2019 ROSS LAURIE www.muswellbrookartscentre.com.au STEVE LOPES EUAN MACLEOD Tweed Regional Gallery 21 November 2019 – 16 February 2020 IAN MARR artgallery.tweed.nsw.gov.au IDRIS MURPHY AMANDA PENROSE HART LUKE SCIBERRAS Opposite page: (Front row, left to right) Wendy Sharpe, Harrie Fasher, Euan Macleod, Steve Lopes, Amanda Penrose Hart George Coates, Australian official war artist’s 1916-18, 1920, oil on canvas (Middle row, left to right) Ian Marr, Deirdre Bean, Ross Laurie, Michelle Hiscock, Luke Sciberras Australian War Memorial collection WENDY SHARPE (Back row, left to right) Paul Ferman, Idris Murphy 4 Salient 5 Crosses sitting on a pillbox, Polygon Wood Pillbox, Polygon Wood 6 Salient 7 The Hon. Don Harwin Minister for the Arts, NSW Parliament Standing on top of the hill outside the village of Mont St Quentin, which Australian troops took in a decisive battle, it is impossible not to be captivated From a population of fewer than 5 million, almost 417,000 Australian men by the beauty of the landscape, but also haunted by the suffering of those enlisted to fight in the Great War, with 60,000 killed and 156,000 wounded, who experienced this bloody turning point in the war. -
Magazine of the Families and Friends of the First AIF Inc
DIGGER “Dedicated to Digger Heritage” Above: The band of the 1st Australian Light Horse Regiment, taken just before embarkation in 1914. Those men marked with an ‘X’ were killed and those marked ‘O’ were wounded in the war. Photo courtesy of Roy Greatorex, the son of Trooper James Greatorex (later lieutenant, 1st LH Bde MG Squadron), second from right, back row. September 2018 No. 64 Magazine of the Families and Friends of the First AIF Inc Edited by Graeme Hosken ISSN 1834-8963 Families and Friends of the First AIF Inc Patron-in-Chief: His Excellency General the Honourable Sir Peter Cosgrove AK MC (Retd) Governor-General of the Commonwealth of Australia Founder and Patron-in-Memoriam: John Laffin Patrons-in-Memoriam: General Sir John Monash GCMG KCB VD and General Sir Harry Chauvel CGMG KCB President: Jim Munro ABN 67 473 829 552 Secretary: Graeme Hosken Trench talk Graeme Hosken. This issue A touching part of the FFFAIF tours of the Western Front is when Matt Smith leads a visit to High Tree Cemetery at Montbrehain, where some of the Diggers killed in the last battle fought by the AIF in the war are buried. In this issue, Evan Evans tells the story of this last action and considers whether it was necessary for the exhausted men of the AIF to take part. Andrew Pittaway describes how three soldiers had their burial places identified in Birr Cross Roads Cemetery, while Greg O’Reilly profiles a brave machine-gun officer. Just three of many interesting articles in our 64th edition of DIGGER. -
A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice. -
The Travelling Table
The Travelling Table A tale of ‘Prince Charlie’s table’ and its life with the MacDonald, Campbell, Innes and Boswell families in Scotland, Australia and England, 1746-2016 Carolyn Williams Published by Carolyn Williams Woodford, NSW 2778, Australia Email: [email protected] First published 2016, Second Edition 2017 Copyright © Carolyn Williams. All rights reserved. People Prince Charles Edward Stuart or ‘Bonnie Prince Charlie’ (1720-1788) Allan MacDonald (c1720-1792) and Flora MacDonald (1722-1790) John Campbell (1770-1827), Annabella Campbell (1774-1826) and family George Innes (1802-1839) and Lorn Innes (née Campbell) (1804-1877) Patrick Boswell (1815-1892) and Annabella Boswell (née Innes) (1826-1914) The Boswell sisters: Jane (1860-1939), Georgina (1862-1951), Margaret (1865-1962) Places Scotland Australia Kingsburgh House, Isle of Skye (c1746-1816) Lochend, Appin, Argyllshire (1816-1821) Hobart and Restdown, Tasmania (1821-1822) Windsor and Old Government House, New South Wales (1822-1823) Bungarribee, Prospect/Blacktown, New South Wales (1823-1828) Capertee Valley and Glen Alice, New South Wales (1828-1841) Parramatta, New South Wales (1841-1843) Port Macquarie and Lake Innes House, New South Wales (1843-1862) Newcastle, New South Wales (1862-1865) Garrallan, Cumnock, Ayrshire (1865-1920) Sandgate House I and II, Ayr (sometime after 1914 to ???) Auchinleck House, Auchinleck/Ochiltree, Ayrshire Cover photo: Antiques Roadshow Series 36 Episode 14 (2014), Exeter Cathedral 1. Image courtesy of John Moore Contents Introduction .……………………………………………………………………………….. 1 At Kingsburgh ……………………………………………………………………………… 4 Appin …………………………………………………………………………………………… 8 Emigration …………………………………………………………………………………… 9 The first long journey …………………………………………………………………… 10 A drawing room drama on the high seas ……………………………………… 16 Hobart Town ……………………………………………………………………………….. 19 A sojourn at Windsor …………………………………………………………………… 26 At Bungarribee ……………………………………………………………………………. -
Paintings from the Collection 10 Works In
