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Wladimir Vogel
Weill and Schoenberg
The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20Th Century
Radical Than Most Gebrauchsjazz: Music for the “Berlin Im Licht”
The Fire Sermon: Program and Narrative in Einojuhani Rautavaara’S Second Piano Sonata
Eine Dadaistisch-Futuristische Provokation
FERRUCCIO BUSONI Concerto for Piano and Orchestra with Male Choir in C Major Op
International Folk Music Council Nineteenth
Music and Artistic Citizenship: in Search of a Swiss Identity
Polyphonic Harmony in Three of Ferruccio Busoni's Orchestral Elegies
The Congress for Cultural Freedom, La Musica Nel Xx Secolo, And
AMS San Francisco 2011 Final Abstracts
Schoenberg and Weill
Hanns Eisler's "Das Vorbild" and the Rebuilding of Musical Culture in the German Democratic Republic
Kurt Weill Newsletter FALL 2013
The Politics of Culture: Historical Moments in Greek Musical Modernism
Tackitt DMA Dissertation Final Document
Ghosts in the Machine the Making of European Serialism, 1945–1955
Yefim Golyshev, Arnold Schoenberg, and the Origins of Twelve-Tone Music Ian Pace
Top View
Wladimir Rudolfowitsch Vogel – Wikipedia
A Stylistic and Analytical Review of Three Works for Solo Piano by Einojuhani Rautavaara
The Political Songs of Hanns Eisler, 1926-1932 Margaret R
Serialism 1 Serialism
Chamber Music: String Quartet in B Minor Sonata for Cello and Piano String Quartet No
Persecuted Composers – Persecuted Music on Thomas Hampson’S 2005 Salzburg Recital
Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Subscription Series
Program Notes by Dr
Questions of Gender in Byzantine Society
The Reconstruction of Post-War West German New Music During the Early Allied Occupation
70 Stefan Wolpe Und Das Weimarer Bauhaus
KWE 1000 Zaubernacht Introduction
Women Are Not Born to Compose': Female Musical Works from 1750 To
Hermann Scherchen: Alles Hörbar Machen I , by Luca Frei
The Reconstruction of Post-War West German New Music During