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Sarah Baartman
The Hottentot Venus, Freak Shows and the Neo-Victorian
Illegible Will Coercive Spectacles of Labor in South Africa and the Diaspora
Infamous Bodies
The Hottentot Venus: the Objectification and Commodification of a Khoisan Woman at the Crossroads of Imperialism, Popular Culture and Science
Figure 1. Renée Cox, Yo Mama's Pieta (1994). Archival Ink Jet Print
Andre Odendaal
Case Note – Sarah Baartman – France and South Africa
Naming and Renaming Project Publication
Bad Bitches, Jezebels, Hoes, Beasts, and Monsters
The Reappearance of the Khoesan in Post-Apartheid South Africa François-Xavier Fauvelle
Black Women and the Fight for Reproductive Justice
Primitivism and the Black Form: the Effect on Contemporary Black Culture Through Hip Hop
Discursive Practices in Saartjie Baartman's Literary
NATION-BUILDING OR PAGEANTRY Olivia Greene
Commonwealth Essays and Studies, 43.1 | 2020 Jorunn S
Queen of Kings: Beyoncé Politics and Pedagogy in the Juvenile Detention Center Classroom
Hottentot Venus”: Restoring the Dignity of “The-Thing-That-Should-Never-Have- Been-Born” Pg 64
University of Sydney Carla Lever Six Corporeal Curiosities
Top View
Black Venus 2010 They Called Her “Hottentot”
Baartman and the Destruction of Black Bodies by the State
Read the Introduction (Pdf)
Redefining Representations of Black Female Subjectivity Through the Erotic Sylvia Cutler Brigham Young University
SAARTJIE Bertha M Spies
The Impact of the African-American Caricature on Contemporary Media
In Angela Carter's Nights at the Circus and Rosie Garland's the Pa