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The Singer of Tales
The Challenge of Oral Epic to Homeric Scholarship
The Complexity of Oral Tradition
Cultural Analysis Reviews 85 REVIEWS the Singer of Tales. By
The Classical Quarterly the Homeric Poems As Oral Dictated Texts
Download The
I. the Theory of the Oral Homer and Its Dilemmas
Eall-Feala Ealde Sæge: Poetic Performance and “The Scop's Repertoire” in Old English Verse1
THE PARRY-LORD THEORY of HOMERIC COMPOSITION by MWM
The Challenge of Oral Epic to Homeric Scholarship
Jazz Musicians and South Slavic Oral Epic Bards [*E-Companion At
Introduction
Albert B. Lord, the Singer of Tales (Cambridge, Massachusetts: Harvard U.P., 1960)
THE TRADITIONAL ORAL AUDIENCE the Primary Purpose of the Present Study1 Is to Question the Assumptions Made in Using “Audience
Classics 4370/WCL 6370: Comparative Epic
Orality and Literacy
Halil Bajgoriä , Guslar
Rhapsodic Apprenticeship Final Draft.Pdf (374.1Kb)
Helen in the Iliad Kenneth J
Top View
Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed “Singer of Tales”
Mcluhan-Marshall The-Gutenberg
Redalyc.South Slavic Oral Epic and the Homeric Question
Introduction