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The Globalization of K-Pop: the Interplay of External and Internal Forces
Mood Music Programs
中文流行音樂mandopop 志仁
The Pop Scene Around the World Andrew Clawson Iowa State University
An Ideological Analysis of the Birth of Chinese Indie Music
Media-Release-Music--Monuments
Reading List for Taiwan's Popular Music Chang, S
ST/LIFE/PAGE<LIF-009>
Two Generations of Contemporary Chinese Folk Ballad Minyao 1994-2017
China Pop Love, Patriotism and the State in China’S Music Sphere
Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
China and the West: Music, Representation, and Reception
Musical Letters to Friends
© Copyright 2020 Young Dae
FOR IMMEDIATE RELEASE Singapore, 1 September 2016
Hong Kong Cantopop
Chinese-Ness’: Articulating Identities-Of
Top View
Lorentz, Korinna
K-Pop and K-Drama Fandom in Spain and Latin America Dani
Role of Popular Culture in Global City Formation Lim Su-Yi
A Critical Anaysis of Identity, Media, and Popular Music in the Voice Of
Combination of Malay Traditional and Chinese Popular Musical Elements Into a New Mandopop Composition
On the Fetish-Character and Visual Seduction – Dance in Taiwanese
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The Abcs of C-Pop
Between Dislocated and Relocated Inter-Asian Popular Music Studies: Academic Discourse and Possibilities
Music Programs
How We Became Bulletproof: a Critical Conversation Among Three Hmong American ARMY Siblings
LEE-THESIS.Pdf (2.452Mb)
Miami Bass Riot Grrrl Deep Ambient Abstractro Death Metal Halloween
Lyrical Laments and Emotional Expression in Mandopop
Music Channels Catalog
The Musicality of C-Pop a Study of Chinese Popular Music from 1985-2010