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Pratidwandi
The Humanism of Satyajit Ray, His Last Will and Testament Shantanu Ray Chaudhuri
Portrayal of Environment in Cinema: a Comparative Study of 'Pather Panchali'
Beyond the World of Apu: the Films of Satyajit Ray'
Speaking Through Troubled Times
Reflections of Radical Political Movements on the Silver Screen: an Analysis
The Cinema of Satyajit Ray Between Tradition and Modernity
Satyajit Ray Retrospective Opens Film India
1 the Discourse of Colonial Enterprise and Its Representation of the Other Through the Expanded Cultural Critique
Satyajit Ray Season Reveals the Enduring Versatility and Masterly Satyajit Ray: Part Two Style of the Indian Director
NOTES DISPLACEMENT in ARANYER DIN RATRI SUBHADEEP ROY CHAUDHURI Aranyer Din Ratri Can Be Considered a Turning Point in Satyajit
DETECTIVE FICTION Feluda Is One of Satyajit Ray's Greatest Creations
Modernity and Material Culture in Bengali Cinema, 1947-1975
Women's Self-Agency Through the Metaphor of Symbolic Objects in Selected Films of Satyajit
East-West Film Journal, Volume 4, No. 2
'Pratidwandi', A
Marketing Fragment 6 X 10.5.T65
Indian Neo-Realist Cinema
Guest Editor's Column
Top View
DIRECTED by SATYAJIT RAY PATHER PANCHALI APARAJITO APUR SANSAR Song of the Little Road the Unvanquished the World of Apu
Seeing Through the Sound : Certain Tendencies of the Soundtrack in Satyajit Ray’S Films of the 1970S
The Changing World of Satyajit Ray: Reflections on Anthropology and History
Visual Entanglements in Bengali Film: Landscapes, Moments and Contemporary Motifs
Satyajit Ray's Family Plans Big for Birth Centenary
The Two Voices of Satyajit