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Monodrama
Professor Niecks on Melodrama Author(S): Frederick Niecks Source: the Musical Times and Singing Class Circular, Vol
Iolanta Bluebeard's Castle
Mannheim Le 12 Nov:Bre Mon Trés Cher Pére!2 1778 I Arrived Here Well
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The Study of the Relationship Between Arnold Schoenberg and Wassily
This Is an Accepted Manuscript of an Article Published by Taylor
Wiebe, Confronting Opera
18 Contemporary Opera and the Failure of Language
Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
Salvatore Sciarrino. the Sicilian Alchemist Composer
PMA Polonica Catalog
Live and Interactive Electronic Vocal Compositions: Trends and Techniques for the Art of Performance
Schoenberg and the Gesamtkunstwerk Path to Abstraction By
“The Infallible Protagonist” a Study of Complexity Theory and Rehearsal Dynamics in Monodrama
Theory of Music-Expressionism
Analyzing Gender Inequality in Contemporary Opera
BEYOND the HUMAN VOICE: FRANCIS POULENC's PSYCHOLOGICAL DRAMA LA VOIX HUMAINE (1958) Cynthia C. Beard, B.M. Thesis Prepared Fo
Oso Monodrama Pr 062816 Jk
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Over 100 Opera Makers
Parlare Del Genere Teatrale Cui Appartiene L'heure Espagnole
What Is Speculative Music Composition?
Freeing the Wagnerian Leitmotif
Not Just a Pretty Voice: Cathy Berberian As Collaborator, Composer and Creator Kate Meehan Washington University in St
Prufrock: a Monodrama for Baritone and Electronics
Vocal Solos and Opera
Jennifer Trost, Soprano Svetlana Rodionova, Piano
Voicing Pierrot: Endnotes
The Musical Reactionary
Implementation of Instrumental Theatre Principles in Yuri Kasparov's Opera-Monodrama “Nevermore!”
The Girl Called Joan a Performance Dvd
A MUSICIAN's PERSPECTIVE Deborah Ann Thurlow Doctor of M
Xavier Sabata Selected Reviews
From Melodrama to Vocalizing Pianist – the Evolution of a Genre
Sergei M. Eisenstein's Aesthetic Theory and Modernity in the Early
Opera (Music) -- Britannica Online Encyclopedia 2014/08/19 3:10 PM
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Die Seeräuberin Ein Lotte-Lenya-Roman
How the Expressionist Monodramatic Character's Sense of Alienation
The Melologue and Its Latin American Manifestations
In the Garden of Dreams
Reading the Opera Works of Gwen Harwood and Larry Sitsky
THE SACRILEGE of ALAN KENT, a Monodrama in Nine Scenes For
The Abstraction and Representation of Inner Occurrences in Schoenberg’S Die Glückliche Hand
The Use of Greek Tragedy Zn the History of Opera Ruth Zinar
A Comparative Study of the Concept and Portrayal of Female Death In
A Preliminary List of Canadian Staged Dramatic Music Since 1867 Mary I
Oxford Music Online Page 1 of 1
Émilie, an Opera About Love, Death, and Mathematics
1 the Melodrama
O Monodrama De Schoenberg E O “Quadro Vivo” De Beckett
The Unsung One: the Performer's Voice in Twentieth-Century Musical
SPRECHSTIMME in ARNOLD SCHOENBERG's PIERROT Lunalre
Mjlc I 4 Edited by Dr. Stainer. Price Two Shillings. Ha R M O N Y Dr. Sta
UNIMARC Manual