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Ulay

  • Heiser, Jörg. “Do It Again,” Frieze, Issue 94, October 2005

    Heiser, Jörg. “Do It Again,” Frieze, Issue 94, October 2005

  • ULAY in GENEVA Invisible Opponent

    ULAY in GENEVA Invisible Opponent

  • Kino, Carol. “Rebel Form Gains Favor. Fights Ensue.,” the New York Times, March 10, 2010

    Kino, Carol. “Rebel Form Gains Favor. Fights Ensue.,” the New York Times, March 10, 2010

  • So You See Me 27 October – 16 December 2017

    So You See Me 27 October – 16 December 2017

  • Is Marina Abramović the World's Best-Known Living Artist? She Might

    Is Marina Abramović the World's Best-Known Living Artist? She Might

  • Fresh Meat Rituals: Confronting the Flesh in Performance Art

    Fresh Meat Rituals: Confronting the Flesh in Performance Art

  • Gender and the Collaborative Artist Couple

    Gender and the Collaborative Artist Couple

  • Chapter 21: Le Courbusier, Frank Lloyd Wright, Mies Van Der Rohe

    Chapter 21: Le Courbusier, Frank Lloyd Wright, Mies Van Der Rohe

  • Imaging the Void: Making the Invisible Visible an Exploration Into the Function of Presence in Performance, Performative Photography and Drawing

    Imaging the Void: Making the Invisible Visible an Exploration Into the Function of Presence in Performance, Performative Photography and Drawing

  • NSK State Art: New York the Impossible Return Feb 9–Mar 25, 2017

    NSK State Art: New York the Impossible Return Feb 9–Mar 25, 2017

  • AMELIA G. JONES Robert A

    AMELIA G. JONES Robert A

  • Sfmoma.Org Libby Garrison, 415.357.4177, Lgarrison@Sfmoma.Org Sandra Farish Sloan, 415.357.4174, Ssloan@Sfmoma.Org

    Sfmoma.Org Libby Garrison, 415.357.4177, [email protected] Sandra Farish Sloan, 415.357.4174, [email protected]

  • Marina Abramovic by Laurie Anderson

    Marina Abramovic by Laurie Anderson

  • WALKER ART CENTER LIBRARY Artist File Inventory Last Update: 9/18/14

    WALKER ART CENTER LIBRARY Artist File Inventory Last Update: 9/18/14

  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968

  • (Veneklasen/Werner) Is Pleased to Present Shakers & Movers, a Group Exhibition, Curated by Birte Kleemann, Which Explores

    (Veneklasen/Werner) Is Pleased to Present Shakers & Movers, a Group Exhibition, Curated by Birte Kleemann, Which Explores

  • The Body in Performance a Study Room Guide on Body Based Practices

    The Body in Performance a Study Room Guide on Body Based Practices

  • PERFORMANCE ARTISTS TALKING in the EIGHTIES Montano a B I-Xvi 001-538 10/30/00 16:09 Page Ii Montano a B I-Xvi 001-538 10/30/00 16:09 Page Iii

    PERFORMANCE ARTISTS TALKING in the EIGHTIES Montano a B I-Xvi 001-538 10/30/00 16:09 Page Ii Montano a B I-Xvi 001-538 10/30/00 16:09 Page Iii

Top View
  • Marina Abramović Lives and Works in New York, NY, USA 1970–72 Post Graduate Studies, Academy of Fine Arts, Zagreb, Croatia
  • Linda Montano: Always Creative SITE Santa Fe 1606 Paseo De Peralta, Santa Fe
  • Performance Photographs and the (Un)Clothed Body: Yoko Ono's
  • Trauma Rite As Personal Exhibition and Public Exposition
  • Press Release
  • Marina Abramović the Artist Is Present
  • Video Acts Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust
  • Press Release Marina Abramović & Ulay Collection
  • Chronology of Film and Video Exhibitions at the Long Beach Museum of Art, 1974-1999 Compiled by Kathy Rae Huffman
  • Marina Abramović and Ulay Are Reuniting to Write a Joint Memoir,” Artnet News, May 10, 2018
  • Magical Soup Anna-Catharina Gebbers
  • Oral History Office 75Th Anniversary the Bancroft Library Oral History Project University of California, Berkeley
  • Here and Now╦ Again╦ and Again
  • James Lee Byars a Study of Posterity
  • The Body As the Object of Modern Performance Jon Erickson
  • Performance Art #3
  • The Intersectionality of Mindfulness and Art of Marina Ambramovć
  • Group Soul Who Owns the Artist Fusion?


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