10works in focus Paintings from the Collection VOLUME 3 10 WORKS IN FOCUS: PAINTINGS FROM THE COLLECTION / VOLUME 3 1 This is the third in a series of 10 Works in Focus publications accompanying the State Library of NSW’s Paintings from the Collection permanent exhibition. The State Library’s exhibitions onsite, online and on tour aim to connect audiences across NSW and beyond to our collections and the stories they tell. www.sl.nsw.gov.au/galleries Members of Aboriginal and Torres Strait Islander communities are respectfully advised that this exhibition and related materials contain the names and images of people who have passed away. ACKNOWLEDGMENT OF COUNTRY The State Library of New South Wales acknowledges the Gadigal people of the Eora Nation, the traditional custodians of the land on which the Library stands. We pay respect to Aboriginal Elders past, present and emerging, and extend that respect to other First Nations people. We celebrate the diversity of Aboriginal cultures and languages across NSW. 10works in focus Paintings from the Collection VOLUME 3 Contents 5 Foreword 7 About the exhibition 8 Mr Stanley’s House 10 On a high horse! 12 Shades of grey 14 A rare and honest portrait 16 Acrid smoke and nervous excitement 18 Boys’ day out 22 A standing disgrace to Sydney 24 Poet and painter 26 Miss Mary 28 Affectionately ‘Mullum’ 30 List of works A free exhibition at the State Library of NSW. Macquarie Street Sydney NSW 2000 Australia Telephone +61 2 9273 1414 www.sl.nsw.gov.au @statelibrarynsw Curators: Louise Anemaat, Elise Edmonds, -
Part Five: Appendices
136 national museum of australia annual report 08–09 Part five: Appendices Detail of a needlework sampler depicting Botany Bay in the early years of settlement, acquired by the Museum in 2009. part five: appendices 137 138 national museum of australia annual report 08–09 Professor Andrea Hull ao Appendix 1 : BA Dip Ed (Sydney University) Council and committees MBA (Melbourne Business School) Executive Education AGSM, Harvard of the National Museum Fellow, Australian Institute of Company Directors of Australia Fellow, Australian Institute of Management Director, Victorian College of the Arts (to March 2009) Council members are appointed under Section 13(2) 12 December 2008 – 11 December 2011 of the National Museum of Australia Act 1980. Attended 2/2 meetings executive member Council Mr Craddock Morton members as at 30 june 2009 BA (Hons) (ANU) Mr Daniel Gilbert am (Chair) Director, National Museum of Australia LLB (University of Sydney) Acting Director: 15 December 2003 – 23 June 2004 Managing Partner, Gilbert+Tobin Director: 24 June 2004 – 23 June 2007 Non-Executive Director, National Australia Bank Limited Reappointed: 24 June 2007 – 23 June 2010 Director, Australian Indigenous Minority Supplier Council Attended 4/4 meetings Member, Prime Minister’s National Policy Commission on Indigenous Housing outgoing members in 2008–09 Councillor, Australian Business Arts Foundation The Hon Tony Staley ao (Chair) 27 March 2009 – 26 March 2012 LLB (Melbourne) Attended 1/1 meeting Chair, Cooperative Research Centres Association Dr John Hirst (Deputy -
Catalogue Price: $33.00 Important Information for Buyers
AUSTRALIAN BOOK AUCTIONS Monday 23 May, 2016, at 6.30 pm AUSTRALIAN BOOK AUCTIONS Tuesday 24 May, 2016, at 11.30 am AUSTRALIAN BOOK AUCTIONS AUSTRALIAN BOOK AUCTIONS PTY. LTD. A.B.N 60 088 582 030 A.C.N 088 582 030 Barbara Hince, Director Front cover: Lot 60 (part) Inside front cover: Lot 174 Jonathan Wantrup, Director Inside back cover: lots 22 and 24 Dr Gavin De Lacy, General Manager Lots 22 and 24 Back cover: Lot 173 AUSTRALIAN BOOK AUCTIONS MAY GALLERY SALE Voyages, Travels, Natural History, Military, Australiana, Literature, Books of Ida Rentoul Outhwaite, Ephemera, Art Books, Angling books, &c., &c. To be sold by auction in two sessions on Monday 23rd May 2016 at 6.30 pm, and Tuesday 24th May 2016 at 11.30 am At Australian Book Auctions Gallery 909 High Street, Armadale, Victoria Telephone (+61) 03 9822 4522 Facsimile (+61) 03 9822 6873 Email [email protected] www.australianbookauctions.com On View At the Gallery, 909 High Street, Armadale, Victoria Friday 20th May from 10.00 am to 4.00 pm Saturday 21st May from 10.00 am to 4.00 pm Monday 23rd May from 10.00 am to 4.00 pm Catalogue Price: $33.00 Important Information for Buyers Registration and Buyer’s numbers payment is made by credit card, an additional charge of The auction will be conducted using Buyer’s 1.1% will be added to your invoice to cover bank fees numbers. All prospective bidders are asked to register and charges. and collect a Buyer’s number before the sale. -
Australian Art
