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Lilacs (Walker)
Calamus, Drum-Taps, and Whitman's Model of Comradeship
Drum-Taps and Battle-Pieces
The Long Island Historical Journal
Network Notebook
Drum-Taps' Cluster and the Editorial Influence of William Michael Rossetti
An Annotated Bibliography and Performance Commentary of The
Leaves of Grass
A Conductor's Compendium of Black American Orchestral Composers
REVERBERATING REFLECTIONS of WHITMAN: a DARK ROMANTIC REVEALED DISSERTATION Presented to the Graduate Council of the University
WHITMAN, AUDEN, and MULDOON in ELEGIAC AMERICA by EMILY
Walt Whitman - a Centenary Exhibition University Libraries--University of South Carolina
Walt Whitman Quarterly Review
An Annotated Bibliography of Works by Pulitzer Prizewinning Composers for Solo Viola, Viola with Keyboard, and Viola with Orchestra Michael Alan Weaver
American Realism Stephen Swords Eastern Illinois University
Walt Whitman's Drum-Taps
The Idea of Self and Transcendence, Gender Equality in Walt Whitman's
“Cult of Whitman”: Charles Villiers Stanford's Elegiac Ode Jacob Bird
[email protected]
Poetry of Lost Loss: a Study of the Modern Anti-Consolatory Elegy by Toshiaki Komura
Top View
Natural Elements Representing the Cycle Of
Music of the Twentieth Century
ENG324: Whitman and Dickinson Fall 2017
Drum-Taps: Whitman's Problematic Legacy As a War Poet
Drum Taps by Walt Whitman
“The Great Starlit Vault of Heaven”: Walt Whitman's Treatment of Death
Walt Whitman and the Modern Movement in American Poetry
Walt Whitman
Walt Whitman and the American Civil War: from Wound Dresser to Good Gray Poet
36 Weeks of 'Whitman and the Civil War'
When Lilacs Last in the Dooryard Bloom'd
University of Oklahoma Graduate College
Saturday, February 6, 2021: Beethoven's Grosse Fuge