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Music criticism

  • Art to Commerce: the Trajectory of Popular Music Criticism

    Art to Commerce: the Trajectory of Popular Music Criticism

  • Logy and the Study of Western Music*

    Logy and the Study of Western Music*

  • The Authority of Music Criticism Author(S): Edward T

    The Authority of Music Criticism Author(S): Edward T

  • Exploring Customer Reviews for Music Genre Classification and Evolutionary Studies

    Exploring Customer Reviews for Music Genre Classification and Evolutionary Studies

  • Pitchfork Media's Textual and Cultural Impact

    Pitchfork Media's Textual and Cultural Impact

  • The Myth of Classical Music Superiority (Part One) (Not The

    The Myth of Classical Music Superiority (Part One) (Not The

  • Musical Pasts and Postmodern Musicologies: a Response to Lawrence Kramer

    Musical Pasts and Postmodern Musicologies: a Response to Lawrence Kramer

  • Popular Music Journalism As Public Sphere

    Popular Music Journalism As Public Sphere

  • Investigating Six Album Reviews on Queen's

    Investigating Six Album Reviews on Queen's

  • Editorial Introduction Music Journalism

    Editorial Introduction Music Journalism

  • Music Criticism in Vienna C. 1898-1920

    Music Criticism in Vienna C. 1898-1920

  • Track-By-Track Album Reviews on Billboard.Com

    Track-By-Track Album Reviews on Billboard.Com

  • The Complexities of Music Journalism in the 21St Century

    The Complexities of Music Journalism in the 21St Century

  • Music Criticism and Adorno, Irasm 36 (2005) 1, 101-116 101

    Music Criticism and Adorno, Irasm 36 (2005) 1, 101-116 101

  • What Was Critical Musicology?

    What Was Critical Musicology?

  • Mendelssohn, Berlioz, and Wagner As Conductors: the Origins of the Ideal of "Fidelity to the Composer" Jose Antonio Bowen

  • Native American Song at the Frontiers of Early Modern Music. Olivia A

  • Music Criticism 1900-1950

    Music Criticism 1900-1950

Top View
  • The Cleveland Plain Dealer and Its Classical Music Critic
  • New York Times Critic Anthony Tommasini Argues That for Classical Music to Have the a Vibrant Future, It Has to Get Case Over Its Vibrant Past
  • Music of the 20Th Century to the Present James Randall University of Montana - Missoula, [email protected]
  • MUSIC EDUCATORS JOURNAL 0 1963 by Music Educators National Conference 1201 Sixteenth Street N.W
  • [Article] “But Is It Any Good?” the Role of Criticism in Christian Song Composition and Performance DAN FITZGERALD and BRIAN SCHRAG
  • Popular Music Journalism As Public Sphere
  • British Music Criticism, 1890–1945
  • Nineteenth-Century Music Criticism
  • Haydn's Reception in Fin-De-Siã¨Cle France
  • Critical Musicology, the Aesthetic Experience, and the Music Department David Gramit
  • Consumers on Critique: a Survey of Classical Music Listeners’ Engagement with Professional Music Reviews
  • Speaking of Music: How to Talk and Write About It
  • Music, Journalism, and the Study of Cultural Change
  • The Social History of Popular Music in Twentieth Century America
  • Music Journalism
  • AUTHOR Viewpoints (120) -- Speeches/Conference Papers (150) Attention on Songs As Artifacts of Popular Culture. Current Literatu
  • An Evaluation of Orchestral Conducting Teaching Methods
  • The Romantic Period (C.1815-1900)


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