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Temistocle (J.C. Bach)
Programme
METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In
Rethinking Operatic Masculinity: Nicola Tacchinardi's Aria Substitutions and the Heroic Archetype in Early Nineteenth-Century
La Traviata March 5 – 13, 2011
Graduate-Dissertations-21
Kabale Und Liebe
|What to Expect from Nabucco
Migrating Mozart, Or Life As a Substitute Aria in the Eighteenth Century
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
Downloadable PDF
WOLFGANG AMADEUS MOZART Works for the Stage
Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
Opera in Contention: Social Conflict in Late Nineteenth-Century Mexico City
Niccolò Porpora, His Operas and Disciples
A Programme of Mozart Concert Arias
A Lyric Soprano in Handel's London: a Vocal Portrait of Francesca Cuzzoni Lisabeth M
View of the Third's Arguably More Arcane Extension and Intensification of All the Salient Features of the Second." Peter Franklin in Grove Music Online
Musicians' Mobilities and Music Migrations in Early Modern Europe
Top View
Levels of Motivic Definition in Verdi's "Ernani" Author(S): Roger Parker Source: 19Th-Century Music, Vol
Livret-Num-312:Mise En Page 1
Orfeo Ed Euridice in London, Florence and Naples 1770–1785 Contrasting Styles and Competing Ideals
Three Melodramas by Pietro Metastasio
Gaetano Donizetti , Saverio Mercadante, and the Evolution and Development of the Verdi Baritone
Inventions of Truth