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Revolt of the Zombies
'The Whole Burden of Civilisation Has Fallen Upon Us'
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
The Emergence and Development of the Sentient Zombie: Zombie
White Zombie, I Walked with a Zombie, Night of the Living Dead, Dawn of the Dead, Day of the Dead, Victor Halperin, Georges A
I Walked with a Zombie: Colonialism and Intertextuality*
Zombies, Robots, Race, and Modern Labour
Guide to the William K
Dead Man Still Walking: a Critical Investigation Into the Rise and Fall
Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States
Considering Blackness in George A. Romero's Night of the Living Dead
UCLA Electronic Theses and Dissertations
The 1930S Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’
Cedar Crest College CST 245/HON 245 Topics in Popular Culture Zombies—From the Undead to the Posthuman Spring 2010
Criterion Pictures USA Inc
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr
PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente
Modernity's Automatization of Man: Biopower and the Early Zombie Film
Top View
Current Catalog
Public Domain Movies
Race. Nation. Zombie: Imperial Masculinities Gazing at the Undead Adryan Glasgow Purdue University
“... It Does Seem to Be a Fact”: Audience Knowledge and a Sociohistorical Approach to the Horrific Grotesque in Night of the Living Dead Nathaniel Stoll St
The Demise of the Cinematic Zombie from the Golden Age of Hollywood to the 1940S Louise Fenton
8 the Transnational Zombie: Postcolonial Memory and Rage in Recent European Horror Film
The Zombification of Zombies – from Religious Reality on Haiti to Postmodern Pop Cliché Around the World