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Robin Wood (critic)
A Cinema of Confrontation
La Politique Des Auteurs in British Film Studies: Traditional Versus Structural Approaches
Postmodernism, the Contemporary Horror Film and the "Problem" of the Femlwine
Film Itself As the Story: Reflexive Constructions in Alfred Hitchcock and Jean-Luc Godard
Screams on Screens: Paradigms of Horror
View Films of Alfred Hitchcock. Syllabus
Hitchcock's Films</Article-Title>
Music As Spiritual Metaphor in the Cinema of Ingmar Bergman
Horror, Crime, and War: Some Comment on the Films of Brian De Palma, 1980-1989
TRIBUTE to Robin Wood
Ingmar Bergman New Edition
Redirecting Neorealism: Italian Auteur-Actress Collaborations of the 1950S and 1960S
2018 CAFM Interior.Indd
The Uncanny Child in Transnational Cinema
Part One Taking Hitchcock Seriously
DAVID GREVEN Professor of English Department of English the University of South Carolina 1620 College St Columbia, SC 29208
[email protected]
Alfred Hitchcock Full Text Reviews
Hitchcock and the Wandering Woman: the Influence of Italian Art Cinema on the Birds
Top View
“Sick Eros”: the Sexual Politics of Antonioni's Trilogy
Lash, D. (2017). Film As Film in the Twenty-First Century: the Function and Evaluation of Diegesis and Disruption
Hitchcock & Godard
1 Screen Acting and the New Hollywood: An
Hybridity, Fluidity and Ingmar Bergman's Alternative Moral Picture
Ingmar Bergman's Persona
Refocus the Films of Paul Schrader
A Study of Alfred Hitchcock's Manipulation of His
Charles Barr Ing) That the Dominant Influence Came from European Minnelli’S Films