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Pop music

  • A Short History of Pop ‘Pop’ Is Short for Popular Music

    A Short History of Pop ‘Pop’ Is Short for Popular Music

  • Adult Contemporary Radio at the End of the Twentieth Century

    Adult Contemporary Radio at the End of the Twentieth Century

  • Art to Commerce: the Trajectory of Popular Music Criticism

    Art to Commerce: the Trajectory of Popular Music Criticism

  • OF AFRICAN-AMERICANS African-American Experience

    OF AFRICAN-AMERICANS African-American Experience

  • Download Internet Service Channel Lineup

    Download Internet Service Channel Lineup

  • 11.1 Nomadic Singularities, Experimentalism and Musical Post-Genre

    11.1 Nomadic Singularities, Experimentalism and Musical Post-Genre

  • Effect of Pop Music on Students' Attitudes to Music Lessons

    Effect of Pop Music on Students' Attitudes to Music Lessons

  • One Direction Infection: Media Representations of Boy Bands and Their Fans

    One Direction Infection: Media Representations of Boy Bands and Their Fans

  • Liz Phair the Poptimist by Carrie Courogen

    Liz Phair the Poptimist by Carrie Courogen

  • Chapter 2: Pop-Rock of the 50S and 60S

    Chapter 2: Pop-Rock of the 50S and 60S

  • GEO2426: Pop Music & Culture: a Geographic Perspective Fall 2020

    GEO2426: Pop Music & Culture: a Geographic Perspective Fall 2020

  • “You Listen to K-Pop? Me Too!” How K-Pop Fans Westernized the Genre by Moranda M. Johnson K-Pop, Or Korean Pop Music, Has Al

    “You Listen to K-Pop? Me Too!” How K-Pop Fans Westernized the Genre by Moranda M. Johnson K-Pop, Or Korean Pop Music, Has Al

  • What Were the Forces That Led to the Rise of New Wave?

    What Were the Forces That Led to the Rise of New Wave?

  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre

    Diversity of K-Pop: a Focus on Race, Language, and Musical Genre

  • Chapter Outline

    Chapter Outline

  • Analyzing Genre in Post-Millennial Popular Music

    Analyzing Genre in Post-Millennial Popular Music

  • On the Historical and Future Role of the Music Producer 1

    On the Historical and Future Role of the Music Producer 1

  • Marketing K-Pop and J-Pop in the 21St Century Sarah Brand Dickinson College

    Marketing K-Pop and J-Pop in the 21St Century Sarah Brand Dickinson College

Top View
  • WRESTLING with OR EMBRACING DIGITIZATION in the MUSIC INDUSTRY the Contrasting Business Strategies of J-Pop and K-Pop
  • What Is the K in K-Pop? South Korean Popular Music, the Culture Industry, and National Identity
  • Towards an Aesthetic of Popular Music 259
  • American Popular Music
  • CHAPTER NINE: “GOOD VIBRATIONS”: AMERICAN POP and the BRITISH INVASION, 1960S
  • The Rise of J-Pop in Asia and Its Impact
  • Korean Or Konglish Pop Music? Jain Willis This Article Discusses the Use of English in Korean Popular Music
  • Evolution of the Informational Complexity of Contemporary Western Music
  • Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream
  • Phil Spector and the Wall of Sound by Steven Quinn a Thesis Presented To
  • The Synthesizer: Modernist and Technological Transformations in Film Sound and Contemporary Music
  • Achievement in the South Korean Music Industry Björn Boman1
  • Rocktimism: Pop Music Writing in the Age of Rock Criticism
  • Playnetwork Business Mixes
  • 2021 ASCAP Pop Music Awards Official Rules and Regulations
  • Brian Wilson (Icons of Pop)
  • Sound and Image Worlds in Pop Music Diedrich Diederichsen
  • The Future of Music: Exploring Noise and Pop with Cienfuegos


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