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Letters by Antoine Morillon (Around 1520–1556). and Stephanus Pighius (1520– 1604) to Antoine Perrenot De Granvelle in Madrid
Catalogue of the Eleventh Annual Exhibition of Engravings, Etchings, Woodcuts of the Xv and Xvi Centuries
Following the Early Modern Engraver, 1480-1650 September 18, 2009-January 3, 2010
Che Si Conoscono Al Suo Già Detto Segno Vasari's Connoisseurship In
A N T I C H I T À
To Rome and Back: Individualism and Authority in Art, 1500–1800
The Sack of Rome (1527): the Triumph of Mannerism in Europe
The Laocoon Tableau in Virgil's Aeneid
Case 1 Antonio Lafreri and the Speculum Romanae Magnificentiae 1
Fashioning Florence: Portraiture and Civic Identity in the Mid-Sixteenth Century Stephanie Ariela Kaplan Washington University in St
The Triumph of Perfection Raphael Sixteenth-Century Italian Drawings and Prints from the Museum of Fine Arts, Budapest
Giudizio Di Paride
Raphael: a Sorority of Madonnas
The Cultural Politics of Prints
Echoes of Antiquity Online.Pdf
Raimondi AW V2.Indd
E22.AMS.15Mar2016 2 (1).Pdf
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Engraving, Antique Sculpture, and the Topos of Death
Adam Von Bartsch and the Taxonomic Classification of Prints