Australian Art Selected works of art from the Art Gallery of South Australia Education Services Resource The following selection of key works within the Elder Wing are designed to introduce students to aspects of Australian art. Due to the rotating nature of Gallery displays, please note that Education Services is unable to guarantee that all works of art included in this resource are currently on view. Please contact Education Services to book your visit and discuss whether particular works are on display. Mark Fischer DECD Eduation Manager Art Gallery of South Australia e: [email protected] ph: 08 8207 7033 Image: A break away!, 1891, Tom ROBERTS, Australia,1856-1931, Elder Bequest Fund 1899 Outreach Education is a team of specialist DECD teachers based in major public organisations. Each teacher creates and manages curriculum-focused learning programs for early years to senior students and teachers using the expertise, collections and events at their unique site. SMALL TALK EDUCATION RESOURCE Gallery 1 A View of the artist’s house and garden, in Mills Plains, Van Diemen’s Land, 1835, Tasmania JOHN GLOVER Britain/Australia, 1767-1849 Morgan Thomas Bequest Fund 1951 English artist John Glover migrated to Tasmania from his home in London in 1830. He bought land and set up a farm near Launceston. Glover’s Tasmanian landscapes often showed his liking for the natural bushland, and his interest in the disappearing indigenous peoples who once lived on the land he now owned. This painting shows a summer’s day at Glover’s new farm. A shingle- roofed stone house and wooden studio look out onto his extensive cottage garden full of flowering plants. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Painting Anzac A history of Australia’s official war art scheme of the First World War Volume 2 Michael Scheib A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Art History and Film Studies Faculty of Arts and Social Sciences The University of Sydney 2015 1 Appendices ________________________________________________________________ -
Painting the War
1 Ol-- \ rshlot Ìl PAINTING THE WAR: The Intentions and Motivations of the Official Australian V/ar Art Scheme of the First'World V/ar MARGARET VENZ HUTCHISON Discipline of History, Universþ of Adelaide Submiued in part fulfilment of the degree of Bachelor of Arts (Honours) in History. 28 October 2008 --,1 TABLE OF CONTENTS Declaration. ............... ll1 Abbreviations............ ................. lV Acknowledgements.... V Introduction.................. .......6 Chapter 1: The Memory of War............... .....13 Chapter 2: Painting the'War, 1917-1919 .. ...............27 Chapter 3: Painting the War in Retrospect,1920-1931............ ...............40 Conclusion 52 Appendix 1: Examples of the Australian War Art.... 54 68 l1 DECLARATION This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being available for loan and photocopying. Margaret Venz Hutchison Date: )S ¡ro fog 111 ABBREVIATIONS AIF Australian Imperial Force AWM Australian War Memorial AWRS Australian War Records Section CWMF Canadian'War Memorials Fund CWRS Canadian'War Records Section 1V ACKNOWLEDGEMENTS I would especially like to thank my supervisor, Dr Vesna Drapac, for her enthusiasm, encouragement and guidance in this thesis and for her continued support and understanding throughout this year. I would like to thank V/arwick Heywood, Art Curator at the Australian V/ar Memorial, who showed me the original war art and provided me with the images for this thesis as well as with words of encouragement. -
Early Australian Optical and Radio Observations of Centaurus A
Early Australian Optical and Radio Observations of Centaurus A Peter RobertsonA, C, Glen CozensA, Wayne OrchistonA, Bruce SleeA, B and Harry WendtA A Centre for Astronomy, James Cook University, Townsville, QLD 4811, Australia B Australia Telescope National Facility, CSIRO, PO Box 76, Epping, NSW 2121, Australia C Corresponding author. Email: [email protected] Abstract: The discoveries of the radio source Centaurus A and its optical counterpart NGC 5128 were important landmarks in the history of Australian astronomy. NGC 5128 was first observed in August 1826 by James Dunlop during a survey of southern objects at the Parramatta Observatory, west of the settlement at Sydney Cove. The observatory had been founded a few years earlier by Thomas Brisbane, the new governor of the British colony of New South Wales. Just over 120 years later, John Bolton, Gordon Stanley and Bruce Slee discovered the radio source Centaurus A at the Dover Heights field station in Sydney, operated by CSIRO‟s Radiophysics Laboratory (the forerunner of the Australia Telescope National Facility). This paper will describe this early historical work and summarise further studies of Centaurus A by other Radiophysics groups up to 1960. Received 2009 October … Keywords: Centaurus A – NGC 5128 – radio galaxies – history of Australian astronomy – Parramatta Observatory – Radiophysics Laboratory 1 Introduction The radio source Centaurus A and its optical counterpart NGC 5128 comprise possibly the most important astronomical object in the history of Australian astronomy. Observations of the southern sky in Australia are as old as human settlement. There is a growing body of evidence that the importance of astronomical knowledge to Aboriginal culture was far greater than previously thought (see e.g.