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Primary tone
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form by David Beach
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models
A Framework for Automated Schenkerian Analysis
Modal Prolongational Structure in Selected Sacred Choral
Wadsworth, Directional Tonality in Schumann's
On Some Peculiarities of Musical Dramaturgy
Schenkerian Analysis for the Beginner Benjamin K
Introduction to Schenkerian Analysis Techniques
The Affective Role of Melodic Ascent and Other Linear Devices in Selected Song Verses of Irving Berlin
On the Meanings of Musical Tone in Twentieth-Century Music
A Wagnerian Ursatz; Or, Was Wagner a Background Composer After All?
MTO 17.3: Nobile, Form and Voice Leading in Early Beatles Songs
Tonality As Drama: Closure and Interruption in Four Twentieth
The Cognitive Reality of Prolongational Structures in Tonal Music
Basic Concepts and Principles in Modern Musical Analysis
Schenker's Leading Linear Progressions
Steve Larson's Analyzing Jazz— a Schenkerian Approach
Techniques of Melodic Prolongation Auskomponierung, Or “Composing Out” Auskomponierung Auskomponierung
Top View
MTO 3.1: Agmon, the Bridges That Never Were
MTO 18.4: Goldenberg, the Interruption-Fill and Corollary
Macroharmony and Centricity in Music of Paul Hindemith by Andrew
The Fundamental Unity in Brahm's Horn Trio, Op. 40
Chapter 3 Semitone-Related Keys II
Prolegomena to a General Description of Motivic Relationships in Tonal Music
Heinrich Schenker As an Interpreter of Beethoven's Piano Sonatas
Schenker's Leading Linear Progressions
Part I: a Nighttime Trilogy for Saxophone and Piano A