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The Voice of the People
University of Sheffield Library
Willie Mathieson and the Primary Audience for Traditional Song
Vernacular Song and the Folkloric Imagination at the Fin De Siècle
Willie Mathieson and the Primary Audience for Traditional Song
Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive
E] Book Contents
War, Culture and Society, 1750–1850
Music on the Wind: Women Songwriters in the More Traditional Revival in Ireland
The Music of Ireland: Traditional and Contemporary 75608 ENIR 395, 01, 3 Credits; 75607M U SI291, 01, 3 Credits
Who Wrote the Scots Musical Museum? Challenging Editorial Practice in the Presence of Authorial Absence Murray Pittock University of Glasgow
The Poetic Theory and Practice of Langston Hughes
1 Music and the Rise of Caribbean Nationalism: the Jamaican Case Gregory Freeland Department of Political Science California
November / December
79Th National Folk Festival Artist Bios W/ Pronunciation Guide
September / October
From Journalism to Gypsy Folk Song: the Road to Orality of an English Ballad
Essentialism and Multiculturalism in Contemporary English Folk Music
A Special Flame the Sixth Symphony
Top View
Vox Populi? the Recorded Voice and Twentieth-Century British History’
Sergeant Tapped for Chief's Post Be Students Planning Hoyts Boycott
"Our Singing Country": John and Alan Lomax, Leadbelly, and the Construction of an American Past
WILLIAM A.S. SARJEANT for Those of Us Interested in Genuine Folk Song
Our Singing Country": John and Alan Lomax, Leadbelly, and the Construction of an American Past
The Anglo-Scottish Ballad and Its Imaginary Contexts
The Fiddle in Southern England
MT Records History
Chapter Viii the Meeting-House and the Guns
The Music of Wes, Web Or Not