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The Wind from Nowhere
Near Vermilion Sands: the Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
JG Ballard's Reappraisal of Space
And Concrete Island
"Resurrected from Its Own Sewers": Waste, Landscape and the Environment in JG Ballard's Climate Novels Set in Junky
Ballard, Smithson, and the Biophilosophy of the Crystal Aidan
Work, Leisure and Time in J. G. Ballard's the Drowned Worldand
Cultural Pessimists: the Tradition of Christopher Priest's Fiction
Is Dead: JG Ballard's Post-Humanist Myths of the Near Future
Iterative Architecture: a Ballardian Text Brian Baker
Concrete Reality: the Posthuman Landscapes of J.G. Ballard
Ballard and Balladur 65
The Drowned World' (1962): Psycho-Geographical Cli-Fi
The Papers of J. G. Ballard at the British Library
The Electric Sheep Nightmare J. G. Ballard and the Perverse Use of Technology
Inhuman Transformations in Ballard's Climate Novels
A Posthumanist Utopia in Jg Ballard's Crystal World
The Posthuman Landscapes of JG Ballard
The Terminal Beach’ and Concrete Island
Top View
Heterotopic Space in Selected Works of J. G. Ballard
APOCALYPTIC HORROR and the CREATIVE PROCESS By
Nature Reclaims Her Own: J. G. Ballard's the Drowned World