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Pietro Aron
Investigations Into the Zarlino-Galilei Dispute
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
37<F Aisid M . HZ-Li CADENTIAL SYNTAX and MODE in THE
Pietro Aaron on Musica Plana: a Translation and Commentary on Book I of the Libri Tres De Institutione Harmonica (1516)
A Case Study in Hexachordal Solmization As a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries
TOWARD an UNDERSTANDING of the MADRIGAL in Sixteenth Century Spain: a Case Study of the Manuscript Madm 6829
English Music Theory C.1590-C.1690 : the Modal Systems, Changing Concepts, and the Development of New Classification Systems
The Harpsichord: a Research and Information Guide
Instruments of Praise: Sixteenth-Century Pedagogy, Lutheranism, and the 26 Fugae of Johann Walter
Bent, Diatonic Ficta Revisited
«Alli Spiriti Armonici, Et Gentili». Fortunato Martinengo E Il Lucidario in Musica Di Pietro Aaron*
List April 2017 a Selection from Our Stock Music Theory 1
'Passion and Persuasion' the Art of Rhetoric and the Performance of Early Seventeenth-Century Solo Sonatas
Music Theory, by Doing This Project I Will Have a Head Start in Understanding What Is Expected from a Music Theorist and How Music Theory Research Is Done
The Battle Between Impeccable Intonation and Maximized Modulation
Inscribing Medieval Pedagogy: Musica Ficta in Its Texts
Dissertation Version
Top View
Dissertation Version
Melodic Function and Modal Process in Gregorian Chant
CRITICAL EDITION and COMMENTARY Presented to The
The Musician As Author in the Seventeenth Century
A Clear and Practical Introduction to Temperament History Part 1: Introduction by Fred Sturm Published in the Piano Technicians Journal, May, 2010
Front Matter
Introduction
Psalms and Other
485838 Vol1.Pdf