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Magnus Liber
CAPTURING MUSIC Writing and Singing Music in the Middle Ages THOMAS FORREST KELLY Morton B
Narrow Range -More Virtuosic
Vestiges of Midsummer Ritual in Motets for John the Baptist
PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
Chapter 2: Secular and Cathedral Music in the High Middle Ages I
Some Preliminary Observations on the Afterlife of Notre Dame Fragments*
Introduction
Contents and Sample Pages (PDF)
The Bilingual Motets of the Old Corpus of the Montpellier Codex
Medieval Period Week 1
Redalyc.I Vestiti Nuovi Di Notre Dame
Polyphony at Notre Dame and in the 13Th Century
Introduction
University of Southampton Research Repository Eprints Soton
THE MAGNUS LIBER? Eowero H
Music History Exemption Guidelines
MUSIC HISTORY REVIEW GUIDE for UNIVERSITY of FLORIDA DIAGNOSTIC EXAM
SCHOOL of NÔTRE-DAME Late 1100-1200S (Twelfth-Thirteenth Centuries)
Top View
Sound and Space in Twelfth-Century Notre-Dame of Paris
(1) Western Culture Has Roots in Ancient and ___
LEONIN • PEROTIN Sacred Music from Notre-Dame Cathedral TONUS PEREGRINUS
From the Magnus Liber Organi to Adam De La Halle CATHERINE A
Polyphony in Medieval Paris Catherine A
Contents and Sample Pages (PDF)
Consonance and Rhythm in the Organum of the 12Th and 13Th Centuries
Polyphony at Notre Dame and in the 13Th Century 21M.220
Sources of Thirteenth-Century English Polyphony: Catalogue with Descriptions
From Neumes to Notes: the Evolution of Music Notation
Song and Dance in the Early Middle Ages
6.5 X 11 Double Line.P65