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Sidney Bechet

  • The Solo Style of Jazz Clarinetist Johnny Dodds: 1923 – 1938

    The Solo Style of Jazz Clarinetist Johnny Dodds: 1923 – 1938

  • In 191^B Played His First Professional Job. He Bought a Sax on August 3/ and Played His First Job on September 3

    In 191^B Played His First Professional Job. He Bought a Sax on August 3/ and Played His First Job on September 3

  • Jazz and the Cultural Transformation of America in the 1920S

    Jazz and the Cultural Transformation of America in the 1920S

  • Download Booklet

    Download Booklet

  • Jelly Roll Morton Interviews Conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D

    Jelly Roll Morton Interviews Conducted by Alan Lomax (1938) Added to the National Registry: 2003 Essay by Ronald D

  • The Influence of Louis Armstrong on the Harlem Renaissance 1923-1930

    The Influence of Louis Armstrong on the Harlem Renaissance 1923-1930

  • Dr. Michael White: Biography

    Dr. Michael White: Biography

  • Really the Blues, Mezzrow Says: “I Was the Only White Man in the Crowd

    Really the Blues, Mezzrow Says: “I Was the Only White Man in the Crowd

  • Jazz Diasporas.Indddiasporas.Indd 1 008/12/158/12/15 2:502:50 PMPM 2 / Introduction

    Jazz Diasporas.Indddiasporas.Indd 1 008/12/158/12/15 2:502:50 PMPM 2 / Introduction

  • The Genesis of King Oliver's Creole Jazz Band Gene H

    The Genesis of King Oliver's Creole Jazz Band Gene H

  • Sidney Bechet Kyle Etges Signature Recordings I Found a New Baby

    Sidney Bechet Kyle Etges Signature Recordings I Found a New Baby

  • 19. Traditional Jazz

    19. Traditional Jazz

  • Bechet, Noone, Goodman and the Efflorescence of Jazz Clarinet and the Improvised Solo

    Bechet, Noone, Goodman and the Efflorescence of Jazz Clarinet and the Improvised Solo

  • Jazz Timeline

    Jazz Timeline

  • Bechet Excerpt from Treat It Gentle

    Bechet Excerpt from Treat It Gentle

  • Sn ¨Ü8ô,Nidyúäw

    Sn ¨Ü8ô,Nidyúäw

  • Foreseeable Futures #9 Traditional New Orleans Jazzas a Metaphor For

    Foreseeable Futures #9 Traditional New Orleans Jazzas a Metaphor For

  • The 'Caruso of Jazz' and a 'Creole Benvenuto Cellini' Verdi, 'Miserere

    The 'Caruso of Jazz' and a 'Creole Benvenuto Cellini' Verdi, 'Miserere

Top View
  • Sidney Bechet Clarinet Works of Repertoire for Interview with Forgotten Pedagogical Also in This Issue
  • "Louis Licks" and Nineteenth-Century Cornet Etudes: the Roots Of
  • 9567-2 PFE.Pdf
  • Linear Aspects of Harmony in New Orleans Clarinetists Sidney
  • New York Introduction: 1924–1925
  • The Jim Cullum Jazz Band
  • AMWR»Ror[Ivino" Dyk[ [Iiinotdn M Mm
  • Wild Cat Blues”--Clarence Williams' Blue Five (1923) Added to the National Registry: 2015 Essay by Thomas L
  • The Chameleon Clarinet Cultural and Historical Perspectives in America
  • Cbehrendt-Program.Pdf
  • 1. What Is Jazz?
  • 1 Playing Diaspora As Sidney Bechet


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