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Medusa (Bernini)
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Powers of Divergence Emphasises Its Potential for the Emergence of the New and for the Problematisation of the Limits of Musical Semiotics
Vision, Touch, and the Poetics of Bernini's Apollo and Daphne Author(S): Andrea Bolland Source: the Art Bulletin, Vol
Bernini's Bust of Medusa
CARAVAGGIO & BERNINI Discovery of Emotions the Exhibition Presents
MASTERS of ART by Courtesy of the National Galleries 1680
Bernini As the Seicento Michelangelo: Imitation and Identity in Art, Architecture and Biography
A Fountain for Memory
INTRODUCTION Between 1600 and 1650 a Surprisingly Novel Kind of Art Evolved in Rome
Gianlorenzo Bernini, Baldacchino, Saint Peter's, Rome, 1624-1633
Masterpieces of the J. Paul Getty Museum: European Sculpture
Cellini's Blood Michael Cole
Programma Di Storia Dell'arte
Unit 11 Italy
October 15, 2019 to January 19, 2020 Caravaggio & Bernini
Rome Your Trip So Far
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